Relevant bibliographies by topics / Oboe music / Dissertations / Theses
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Dissertations / Theses on the topic 'Oboe music'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 February 2023

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1

Walsh, Bradley Michael. "Humbert Lucarelli: Oboe Artist." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306807891.

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2

Randelin, Anna. "Orkesteroboen : en analys av tre utdrag som en oboist alltid spelar." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2424.

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3

Gookin, Jennifer L. "The development of the solo oboe genre : a study of five works from the second half of the twentieth century /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11442.

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4

Hamilton, Sarah J. "An annotated bibliography of Canadian music for oboe, oboe d'amore and English horn found in the Canadian Music Centre." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1235580996.

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5

Secan, Stephen R. "Amplitude and frequency modulation in Oboe Vibrato." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407510603.

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6

Eccleston, Elizabeth E. "An Annotated Bibliography of Canadian Oboe Concertos." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1471254044.

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7

Milar, Kendall. "Fast Fourier transform analysis of oboes, oboe reeds and oboists : what matters most to timbre." South Hadley, Mass. : [s.n.], 2008. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2008/257.pdf.

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8

BOOZE, LEANNA. "THE OVERLOOKED REPERTORY: TWENTIETH-CENTURY FRENCH OBOE ETUDES." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1054061628.

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9

Eernisse, Elliot Adam. "Overcoming technical and musical challenges for the oboe using excerpts from orchestral and solo repertoire." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2071.

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This document serves as a guide for college oboists who wish to improve their playing by targeting technical and musical challenges with annotated excerpts from orchestral and solo oboe repertoire. The contents of this essay are categorized by eighteen different performance challenges such as intonation, little-finger agility, dynamic contrast through the full range of the oboe, half-hole technique, phrasing, and rapid tonguing. Each chapter begins by identifying technical or musical difficulties and provides advice on how to overcome it using excerpts from the oboe repertoire. Each chapter
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10

Bidgood, Lee, and Heather Killmeyer. "Appalachian Wind: A Faustian Tale for Oboe by Ljova Zhurbin." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/1048.

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This presentation is the premiere performance of a new musical composition for solo oboe, bluegrass band, and narrator. This new work combines the diverse musical traditions of Western classical music and Bluegrass with storytelling to reflect the unique cultural heritage of Appalachia. Appalachia is home to a rich and diverse cultural heritage that reflects its history of immigration. The modern oboe is a double reed instrument of French lineage that has served an important role in the development of the modern symphony orchestra. Bluegrass music also has European roots, but is a uniquely Ame
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11

Campbell, Bailey Mary L. "Léon Goossens’s Impact on Twentieth-Century English Oboe Repertoire: Phantasy Quartet of Benjamin Britten, Concerto for Oboe and Strings of Ralph Vaughan Williams, and Sonata for Oboe of York Bowen." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918439.

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12

Oh, Eun Suk. "An Analytical Study of Isang Yun's "Oboe and Oboe D'amore Concerto": The Intercultural Adaptation of Sigimsae for the Korean Piri with Modern Western Compositional Techniques for the Oboe." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707332/.

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Isang Yun (1917-1995), one of the most important avant-garde German-Korean composers, is perhaps best known for his success at integrating Korean musical elements into traditional Western styles. His Concerto for Oboe, Oboe d'amore, and Orchestra incorporates many traditional Korean elements, and uses techniques such as Hauptton, Hauptklang, and Umspielung to blend these elements into a Western musical style. This study explores the elements of traditional Korean music and instruments present in Yun's score, examines his compositional techniques, and makes practical performance suggestions tha
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13

Costa, Anthony J. "A bibliography of chamber music and double concerti literature for oboe and clarinet." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117551575.

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Thesis (Ph.D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xiv, 146 p.; also includes musical examples. Includes bibliographical references (p. 142-146). Available online via OhioLINK's ETD Center
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14

Thompson, Jonathan (Oboist). "Crystal Clear: A Performance Guide and Electronic Accompaniment of Mario Lavista's Marsias for Oboe and Crystal Glasses." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538800/.

