Relevant bibliographies by topics / Object glass

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Object glass'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Object glass"

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Keller, Vera. "Storied Objects, Scientific Objects, and Renaissance Experiment: The Case of Malleable Glass." Renaissance Quarterly 70, no. 2 (2017): 594–632. http://dx.doi.org/10.1086/693182.

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AbstractThe career of storied objects can help highlight the agency of absence and historicize the notion of scientific objects more generally. Until the sixteenth century, lost, ancient flexible glass was studied separately from malleable glass. The latter appeared as a claimed chymical product and craft recipe. The bridging of social and epistemic registers merged these accounts. Malleable glass became a prestigious scientific object. Appearing in numerous utopias, it stimulated a participatory public of scientific amateurs. Such storied objects served as vectors for spreading experimental culture, yet declined as new professions emerged. The charisma that made malleable glass a seventeenth-century scientific object led to its rejection by newly professionalized eighteenth-century chemists and its replacement by a less evocative scientific object, “malleability.”
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Boutonnet, Bastien, Benjamin Dering, Nestor Viñas-Guasch, and Guillaume Thierry. "Seeing Objects through the Language Glass." Journal of Cognitive Neuroscience 25, no. 10 (October 2013): 1702–10. http://dx.doi.org/10.1162/jocn_a_00415.

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Recent streams of research support the Whorfian hypothesis according to which language affects one's perception of the world. However, studies of object categorization in different languages have heavily relied on behavioral measures that are fuzzy and inconsistent. Here, we provide the first electrophysiological evidence for unconscious effects of language terminology on object perception. Whereas English has two words for cup and mug, Spanish labels those two objects with the word “taza.” We tested native speakers of Spanish and English in an object detection task using a visual oddball paradigm, while measuring event-related brain potentials. The early deviant-related negativity elicited by deviant stimuli was greater in English than in Spanish participants. This effect, which relates to the existence of two labels in English versus one in Spanish, substantiates the neurophysiological evidence that language-specific terminology affects object categorization.
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Scrafton, Sharon, Matthew J. Stainer, and Benjamin W. Tatler. "Object Properties Influence Visual Guidance of Motor Actions." Vision 3, no. 2 (June 10, 2019): 28. http://dx.doi.org/10.3390/vision3020028.

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The dynamic nature of the real world poses challenges for predicting where best to allocate gaze during object interactions. The same object may require different visual guidance depending on its current or upcoming state. Here, we explore how object properties (the material and shape of objects) and object state (whether it is full of liquid, or to be set down in a crowded location) influence visual supervision while setting objects down, which is an element of object interaction that has been relatively neglected in the literature. In a liquid pouring task, we asked participants to move empty glasses to a filling station; to leave them empty, half fill, or completely fill them with water; and then move them again to a tray. During the first putdown (when the glasses were all empty), visual guidance was determined only by the type of glass being set down—with more unwieldy champagne flutes being more likely to be guided than other types of glasses. However, when the glasses were then filled, glass type no longer mattered, with the material and fill level predicting whether the glasses were set down with visual supervision: full, glass material containers were more likely to be guided than empty, plastic ones. The key finding from this research is that the visual system responds flexibly to dynamic changes in object properties, likely based on predictions of risk associated with setting-down the object unsupervised by vision. The factors that govern these mechanisms can vary within the same object as it changes state.
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Gomes, Cynthia, Nahum Travitzky, Peter Greil, Wilson Acchar, Hansu Birol, Antonio Pedro Novaes de Oliveira, and Dachamir Hotza. "Laminated object manufacturing of LZSA glass‐ceramics." Rapid Prototyping Journal 17, no. 6 (October 4, 2011): 424–28. http://dx.doi.org/10.1108/13552541111184152.

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Katyal, Vini, Aviral Aviral, and Deepesh Srivastava. "Elimination of Glass Artifacts and Object Segmentation." International Journal of Computer Applications 43, no. 19 (April 30, 2012): 48–52. http://dx.doi.org/10.5120/6215-8919.

