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Dissertations / Theses on the topic 'Oboe with orchestra'

Author: Grafiati

Published: 4 June 2021

Last updated: 24 January 2023

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1

Yoon, Hye Jung. "Birds, Birds, Bluebirds." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504802573765048.

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2

Costa, Anthony J. "A bibliography of chamber music and double concerti literature for oboe and clarinet." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117551575.

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Thesis (Ph.D.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xiv, 146 p.; also includes musical examples. Includes bibliographical references (p. 142-146). Available online via OhioLINK's ETD Center

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3

Manning, Dwight C. (Dwight Carroll). "A Study of the Oboe Concertos of Johann Friedrich Fasch with a Performing Edition of Oboe Concerto in G Major (Küntzel 8) : A Lecture Recital Together with Three Other Recitals of Selected Works of Handel, Mozart, Bellini, Poulenc, Britten and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278576/.

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Johann Friedrich Fasch's music displays a stylistic variability characteristic among some composers of the early eighteenth century, a time in which the mature Baroque style period of Western art music was beginning to show new elements of the Classical style. Opinions regarding Fasch's contribution vary from praise for his role as one of the most important pioneers to simple acknowledgment as merely one among many significant, forward-looking, transitional composers. During the early eighteenth century, a wealth of fine literature for solo oboe was produced. Current oboe repertoire includes m

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4

Murray, Lauren Baker. "The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides." Thesis, view full-text document, 2002. http://www.library.unt.edu/theses/open/20022/murray%5Flauren%5Fbaker/index.htm.

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5

Binkley, Linda. "Three versions of the Concerto for Oboe and Small Orchestra (1945-1946, revised 1948) by Richard Strauss: An analytical and historical study for the performer." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/279996.

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Richard Strauss's Concerto for Oboe and Small Orchestra (1945-46, revised 1948) is one of the most challenging works in the oboist's repertoire. It requires a high level of musical artistry, great technical command of the instrument, and disciplined use of breath control in order to achieve a successful performance. The intent of this study is to provide all oboists, from the student encountering Strauss's Oboe Concerto for the first time to the seasoned professional looking for new inspiration, with concise and relevant information that will enrich his or her experience in rehearsing and per

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6

Normand, Daniel. "Grâce à trois, Revue de presse : 9 septembre 1996 ; Transformations vernales : oeuvres musicales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq33726.pdf.

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7

Estacio, John Anthony. "Composition recital." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/42040.

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This is a compilation of the music performed at the graduation recital of John Estacio on April 11,1991, at 2.30 p.m. in the U.B.C. Recital Hall. There were four pieces performed that afternoon including Azimuth for viola, clarinet and marimba, written in 1989. Ode on the Death of A Favourite Cat, Drowned in a Tub of Goldfishes for S.A.T.B. choir was written in 1989 and uses the text of Thomas Gray. Moments is a set of three pieces for woodwind quintet written in 1990. Viola Concerto is in three movements and was written in 1991 for Reg Quiring, a former U.B.C. student. The concerto is

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8

Eernisse, Elliot Adam. "Overcoming technical and musical challenges for the oboe using excerpts from orchestral and solo repertoire." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2071.

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This document serves as a guide for college oboists who wish to improve their playing by targeting technical and musical challenges with annotated excerpts from orchestral and solo oboe repertoire. The contents of this essay are categorized by eighteen different performance challenges such as intonation, little-finger agility, dynamic contrast through the full range of the oboe, half-hole technique, phrasing, and rapid tonguing. Each chapter begins by identifying technical or musical difficulties and provides advice on how to overcome it using excerpts from the oboe repertoire. Each chapter

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9

Woodard, Meghan. "ON THE RECORD: INTERPRETING RECORDED ORCHESTRAL EXCERPTS FOR THE OBOE, 1910 – 2016." Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/469262.

