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Relevant bibliographies by topics / O'Hara

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Academic literature on the topic 'O'Hara'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2024

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Journal articles on the topic "O'Hara"

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Herring, Terrell Scott. "Frank O'Hara's Open Closet." PMLA/Publications of the Modern Language Association of America 117, no. 3 (2002): 414–27. http://dx.doi.org/10.1632/003081202x60378.

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This essay explores the relays of publicity and privacy structuring Frank O'Hara‘s “Personism: A Manifesto” and his personal poetry. Though these works have recently been celebrated for their candid expression of homosexual desire during a cultural moment set on silencing queer voices, I argue the inverse. Focusing on O'Hara‘s ambivalent relation to a calcified poetics of impersonality promoted by New Critics and confessional poets, I suggest that O'Hara does not simply reject the New Critical creed of public poetry. He instead reformats New Critical tenets to create a fantastic space of closeted openness that successfully depersonalizes himself and his audience. Apparent in poems such as “Poem” (“Lana Turner has collapsed!”) and “Personal Poem,” this project enables the poet to fashion an intimately imagined queer community that facilitates impersonal identifications. Through personism, that is, O'Hara fabricates an alternative public sphere in which public individuals paradoxically become visibly invisible.

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Turner, Monica, William Romme, and Linda Wallace. "Landscape Level Interactions Among Ungulates, Vegetation, and Large-Scale Fires in Northern Yellowstone National Park." UW National Parks Service Research Station Annual Reports 14 (January 1, 1990): 179–81. http://dx.doi.org/10.13001/uwnpsrc.1990.2935.

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Substantial progress has been made in both the modeling and field studies during the first six months of research funding. Yegang Wu, Jennifer O'Hara, and Michael O'Hara all began working full time for the project on September 1, 1990. Wu is based at Oak Ridge National Laboratory (ORNL) and is working primarily on model development and analyses using the geographic information system (GIS) located in Yellowstone. The O'Hara's are based in Yellowstone and are working full time on the field studies. Here we describe our progress during the past six months for each main area of the proposed work: 1. field studies, including aspen (Populus tremuloides) and grassland sampling, and 2. model development and GIS analyses.

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REVELY-CALDER, CAL. "Frank O'Hara in Transit." Journal of American Studies 52, no. 3 (2017): 716–37. http://dx.doi.org/10.1017/s0021875817000913.

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The poetry of Frank O'Hara (1926–66) takes place in the routes of New York City, both above and below the ground. This essay looks at the characteristics of his poetic lines, and some of the ways they invest themselves in each other, interacting complexly through rhymes and line breaks that we may struggle to negotiate. Then, broadening outwards to consider urban topographies and the experience of inhabiting the avenues of Manhattan, it discusses how the lines of a poem might relate to the lines of a subway system or street grid, and considers how O'Hara's poetry opens our attention, and our generosity, to the aspects of a cityscape that we habitually overlook.

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Reasoner, Mel A., and Nathaniel W. Rutter. "Late Quaternary history of the Lake O'Hara region, British Columbia – an evaluation of sedimentation rates and bulk amino acid ratios in lacustrine records." Canadian Journal of Earth Sciences 25, no. 7 (1988): 1037–48. http://dx.doi.org/10.1139/e88-101.