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Gulyamov, Shuhrat, Azamat Rajabov, and Utkir Kholmanov. "MATHEMATIC SIMULATION OF GLASS MELTING PROCESS IN GLASS PRODUCTION." Technical science and innovation 2021, no. 1 (May 10, 2020): 70–74. http://dx.doi.org/10.51346/tstu-02.21.1-77-0010.

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A systematic analysis of the technological process of glass melting as an object of automatic control and management has been carried out. As an object of automatic control with distributed parameters, the mathematical description of the glassmaking furnace operation has been developed (considering the main phenomenological features of the technological mode of glassmaking).In this paper, a mathematical description of charge melting process, additional heating by electric current, bubbling, thermal conductivity and heat fluxes during the processing of molten glass have been generated. Initial conditions and simplifying assumptions have been derived. The model is based on the equations of continuity, momentum and energy, as well as kinetic turbulent energy, dissipation of kinetic turbulent energy. An experiment has been conducted on the proposed in order to check for its adequacy to real glass-making processes.
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Han, Fuao, Li Zhang, and Kaige Cui. "Measuring Thickness of Object with Ultrasonic Thickness Gauge." MATEC Web of Conferences 175 (2018): 03029. http://dx.doi.org/10.1051/matecconf/201817503029.

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In this paper, the ultrasonic thickness gauge by the pulse-reflective principle of the steel pipe, the thickness of steel plate, glass and glass were measured and analyzed, and other factors in thickness measurement had certain influence on the thickness measured: coupling agent, surface condition, temperature and so on.
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Zafar, Adeel, and Umar Khalid. "Detect-and-describe: Joint learning framework for detection and description of objects." MATEC Web of Conferences 277 (2019): 02028. http://dx.doi.org/10.1051/matecconf/201927702028.

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Traditional object detection answers two questions; “what” (what the object is?) and “where” (where the object is?). “what” part of the object detection can be fine grained further i-e. “what type”, “what shape” and “what material” etc. This results in shifting of object detection task to object description paradigm. Describing object provides additional detail that enables us to understand the characteristics and attributes of the object (“plastic boat” not just boat, “glass bottle” not just bottle). This additional information can implicitly be used to gain insight about unseen objects (e.g. unknown object is “metallic”, “has wheels”), which is not possible in traditional object detection. In this paper, we present a new approach to simultaneously detect objects and infer their attributes, we call it Detectand- Describe (DaD) framework. DaD is a deep learning-based approach that extends object detection to object attribute prediction as well. We train our model on aPascal train set and evaluate our approach on aPascal test set. We achieve 97.0% in Area Under the Receiver Operating Characteristic Curve (AUC) for object attributes prediction on aPascal test set. We also show qualitative results for object attribute prediction on unseen objects, which demonstrate the effectiveness of our approach for describing unknown objects.
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Gomes, Cynthia M., Carlos R. Rambo, Antonio Pedro Novaes de Oliveira, Dachamir Hotza, Douglas Gouvêa, Nahum Travitzky, and Peter Greil. "Colloidal Processing of Glass-Ceramics for Laminated Object Manufacturing." Journal of the American Ceramic Society 92, no. 6 (June 2009): 1186–91. http://dx.doi.org/10.1111/j.1551-2916.2009.03035.x.

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Lowne, C. M. "The Object-Glass of the Greenwich “Great Equatorial Telescope”." Journal for the History of Astronomy 19, no. 3 (August 1988): 169–82. http://dx.doi.org/10.1177/002182868801900302.

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Dissertations / Theses on the topic "Object glass"

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Caputo, Barbara. "A new kernel method for object recognition:spin glass-Markov random fields." Doctoral thesis, KTH, Numerical Analysis and Computer Science, NADA, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-58.