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Music Performance<br>D.M.A.<br>This monograph analyzes recordings of three orchestral excerpts for the oboe made between 1910 – 2016 and studies trends in interpretation, showing how performance practice is continually evolving as musical tastes change. The chosen excerpts span several style periods from the early nineteenth century to the twentieth century. The first excerpt, the cadenza from the Allegro con brio movement of the Fifth Symphony by Beethoven, has been under-studied by oboists and musicologists and yet it plays a pivotal role in the first movement of this iconic piece. The secon

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10

Jeoung, Ko Eun. "Bohuslav Martinů's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752395/.

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Bohuslav Martinů's "Concerto for Oboe and Small Orchestra" is one of the most frequently played pieces in the oboe repertoire. For this reason, it is often played with the piano reduction instead of the orchestra in oboe recitals. However, the existing piano reductions include many errors and discrepancies from the orchestral score, misrepresent the orchestration, sometimes fail to make the oboe entries clear, and tend to be unplayable for pianists. Moreover, the scores were published after the composer's death without him supervising the final editing. I have prepared a new, playable piano r

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11

Cheng, Yu-sum Anthony, and 鄭汝森. "An application of Arnold Schoenberg's gedanke manuscript as a blueprint theory for a portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hdl.handle.net/10722/209587.

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12

Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.

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13

Chen, Pin-Hui, and 陳品卉. "Performance Interpretations of Richard Strauss''s Concerto for Oboe and small Orchestra." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/5wng7k.

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14

Lien, Pin-Yu, and 連品瑜. "The Analysis and Interpretation of Concerto for Oboe and Small Orchestra by Bohuslav Martinu(1890-1959)/Lien,Pin-Yu Oboe Recital." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/78175348836919933112.

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碩士<br>東吳大學<br>音樂學系<br>94<br>The purpose of this thesis is to display an in-depth research on the exclusive Oboe Concerto by Bohuslav Martinu(1890-1959). Four chapters are included in this research. The four sections are Introduction to Martinu's Oboe Concerto, Introduction to the Composer and the Musician of its debut, Analysis of the Oboe Concerto, and Musical Articulation of the Oboe Concerto. The author thinks the reason why Bohuslav Martinu's Oboe Concerto is so well-received by oboist is that the music alone tantalizes musicians with the tune filled with affection and vitality, the rhyth

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15

Hung, Meng-Yun, and 洪孟筠. "The Analysis and Performance of Franz Joseph Haydn’s Concerto for Oboe and Orchestra in C Major." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/39074336857998188467.

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16

Liu, Min-hsun, and 劉閔薰. "The Interpretation and Research of "Concerto in C major for Oboe and Orchestra k.314" by Wolfgang Amadeus Mozart." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/75629393043798770392.

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碩士<br>東吳大學<br>音樂學系<br>93<br>No matter opera, symphony or chamber music, the works of Wolfgang Amadeus Mozart (1756-1791) disclosed his unique appreciation to the sound characters of wind instruments. Mozart’s works for piano outnumbered those for wind instruments. The reason is apparent that Mozart himself is a pianist. As Mozart really knew the character of piano, he could write a lot of master pieces. Though the wind works were less in number, to so may oboist, the musical skills of his work is paramount. As we know, one of Mozart’s work , concerto in D major for flute, was almost iden

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17

"Three compositions." Chinese University of Hong Kong, 1994. http://library.cuhk.edu.hk/record=b5895456.

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by Lee Chui Ling.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1994.<br>Preface --- p.1<br>Chapter I. --- Twinkling --- p.3<br>Chapter i) --- Analysis-----Introduction --- p.4<br>Chapter ----- --- Formal structure<br>Chapter ----- --- Musical elements<br>Chapter ii) --- Score (with performance notes) --- p.8<br>Chapter II. --- Emancipation --- p.14<br>Chapter i) --- Analysis 226}0ؤ Introduction --- p.15<br>Chapter ----- --- First movement ~ Formal structure<br>Chapter ~ --- Orchestration<br>Chapter ----- --- Second movement ~Formal structure<br>Chapter ~ --- Harmony<br>Chapter --

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18

"A portfolio of music compositions." Thesis, 2011. http://library.cuhk.edu.hk/record=b6075468.

