Journal articles: 'Octavia E'

1

Mayer, Roland. "Octavia." Classical Review 55, no. 2 (October 2005): 542–44. http://dx.doi.org/10.1093/clrevj/bni296.

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2

GORRIE, CHARMAINE. "THE RESTORATION OF THE PORTICUS OCTAVIAE AND SEVERAN IMPERIAL POLICY." Greece and Rome 54, no. 1 (March 9, 2007): 1–17. http://dx.doi.org/10.1017/s0017383507000010.

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The Porticus Octaviae was built in the Campus Martius sometime between 33 and 23 BC (Figure 1). There is controversy as to whether it was built by Augustus and dedicated to his sister, or commissioned by Octavia herself. The complex, however, which included a library and senate house was closely associated with Octavia and her son. The Porticus Octaviae fell victim to the fire of ad 80 and was probably restored by Domitian. An inscription on the propylon of the complex records its restoration, also after a fire, by Septimius Severus and Caracalla in AD 203. Little consideration, however, has been given to the importance of the Severan restoration in the context of this emperor's building programme. This article will examine the messages conveyed by the restoration of the Porticus Octaviae in terms of Severus' imperial policy, and in particular his desire to connect himself to the legacy of Augustus.

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3

Gerry Canavan. "Missing Octavia." Science Fiction Studies 41, no. 1 (2014): 223. http://dx.doi.org/10.5621/sciefictstud.41.1.0223.

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4

Woods, Moira. "Octavia Wilberforce." Women's Studies International Forum 13, no. 5 (January 1990): 524–25. http://dx.doi.org/10.1016/0277-5395(90)90110-j.

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5

Ferri, Rolando. "Octavia's Heroines: Tacitus Annales 14.63-64 and the Praetexta Octavia." Harvard Studies in Classical Philology 98 (1998): 339. http://dx.doi.org/10.2307/311347.

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6

Brandoli. "Two Stanzas for Octavia." Edgar Allan Poe Review 15, no. 2 (2014): 247. http://dx.doi.org/10.5325/edgallpoerev.15.2.0247.

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7

Vozza, Pasqualina. "Paradigmi mitici nell' Octavia." L'antiquité classique 59, no. 1 (1990): 113–38. http://dx.doi.org/10.3406/antiq.1990.2283.

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8

Arianna Gremigni. "Octavia Butler, a Survey." Science Fiction Studies 38, no. 3 (2011): 542. http://dx.doi.org/10.5621/sciefictstud.38.3.0542.

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9

Obourn, Megan. "Octavia Butler's Disabled Futures." Contemporary Literature 54, no. 1 (2013): 109–38. http://dx.doi.org/10.1353/cli.2013.0001.

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10

Dubey, M. "Octavia Butler's Novels of Enslavement." NOVEL A Forum on Fiction 46, no. 3 (September 1, 2013): 345–63. http://dx.doi.org/10.1215/00295132-2345786.

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11

Lucarini, Carlo M. "La praetexta "Octavia" e Tacito." Giornale Italiano di Filologia 57, no. 2 (November 2005): 263–84. http://dx.doi.org/10.1484/j.gif.5.101982.

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12

Akinmowo, OlaRonke. "Octavia Taught Me/12 Things." Women's Studies 48, no. 1 (January 2, 2019): 47–58. http://dx.doi.org/10.1080/00497878.2018.1559408.

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13

Manuwald, Gesine. "Nero and Octavia in Baroque Opera: Their Fate in Monteverdi's Poppea and Keiser's Octavia." Ramus 34, no. 2 (2005): 152–66. http://dx.doi.org/10.1017/s0048671x00000990.

