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Relevant bibliographies by topics / Oblates of the Virgin Mary

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Academic literature on the topic 'Oblates of the Virgin Mary'

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Published: 4 June 2021

Last updated: 31 January 2023

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Journal articles on the topic "Oblates of the Virgin Mary"

1

Wiśniewski, Sebastian. "Theology of the Mission in Preaching of the Missionary Oblates of Mary Immaculate in the Light of the Encyclical Redemptoris missio." Poznańskie Studia Teologiczne, no. 38 (December 10, 2021): 145–59. http://dx.doi.org/10.14746/pst.2021.38.07.

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The Church constantly responds to the call to evangelize as it is aware of its missionary duty. Theological reflection on the mission of the Church was the main topic of the encyclical of John Paul II Redemptoris missio. This article attempts to examine the extent to which this papal teaching is undertaken in the preaching of the Missionary Oblates of Mary Immaculate. The author points to the thematic areas of the encyclical that the Oblates refer to in their preaching, and presents issues that are missing in the published texts of the sermons.

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McClelland, V. Alan. "O Felix Roma! Henry Manning, Cutts Robinson and Sacerdotal Formation 1862–1872." Recusant History 21, no. 2 (October 1992): 180–217. http://dx.doi.org/10.1017/s0034193200001576.

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On whit Monday, June 1st, 1857, the first general chapter of the Oblates of St. Charles Borromeo in the diocese of Westminster was held at Bayswater, one month before the splendid new gothic-conceived church of Thomas Meyer was solemnly blessed by Cardinal Wiseman and dedicated to St. Mary of the Angels, a title reflecting Manning’s enduring devotion to St. Francis of Assisi and the Franciscan Third Order. Subsequent building, extensions and additions were to be the work of John Francis Bentley. The founding group of Oblates was small, all its members being admitted as novices of the community on the day of the first general chapter. When the first biennial elections were held, Manning was confirmed by Wiseman as Superior and henceforth known to the community simply as ‘the Father’. Before the year was over the group was to be joined by three new novices and two postulants, all of whom eventually persevered in their vocation. By the time Manning died in 1892, the Oblates had been able to number a total of forty-six priests in their ranks in the space of only thirty-five years, thus easily outstripping the recruitment pattern of Brompton Oratory, the closest to the concept of the Oblates in both spiritual formation and organisation. Over the eighty years immediately following Manning’s demise, a further thirty-three priests were to be counted among the Oblates.

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Jacqueline Doyle. "Meeting the Virgin Mary." Frontiers: A Journal of Women Studies 34, no. 1 (2013): 114. http://dx.doi.org/10.5250/fronjwomestud.34.1.0114.

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Shorten, Richard. "The Virgin Mary Confronts Mary of Magdala." Dialogue: A Journal of Mormon Thought 24, no. 3 (October 1, 1991): 40–42. http://dx.doi.org/10.2307/45227778.

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Green, Harry. "The Virgin Mary Visits Hogfarts." Contexts 5, no. 2 (May 2006): 80. http://dx.doi.org/10.1525/ctx.2006.5.2.80.

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Claudel, Paul. "Born of the Virgin Mary." Chesterton Review 41, no. 1 (2015): 53–55. http://dx.doi.org/10.5840/chesterton2015411/28.

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DallYae Sohn. "Virgin Mary and Milton’s Eve." Journal of Medieval and Early Modern English Studies 19, no. 2 (November 2009): 297–311. http://dx.doi.org/10.17054/jmemes.2009.19.2.297.

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Szewczyk, Anna. "Blathmac i jego "Poemat" poświęcony Dziewicy Maryi." Vox Patrum 46 (July 15, 2004): 573–78. http://dx.doi.org/10.31743/vp.6860.

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The author presents the poem on the Virgin Mary, the oldest in Ireland and one of the oldest in the Early Medieval Europe. This poem wrote Irish monk of the monastery on Iona, Blathmac (+ 825). The author presents biography of Blathmac and the most important aspects of theology of Mary (Mary companion in suffering, Virgin Mary, Mother Mary, Theotocos, Intercessor). The poem includes many names of Mary: Sancta, Dear, Beautiful, Queen, Bright, Brightneck, True Virgin, Sun of the women, Sun of the human race.

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Wizeman, William. "The Virgin Mary in the Reign of Mary Tudor." Studies in Church History 39 (2004): 239–48. http://dx.doi.org/10.1017/s0424208400015126.

