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Books on the topic 'Object glass'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

William, Morris. William Morris: Myth, object, and the animal : glass installations. Edited by Simmons Holle, Yood James, Chrysler Museum, Yellowstone Art Museum (Billings, Mont.), and Fort Wayne Museum of Art. [Stanwood, WA?]: William Morris Studios in conjunction with the Chrysler Museum of Art, the Yellowstone Art Museum, and the Fort Wayne Museum of Art, 1999.

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2

1945-, Marquis Richard, and Seattle Art Museum, eds. Richard Marquis objects. Seattle: Distributed by University of Washington Press, 1997.

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3

Glass, Corning Museum of, ed. Conservation and care of glass objects. London: Archetype Publications, 2006.

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4

Scherer, Robert. Objekte aus Glas. Bozen: Edition Raetia, 1992.

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5

James, Yood, Allende Isabel, and Vinnedge Robert, eds. William Morris: Mazorca : objects of common ceremony. Seattle, Wash: Marquand Books, 2004.

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6

Atila, Cenker. Bergama Müzesi cam eserleri: Glass objects from Bergama Museum. Bergama, İzmir: BERKSAV-Bergama Kültür ve Sanat Vakfı, 2009.

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7

1966-, Kettering Karen L., ed. Russian glass at Hillwood. Washington, D.C: Hillwood Museum and Gardens, 2001.

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8

Burghartz, Susanna, Lucas Burkart, Christine Göttler, and Ulinka Rublack, eds. Materialized Identities in Early Modern Culture, 1450-1750. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728959.

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This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach "the material" through four themes – glass, feathers, gold paints, and veils – in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.

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9

Dan, Barag, Ornan Tallay, and Neuhaus Tamar, eds. Ancient glass in the Israel Museum: Beads and other small objects. Jerusalem: Israel Museum, 2001.

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10

Wallach, Mara. Making mosaics with found objects. Mechanicsburg, PA: Stackpole Books, 2010.

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11

Royston, Angela. Vidrio: Miremos unas canicas. Chicago, IL: Heinemann Library, 2006.

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12

Sea glass chronicles: Whispers from the past. Camden, Me: Down East Books, 2001.

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13

Haab, Sherri. Jewelry upcycled!: Techniques and projects for reusing metal, glass, plastic, fiber, and found objects. New York: Crown Pub., 2011.

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14

1903-, Swarzenski Hanns, and Netzer Nancy, eds. Catalogue of medieval objects. Boston: Museum of Fine Arts, 1986.

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15

Nancy, Netzner, and Newman Richard 1951-, eds. Catalogue of medieval objects. Boston: Museum of Fine Arts, 1991.

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16

SOFA West Santa Fe (2010 Santa Fe, N.M.). SOFA West Santa Fe 2010: Sculpture Objects & Functional Art Fair : July 8-11, 2010, Santa Fe Convention Center. Chicago, Illinois: The Art Fair Company, Inc., 2010.

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17

Fritts, Drew. Torchworked marbles. Springfield, MO: Dichro-Moon Publishing, 2004.

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18

Pierre, Chareau, ed. Pierre Chareau, la Maison de verre, 1928-1933: Un objet singulier. [Paris]: J.-M. Place, 2001.

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19

Huth, Ursula. Ursula Huth: Moments of silence : Glas, Bilder, Raum, Objekte. Du sseldorf: Kunstmuseum Du sseldorf im Ehrenhof, 1991.

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20

Göttingen, Städtisches Museum. Viermal glas: Silvia Kirsch, Schmuck--Gabriele Küstner, Glasmosaik-Objekte--Helga Reay-Young, Flachglasarbeiten--Freia Schulze, Glasgefässe : Städtisches Museum Göttingen, 2. August-13. September, 1998. Göttingen: Das Museum, 1998.

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21

Ghāzī, Bīshah, ed. Small finds: Studies of bone, iron, glass, figurines, and stone objects from Tell Hesban and vicinity. Berrien Springs, Mich: Andrews University Press, 2009.