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Lake O'Hara (subalpine) and Opabin Lake (alpine) are situated directly adjacent to a high section of the Continental Divide in the central Canadian Rocky Mountains. Core samples recovered from the lakes show a consistent stratigraphy comprising gyttja and underlying inorganic clastic sediments. The gyttja contains Bridge River (2350 years BP) and Mazama (6800 years BP) tephras and is separated from the lower clastic sediments by a sharp, conformable contact. Radiocarbon dates obtained from conifer needles, extracted from directly above the contact, indicate that deglaciation had proceeded upvalley from the O'Hara basin priorto ca. 10 100 years BP. Preliminary palaeobotanical and macrofossil data suggest that a Pinus–Abies forest with lesser Picea was established in the vicinity of Lake O'Hara by this time. Consequently, the minimum age of moraine systems situated downvalley from Lake O'Hara is Late Wisconsinan.Mean annual sedimentation rates were derived from sediment thickness data from 14 Lake O'Hara and 2 Opabin Lake cores. Averaged total sedimentation rate values from the Lake O'Hara cores are 0.13 mm/year (post-Bridge River), 0.13 mm/year (Mazama – Bridge River) and 0.05 mm/year (11 000 years BP – Mazama). Averaged total sedimentation rate values from the Opabin Lake cores are 0.19 mm/year (post-Bridge River), 0.07 mm/year (Mazama – Bridge River), and 0.06 mm/year (8530 years BP – Mazama). Higher total sedimentation rates in post-Bridge River sediments of Opabin Lake are presumably related to climatic conditions associated with more extensive upvalley ice during the last ca. 2300 years. Highly variable sedimentation rate data obtained from the Lake O'Hara cores suggest that the use of sedimentation rate data as a proxy record of upvalley glacial activity is inappropriate in the Lake O'Hara setting where inflowing glacial stream systems are interrupted by upvalley lake basins.Aspartic acid D/L ratios were derived from bulk gyttja samples of known age from seven Lake O'Hara and one Opabin Lake core. In all but two cases, aspartic acid D/L ratios increase consistently with respect to sediment age. The increasing downcore trends in the aspartic acid D/L ratios suggest the possibility of using amino acid data from bulk gyttja samples as a check for reworking in cases where chronostratigraphic markers are absent.

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Rickard, David. "Michael John O'Hara. 22 February 1933 — 24 November 2014." Biographical Memoirs of Fellows of the Royal Society 61 (January 2015): 305–30. http://dx.doi.org/10.1098/rsbm.2015.0019.

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Michael John (Mike) O'Hara was born in Sydney, Australia, but came to the UK when he was one year old. He received his BSc and PhD degrees from Cambridge University. He was appointed assistant lecturer at the Grant Institute of Geology at Edinburgh University in 1958, where he rose to a personal chair in 1970. He moved to the University College of Wales Aberystwyth in 1978 as Head of Department and was appointed Distinguished Research Professor at Cardiff University in 1993. Mike O'Hara was one of the leading igneous petrologists of his generation, a pioneering mountaineer and eminent science administrator. He made fundamental contributions to a wide range of topics in igneous petrology, including identifying rocks from the Earth's deep mantle, experimental petrology, the primary magma problem and mathematical modelling of igneous rock formation. Mike O'Hara's name is legendary in climbing circles because he made the first ascents of 39 of the finest rock climbs in the UK. As a national science administrator he was mainly responsible for the present profile of Earth science teaching and research in UK universities.

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O'Hara, P. "Dr O'Hara replies." Psychiatric Bulletin 10, no. 5 (1986): 118–20. http://dx.doi.org/10.1192/pb.10.5.118-b.

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O'Hara, Peter. "Dr O'Hara replies." Bulletin of the Royal College of Psychiatrists 10, no. 5 (1986): 118–20. http://dx.doi.org/10.1192/s0140078900027401.

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Prins, Richard. "Pantoum by Frank O'Hara." Ploughshares 44, no. 1 (2018): 129–30. http://dx.doi.org/10.1353/plo.2018.0024.

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He, Jesse, and Masaki Hayashi. "Lake O'Hara alpine hydrological observatory: hydrological and meteorological dataset, 2004–2017." Earth System Science Data 11, no. 1 (2019): 111–17. http://dx.doi.org/10.5194/essd-11-111-2019.