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Evidence of devotion to the Virgin Mary in the restored Catholic Church of the reign of Mary Tudor survives in numerous religious texts published from 1553 to 1558. These sermons, catechetical texts, primers, and books of devotion and polemic were written to aid the restoration of early modern Catholicism in England after twenty years of religious tumult. By considering how these texts treat devotion to Mary, it is possible to answer two questions. First, was the cult of the saints in Marian England, particularly that of the Virgin, ‘one of [t]he abiding casualties of the preceding reformations’, as Ronald Hutton has argued from the few gilds and pilgrimage centres restored during this period? Secondly, does devotion to the Virgin present any clues as to the nature of the Marian Church? Did it hark back to the Church of the 1520s? Did it embrace much evangelical belief and eschew much traditional religion, as Lucy Wooding argues in her recent monograph? Or was it akin to the Catholic Reformation in Europe? In order to answer these questions, it would be useful to begin by evaluating two texts that possessed semi-official status in the Marian Church, the use and frequent printing of which were encouraged by the likes of Cardinal Pole: Bishop Edmund Bonner of London’s catechetical work, A Profitable Doctryne, and the Wayland Primer, both printed in 1555.

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Cousin, Bernard. "La dévotion mariale aux XVIIe et XVIIIe siècles en Provence." Social Compass 33, no. 1 (February 1986): 57–64. http://dx.doi.org/10.1177/003776868603300104.

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The article assesses recent research which sheds light on the devotion to the Virgin Mary in Provence during the Counter- Reformation, and was spread by religious orders, and taken up by the secular clergy and pious laymen grouped together into brothe rhoods, Provence, which is close to Italy and the papal enclaves, was the favourite area for the blossoming of the cult of the Virgin Mary, the mainspring of pious fervour in the second half of the seventeenth century. This is shown by the number and naming of the brotherhoods (of the Rosary, of penitents...), the changing of the paintings in churches and chapels, which, from retable to ex- voto, give the Virgin a privileged position, and the setting up of new chapels of pilgrimage dedicated to Mary who is regarded as the universal protector in contrast with the very specialized thera peutic saints. The success of the devotion to the Virgin Mary in Provence during the last century of the Ancien Régime, significantly affects the choices made at important passages in life: an increase passages in the number of baby girls christened Mary, the genera lization of invocations to the Virgin Mary in the testaments, which declines however in the second half of the eighteenth century. But the devotion to the Virgin Mary will prove one of the main sup ports for the Catholic come-back in the nineteenth century

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Dissertations / Theses on the topic "Oblates of the Virgin Mary"

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Pierce, Bethany M. "Courting the Virgin Mary." Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1154462978.

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Cassidy, Thomas M. "Districts and district superiors within the Missionary Oblates of Mary Immaculate." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ28329.pdf.

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Bates, Stephen. "Re-imagining the Virgin Mary in Reformation England." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/62111/.

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This thesis is an interdisciplinary examination of the place of the Virgin Mary in the English reformations of the sixteenth century. Situated at the crossroads of cultural and social history, it engages with the post-revisionist debate within Reformation studies. It seeks to move post-revisionism forward by suggesting that the versatility and vitality of late medieval Mariology enabled reformers, Catholic and Protestant, to select and reject from a basket of possibilities. Consequently it contends that the fissures that had opened up by the time of the Elizabethan settlement had essentially developed along pre-existing fault lines. The first chapter explores the place of the Virgin in the late medieval context. It examines her theological significance, the way ordinary people related to her and, consequently, how they represented her in English parishes. It argues that the Virgin occupied a position which supported both affective and effective piety. The second chapter considers specific ways in which existing Mariological tropes were unsettled by the critiques of Catholic evangelicals, Renaissance humanists and Lollards. It demonstrates that the Virgin was a fluid symbol and suggests some possible trajectories that may have been followed had it not been for the rupture of the Reformation. It contends that the key focus of those advocating reform was the spiritual integrity of devotees. The third chapter investigates developing evangelical Mariology and the subsequent attempts at magisterial reform under Henry VIII and Edward VI. It explores the impact of iconoclasm on parish piety and the transformation of the Virgin into an ordinary woman. It argues for important continuities in the Protestant re-imagination of the Virgin. The final chapter looks at the policies of Mary Tudor and considers how the Virgin was re-imagined in a restored Catholic context. It contributes to the debate on the nature of Mary’s religious programme and assesses the appropriation of Mariological tropes to endorse England’s first Queen regnant. It contends that the reign’s legacy enabled the Elizabethan settlement to reject aspects of the Virgin as foreign, reshaping English identity.