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22

Cox, J. Stevens. Roman objects of glass, pottery (other than vessels) leather and amber found at Ilchester 1948-1955. St. Sampson, Guernsey: Toucan, 1993.

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23

Farber Brothers krome-kraft: A guide for collectors. Marietta, Ohio: Antique Publications, 1988.

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24

Materiali in alabastro, vetro, avorio, osso, uova di struzzo. Roma: G. Bretschneider, 2007.

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25

F, Grose David, ed. Early ancient glass: Core-formed, rod-formed, and cast vessels and objects from the late Bronze Age to the early Roman Empire, 1600 B.C. to A.D. 50. New York: Hudson Hills Press in association with the Toledo Museum of Art, 1989.

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26

1943-, Miller H. Richard, ed. Blazar Variability Workshop II: Entering the GLAST era : proceedings of a workshop held at Florida International University, Miami, Florida, USA, 10-12 April 2005. San Francisco, Calif: Astronomical Society of the Pacific, 2006.

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27

Huth, Ursula. Ursula Huth: Moments of shelter : Glas, Bilder, Raum, Objekte : Kunstmuseum Düsseldorf im Ehrenhof, Glasmuseum Hentrich, 14. September bis 17. November 1991. Edited by Ricke Helmut, Strüber Reinhard, and Glasmuseum Hentrich. Düsseldorf: Das Kunstmuseum, 1991.

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28

Fishof, Iris. Souvenirs aus dem heiligen Land: Für Pilger im 19 und 20 Jahrhundert = Souvenirs de terre sainte : pour les pèlerins du XIXe et XXe siècle. Jerusalem: Israel Museum, 1996.

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29

Foy, Daniele. An Overview of the Circulation of Glass in Antiquity. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198790662.003.0009.

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This chapter presents new data from archaeological finds, the study of stamps, and the results of laboratory analysis, on local and inter-regional trade in different glass products in the Roman period—raw glass, glass for recycling, windowpanes of different types, glass drinking and table vessels and containers. Raw glass, remelted and blown in western workshops, originates from several primary production centres in the eastern Mediterranean: until the mid-second century AD, glass from the Syro-Palestinian coast dominates. Large containers, for alcoholic drinks, oils, or garum, were traded over short distances. The unguentaria of the second and third centuries, containing perfumed oil, travelled further. Some of these containers are stamped and enable a more precise study revealing local, regional, and inter-regional exchange. These stamps, referring to the producer of the contents and not to the maker of the object, emanate from private individuals, the imperial power, and perhaps also towns.

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30

Ardies, Heather. [Glass paper on glass objects]. 1986.

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31

Maurine, Littleton, ed. 500 glass objects: A celebration of functional & sculptural objects. New York: Lark Books, 2006.

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32

Klaus, Weschenfelder, ed. Neues glas und studioglas: Ausgewählte objekte aus dem Museum für Modernes glas = New glass and studio glass : selected works from the Museum of modern glass. Coburg: Schnell & Steiner, 2005.

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33

Books, Lark. 500 Glass Objects: A Celebration of Functional & Sculptural Glass (500). Lark Books, 2006.

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34

Gay Men's Health Crisis, Inc. and Sotheby's (Firm), eds. The object as art: A benefit auction for Gay Men's Health Crisis of antique and contemporary furniture, ceramics, glass, jewelry and other decorative and applied arts, Wednesday, Februray 11, 1987. New York: Sotheby's, 1987.

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35

Block, Stanley A. Marbles Beyond Glass. Schiffer Publishing, 2006.

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36

Flameworking: Creating Glass Beads, Sculptures & Functional Objects. Lark Books, 2005.

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37

Swarzenski, Hanns, and Nancy Netzer. Enamels and Glass (Catalogue of Medieval Objects). Museum of Fine Arts (Boston), 1986.

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38

Mears, Elizabeth. Flameworking: Creating Glass Beads, Sculptures & Functional Objects. Lark Books, 2003.

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39

Block, Stanley A. Antique Glass Swirl Marbles. Schiffer Publishing, 2001.