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Recognizing objects through vision is an important part of our lives: we recognize people when we talk to them, we recognize our cup on the breakfast table, our car in a parking lot, and so on. While this task is performed with great accuracy and apparently little effort by humans, it is still unclear how this performance is achieved. Creating computer methods for automatic object recognition gives rise to challenging theoretical problems such as how to model the visual appearance of the objects or categories we want to recognize, so that the resulting algorithm will perform robustly in realistic scenarios; to this end, how to use effectively multiple cues (such as shape, color, textural properties and many others), so that the algorithm uses uses the best subset of cues in the most effective manner; how to use specific features and/or specific strategies for different classes.

The present work is devoted to the above issues. We propose to model the visual appearance of objects and visual categories via probability density functions. The model is developed on the basis of concepts and results obtained in three different research areas: computer vision, machine learning and statistical physics of spin glasses. It consists of a fully connected Markov random field with energy function derived from results of statistical physics of spin glasses. Markov random fields and spin glass energy functions are combined together via nonlinear kernel functions; we call the model Spin Glass-Markov Random Fields. Full connectivity enables to take into account the global appearance of the object, and its specific local characteristics at the same time, resulting in robustness to noise, occlusions and cluttered background. Because of properties of some classes of spin glasslike energy functions, our model allows to use easily and effectively multiple cues, and to employ class specific strategies. We show with theoretical analysis and experiments that this new model is competitive with state-of-the-art algorithms for object recognition.

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Walker, Alexandra. "Beyond the Looking Glass : object handling and access to museum collections." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/374734/.

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For many, a museum visit may consist of gazing at objects locked away in glass a cabinet accompanied by signs forbidding touch, and complex and often confusing text panels. But what message does this present to the visiting public? How can the public connect with museums and their collections if objects are beyond their reach? Why is handling reserved for the museum elite and not the general public? The value of touch and object handling in museums is a growing area of research, but also one that is not yet fully understood. Despite our range of senses with which we experience the world around us, museums traditionally rely on the visual as the principle means of communicating information about the past. However museums are increasingly required to prove their worth and value in society by becoming more accessible, not just in terms of audience but by opening up their stored collections, and government agenda is pushing for culture to feature in the everyday lives of the public. This research pulls apart the hierarchical nature of touch in the museum, demonstrating the benefits of a “hands-on” approach to engaging with the past, investigating the problems and limitations associated with tactile experiences, and puts forward a toolkit for tactile access to collections. It suggests that handling museum collections, not only enhances our understanding of the past, but provides memorable and valuable experiences that will remain with an individual for life.
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Caputo, Barbara. "A new kernel method for object recognition : spin glass-Markov random fields /." Stockholm, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-58.

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Prokop, Tomáš. "ASFALT JE KAPALINA." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-295609.

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This installation is thematicly associated with my long term sold problems which is connected with loneliness, parting, leaving. I put the stress on the act of physical nearness which looks like a touch or contact but in fact it isn't so. Just this nearness generates inside tension. As you can see the installation is based on simple principles resulting from the abilities of a material. It is about two blocks of asphalt which spontanously produce a pressure on the glass. In this case the glass has the importance of imaginary dividing level which prevents a physical contact. A glass obstacle makes the fusion of the two asphalt blocks impossible. Despite a volatile character, asphalt will run down. The installation results from a human standard because the blocks of asphalt have a human proportion. I give the blocks a statute of beings who long for a touch but without success. The fusion is impossible.
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Wilson, Conor J. R. "Writing_making : object as body, language and material." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1764/.