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Mario Lavista (b. 1943) is a dominant figure in Mexican classical music. In the second half of the twentieth century, he promoted the use of contemporary techniques, leading to a series of collaborations with expert instrumentalists to explore extended techniques. Marsias for Oboe and Crystal Glasses is one of those pieces. Due to the nature of contemporary techniques, different oboes and reed styles produce different effects with the same fingerings. This document analyzes the contemporary fingerings in the two published editions of the work in consideration of the long-scrape reed style and
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15

GRANT, MARGARET JEAN. "A FEMINIST ANALYSIS OF FRANCIS POULENC'S SONATA FOR OBOE AND PIANO." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148187368.

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16

Young, Rennick Elizabeth Ann. "Oboe reed-making pedagogy in the United States: a survey." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/632.

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This essay explores current methods, procedures and philosophies surrounding oboe reed-making via a survey conducted in 2009 amongst college-level oboe professors. By relying on the results of the survey, it seeks to identify a unifying approach to American reed-making pedagogy by establishing common concerns and experiences of educators and presenting a snapshot of the development of oboe reed design in American universities and colleges with particular attention given to developments during the tenure of those surveyed ending with 2009.
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17

Cleveland, Susannah 1972. "Eighteenth-Century French Oboes: A Comparative Study." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2812/.

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The oboe, which first came into being in the middle of the seventeenth century in France, underwent a number of changes throughout the following century. French instruments were influenced both by local practices and by the introduction of influences from other parts of Europe. The background of the makers of these instruments as well as the physical properties of the oboes help to illuminate the development of the instrument during this period. The examination of measurements, technical drawings, photographs, and biographical data clarify the development and dissemination of practices in obo
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18

Smith, Erin. "An Annotated Bibliography of American Oboe Concertos." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522354544099437.

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19

Sjögren, Victor. "Att öva utanför övningsrummet : En musikanalys av Richard Strauss konsert för oboe och liten orkester." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3525.

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Richard Strauss (1864–1949) var en av de mest tongivande kompositörerna och dirigenterna under sin mycket långa och framgångsrika karriär. Hans oboekonsert, skriven 1945–1946, var ett av de sista stycken han komponerade och har sedan blivit ett mycket viktigt verk i oboerepertoaren. Kompositionen är både vacker och utmanande och spelas ofta både på konserter och i sökningssammanhang. Syftet med detta examensarbete var att genom analys av första satsen och analys av en inspelning av ett tidigare eget framförande få en bättre förståelse för stycket för att kunna förbättra framtida framföranden a
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20

Andersson, Andreas. "Metodiken i praktiken : Flöjt- och oboelärares syn på undervisningsmetodik." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-73437.

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Syftet med föreliggande studie är att studera hur flöjt- och oboelärare erfar fenomenet undervisningsmetodik. För att uppnå detta syfte utgår studien från följande forskningsfrågor: Hur ser oboelärare på undervisningsmetodik som redskap i sin instrumentalundervisning? Hur ser flöjtlärare på undervisningsmetodik som redskap i sin instrumentalundervisning? Vilka likheter- och/eller skillnader finns det inom undervisningsmetodiken som redskap för instrumentalundervisning på flöjt och oboe? Studien omfattar en kvalitativ intervjustudie på musik- eller kulturskolor i Sverige med tre flöjtlärare och
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21

Biggam, Vincent Mark. "BENJAMIN BRITTEN'S FOUR CHAMBER WORKS FOR OBOE." University of Cincinnati / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ucin991335799.

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22

Haukebo, Lindsay A. "Virtuosic commissioning the creation of a canonized oboe repertoire /." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/823.

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23

Goodall, John W. (John Williams). "A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc332159/.