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Rehatta, Gabriel. "The meaning of the Dormition of Virgin Mary." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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Black, David S. "An analysis of the teaching of the Virgin Mary's co-redemptive work with Christ." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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Luzyte, Rasa. "A thealogy of Mary : the non-Christian myth of Mary, the shadow of Mary and an individual connection to the divine self through Mary." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/20251.

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My work on the thealogy of Mary conveys a largely subjective way of thinking, it does not claim to present the view of any group, and it does not profess a theoretical agenda for a cult or a religious movement of Mary. The framework of this work is grounded in symbolic (legends, fairy tales and images), psychological (the structure of the psyche according to Carl Gustav Jung: the Self, the conscious, the unconscious, the Shadow) and imaginative (individual interpretations of narratives and images) spheres that are combined with feminist spirituality theories, religious philosophy and literary analysis. In my thesis, I offer a non-Christian myth of Mary which I form out of the folklore narratives about Mary. In my work, Mary is understood as the female divine archetype on the collective level, and as an expression of the Self on the individual level. Following Jung’s theory, the archetypes are forms and not contents, that is, an archetype can be comparable to an empty shell, which we fill with our own experience or with narratives that are meaningful to us. I take the image of Mary out of the Roman Catholic context and give it a new mythological narrative. This means to me a possibility not only to acquire a non-Christian myth of Mary but also to develop an individual relationship with the divine in its female personification. On the collective level, the thealogy of Mary creates a spiritual and psychological sphere in which the female divine has a possibility to outweigh the one-sidedness of the past few thousand years of the male predominance in the religious philosophy in the West.

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Fernandes, Flynn M. "Mary: Co-redemptrix, mediatrix of all graces, and advocate of the people of God: An interdisciplinary exposition and evaluation of the proposed fifth Marian dogma." Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:105006.

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Thesis advisor: Margaret E. Guider
Thesis advisor: Michael Simone
Thesis (STL) — Boston College, 2015
Submitted to: Boston College. School of Theology and Ministry
Discipline: Sacred Theology

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Gallagher, Laura. "The Virgin Mary in the early modern literary imagination." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601481.

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This thesis examines literary appropriations of the Virgin Mary in the early modem period to argue that she continued to occupy the early modern imagination. The Virgin Mary operates as a lieu de memoire, recalling the Catholic medieval past, but she was refashioned in new terms in the early modern period to ruminate on issues such as mnemonic prayer, material spirituality, motherhood and breastfeeding, female voice, appropriate grief and female authority. By reading a variety of genres, written by both men and women, Protestant and Catholic, from across the period, the thesis argues for the Virgin's sustained relevance. It demonstrates how the Virgin was contested and adapted for various ideological ends. often against the customary religious and gendered understandings of her significance. The Virgin Mary’s body is central to literary appropriations and the thesis argues that Marian imagery retained potency, relevancy and power precisely because of the figure's controversial femininity and her bodily status as virgin mother

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Tulanowski, Elaine G. "The iconography of the assumption of the Virgin in Italian paintings : 1480-1580 /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265555438371.

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Barker, Mary Christine. "A Disquieting Presence: The Virgin Mary in Rembrandt's 'Protestant' Art." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/6349.

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The identification of Rembrandt as a ��Protestant�� artist has, since the middle of the nineteenth century, defined and directed analytical perspective of his biblical works. In the initial stages of Rembrandt��s reinvention as representative of the Protestant culture of his age, religion was not important in terms of the art produced; it was an indication of political identity. A recognition of the importance of Rembrandt��s religious beliefs to his biblical works led later art historians to define these works in terms of a Protestant identity. Rembrandt was a ��Protestant��; he was ipso facto Protestant artist. To substantiate this claim, academic research has sought to identify those particular characteristics which are thought to be Protestant and which can be readily identified in Rembrandt��s work. There is a substantial body of work within Rembrandt��s biblical oeuvre which challenges that paradigm. These are works which show the Virgin Mary, a figure largely marginalised in Protestant belief. These are generally acknowledged as ��Catholic�� or ��made for a Catholic audience��, but they are analysed either as eccentricities or as Catholic subjects which Rembrandt has manipulated to allow for a Protestant understanding. No attempt has been made to place these works within the Catholic tradition to which they belong. This thesis hopes to redress the balance by examining a largely un-researched body of Rembrandt��s Marian work. The first section surveys the notion of ��Protestant�� art and those writers who claim to recognise such a phenomenon in Rembrandt��s work. It examines the place of the Virgin Mary in Post-Reformation Protestant ideology and reviews Rembrandt��s history within a spectrum of religious beliefs. Finally it takes an overview of the presence of the Virgin Mary in Rembrandt��s oeuvre, seeking possible inspiration and explanation from the events in his daily life. The second section analyses six representative works in order to show that these Marian subjects are not religious works manipulated to a Protestant understanding but are artworks that show, both overtly and covertly, that Rembrandt was aware of and actively acknowledged the place of the Virgin Mary, both in the Catholic visual tradition and in the contemporary Catholic theology of his age.

