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Relevant bibliographies by topics / O Domine Jesu Christe (motet) / Journal articles

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Journal articles on the topic 'O Domine Jesu Christe (motet)'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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Consult the top 17 journal articles for your research on the topic 'O Domine Jesu Christe (motet).'

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1

Fitch, Fabrice. "Loyset Compère and the Motetti missales Cycle Ave Domine Jesu Christe." Journal of the Alamire Foundation 10, no. 2 (2018): 293–304. http://dx.doi.org/10.1484/j.jaf.5.116521.

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2

Kamenieva, A. "Meditativity in the structure of art consciousness (on the material of the mass «And i said in my heart» by M. Shukh)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 128–40. http://dx.doi.org/10.34064/khnum2-49.09.

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Background. Mikhail Shukh is a Ukrainian composer, who paid much attention to spiritual music in his creative work. In general, the spiritual sphere of his works belonged to choral genres. Mikhail Shukh’s choral music is very diverse: it varies from large genres to choral cycles and miniatures. Mikhail Shukh was one of the first composers who revived spiritual music in the 90s of the 20th century after a long stagnation. As a composer of the "new time", who belonged to the "nova musica sacra" direction, Mikhail Shukh interprets spiritual genres in a new way. His works are written from the mode

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3

Kamenieva, A. "Meditativity in the structure of art consciousness (on the material of the mass «And i said in my heart» by M. Shukh)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (2018): 128–40. http://dx.doi.org/10.34064/khnum1-49.09.

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Abstract:

Background. Mikhail Shukh is a Ukrainian composer, who paid much attention to spiritual music in his creative work. In general, the spiritual sphere of his works belonged to choral genres. Mikhail Shukh’s choral music is very diverse: it varies from large genres to choral cycles and miniatures. Mikhail Shukh was one of the first composers who revived spiritual music in the 90s of the 20th century after a long stagnation. As a composer of the "new time", who belonged to the "nova musica sacra" direction, Mikhail Shukh interprets spiritual genres in a new way. His works are written from the mode

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4

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la biblioteca musical de Edward Paston (1550-1630)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394987.

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5

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la biblioteca musical de Edward Paston (1550-1630)." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394989.

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6

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la Folger Shakespeare Library (Washington D.C.)." Paisajes sonoros históricos (c.1200-c.1800), October 2, 2024. https://doi.org/10.5281/zenodo.13880173.

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7

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la colegiata de Santa María de Ledesma (Salamanca)." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10393265.

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8

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la Capilla Real de Granada." Paisajes sonoros históricos (c.1200-c.1800), May 6, 2024. https://doi.org/10.5281/zenodo.11118678.

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9

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la catedral de Murcia." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394192.

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10

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la catedral de Valencia." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395516.

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11

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la catedral de Baeza." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10394046.

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12

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la Biblioteca de Cataluña." Paisajes sonoros históricos (c.1200-c.1800), December 16, 2023. https://doi.org/10.5281/zenodo.10395049.

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13

Ruiz, Jiménez Juan. "Traslado en Sevilla de las imágenes de la cofradía del Santísimo Poder y Traspaso de Nuestra Señora (Gran Poder) (1770)." Paisajes sonoros históricos (c.1200-c.1800), December 18, 2023. https://doi.org/10.5281/zenodo.10400715.

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En la Semana Santa de 1770, las condiciones climatológicas obligaron a la cofradía del Santísimo Poder y Traspaso de Nuestra Señora (Gran Poder) a dejar sus imágenes de devoción en la catedral de Sevilla. En este evento, se da cuenta de las actividades cultuales y ceremonias que tuvieron lugar dentro de la catedral durante los días que permanecieron en este recinto, desde el 12 al 16 de abril, de cuya preparación se encargó el maestro de ceremonias Pedro Romero y que quedaron establecidas como norma para otras ocasiones similares. During Holy Week in 1770, weather conditions forced the confrat

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14

Ruiz, Jiménez Juan. "Obras de Francisco Guerrero en la catedral de Guatemala." Paisajes sonoros históricos (c.1200-c.1800), January 8, 2024. https://doi.org/10.5281/zenodo.10468106.

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15

Ruiz, Jiménez Juan. "Visita a Jerusalén (5). Rezos y cánticos de los peregrinos en las estaciones del Monte de los Olivos." Paisajes sonoros históricos (c.1200-c.1800), May 30, 2025. https://doi.org/10.5281/zenodo.15552128.

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16

Ruiz, Jiménez Juan. "Visita a Jerusalén (4). Rezos y cánticos de los peregrinos en las estaciones del valle de Josafat." Paisajes sonoros históricos (c.1200-c.1800), November 3, 2024. https://doi.org/10.5281/zenodo.14031160.

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17

Ruiz, Jiménez Juan. "Rezos y cánticos de los peregrinos en el convento de San Salvador de Jerusalén (1602)." Paisajes sonoros históricos (c.1200-c.1800), September 3, 2024. https://doi.org/10.5281/zenodo.13643181.

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