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The imperial history playOctavia, transmitted among the corpus of Senecan drama, has suffered from uncertainty about its date, author, literary genre and intended audience as regards its appreciation in modern criticism. Although the majority of scholars will agree nowadays that the play was not written by Seneca himself, there is still a certain degree of disagreement about its literary genre and date. Anyway, such scholarly quibbles seem not to have affected poets and composers in the early modern era: they recognised the high dramatic potential of the story of Nero and his love relationships in 62 CE along with the involvement of the historical character and writer Seneca.Indeed, this phase in imperial history was apparently quite popular in Italian and German opera of the late 17th and early 18th centuries. The earliest of a number of operatic treatments of the emperor Nero (also the first opera presenting a historical topic) and arguably the best known today is an Italian version:L'incoronazione di Poppea (The Coronation of Poppaea)to a libretto by Giovanni Francesco Busenello (1598-1659) and music attributed to Claudio Monteverdi (1567-1643), first produced in Giovanni Grimani's ‘Teatro di SS Giovanni e Paolo’ in Venice during the carnival season of 1643. Among the latest operas on this subject is a German version, which is hardly known and rarely performed today:Die Römische Unruhe. Oder: Die Edelmütige Octavia. Musicalisches Schau-Spiel (The Roman Unrest. Or: The Magnanimous Octavia. Musical Play)by the librettist Barthold Feind (1678-1721) and the composer Reinhard Keiser (1674-1739), first performed in the ‘Oper am Gänsemarkt’ in Hamburg on 5 August 1705. In this period German opera was generally influenced by Italian opera, but at the same time there were attempts, particularly in Hamburg, to establish a typically German opera.

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14

Wijaya, Junior Hendri. "The ACHIEVEMENTS OF THE GOVERNMENT OF ITI OCTAVIA AS A REGENT AT LEBAK 2014-2018." Jurnal Kebijakan Pembangunan Daerah 3, no. 2 (November 28, 2019): 88–96. http://dx.doi.org/10.37950/jkpd.v3i2.66.

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This study aims to determine the achievements of the government of Iti Octavia as Lebak Regent in 2014-2018. This research uses a qualitative method with literature study. The results of this study indicate that the achievement of Iti Octavia as Regent of Lebak in 2014-2018 has reached several fields, namely in the field of public services by developing Star Up, in the field of health by adding health facilities in each region and increasing participants of Health Insurance users, in addition in the field of Iti education Octavia has succeeded in improving quality in the Lebak district with the result of decreasing illiteracy rates, as well as increasing gross participation and pure enrollment rates (APK / APM) increasing at all levels of education.

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15

Calder, William M., and Rolando Ferri. ""Octavia": A Play Attributed to Seneca." Classical World 99, no. 1 (2005): 97. http://dx.doi.org/10.2307/4353024.

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16

Kenan, Randall. "An Interview With Octavia E. Butler." Callaloo 14, no. 2 (1991): 495. http://dx.doi.org/10.2307/2931654.

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17

The Huntington Library. "“Octavia E. Butler: Telling My Stories”." Science Fiction Studies 44, no. 3 (2017): 640. http://dx.doi.org/10.5621/sciefictstud.44.3.0640.

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18

Keaveney, Arthur, and R. Ferri. "Octavia: A Play Attributed to Seneca." Classics Ireland 12 (2005): 90. http://dx.doi.org/10.2307/25528426.

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19

Tansey, Patrick. "CICERO,PHILIPPICS9.5 AND THE PORTICUS OCTAVIA." Classical Quarterly 66, no. 2 (October 26, 2016): 540–46. http://dx.doi.org/10.1017/s0009838816000732.

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On or shortly after 4 February 43b.c.Cicero delivered theNinth Philippicin an effort to persuade the Senate to honour Ser. Sulpicius Rufus (cos. 51). He argued that Sulpicius, who had died of natural causes while acting as the Senate's envoy, was nevertheless entitled to the same recognition aslegatikilledob rem publicam. In the course of the speech Cicero discussed various historic precedents, including Cn. Octavius (cos. 165) who was assassinated in Syria in 162b.c.while doing the Senate's bidding and was consequently honoured with a statue on the rostra. The statue was still extant in 43b.c.and Cicero reminded his audience that it was now the only memorial to this great family. Cicero's observation has unanimously been interpreted as signifying that the family of the consul of 165b.c.was extinct in February 43b.c.In fact, Cicero actually meant that the statue on the rostra was now the sole surviving monument associated with the family of Cn. Octavius because the other two monuments that had served as a concrete reminder of the family had latterly been destroyed.