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Abstract. The Lake O'Hara watershed in the Canadian Rockies has been the site of several hydrological investigations. It has been instrumented to a degree uncommon for many alpine study watersheds. Air temperature, relative humidity, wind, precipitation, radiation, and snow depth are measured at two meteorological stations near Lake O'Hara and in the higher elevation Opabin Plateau. Water levels at Lake O'Hara, Opabin Lake, and several stream gauging stations are recorded using pressure transducers and validated against manual measurements. Stage–discharge rating curves were determined at gauging stations and used to calculate discharge from stream stage. The database includes additional data such as water chemistry (temperature, electrical conductivity, and stable isotope abundance) and snow survey (snow depth and density) for select years, as well as geospatial data (elevation and land cover). This dataset will be useful for the future study of alpine regions, where substantial and long-term hydrological datasets are scarce due to difficult field conditions. The dataset can be accessed at https://doi.org/10.20383/101.035.

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Eppard, Philip B. "COLLECTED STORIES OF JOHN O'HARA." Resources for American Literary Study 16, no. 1 (1989): 254–58. http://dx.doi.org/10.2307/26366375.

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Dissertations / Theses on the topic "O'Hara"

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Mac, Arthur Pamela C. "John O'Hara : a biographical study." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264578.

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Chatzidimitriou, Romanos. "Frank O'Hara: A Story in Names." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21424.

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This paper is an analysis of two poems by the American New York School poet Frank O’Hara. The two poems analysed here are “The Day Lady Died” and “Adieu to Norman, Bon Jour to Joan and Jean-Paul.” Both poems have O’Hara’s distinctive ‘I do this, I do that’ style which is characterised by a conversational tone and a narrative of everyday events in New York City. O’Hara’s poetry has long been criticized by the literary community for being targeted to a coterie circle, specifically to his friends and artists in the New York School in the 1950s and early 1960s. Because these criticisms partly derive from the considerable amount of proper names O’Hara includes in many of his poems, the following analysis will be based on the proper names included in the poems. By using two different theories/typologies to analyse the poems, this paper finds the proper name to be a core part of the narrative of the poems and an important source of information for the context in which the poems were written.

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Sabeti, Sharareh. "Tradition and politics in the work of Frank O'Hara." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624472.

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Rogerson, Janet. "Leopard, and, 'As obvious as an ear' : Frank O'Hara's sound." Thesis, University of Manchester, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701120.

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Leopard: A poem, is an event that begins and ends on the page; when a poem works it works alone and is not dependent on the performance of its neighbours. The goal with Leopard was to create individual poems whose scope is eclectic and ambitious rather than to fashion a coherent collection. This attitude is not a popular one in twenty-first century poetry, where themed collections and identity poetry are both desired and celebrated. But I believe imagination is the true currency of poetry and coherence is over-rated. The poems cross a variety of forms and styles, to invent and tell stories, to untame the imagination. My poems are disparate and there is little point forcing arbitrary connections and themes onto them. Leopard is influenced by music, film, art, words and by other poets. The poems are influenced by Frank O'Hara, not in style, but in the way O'Hara reminds me that poems can begin anywhere, the poet is nothing if not in control, and writing poems is an exciting thing to do. I imagine some of the poems would please the old ladies in Ealing comedies, these 'doiley' poems are flimsy and full of carefully positioned holes; they stand next to surreal poems which I see being read by a guy in a diner in a David Lynch movie, he'll be crying and laughing—at the same time probably—and not necessarily because the poems are sad or funny; others might be valued by characters who know things about poems and can appreciate what they do, know who or what they are referring to and hopefully find something beyond their lines. Like the spots on a leopard, each poem stands alone, but if a unity is to be found, I hope it is through sound and accessibility. I care how my poems sound because poetry for me is primarily an oral art form. I think some of the poems sound good, others I never read to an audience because not every poem can escape its white space, though it can still serve a valuable enough purpose on the page. I hope my poems are accessible and I hope the sound of a few of them, at least, will stay with the reader, but most of all I hope the poems will not bore; the worst adjective to attach to a poem is boring.'As obvious as an ear': Frank O'Hara's soundThis thesis explores the poems of Frank O'Hara in relation to sound. O'Hara's status as a poet, though legendary, is built on the casual nature of his poetic and not on claims about technical expertise. O'Hara's much-quoted statement in 'Personism: A Manifesto', in which he rejects 'elaborately sounded structures' has resulted in critics taking O'Hara at his word and largely avoiding the sonic properties of his poems. But a poem and its sound are inseparable and to overlook sound in the critical discourse on O'Hara is a considerable omission. The study of sound in poetry typically involves the examination of embedded sound effects which have been employed by the poet to manipulate the readers' experience when reading or listening to a poem. O'Hara does embed sound to some degree in a haphazard way, but what is more noteworthy about O'Hara's poetic is the way sound inhabits the surface of his poems. My intention is to turn up the volume on this neglected area of O'Hara's poetic and tune in to the sonic world he invites the reader to inhabit, the world of surface sound.