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A turn away from language and the human mind as the dominant (or only) determinants of reality can be identified within many disciplines, including anthropology, philosophy and literature, reflecting a growing acceptance of human and non-human, living and non-living entities as real, complex and partially withdrawn agents in the world. In Object Oriented Ontology the definition of object is extended to include humans, who have no special ontological status. Timothy Morton proposes rhetoric as a means of drawing closer to other objects, of contacting the ‘strange stranger’; objects cannot be known directly, or fully, but can be explored through imaginative speculation. Drawing on Object Oriented Ontology, my project explores making - an intimate engagement between body and material - as a means of thinking the body as a (strange) object within a mesh of strange objects. Facture is documented as image and language, prompting a series of shifting, speculative questions: • Can writing be brought to making to generate new new approaches to craft production? • How might writing in response to making, or objects, be reintroduced into a making process as a form of feedback? • Can writing_making methods generate new approaches to writing (about) making and materials? • How might a combination of production, documentation and reflection be displayed as artwork/research? • Can making be seen as a means for contacting the ‘strange stranger’?
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Dufour, Marianne. "Through the looking glass : the therapeutic potential of videotaping as an adjunct tool in non directive art therapy in an object relations perspective." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ54355.pdf.

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Kästel, Matilda. "Åtråvärda objekt : En gestaltning av troféns materialitet." Thesis, Konstfack, Keramik & Glas, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4136.

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This thesis revolves around my work Desirable Objects, an installation in glass and other materials, which deals with objectification based on female and animal trophies. The topics included are those that have been crucial to my working process; craft, post-colonial studies and European hierarchical dualism, where woman and nature are seen as connected, but inferior. My motivation has been to get a better understanding of underlying power structures, and put this knowledge in relation to my own work. This process has led me to make a full body casting of my own body as a method of self-exploitation, in an attempt to expose myself to a similar power perspective. By making the dualistic connection between woman and nature, I am commenting a phenomenon that in my view has resulted in a similar exploitation of both.
Åtråvärda objekt
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Bortlová, Kateřina. "Architektonická studie sakrálního objektu a komunitního centra Salesiánského Brno - Líšeň." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2021. http://www.nusl.cz/ntk/nusl-443679.

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The content of the diploma thesis was an architectural study of a sacral building in Brno - Líšeň. The subject of the study was the elaboration of an ideological design of a sacral complex, which consisted of a church and a parish. The main operator of the whole complex will be the Salesian community, whose background is in close proximity to the area. The basic idea of the design was to design a spiritual place, which in its form conveys clear information about the use of the object and at the same time supports the development of ideas of the Salesian community. It is a structure that conveys the mission itself, not by one element, but by a set of several elements that together create a story, vision, mission. The ideological solution in this case thus becomes an equilateral triangle, which symbolizes the Father, the Son and the Holy Spirit. With its dominant vertical direction facing the sky, the object symbolically points to the spiritual path and self-realization. The given area is solved as a complex, the elements of which complement each other and thus create a harmonious whole. The design creates a space for both liturgical celebrations in the interior and exterior, which is used by the outdoor presbytery, which is complemented by residential stairs. These elements are intended to encourage residents to meet and establish friendly relations.
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Cioe, Anthony. "Objects: Entropy and Temporality." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1602.

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The transparent qualities of glass lend to the creation of elements that suggest presence and absence. I often use glass as a surrogate for lost time or space in an object, comparable to the human prosthetic and the notion of a phantom limb. Recent objects of exploration have included broken bottles, fallen tree limbs, and a human skull. The practical knowledge I gained while working in a conservation lab has directly influenced the methodology for treating these objects of disrepair. My primary impetus is a desire to construct what has been lost during an objects existence and reveal sublime qualities. Looking for the spaces in-between things, I create sculpture and installations that transcend static objects beyond their corporeal existence, engage in the process of entropy, and negate it.
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Beckman, Jeannine A. "Imported Glass Objects in the Bronze Age Aegean." Master's thesis, Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/215280.