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20

MURGATROYD, PAUL. "TACITUS ON THE DEATH OF OCTAVIA." Greece and Rome 55, no. 2 (August 18, 2008): 263–73. http://dx.doi.org/10.1017/s0017383508000569.

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Scholars so far have commented only briefly on Tacitus' depiction, at Annals 14.60–4, of the execution (in ad 62) of Nero's young wife Octavia, passing lightly over the pathos and criticism of Nero there as straightforward and self-evident. In fact, there is a subtle and skilful build-up of sympathy for Octavia and an extensive and powerful attack on the emperor and his court (and the servile senate), all the stronger for the pity aroused for her. This combination of emotional impact and damning indictment merits and repays deeper analysis.

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21

Wallace, Molly. "Reading Octavia Butler’s Xenogenesis after Seattle." Contemporary Literature 50, no. 1 (2009): 94–128. http://dx.doi.org/10.1353/cli.0.0049.

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22

Rowell, Charles H., and Octavia E. Butler. "An Interview with Octavia E. Butler." Callaloo 20, no. 1 (1997): 47–66. http://dx.doi.org/10.1353/cal.1997.0003.

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23

Poe, Joe Park. "Octavia Praetexta and Its Senecan Model." American Journal of Philology 110, no. 3 (1989): 434. http://dx.doi.org/10.2307/295219.

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24

Kurjatto-Renard, Patrycja. "Recovering from Amnesia in Octavia Butler’s Texts." Babel, no. 40 (December 1, 2019): 197–221. http://dx.doi.org/10.4000/babel.8041.

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25

Łapińska, Magdalena. "Memory-dependent grief in Octavia Butler’s Fledgling." Crossroads. A Journal of English Studies, no. 15(4) (2016): 82–92. http://dx.doi.org/10.15290/cr.2016.15.4.07.

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26

Gerry Canavan. "Research in the Octavia E. Butler Archive." Science Fiction Studies 45, no. 1 (2018): 216. http://dx.doi.org/10.5621/sciefictstud.45.1.0216.

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27

Walbank, Mary E. Hoskins. "Pausanias, Octavia and Temple E at Corinth." Annual of the British School at Athens 84 (November 1989): 361–94. http://dx.doi.org/10.1017/s0068245400021055.

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This article considers the identification and attribution of the Temple E, one of the most important monuments of Roman Corinth. It argues against the present general identification of it as the temple of Octavia (referred to by Pausanias) and iherefore a building dedicated to the Imperial cult. The evidence for the form, date and identity is reassessed. It involves a reexamination of the significance and relevance of the numismatic evidence cited in connection with it: a discussion of Octavia as a major recipient of cult and the worship of Jupiter Capitolinus at Corinth. It is argued, as a hypothesis for general consideration, that Temple E is the Capitolium of Corinth.

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28

Hampton, Gregory. "In Memoriam: Octavia E. Butler (1947-2006)." Callaloo 29, no. 2 (2006): 245–48. http://dx.doi.org/10.1353/cal.2006.0099.

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29

Johns, Adam. "Octavia Butler and the Art of Pseudoscience." English Language Notes 47, no. 2 (September 1, 2009): 95–107. http://dx.doi.org/10.1215/00138282-47.2.95.

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30

Setka, Stella. "Phantasmic Reincarnation: Igbo Cosmology in Octavia Butler’sKindred." MELUS: Multi-Ethnic Literature of the United States 41, no. 1 (January 6, 2016): 93–124. http://dx.doi.org/10.1093/melus/mlv059.

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31

Calder, William M. (William Musgrave). "Octavia : A Play Attributed to Seneca (review)." Classical World 99, no. 1 (2005): 97–98. http://dx.doi.org/10.1353/clw.2006.0004.

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32

Marez, Curtis. "Octavia E. Butler, After the Chicanx Movement." Women's Studies 47, no. 7 (October 3, 2018): 755–60. http://dx.doi.org/10.1080/00497878.2018.1518621.