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Books on the topic "Oblates of the Virgin Mary"

1

Lanteri, Pio Brunone. Scritti e documenti d'archivio. Roma: Edizioni Lanteri, 2002.

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Brustolon, Andrea. Alle origini della Congregazione degli Oblati di Maria Vergine: Punti chiari e punti oscuri. Torino: Edizioni Lanteri, 1995.

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Brustolon, Andrea. Storiografia lanteriana ed Archivio storico della Congregazione degli Oblati di Maria Vergine: Approcci mentali e indice dei documenti. Torino: Edizione Lanteri, 1995.

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Brustolon, Andrea. Diffusione della Congregazione degli Oblati di Maria Vergine al di fuori del Piemonte: Traccia e documenti dalla Restaurazione all'unità d'Italia. Torino: Lanteri, 1995.

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Fox, Robert Joseph. The call of heaven: Fr. Gino, stigmatist. Front Royal, Va: Christendom college press, 1986.

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Brustolon, Andrea. Sacerdoti e laici della Restaurazione: Intuizioni, condizionamenti ed eredità di un'epoca. Foligno [Perugia]: Edizioni Lanteri, 1996.

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Calliari, Paolo. Servire la chiesa: Il venerabile Pio Bruno Lanteri, 1759-1830. Caltanissetta: Lanteriana-Krinon, 1989.

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Cristiani, Léon. Bruno Lantéri: Un prêtre pour des temps nouveaux (1759-1830). Paris: Médiaspaul, 1989.

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Gallagher, Timothy M. Begin again: The life and spiritual legacy of Bruno Lanteri. New York: The Crossroad Publishing Company, 2013.

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Michelis, Dennis. The Virgin Mary. Brookline, Mass: Holy Cross Orthodox Press, 1994.

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Book chapters on the topic "Oblates of the Virgin Mary"

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Elia, Anthony J. "Virgin Mary." In Encyclopedia of Psychology and Religion, 2434–37. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_729.

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Elia, Anthony J. "Virgin Mary." In Encyclopedia of Psychology and Religion, 1854–57. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_729.

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Elia, Anthony J., Fredrica R. Halligan, David A. Leeming, Philip Browning Helsel, Lori B. Wagner-Naughton, James W. Jones, Jeffrey B. Pettis, et al. "Virgin Mary." In Encyclopedia of Psychology and Religion, 946–49. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_729.

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Vuola, Elina. "The Virgin Mary." In The Virgin Mary across Cultures, 55–74. Abingdon, Oxon; New York, NY: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315107530-3.

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Herringer, Carol Engelhardt. "The Virgin Mary." In Women in Christianity in the Age of Empire (1800–1920), 54–79. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429325786-3.

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Spurr, Barry. "Modernist Mary." In See the Virgin Blest, 167–96. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12140-0_5.

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Spurr, Barry. "Mary Today." In See the Virgin Blest, 197–218. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-12140-0_6.

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Spretnak, Charlene. "The Virgin and the Dynamo: A Rematch." In Missing Mary, 27–54. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1007/978-1-4039-7854-7_2.

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Lisa, Isherwood. "Virgin Mary, mother of God." In Contemporary Theological Approaches to Sexuality, 324–32. 1 [edition]. | New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315694238-27.

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Duncan, Sarah. "“Cruele Jesabel” or “Handemayde of God”? Mary as Jezebel and Virgin." In Mary I, 111–33. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137047908_7.

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Conference papers on the topic "Oblates of the Virgin Mary"

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Gugeanu, Mariana, and Doina Gugeanu. "Structuri textile provenite din necropola bisericii Adormirea Maicii Domnului, Mănăstirea Căpriana. Cercetare și conservare-restaurare." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-204-211.

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The archaeological research carried out at “The Assumption of the Virgin Mary” Church of Căpriana Monastery highlighted that starting with the 16th century a necropolis had been built in the pronaos and threshold of the church, including tombs of the boyar founders’ families. The archaeological inventory of the necropolis within “The Assumption of the Virgin Mary” Church contains also fragments of textile materials. The study of the archaeological textile materials of Căpriana Monastery, mainly the structure of the natural silk weavings and the chenille made by tablet weaving, respectively, led to the reconstitution of the techniques used to obtain these textile materials during the mediaeval period. This paper presents the research of several textile structures deriving from tomb no. 50, the Necropolis of “The Assumption of the Virgin Mary” Church, Căpriana Monastery. The paper also describes the process of conservation-restoration applied in the case of these textile structures. The conservationrestoration of the movable cultural heritage is firstly a matter of scientific research, compulsorily complemented by the intervention on the object using highly qualified methods of technical execution. A stage of major importance in the life of archaeological textiles, their conservation-restoration ensures the continuity of these slices of the history of mankind.