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Brossard, Olivier. "Le lyrisme dans l'oeuvre poétique de Frank O'hara (1926-1966)." Paris 7, 2006. http://www.theses.fr/2006PA070033.

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Le poète américain Frank O'Hara (1926-1966) est associé aux poètes de l'école de New York tels John Ashbery ou Kenneth Koch. Après des études à Harvard, ces écrivains se retrouvent au début des années cinquante à New York, où ils fréquentent de nombreux peintres. O'Hara devient le centre de cette communauté: conservateur au Musée d'Art Moderne, il organise plusieurs expositions d'importance pour la peinture américaine d'après-guerre. Cette thèse propose de lire l'œuvre poétique de Frank O'Hara sous l'angle du lyrisme, entre littérature, peinture et musique. À une époque où la conception traditionnelle de la subjectivité est remise en cause, face à la « crise morale de l'écriture », le poète élabore un « lyrisme matérialiste », s'en remettant au monde prosaïque des choses, relais d'une intériorité qui peine à se dire. On a fait d'O'Hara le « poète des peintres », la crise ontologique d'après-guerre étant au cœur du travail des expressionnistes abstraits - aussi appelés peintres de l'école de New York. Mais ce portrait est à nuancer car le lyrisme, chez ces derniers, signifie l'expression immédiate et entière de soi sur la toile, défi lancé au monde. Tandis que chez O'Hara le lyrisme, moins franc, ne peut se concevoir sans le jeu de l'ironie : il repose sur l'articulation problématique d'une identité qui ne se donne jamais entièrement. L'identité dont rêve O'Hara est celle du poète et du musicien. Il sait néanmoins que la destination lyrique qu'il assigne à sa poésie ne pourra être atteinte par le langage seul : le chant demeure un idéal de son œuvre, à h fois désir et regret. Le lyrisme est la douloureuse conscience que la musique manque toujours à l'appel des mots<br>American poet Frank O'Hara (1926-1966) is associated with the New York School poets such as John Ashbery and Kenneth Koch. After attending Harvard, they moved to New York where they met the painters of the New York School. Hired by the Museum of Modem Art, O'Hara became the center of this community of artists: once a curator, he organized key exhibitions of American painting in the 1950s and 60s. This PhD dissertation focuses on lyricism in O'Hara's poetry so as to account for thé engagement of his work with literature, painting and music. After World War 11, at a lime when traditional conceptions of subjectivity fait apart, when writing becomes "a moral crisis," O'Hara elaborates a "materialistic lyricism," resorting to the prosaic world of things to express a reticent inner self. O'Hara has often been said to be the painters' poet: the post-war ontological crisis is also at the heart of Abstract Expressionism. The relationship between O'Hara and the painters should nevertheless be qualified: for the first "heroic" generation of the New York School, lyricism meant the full and immediate expression of the self on the canvas. For O'Hara, it cannot be so coherent or heart-whole: poetry cannot be lyrical without the saving graces of irony. Lyricism should then be understood as a mode of articulating a problematic identity never fully revealed. The model of identity that O'Hara's work aspires to is to be found in music. However, the poet knows that his lyrical ambitions cannot be fulfilled by language alone: singing remains a mere ideal, the song is both the desire and regret of the poem. Lyricism is then the painful awareness that music is always beyond the call of words

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Sills, Rachel Marianne. "The city, art and death in the poetry of Frank O'Hara." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266142.