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33

Russell, Natalie. "Meeting Octavia E. Butler in Her Papers." Women's Studies 48, no. 1 (January 2, 2019): 8–25. http://dx.doi.org/10.1080/00497878.2018.1559406.

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34

Lu, Xiao, and Ghassan S. Kassab. "Reply to Octavia, Wingler, Schmidt, and Moens." Journal of Applied Physiology 111, no. 1 (July 2011): 330. http://dx.doi.org/10.1152/japplphysiol.00495.2011.

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35

Magnone, Sophia Booth. "Microbial Zoopoetics in Octavia Butler’s Clay’s Ark." Humanimalia 7, no. 2 (March 20, 2016): 109–30. http://dx.doi.org/10.52537/humanimalia.9668.

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This paper reads Octavia Butler’s 1984 novel Clay’s Ark as a speculative handbook for living collaboratively in a more-than-human world. Drawing on Aaron Moe’s theory of zoopoetics, as well as emerging research on the effects of the human microbiome on health, behavior, and personality, I consider how the novel’s “villain,” an infectious microbe, might be not just a germ but an author, writing difference into the text of the human species. Depicting this interspecies relationship as both troubling and productive, Butler suggests the urgent need for humans to construct responsible and mutually beneficial forms of collaboration with their nonhuman neighbors of all sorts.

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36

Gale, Nikita. "After Words: On Octavia Butler's “Speech Sounds”." Resonance 1, no. 4 (2020): 462–66. http://dx.doi.org/10.1525/res.2020.1.4.462.

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In this essay, artist Nikita Gale presents a reading of Octavia Butler’s short story Speech Sounds through the work of Edouard Glissant, Kate Lacey, Homi Bhabha, and Elaine Scarry. Gale considers the trauma of silence and the loss of language as events that might serve as starting points for emergent forms of social relations.

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37

Kragelund, Patrick. "The Prefect's Dilemma and the Date of the Octavia." Classical Quarterly 38, no. 2 (December 1988): 492–508. http://dx.doi.org/10.1017/s0009838800037101.

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The long-awaited publication of Otto Zwierlein's edition of Seneca's Tragedies provides a welcome opportunity to present a few observations on the penultimate scene of pseudo-Seneca's Octavia (846–76).The scene in question features Nero quarrelling with his Guard Prefect over the fate of the Empress Octavia. In this altercation there are three textual points which have for long been in dispute. The first section of the article is concerned with these, favouring an emendation (858) discarded in the new Oxford edition, but questioning two of the verse divisions suggested (867b–868a) or adopted (870a) by Zwierlein.

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38

Volker, Camila Bylaardt. "A parábola do semeador: Octavia Butler." Em Tese 26, no. 3 (June 22, 2021): 280. http://dx.doi.org/10.17851/1982-0739.26.3.280-287.

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39

Senseney, John R. "Adrift toward Empire." Journal of the Society of Architectural Historians 70, no. 4 (December 1, 2011): 421–41. http://dx.doi.org/10.1525/jsah.2011.70.4.421.

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In seeking the origins of the celebrated portico-framed fora of Imperial Rome, John R. Senseney explores the earliest recognizable example of this architectural type, a lost porticus of the 160s BCE built by the victorious commander Gnaeus Octavius. Adrift toward Empire: The Lost Porticus Octavia in Rome and the Origins of the Imperial Fora adduces ancient testimony to aid our understanding of the purposes and formal appearance of this pivotal monument. While the author suggests that Octavius emulated a Hellenistic model, he does not posit that the patron necessarily sought to associate his triumph with those of his Greek forebears. Those meanings did, however, become attached to the building type by later viewers and the architects who created the Imperial fora. In order to appreciate this phenomenon, the author questions the usefulness of fixed categories like "Hellenistic" and "Roman" and argues for a history sensitive to the fluidic intentions and changing meanings of architecture.

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40

Iuliano, Fiorenzo. "American Literature in the World: An Anthology from Anne Bradstreet to Octavia Butler, edited by Wai Chee Dimock et al." Review of International American Studies 12, no. 2 (December 23, 2019): 167–74. http://dx.doi.org/10.31261/rias.8015.