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Art History
M.A.
A great deal of evidence exists in support of Bronze Age intra-Aegean trade, but the dynamics and material goods that made up these exchanges are still being explored. Initially, foreign glass most likely originated in Western Asia and Egypt. Recent excavations at the Minoan sites of Chryssi, Papadiokambos, and Mochlos have provided evidence of such trade on Crete. All three sites yielded glass beads that, judging by their rarity in the region, must have come from elsewhere. While glass artifacts such as those found on Minoan Crete are often assumed to be Egyptian in genesis, a Western Asian source has not been sufficiently ruled out. Based on their findspots, appearance, and our present understanding of shipping and trade in the Bronze Age Aegean, it is most likely that the beads from Chryssi, Papadiokambos, and Mochlos were manufactured in the Levant and arrived in Crete from the East.
Temple University--Theses
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Books on the topic "Object glass"

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William, Morris. William Morris: Myth, object, and the animal : glass installations. Edited by Simmons Holle, Yood James, Chrysler Museum, Yellowstone Art Museum (Billings, Mont.), and Fort Wayne Museum of Art. [Stanwood, WA?]: William Morris Studios in conjunction with the Chrysler Museum of Art, the Yellowstone Art Museum, and the Fort Wayne Museum of Art, 1999.

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1945-, Marquis Richard, and Seattle Art Museum, eds. Richard Marquis objects. Seattle: Distributed by University of Washington Press, 1997.

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Glass, Corning Museum of, ed. Conservation and care of glass objects. London: Archetype Publications, 2006.

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Scherer, Robert. Objekte aus Glas. Bozen: Edition Raetia, 1992.

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James, Yood, Allende Isabel, and Vinnedge Robert, eds. William Morris: Mazorca : objects of common ceremony. Seattle, Wash: Marquand Books, 2004.

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Atila, Cenker. Bergama Müzesi cam eserleri: Glass objects from Bergama Museum. Bergama, İzmir: BERKSAV-Bergama Kültür ve Sanat Vakfı, 2009.

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1966-, Kettering Karen L., ed. Russian glass at Hillwood. Washington, D.C: Hillwood Museum and Gardens, 2001.

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Burghartz, Susanna, Lucas Burkart, Christine Göttler, and Ulinka Rublack, eds. Materialized Identities in Early Modern Culture, 1450-1750. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728959.

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This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach "the material" through four themes – glass, feathers, gold paints, and veils – in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.
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Dan, Barag, Ornan Tallay, and Neuhaus Tamar, eds. Ancient glass in the Israel Museum: Beads and other small objects. Jerusalem: Israel Museum, 2001.

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Wallach, Mara. Making mosaics with found objects. Mechanicsburg, PA: Stackpole Books, 2010.

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Book chapters on the topic "Object glass"

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Caputo, B., Gy Dorkó, and H. Niemann. "Combining Color and Shape Information for Appearance-Based Object Recognition Using Ultrametric Spin Glass-Markov Random Fields." In Pattern Recognition with Support Vector Machines, 97–111. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/3-540-45665-1_8.

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Robinson, Aileen. "“All Transparent”: Pepper’s Ghost, Plate Glass, and Theatrical Transformation." In Performing Objects and Theatrical Things, 135–48. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137402455_10.

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Fournier-Viger, Philippe, Mehdi Najjar, André Mayers, and Roger Nkambou. "From Black-Box Learning Objects to Glass-Box Learning Objects." In Intelligent Tutoring Systems, 258–67. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11774303_26.

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Kember, Sarah. "iMedia Manifesto Part I: Remember Cinderella: Glass as a Fantasy Figure of Feminine and Feminized Labor." In iMedia: The Gendering of Objects, Environments and Smart Materials, 32–45. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137374851_3.

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Tan, Keith Kay Hin, and Chun Wei Choy. "Merging Batik and Stained Glass: Creating Contemporary Asian Art from Traditional Craft Objects." In Contemporary Asian Artistic Expressions and Tourism, 191–211. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4335-7_9.

