Academic literature on the topic 'Obėriu'

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Journal articles on the topic "Obėriu"

1

Hansen-Löve, Aage A. "Konzepte des Nichts im Kunstdenken der Russischen Dichter des Absurden (Obėriu)." Poetica 26, no. 3-4 (August 14, 1994): 308–73. http://dx.doi.org/10.30965/25890530-0260304005.

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2

Hofmann, Tatjana. "Zum 100. Geburtstag von Igor’ Cholin: Die Werkauswahl der Edition Aspei (Bochum) zwischen Avantgarde und Konzeptualismus." Zeitschrift für Slawistik 67, no. 1 (March 15, 2022): 140–70. http://dx.doi.org/10.1515/slaw-2022-0007.

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Summary The following article was originally meant to be a review of the German Cholin edition. During my correspondence with the editors the text developed in dependence on my reception process: I started to read Cholin in an intertextual chain of (post-)avant-garde art and life practices that are situated around documentarism. Cholin’s poetics builds upon language experiments of Zaumniki and the absurd writing of Obėriu. Besides, I argue, we can also find some references to the simultaneously emerged, yet contrary avant-gardistic movement of Factography. Cholin’s mediators reinforce this tradition as they set in motion the continuation of the factographic discourse via Moscow Conceptualism and its reception aesthetics in (Western) Germany and in Western Europe. The edition by aspei applies practices of publishing, translating and researching next to artistic ones, thus integrating documenting as well as commenting.
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Books on the topic "Obėriu"

1

Vladimirov, I︠U︡riĭ Dmitrievich, Svetlana Maslinskai︠a︡, Li︠u︡bovʹ Aleĭnik, Natasha I︠U︡gaĭ, Aleksandr Ivanovich Vvedenskiĭ, and Kharms Daniil. OBĖRIU. [Saint Petersburg, Russia]: Klaudberri, 2019.

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2

Daniil, Kharms. Folcadán Airciméidéis. Baile Átha Cliath: Coiscéim, 2004.

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3

Vasilʹev, I. E. Oberiuty: Teoreticheskaia platforma i tvorcheskaia praktika : uchebnoe posobie. Sverdlovsk: Uralʹskii gosudarstvennyi universitet, 1991.

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4

Rossiĭskiĭ gosudarstvennyĭ pedagogicheskiĭ universitet imeni A.I. Gert︠s︡ena, Mezhdunarodnyĭ blagotvoritelʹnyĭ fond imeni D.S. Likhacheva, and Peterburgskiĭ institut iudaiki, eds. Aleksandr Vvedenskiĭ i russkiĭ avangard: Materialy mezhdunarodnoĭ nauchnoĭ konferent︠s︡ii, posvi︠a︡shchennoĭ 100-letii︠u︡ so dni︠a︡ rozhdenii︠a︡ A. Vvedenskogo. Sankt-Peterburg: RGPU im. A.I. Gert︠s︡ena, 2004.

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5

Eugene, Ostashevsky, Yankelevich Matvei, Epstein Thomas 1954-, Bernstein Ilya, and Turovskaya Genya, eds. OBERIU: An anthology of Russian absurdism. Evanston, Ill: Northwestern University Press, 2005.

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6

Sergeĭ, Gorbushin, ed. Udivitʹ storozha: Perechityvai︠a︡ Kharmsa. Moskva: Izdatelʹstvo IKAR, 2012.

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7

The last Soviet avant-garde: OBERIU--fact, fiction, metafiction. Cambridge, U.K: Cambridge University Press, 1997.

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8

Roberts, Graham. The Last Soviet Avant-Garde: OBERIU - Fact, Fiction, Metafiction (Cambridge Studies in Russian Literature). Cambridge University Press, 2006.

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9

Kharmsizdat predstavli︠a︡et Russkiĭ Dada ; obėriu box ; litkonstruktivizm ; Leningradskiĭ literaturnyĭ andergraund : Sankt-Peterburg =: Kharmsizdat presents Russian dada ; oberiu box ; literary constructivism ; the Leningrad literary underground : St Petersburg : [katalog vystavki]. St. Petersburg: M.K. & Kharmsizdat, 2003.

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