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Kelly, Dawn Priscilla. "Applying a human dimension to wildlife management, a case study of Lake O'Hara." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq24171.pdf.

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O'Neill, C. "Urban Confetti : Benjamin, Carson, O'Hara and the Figure of the Modern Urban Poet." Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517528.

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MacPhee, Graham. "Remembering the avant-garde : vision and time in the poetry of Frank O'Hara." Thesis, University of Sussex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263158.

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Smith, Hazel. "The sense of neurotic coherence : structural reversals in the poetry of Frank O'Hara." Thesis, University of Nottingham, 1988. http://eprints.nottingham.ac.uk/39283/.

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Books on the topic "O'Hara"

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Joseph, Bruccoli Matthew. The O'Hara concern: A biography of John O'Hara. Universtiy of Pittsburgh Press, 1995.

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Kate, Thompson. The O'Hara affair. Windsor, 2010.

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Sokoloff, Carol Ann. Eternal Lake O'Hara. Ekstasis Editions, 1993.

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Wisdom, Linda Randall. O'Hara versus Wilder. Bantam Books, 1994.

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O'Hara, Clifford B. Ancestors and descendants of Clifford Bradley O'Hara and Helen Elizabeth Hanford O'Hara. C.B. O'Hara, 1989.

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1944-, Cutts Simon, and Coracle Press, eds. After Frank O'Hara & Morton Feldman. Coracle, 1996.

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Perloff, Marjorie. Frank O'Hara, poet among painters. University of Chicago Press, 1998.

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B, Eppard Philip, ed. Critical essays on John O'Hara. G.K. Hall, 1994.

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John, O'Hara. Collected stories of John O'Hara. Vintage Books, 1986.

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John, O'Hara. The novellas of John O'Hara. Modern Library, 1995.

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Book chapters on the topic "O'Hara"

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Schöpp, Joseph C. "O'Hara, Frank." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12250-1.

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Kelleter, Frank. "O'Hara, John." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12252-1.

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Carpenter, Faedra Chatard. "Robert O'Hara." In Fifty Key Figures in Queer US Theatre. Routledge, 2022. http://dx.doi.org/10.4324/9781003203896-38.

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Schöpp, Joseph C. "O'Hara, Frank: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12251-1.

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Gebsattel, Jerôme von, and Frank Kelleter. "O'Hara, John: Appointment in Samarra." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12253-1.

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Mingyuan, Zheng, and Wang Xiaoling. "Philosophy in Frank O'Hara's Urban Poetics." In A Study of the Urban Poetics of Frank O'Hara. Routledge, 2022. http://dx.doi.org/10.4324/9781003289791-5.

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Xiaoling, Wang, and Wang Yuzhi. "The Culture of Frank O'Hara's Urban Poetics." In A Study of the Urban Poetics of Frank O'Hara. Routledge, 2022. http://dx.doi.org/10.4324/9781003289791-3.

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Xiaoling, Wang. "The Origin of Frank O'Hara's Urban Poetics." In A Study of the Urban Poetics of Frank O'Hara. Routledge, 2022. http://dx.doi.org/10.4324/9781003289791-1.

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Mingyuan, Zheng, and Wang Xiaoling. "Literary Ethics in Frank O'Hara's Urban Poetics." In A Study of the Urban Poetics of Frank O'Hara. Routledge, 2022. http://dx.doi.org/10.4324/9781003289791-6.

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Xiaoling, Wang, Wang Yuzhi, and Zheng Mingyuan. "Modernity, Postmodernity, and Last Words." In A Study of the Urban Poetics of Frank O'Hara. Routledge, 2022. http://dx.doi.org/10.4324/9781003289791-8.

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Conference papers on the topic "O'Hara"

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Gary, Dennis, and Mark Piltingsrud. "O'Hare ATS — The Teenage Years." In 12th International Conference of Automated People Movers. American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41038(343)7.