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At the turn of this century, Charles Martin Loeffler (1861-1935) was considered to be among the finest of the handful of well-known American composers of the time. His music was often performed by major symphony orchestras, chamber groups and solo artists. Deux rapsodies for Oboe, Viola and Piano: L'Etang and La Cornemuse, after poems by Maurice Rollinat (1846-1903), show Loeffler's affinity for programmatic concepts. These works, completed in 1901, are revisions of settings of 1898 for low voice, clarinet, viola and piano, and are now, unfortunately, out of print; but the oboe, viola and pia
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24

Munger-MacKay, Ailene Annette. "Certain oboe techniques and ensemble pedagogy in selected woodwind chamber music of Heitor Villa-Lobos." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248714649.

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25

Shaheen, Andrea Lynn. "The Zurna, Oboe, and Syrian Musical Practice: Authenticating a Musical Modernity." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/238615.

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In contemporary Damascus, the modern oboe and an instrument known as its predecessor, the zurna, are heard on a daily basis as they continue to be employed in Syrian popular and folk music practices. After observing the pervasiveness of the sounds of these instruments in Syria, I proceeded to investigate the socio-cultural processes surrounding their usage. This study provides a history of the zurna, traces its development in Europe into the modern oboe, and explores the oboe's re-entry into musical practices in the Middle East. Through empirical fieldwork, I collected data that allowed me to
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26

Scott, Sabina. "Up the Ocklawaha : En musikalisk transkription för oboe av tonsättaren Marion Bauer." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3517.

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Syftet med studien var att finna lösningar i en begränsad repertoar för oboe, genom att belysa musik komponerad för violin av den ouppmärksammade kvinnliga tonsättaren Marion Bauer. Syftet var i förlängningen att inspirera andra musiker att utföra liknande studier. Detta genomfördes metodiskt genom konstnärliga val baserade på musikanalys och transkription till oboe av Bauers verk Up the Ocklawaha, Op. 6 som komponerades för den kvinnliga violinisten Maud Powell. Vidare egna inspelningar, musikhistoriska studier och intag av andra verk, såsom Clara Schumann-Wiecks tre romanser fo
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27

Woodard, Meghan. "ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/469262.

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Music Performance<br>D.M.A.<br>This monograph analyzes recordings of three orchestral excerpts for the oboe made between 1910 – 2016 and studies trends in interpretation, showing how performance practice is continually evolving as musical tastes change. The chosen excerpts span several style periods from the early nineteenth century to the twentieth century. The first excerpt, the cadenza from the Allegro con brio movement of the Fifth Symphony by Beethoven, has been under-studied by oboists and musicologists and yet it plays a pivotal role in the first movement of this iconic piece. The secon
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28

Margelli, Paul Louis. "Georges Gillet and the Paris Conservatoire Concours oboe solos, 1882-1919 /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/11343.

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29

Helms, Erin R. "A look at mid-twentieth century oboe composition through the works of Malcolm Arnold and Francis Poulenc." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/825.

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30

Tseng, Yu-Chung 1960. "Five Soundscapes for Acoustic Instruments and Taped Computer Music." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935784/.

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Inspired by Chinese poems, the overall characteristics of the work reflect the assimilation of several non-Western musical and philosophical influences such as the use of pentatonic scale patterns, the principle of embellishing a single note, and the application of the I-Ching in dealing with active instrumental passages over a long-sustained computer music drone. Traditional Western compositional techniques such as aleatory counterpoint, serialism, and moment form are also employed in the treatment of thematic material, developmental processes and formal design.
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31

Hawk-Volzer, Debra J. "Potential Implications for the Studio Environments in the 21st Century: Model: Studio Arts-Specifically, Schools of Music Oboe Performance." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1378211491.

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32

Lickiss, Aleo Angela. "The oboe and English horn works of Ross Edwards and his place in Australian music." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3130.

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The oboe and English horn works of Ross Edwards are fascinating and challenging to oboists of all abilities. However, Edwards' works have received little recognition beyond Australia. These pieces can be used to expose students to non-European influences in music, especially that of Aboriginal Australians. These works deserve to be considered part of the standard repertoire of an oboist due to their musical and technical demands and their position in the repertoire of the 20th and 21st centuries. Modern Australian music history can be traced back to the time the English first colonized the con
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33

Burns, Caryn L. "CONCERTO FOR HARPSICHORD, FLUTE, OBOE, CLARINET, VIOLIN, AND VIOLONCELLO BY MANUEL DE FALLA: AN (AUTO)BIOGRAPHICAL READING." University of Akron / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=akron1144356651.