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Dead water : song cycle for tenor and piano -- Shan shui : for string quartet -- Kuang fu : for SSAAATTBB and yangqin -- If life is unknown : for wind quintet -- Symphony II : Marrison for chamber orchestra, male choir, erhu and zheng -- Jazzy illusion of a Chinaman : for clarinet/bass clarinet, piano/electric keyboard, electric guitar, drum set, cello and double bass -- Liao Zhai : Chinese strange tale for recorders , percussions, soprano, tenor and baritone -- A madman's diary : piano solo work.<br>Tam, Chin Fai.<br>Thesis (D.Mus.)--Chinese University of Hong Kong, 2011.<br>Includes bibliogr

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19

Koehne, Graeme John. "Portfolio of original compositions [music] / Graeme John Koehne." 2002. http://hdl.handle.net/2440/38470.

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These compositions published commercially by Boosey & Hawkes.<br>1 score (1 v.) ;<br>Title page, contents and abstract only. The complete thesis in print form is available from the University Library.<br>Thesis (D.Mus.)--University of Adelaide, Elder School of Music, 2002

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20

Koehne, Graeme John. "Portfolio of original compositions [music] / Graeme John Koehne." Thesis, 2002. http://hdl.handle.net/2440/38470.

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These compositions published commercially by Boosey & Hawkes.<br>1 score (1 v.) ;<br>Title page, contents and abstract only. The complete thesis in print form is available from the University Library.<br>Thesis (D.Mus.)--University of Adelaide, Elder School of Music, 2002

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21

"A portfolio of music compositions." 2003. http://library.cuhk.edu.hk/record=b5891434.

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Quintet for winds and piano -- Preludes and fugues for piano solo -- Variation for string quartet.<br>Wong Kong Yu.<br>Thesis submitted in: December 2002.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 2003.<br>Includes bibliographical references (leaves ).<br>Abstracts in English and Chinese.<br>Abstract --- p.1 Page<br>Scores with Notes:<br>Chapter 1. --- Quintet for Winds and Piano<br>Note --- p.2 Pages<br>Score --- p.30 Pages<br>Chapter 2. --- Preludes and Fugues for Piano Solo<br>Note --- p.2 Pages<br>Score --- p.31 Pages<br>Chapter 3. --- Variations for String Quartet<br>Note

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22

"A portfolio of music compositions." Thesis, 2004. http://library.cuhk.edu.hk/record=b6073653.

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Alien-colour : for woodwind quintet -- Two bagatelles for the solo piano -- Duodecat : for large ensemble -- Moonlight : for solo voice and percussion -- Activation : for orchestra.<br>Yang Jin Fong.<br>"June 2004."<br>Thesis (D.Mus.)--Chinese University of Hong Kong, 2004.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.

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23

DRÁBKOVÁ, Lucie. "Základní umělecká škola ve Strakonicích." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-50773.

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Primary art schools enjoy a long tradition in our country. The Primary Art School ``Kochana z Prachové{\crqq} in Strakonice celebrates already the 70th anniversary of its foundation. It is surprising that nobody has attempted to elaborate a comprehensive work concerning its history for the whole period. With respect to the fact that I have been teaching the piano playing here since 2006 and therefore I have become a part of it, I have chosen just the history thereof as the subject of my thesis. The Primary Art School participates in many cultural activities of the town of Strakonice and it is

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24

"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.

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Trombone concerto (first movement) -- Post-Zero -- Trio for flute, violin and cello, no. 2.<br>submitted by Tang Pan-hang Benny.<br>Thesis submitted in: December 1997.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Abstract --- p.i<br>摘要 --- p.ii<br>Acknowledgment --- p.iii<br>Declaration --- p.iv<br>Introduction --- p.1<br>Trombone Concerto (first movement) --- p.2<br>Programme notes --- p.3<br>Remarks --- p.5<br>Instrumentation --- p.6<br>Seating Plan --- p.7<br>Scores --- p.8<br>Post-Zero 零後 --- p.56<br>Introduction --- p.57<br>Progra

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