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Andolino, Rosemarie S., Diane Woodend Jones, and Chris Gambla. "Chicago O'Hare Airport Transit System: Sustainable Ground Transportation." In 14th International Conference on Automated People Movers and Automated Transit Systems. American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784412862.005.

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Olson, William. "O'Hare International Airport Parking Demand Sensitivity Analysis Forecast." In 27th International Air Transport Conference. American Society of Civil Engineers, 2002. http://dx.doi.org/10.1061/40646(2003)33.

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Peters, Gene. "Vegetated Roof Installations at O'Hare and Midway International Airports." In First Congress of Transportation and Development Institute (TDI). American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41167(398)93.

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Worthington, Bruce, Robert Lewis, and Charles Herckis. "Saving Millions and Avoiding Disaster – The O'Hare Hot Tap Project." In Pipelines Specialty Conference 2009. American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41069(360)64.

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Neyshabouri, Saba, Lance Sherry, and Karla Hoffman. "Airport surface gridlock analysis: A case study of Chicago O'Hare 2007." In 2013 Integrated Communications, Navigation and Surveillance Conference (ICNS 2013). IEEE, 2013. http://dx.doi.org/10.1109/icnsurv.2013.6548517.

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Neyshabouri, Saba, Lance Sherry, and Karla Hoffman. "Airport surface gridlock analysis: A case study of Chicago O'Hare 2007." In 2013 Integrated Communications, Navigation and Surveillance Conference (ICNS). IEEE, 2013. http://dx.doi.org/10.1109/icnsurv.2013.6548592.

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Drouet, Christina. "The Federal Aviation Administration's Unique Approach to the O'Hare Modernization Program." In First Congress of Transportation and Development Institute (TDI). American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41167(398)23.

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Schaar, David, and Lance Sherry. "Performance of the Air Transportation System for the Atlanta - Chicago - O'Hare Route." In 2006 ieee/aiaa 25TH Digital Avionics Systems Conference. IEEE, 2006. http://dx.doi.org/10.1109/dasc.2006.313666.

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Wilk, Paul A. "Apron Pavement Replacement at Chicago's O'Hare International Airport: An Exercise in Cooperation." In Airfield Pavements Specialty Conference 2003. American Society of Civil Engineers, 2004. http://dx.doi.org/10.1061/40711(141)35.

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Reports on the topic "O'Hara"

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Dasí, Virginia Dasí, Emelina López López-González, and Marta Talavera. Defining intimate partner violence: a scoping review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.6.0030.

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Review question / Objective: The aim of this scoping review is known what the definition of intimate partner violence is used in the scientific literature. Background: In the scientific literature, intimate partner violence (IPV) has been defined using various terms: aggression, domestic violence, interpersonal violence, intimate partner violence, domestic violence, spousal violence, family violence, etc. (Sprague, 2013; Hamel et al., 2015; O'Hara, 2018, Rahmani et al., 2019). This variety of terminology has hindered a consensus definition, causing a fragmented view of the phenomenon. There are several explanations, one of the main ones being that IPV has been studied by numerous scientific disciplines, each of them associating it with terms specific to its field, focusing on some variables and overshadowing the relevance of others (Nicolás et al. , 2014). Specifically, the term Domestic Violence (DV) and IPV are used interchangeably. However, DV refers to any form of violence perpetrated within a family relationship. It can refer to violence, but also to violence against children or older members of the same family by another family member (Tavoli et al., 2016). It should be noted that the confusion between these terms has been generated since 1993 (Pence & Paymar, 1993) to the present (Bates, 2020).

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Acker, Anita M., Mary K. Fields, and Robert P. Davis. Wastewater Characterization Survey, O'Hare International Airport (IAP), Air Reserve Station, Illinois. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada263155.

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Health hazard evaluation report: HETA-93-1145-2529, United States Postal Service, O'Hare Airport. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1995. http://dx.doi.org/10.26616/nioshheta9311452529.

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