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34

Gresham, Andrew Scott. "A Comparative Study of the Compositional Style of Ralph Vaughan Williams: The Fifth Symphony and the Oboe Concerto." University of Akron / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=akron1555690962853152.

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35

Yoon, Hye Jung. "Birds, Birds, Bluebirds." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504802573765048.

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36

Hassiotis, Kostis. "A critical edition of the '48 Studies for Oboe, Op.31 by Franz Wilhelm Ferling (1796-1874) : based on original historical evidence and viewed within the context of the evolution of didactic material for oboe, with particular reference to nineteenth-century performing practices." Thesis, City University London, 2010. http://openaccess.city.ac.uk/8725/.

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The present thesis is structured in an Introduction and four chapters. The Introduction discusses the originality of the subject and includes all available historical information concerning Ferling and his work as a performer and composer, and a detailed description of all of his known compositions. A substantial part of the information presented in the discussion of Ferling's compositions, and concerning their citations in nineteenth-century journals, is the result of original research and criticism. There is also reference to the importance of the 48 Studies in modern instrumental training.
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37

Dogaru, Gabriela. "À la mémoire de Serge Prokofieff : Francis Poulencs oboesonat jämförd med utdrag ur Prokofjevs musik." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3967.

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À la mémoire de Serge Prokofieff står högst upp på första sidan av Oboesonaten, FP 185 av Francis Poulenc. Stycket komponerades år 1962 och är Poulencs sista komposition, som han aldrig har fått möjligheten att höra innan han dog samma år. Under åren har Poulenc tillägnat sina verk till många vänner och bekanta. Sitt sista verk tillägnar han sin vän som han beundrar väldigt mycket, dvs. Prokofjev. Detta är en vinkel som jag länge har velat fördjupa mig i. Under studieåren har många lärare dragit kopplingar mellan oboesonaten och vissa verk av Prokofjev, som t.ex. balet
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38

Scarnati, Rebecca Kemper 1957. "The ornamentation of four early eighteenth-century Italian oboe concerti found in "Concerti a Cinque... Libro primo" of Jeanne Roger (Amsterdam, ca. 1714-1717)." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290576.

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This study presents new editions of four Baroque oboe concerti with ornaments added to the slow movements. The four concerti by three Italian composers were published in Concerti a Cinque Con Violini, Oboe, Violetta, Violoncello e Basso Continuo, Del Signori G. Valentini, A. Vivaldi, T. Albinoni, F. M. Veracini, G. St. Martin, A. Marcello, G. Rampin, A. Predieri, Libro Primo, No. 432 (Amsterdam: Jeanne Roger, ca. 1714-17). Scores have been created from the Roger print in a computer-generated edition with the original solo line on top, ornaments created in this study for the slow movements writ
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39

Behmer, Cynthia Lynn. "Pedagogical Insights to Successful English Horn Performance: A Guide for College-Level Oboists." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/202700.

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The English horn has persevered as a popular solo instrument by the many composers who have written for it since its inception as a member of the oboe family at the Court of Louis XIV in the seventeenth century. While modern English horn popularity and performance practice continues to flourish through new literature, master classes, and recordings, a review of the existing literature reveals that there is a need for an informative guide for advanced, college-level oboists who wish to begin doubling on the English horn. The present study is intended to serve as a comprehensive resource for the
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40

Jennison, Suzanne Dorothee. "A Transcription of Jean Francaix’s L’Horloge de Flore for Solo Oboe, Woodwind Quartet, and Piano." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587517520481619.

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41

Binkley, Linda. "Three versions of the Concerto for Oboe and Small Orchestra (1945-1946, revised 1948) by Richard Strauss: An analytical and historical study for the performer." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/279996.