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Papazoglou, D., L. Malletzidou, T. Zorba, P. Beinas, I. Karapanagiotis, E. Pavlidou, and K. M. Paraskevopoulos. "Characterization of a two field icon of Virgin Mary “Eleousa” (19th century)." In 10th Jubilee International Conference of the Balkan Physical Union. Author(s), 2019. http://dx.doi.org/10.1063/1.5091429.

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Rumiantseva, Olga S. "The Blessed Virgin Mary and the World of Nature in Polish Folk Tales." In Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2619-0869.2021.2.11.

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Komarov, Ivan. "VIRGIN MARY AS THE PRINCIPAL PATRONESS OF THE LIVONIAN ORDER: SPECIAL ASPECTS OF VENERATION." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/21/s08.054.

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Ovchinnikov, Alexander. "ON THE FEAST OF THE ASSUMPTION OF THE BLESSED VIRGIN MARY OR SAVE THE WORLD THE BEAUTY." In ORTHODOXY AND DIPLOMACY IN THE ASIA-PACIFIC REGION. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0756-5-174-178.

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Štěpánek, Pavel. "Tasting the milk of celestial knowledge. Note about the rhetoric of the portrayal of the sacred in Alonso Cano’s painting The Lactation of St. Bernard (1653–1657) from the National Gallery in Prague." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-20.

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This is an attempt of interpretation of a picture that draws from mystical tradition. It is about the comprehension of a topic in a painting by the Spanish artist Alonso Cano (1601–1667, Granada), from the National Gallery in Prague (O 14 690) Lactatio S. Bernardi – presenting the miracle of lactation, in which the Virgin Mary is squirting milk from her breast into the mouth of St. Bernard of Clairvaux (a historically very famous saint and major representative of the Cistercian Order). Traces of iconography lead up to the Coptic Church, where the typology of the milking Virgin was probably first originated (Galacto Trofusa in Greek or Maria lactans in Latin). The starting point is perhaps the portrayal of the virgin goddess Isis milking her son Horus. In many cultures, milk symbolises physical and spiritual food (e.g. the Milky Way evoking the ancient myth about spurted divine milk). On the other hand, milking is also present in the Old Testament as the image of special blessing; it is a symbol of eternal beatitude and wisdom. The dream/vision of her milk is then – apart from the rest – a sign of abundance, fertility, love, and fullness. The lactation of St. Bernard is an allegory of the penetration of the divine science in the soul. Thanks to this act the saint receives God’s guide, which he can then discharge into his writings.

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Ribichini, Luca. "Notre Dame du Haut, Ronchamp, the shape of a listening. A whole other generative hypothesis." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.719.

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Abstract: The article will examin one of Le Corbusier's more emblematic works: the Ronchamp Chapel. The aim is to discover some of the intentionalities hidden within the design of this work by the swiss architect. It will start with the following considerations of Le Corbusier about the Ronchamp chapel:“it began with the acoustics of the landscape taking the four horizons as a reference...to respond to these horizons, to accomodate them, shapes were created…” And: “ Shapes make noise and silence; some speak and others listen...”And again: “ Ear can see proportions. It's possibile to hear the music of visual proportion” (Le Corbusier). The article sustains that the church is nothing but a giant acoustic machine dedicated to Virgin Mary which main purpose is the listening of the prayers. Infact in the Christian religion Mary is the very vehicle between God and man , she has a human but also divine nature since she is the mother of Jesus. To get in contact with the divine it is necessary to pray Mary, she can listen to man's prayers but she can also pass down God's word to man. In support of this hypothesis there stands an analogy between the chapel's map and the image section of a human ear, highlighting the coincidence between the altar position and that of cochlea, which shape is so dear to le Corbusier that he makes use of it very often in his work. Keywords: Ronchamp; acoustic landscape; human ear, architecture as chrystallized music. DOI: http://dx.doi.org/10.4995/LC2015.2015.719

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Reports on the topic "Oblates of the Virgin Mary"

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Deeter, Elizabeth. An Analysis of the Literary Manifestations of the Cult of the Virgin Mary in Gonzalo de Berceo's Milagros de Nuestra Senora. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7122.

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