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Books on the topic 'Oboe with instrumental ensemble'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Shapey, Ralph. Psalm I: For soprano, oboe, and piano. Bryn Mawr, PA: T. Presser, 1993.

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2

Wernick, Richard. Oracle II: For soprano, oboe, and piano. Bryn Mawr, Pa: T. Presser, 1987.

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3

Muhly, Nico. Hymns for private use: For soprano, oboe (doubling English horn), clarinet, bass clarinet, alto saxophone and bassoon. New York: St. Rose Music, 2012.

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4

Johnston, Ben. Invocation: For soprano voice, flute, oboe, clarinet in B♭, bassoon, horn in F, trumpet in B♭, trombone, violin, viola, cello, d. bass : 1997. Baltimore, MD: Smith Publications, 1998.

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5

Gould, Morton. Concerto concertante: Solo violin, woodwind quintet, piano. [New York]: G. Schirmer, 1990.

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6

Luciano, Berio. Opus number zoo: Children's play for wind quintet (1951, rev. 1970). London: Universal Edition, 1998.

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7

Torke, Michael. Vanada: For chamber ensemble. [S.l.]: Hendon Music, 1987.

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8

Lazarof, Henri. Lucerniana: For chamber ensemble. Bryn Mawr, Penn: Merion Music, 1992.

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9

Bach, Johann Christian. Ensemble-Konzerte. Wiesbaden: Breitkopf & Härtel, 1985.

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10

Torke, Michael. Adjustable wrench: For chamber ensemble. [United States]: Hendon Music, 1992.

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11

Maloney, S. Timothy. Canadian wind ensemble music. DeLand, Fla: [s.n.], 1985.

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12

Reich, Steve. City life: For ensemble. [New York?]: Hendon Music, 1998.

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13

Imbrie, Andrew. Dream sequence: Chamber ensemble. New York: C.F. Peters, 1993.

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14

Glass, Philip. Songs from liquid days. New York, N.Y: CBS, 1986.

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15

Reid, Wendy. Epitaph: For mixed ensemble. Berkeley, CA: Sound/Image Unlimited, 1986.

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16

Ma, Yo-Yo. A playlist without borders. New York, NY: Masterworks, 2013.

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17

American vocal chamber music, 1945-1980: An annotated bibliography. Westport, Conn: Greenwood Press, 1985.

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18

Lust, Patricia D. American vocal chamber music, 1945-1980: An annotated bibliography. Westport, Conn: Greenwood Press, 1985.

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19

Bazelon, Irwin. Fairy tale: For solo viola and chamber ensemble. Bryn Mawr, Pa: T. Presser, 1993.

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20

Cowell, Henry. A composition, piano and chamber ensemble. New York: C.F. Peters, 1988.

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21

Vierdanck, Johann. Geistliche Konzerte: Zweiter Teil. Kassel: Bärenreiter, 1990.

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22

Górecki, Henryk Mikołaj. Kleines Requiem für eine Polka =: Małe requiem dla pewnej polki : opus 66, for piano and 13 instruments. London: Boosey & Hawkes, 1995.

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23

Wolpe, Stefan. Piece in three parts: For piano and sixteen instruments. New York: Southern Music Pub. Co., 1993.

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24

Chamber music for solo voice and instruments, 1960-1989: An annotated guide. Berkeley, Calif: Fallen Leaf Press, 1994.

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25

Hinson, Maurice. The piano in chamber ensemble: An annotated guide. Bloomington: Indiana University Press, 1996.

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26

Wesley, Roberts, ed. The piano in chamber ensemble: An annotated guide. 2nd ed. Bloomington: Indiana University Press, 2005.

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27

Stiller, Andrew. Three songs. Philadelphia: Kallisti Music Press, 1996.

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28

Witzleben, J. Lawrence. "Silk and bamboo" music in Shanghai: The jiangnan sizhu instrumental ensemble tradition. Kent, Ohio: Kent State University Press, 1995.

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29

Davies, Peter Maxwell. Miss Donnithorne's maggot: Music-theatre work for mezzo-soprano and instrumental ensemble. London: Boosey & Hawkes, 1996.

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30

Lazarof, Henri. Encounters with Dylan Thomas: For soprano and chamber ensemble. Bryn Mawr, Pa: Merion Music, 1996.

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31

Pool, Ray. Two hymntunes: Ensemble music for two harps (lever or pedal). [U.S.]: R. Pool, 2002.

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32

Buell, Timothy J. Bessie Smith at Roy Thomson Hall. [s.l: s.n.], 1988.

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33

Weckmann, Matthias. Four sacred concertos. Madison, [Wis.]: A-R Editions, 1985.

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34

Gesualdo, Carlo. Three madrigals for flute, oboe, clarinet, horn, and bassoon. New York: International Music Co., 1999.

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35

Swift, Richard. Second concerto for piano and chamber ensemble (1980). Albany, Calif: J.B. Elkus & Son], 1994.

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36

Meyer, Andreas. Ensemblelieder in der frühen Nachfolge (1912-17) von Arnold Schönbergs Pierrot lunaire op. 21: Eine Studie über Einfluss und "misreading". München: Fink, 2000.

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37

Brant, Henry. Western springs. New York, NY: CRI, 1985.

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38

Ravel-Chapuis, Fabrice. Canal Tamagawa. Paris: Verticales, 2005.

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39

Heiden, Bernhard. Fantasia concertante: (1987) : alto saxophone & piano. Saint Louis, Mo: Etoile Music, 1989.

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40

Weber-Bockholdt, Petra. Beethovens Bearbeitungen britischer Lieder. München: W. Fink, 1994.

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41

Schmieder, Hans-Heinrich. Wohltemperierte Hausmusik: Neuentdeckungen für Freunde der Kammermusik mit Klavier und Generalregister von Duo bis Nonett. Zürich: Atlantis Musikbuch-Verlag, 1996.

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42

Hasse, Jean. Five poems from the Japanese: For mezzo-soprano, clarinet, and piano (1991). [S.l.]: Visible Music, 1994.

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43

Andreas, Meyer. Ensemblelieder in der frühen Nachfolge (1912-17) von Arnold Schonbergs Pierrot lunaire, op. 21: Eine Studie über Einfluss und "misreading". München: W. Fink, 2000.

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44

Birtwistle, Harrison. Pulse shadows: Meditations on Paul Celan : for soprano, string quartet, and ensemble. London: Boosey & Hawkes, 1998.

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45

Calvin, Seerveld, ed. The greatest song: In critique of Solomon. [Willowdale, Ont.]: Toronto Tuppence Press, 1988.

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46

Atkins, Chet. The day finger pickers took over the world. New York: Columbia, 1997.

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47

Chamber orchestra and ensemble repertoire: A catalog of modern music. Lanham, Md: Scarecrow Press, 2011.

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48

Oliveros, Pauline. El relicario de los animales: For female voice and chamber ensemble : 1979. Baltimore, MD: Smith Publications, 1998.

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49

Schickele, Peter. Hornsmoke: A horse opera : for brass quintet and narration (trumpet in B♭, cornet in B♭, horn in F, trombone, tuba). Bryn Mawr, Penn: Elkan-Vogel, 1987.

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50

Schickele, Peter. The Boston wonder: Suite for narrator, flute, and piano. Bryn Mawr, Pa: Elkan-Vogel, 1990.

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