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Kelley, Victoria. "Housekeeping: Shine, Polish, Gloss and Glaze as Surface Strategies in the Domestic Interior." In The Objects and Textures of Everyday Life in Imperial Britain, 93–111. Farnham, Surrey, England: Ashgate, 2016.: Routledge, 2017. http://dx.doi.org/10.4324/9781315562964-5.

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Cabric, Florent, Emmanuel Dubois, Pourang Irani, and Marcos Serrano. "TouchGlass: Raycasting from a Glass Surface to Point at Physical Objects in Public Exhibits." In Human-Computer Interaction – INTERACT 2019, 249–69. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-29387-1_15.

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Cazzaro, Irene. "The Drawing and the Artefact: Biomorphism in the Design of Murano Glass Objects in the 20th Century." In Proceedings of the 2nd International and Interdisciplinary Conference on Image and Imagination, 792–803. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41018-6_65.

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Brown, Richard H. "The Spirit Inside Each Object." In Through The Looking Glass, 15–48. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190628079.003.0002.

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This chapter addresses the question of sound on film, that is, the optical imprint of sound in the recording mechanism within the realm of visual music studies. The conceptual critique of visual music vastly expanded in the 2010s as composers and sound artists have explored the predecessors of digital signal processing and audiovisual software, looking back to the earliest technologies that unveiled the nature of sound through the diachronic representation of soundwave structure on the optical soundtrack. This chapter begins by clarifying the historical and chronological details of one of the most cited interactions in the history of visual music studies between John Cage and German animator Oskar Fischinger in the 1930s and 1940s. Further examination of this connection reveals an important technological foundation to Cage’s call for the expansion of musical resources. New documentation on Cage’s early career in Los Angeles, including research Cage conducted for his father John Cage Sr.’s patents, explains his interest in these technologies. Concurrent with his studies with Arnold Schoenberg, Cage fostered an impressive knowledge of the technological foundations of television and radio entertainment industries centered in Los Angeles. Adopting the term “organized sound” from Edgard Varèse, Cage compared many of his organizational principles for percussion music to film-editing techniques.
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McShane, Angela. "Through the Drinking Glass." In Alcohol and Humans, 178–95. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198842460.003.0012.

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This chapter argues that drinking things are of central importance to our understanding of the long relationship between humans and alcohol. It explores the history of the English man (and woman’s) pint of beer, as an object, a drink, and a measure, from the late-sixteenth to the twenty-first century, to show how the relationships between objects, drinks, and measures have been socially and culturally constructed over time. Drawing upon a wide range of objects, images, and textual sources, and benefiting from the theoretical lenses of material performativity and praxeology, it argues that material insights not only help us to understand the deeper cultural processes at play in the routines and rituals of convivial drinking, but also help us to understand their wider role in social and political change.
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Conference papers on the topic "Object glass"

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Taraghi, Babak, and Mahdi Babaei. "Object detection using Google Glass." In 2015 IEEE Conference on Open Systems (ICOS). IEEE, 2015. http://dx.doi.org/10.1109/icos.2015.7377285.

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Herrmann, Thomas, Cyrille Migniot, and Olivier Aubreton. "Cracks detection on glass object based on active thermography approach." In Fifteenth International Conference on Quality Control by Artificial Vision, edited by Christophe Cudel, Stéphane Bazeille, and Nicolas Verrier. SPIE, 2019. http://dx.doi.org/10.1117/12.2520920.

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An, Chengwu, Kaidong D. Ye, and Ming Hui Hong. "Laser creating precise three-dimensional image of object inside glass." In Photonics Asia 2002, edited by ShuShen Deng, Tatsuo Okada, Klaus Behler, and XingZong Wang. SPIE, 2002. http://dx.doi.org/10.1117/12.482896.

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Diwakar Srinath A, Praveen Ram A.R, Siva R, Kalaiselvi V.K.G, and Ajitha G. "HOT GLASS - human face, object and textual recognition for visually challenged." In 2017 2nd International Conference on Computing and Communications Technologies (ICCCT). IEEE, 2017. http://dx.doi.org/10.1109/iccct2.2017.7972262.