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Richard Strauss's Concerto for Oboe and Small Orchestra (1945-46, revised 1948) is one of the most challenging works in the oboist's repertoire. It requires a high level of musical artistry, great technical command of the instrument, and disciplined use of breath control in order to achieve a successful performance. The intent of this study is to provide all oboists, from the student encountering Strauss's Oboe Concerto for the first time to the seasoned professional looking for new inspiration, with concise and relevant information that will enrich his or her experience in rehearsing and per
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42

Secan, Stephen. "A transcription of Jean Francais's L'Horloge De Flore for solo oboe and organ (Four Hands)." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1117569047.

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43

Seymour, John. "Syncretisms for wind quintet and percussion, a study in combining organizational principles from Southeast Asia with western stylistic elements /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6055.

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Thesis (M.M.)--University of North Texas, 2008.<br>For flute oboe, clarinet, horn, bassoon, and marimba, with an optional percussion part (glockenspiel, chimes). Duration: ca. 6:45. System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 61-64).
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44

Wible, Heather N. "More than Mozart." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/828.

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45

Bloomberg, Jennifer Marie Wohlenhaus. "Jean Françaix : L'horloge de flore, an analysis, performance suggestions and a simplified, two-hand reduction of the piano accompaniment." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1934.

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L'horloge de flore (The Flower Clock or Flora's Clock) by Jean Françaix was commissioned by John de Lancie, former principal oboist of the Philadelphia Orchestra in 1957. It was completed in 1959 and premiered by Mr. de Lancie and the Philadelphia Orchestra in 1961. Since that time, it has become a staple of the 20th century oboe concerto repertoire. The current piano reduction of Jean Françaix's L'horloge de Flore consists of the full orchestral score in piano score format. Since it has been only minimally edited, it is an extremely difficult accompaniment for a single pianist. Collaborative
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46

Fronckowiak, Ann. "The oboe concerto of John Harbison a guide to analysis, performance, and the collaboration with oboist, William Bennett /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1162787010.

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47

Hill, Aaron. "Use Your Words| A Lyrical Guide to the Opera-Inspired Paraphrases of Antonino Pasculli (1842-1924) For Oboe and English Horn." Thesis, James Madison University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3702673.

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<p> There are currently ten available works by Antonino Pasculli (1842-1924) for solo oboe or English horn and accompaniment inspired by themes from nineteenth-century operas by Bellini, Donizetti, Meyerbeer, and Verdi. These pieces are so virtuosic that Pasculli has been dubbed the &ldquo;Paganini of the Oboe.&rdquo; The technical demands can be so high that performers can neglect to approach artistic and scholarly interpretation of his lyrical passages. Some editions of his music list the referenced act and scene number from the original source. No existing editions include complete text fro
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48

Ti, Yu-ju. "Duo Sonatas and Sonatinas for Two Clarinets, or Clarinet and Another Woodwind Instrument: An Annotated Catalog." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243880660.

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49

Kunz, Stephanie Jane. "Gustave Vogt: Performer, Educator and ComposerToward an Edition of his works for Oboe and English horn." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429624795.

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50

Heinemann, Alma. "En fri interpretation : En analys kring olika instruments påverkan på interpretation av Robert Schumanns Adagio und Allegro op. 70 för valthorn och piano." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2993.

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Adagio und Allegro op. 70 är ett stycke för valthorn och piano av Robert Schumann (1810– 1856). Den skrevs 1849 av Schumann, ett år som han ägnade mycket åt att skriva för soloinstrument med piano. Adagio und Allegro finns även utgivet för andra soloinstrument än valthorn, bland annat violoncell, violin, oboe och tuba. Syftet med studien är att utföra en interpretation av Robert Schumanns Adagio und Allegro op. 70 för valthorn och piano som jag vill ha det rent musikaliskt och inte för att jag spelar valthorn. Jag kan uppleva att vi ibland styrs lite för mycket av vilket instrume
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