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40

Whitenight, John. Under Glass: A Victorian Obsession. Schiffer LTD, 2013.

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41

Martindale, Andrew, and Irena Jurakic. Glass Tools in Archaeology. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199935413.013.4.

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Glass that appears in archaeological contexts outside of the communities of its production and shows use as toolstone for lithic-like industries can be described as remanufactured. Such artifacts are commonly associated with contact encounters, most frequently with European colonial expansion. This article reviews the literature on remanufactured glass and argues that (1) much experimental and analytical work remains to develop coherent identification criteria, especially for expedient forms, and (2) such objects challenge archaeological orthodoxies in the definition of culture and its material manifestations. We argue that objects with manufacturing histories that span cultural contexts are a highly visible illustration of the hybridity in all cultural gestures. Hybridization is not a transaction between disparate, homogenous cultural regimes, but emerges from individual quotidian acts. Culture as a result, is not an entity, but the acceptance of coherence.

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42

Objects of Fantasy : Glass Inclusions of the Nineteenth Century. Paperweight Press, 2001.

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43

Duckworth, Chloë N., and Andrew Wilson, eds. Recycling and Reuse in the Roman Economy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198860846.001.0001.

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The recycling and reuse of materials and objects were extensive in the past, but have rarely been embedded into models of the economy; even more rarely has any attempt been made to assess the scale of these practices. Recent developments, including the use of large datasets, computational modelling, and high-resolution analytical chemistry, are increasingly offering the means to reconstruct recycling and reuse, and even to approach the thorny matter of quantification. Growing scholarly interest in the topic has also led to an increasing recognition of these practices from those employing more traditional methodological approaches, which are sometimes coupled with innovative archaeological theory. Thanks to these efforts, it has been possible for the first time in this volume to draw together archaeological case studies on the recycling and reuse of a wide range of materials, from papyri and textiles, to amphorae, metals and glass, building materials and statuary. Recycling and reuse occur at a range of site types, and often in contexts which cross-cut material categories, or move from one object category to another. The volume focuses principally on the Roman Imperial and late antique world, over a broad geographical span ranging from Britain to North Africa and the East Mediterranean. Last, but not least, the volume is unique in focusing upon these activities as a part of the status quo, and not just as a response to crisis.

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44

Crawford, Sally, and Katharina Ulmschneider. Gazing on the Past (and Being Photobombed by Children). Edited by Sally Crawford, Dawn M. Hadley, and Gillian Shepherd. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199670697.013.34.

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Archaeologists often ignore the presence of children as a contributing factor in the archaeological record. However, recent analysis of a number of glass plate and film photographs taken by archaeologists at the end of the nineteenth century and the first half of the twentieth century shows that children were often incorporated into the photograph, either deliberately or inadvertently. These images provide not just a record of ancient sites and monuments, but also of the many local children who appear in the photographs. The children recorded by archaeologists offer an insight into children, their childhoods, their freedoms, and their place in society across a range of cultures in the late nineteenth century and early twentieth century, as well as raising questions about how archaeologists ‘saw’ the human subject in photographs where monuments and sites were the object.

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45

Contributor), Susan Shovers (Other, ed. Objects of Desire: The Art of Frederick Carder: The Alan and Susan Shovers Collection of Steuben Glass. Evansville Museum of Arts, History, and Scien, 2005.

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46

Ceramic and Glassware Style: Paint Your Own Tableware, Glassware, & Decorative Objects. Watson-Guptill Publications, 2000.

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47

Royston, Angela. Glass: Let's Look at Marbles (Material Detectives). Heinemann, 2005.

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48

Block, Mark P. Contemporary Marbles and Related Art Glass. Schiffer Publishing, 2001.

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49

Beuke, Mary Beth, and Lindsay Furber. Sea Glass Jewelry: Create Beautiful and Unique Designs from Beach-Found Treasures. Ulysses Press, 2014.

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50

Cummings, Keith. Ofengeformtes Glas. Geschichten, Techniken, Objekte. Paul Haupt, Bern, 1998.

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