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Tauqeer, Muhammad Ahmad, and Muk Chen Ong. "Assessment of Impact Damage Caused by Dropped Objects on Glass Reinforced Plastic (GRP) Covers." In ASME 2017 36th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/omae2017-61736.

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Glass reinforced plastic (GRP) subsea protection covers are used to protect offshore pipelines, umbilicals and structures from dropped objects released from offshore oil and gas and fishing activities. The aim of the present study is to perform assessment of impact damage caused by various dropped objects on GRP covers with different geometries. Impact energies carried by different selected offshore dropped objects are calculated by using the impact energy method given by NORSOK N-004 [1]. Computed results show a good agreement with the published dropped object impact energy results reported by DROPS [2]. The present study shows that the impact energies carried by dropped objects in oil and gas activities can range from 28 kJ for a small equipment to 2627 kJ for a typical subsea tree. Generally, the impact energies carried by the dropped objects in fishing activities range from 3 kJ to 14 kJ which is less significant than those in oil and gas activities. The impact absorption capacities of three different GRP cover geometries (i.e. square, triangular and semi-circular shapes) are computed based on finite element analysis (FEA). The results show that the triangular GRP cover geometry has the highest impact absorption capacity among the three investigated GRP cover geometries.
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Wang, Tao, Xuming He, and Nick Barnes. "Glass object segmentation by label transfer on joint depth and appearance manifolds." In 2013 20th IEEE International Conference on Image Processing (ICIP). IEEE, 2013. http://dx.doi.org/10.1109/icip.2013.6738606.

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Shinozuka, Naoki, Yoshitsugu Manabe, and Noriko Yata. "[POSTER] Consistency between Reflection on the Glass and Virtual Object in Augmented Reality." In 2017 IEEE International Symposium on Mixed and Augmented Reality (ISMAR-Adjunct). IEEE, 2017. http://dx.doi.org/10.1109/ismar-adjunct.2017.55.

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Meledin, Vladimir G., Grigory V. Bakakin, Igor V. Naumov, Vladimir A. Pavlov, and Vadim V. Sotnikov. "Real-time machine vision system for non-contact measurements of the masses of free-falling hot glass drops." In Holography and Interferometric Methods for Measurement of Object Properties: 2000-2002, edited by Yuri N. Zakharov. SPIE, 2003. http://dx.doi.org/10.1117/12.518212.

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Iyama, Hirofumi, Toshiaki Watanabe, and Shigeru Itoh. "Glass Crushing for Recycling Using Underwater Shock Wave." In ASME 2005 Pressure Vessels and Piping Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/pvp2005-71561.

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Much construction scrap is discharged when a dwelling or a building are disassembled. Wood is tipped. Concrete is recycled to new object for concretes, the aggregate for pavement, etc. Glass is classified and crushed, and is recycled by the materials of the glass called cullet. However, in fact, only rough classifying was performed, a little construction scrap is recycled and many materials have been disposed by reclamation. In order to raise the rate of recycling of glass, it not only raises the rate of classify at the disassembling, but it is necessity of also processing to a cullet. On a glass plate with adhesion sheet for crime prevention, because the resin ingredient mixes, it is difficult to make it to the cullet. For this reason, it is necessary to develop an effectively technique for crushing and making to cullet of the glass with resin. Then, we are have examined that only glass is crushed using an underwater shock wave, and it easily separated in to the glass and resin.
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"Ray tracing based fast refraction method for an object seen through a cylindrical glass." In 20th International Congress on Modelling and Simulation (MODSIM2013). Modelling and Simulation Society of Australia and New Zealand (MSSANZ), Inc., 2013. http://dx.doi.org/10.36334/modsim.2013.c4.mukai.

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Reports on the topic "Object glass"

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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