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41

Huh, Jeong-Ae. "Male Pregnancy in Feminist SF: Octavia Butler’s “Bloodchild.”." British and American Language and Literature Association of Korea 125 (June 30, 2017): 207–23. http://dx.doi.org/10.21297/ballak.2017.125.207.

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42

Sundaram, Neeraja. "From Contamination to Community: Octavia Butler's Clay's Ark." Excursions Journal 2, no. 1 (September 13, 2019): 6–24. http://dx.doi.org/10.20919/exs.2.2011.143.

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This paper examines the trope of the virus in Octavia Butler’s 1984 science fiction novel Clay’s Ark, where an alien virus manifests as a border organism that produces new forms of the human. I argue that the trope of the viral agent in Butler’s Clay’s Ark reconfigures the ‘self’ (the human) and the ‘other’ (the virus) at the level of the material and the discursive, leading to a reconceptualisation of the epistemological and ontological basis for the definition of and distinction between, the two. Secondly, the diseased, contagious self in Clay’s Ark, is subject to neither ‘containment’ nor quarantine, but instead is the basis for the formation of a new social contract in a world that is soon to be ravaged by an extraterrestrial epidemic. The paper demonstrates the pervasive influence of the epistemic and discursive formulations of the “human” in a social order transformed by viral invasion.

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43

Steinberg, Marc. "Inverting History in Octavia Butler's Postmodern Slave Narrative." African American Review 38, no. 3 (2004): 467. http://dx.doi.org/10.2307/1512447.

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44

Ferri, Rolando. "PS.-Seneca, Octavia 889 and Vergil, Aeneid 12.539FF." Classical Quarterly 46, no. 1 (May 1996): 311–14. http://dx.doi.org/10.1093/cq/46.1.311.

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At 876ff. Octavia's partisans lament the ruinous intervention of the Roman mob in support of the heroine's legitimate claims against Poppaea. A series of paradigmatic figures illustrates the sentence ‘o funestus multis populi dirusque fauor’: the two Gracchi, first, then Livius Drusus, the tribunus plebis of 91 B.C., stabbed to death in his house in the year of his tribunate. The gallery of historical characters suits the Roman atmosphere of the play, the fallen heroes of Republican times are presented as noble and disinterested figures, struck by disaster and evil fortune. This is the description of Livius' fate (887–90; text and colometry given as in Zwierlein's OCT):

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45

Kragelund, Patrick. "Nero's Luxuria, in Tacitus and in the Octavia." Classical Quarterly 50, no. 2 (December 2000): 494–515. http://dx.doi.org/10.1093/cq/50.2.494.

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According to Tacitus, this was Galba's verdict on Nero's fall. The tyrant's undoing had been of his own making. As for what determined the outcome, Galba is unequivocal. Two factors had proved decisive: Nero's immanitas and luxuria.

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46

Donaldson, Eileen. "A contested freedom:The fragile future of Octavia Butler'sKindred." English Academy Review 31, no. 2 (July 3, 2014): 94–107. http://dx.doi.org/10.1080/10131752.2014.965423.

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47

Batteram, Harold J., and Erik Meeuwissen. "Octavia: A software platform for next-generation services." Bell Labs Technical Journal 7, no. 4 (April 23, 2003): 139–54. http://dx.doi.org/10.1002/bltj.10039.

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48

Minguillo, Paúl Llaque, and Alfredo Bryce Echenique. "El hombre que hablaba de Octavia de Cádiz." Revista de Crítica Literaria Latinoamericana 12, no. 23 (1986): 158. http://dx.doi.org/10.2307/4530256.

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49

Plisner, Andrew. "Arboreal dialogics: an ecocritical exploration of Octavia Butler'sDawn." African Identities 7, no. 2 (May 2009): 145–59. http://dx.doi.org/10.1080/14725840902808819.

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50

Scott, Jonathan. "Octavia butler and the base for American socialism." Socialism and Democracy 20, no. 3 (November 2006): 105–26. http://dx.doi.org/10.1080/08854300600950269.

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Journal articles on the topic 'Octavia E'

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