Academic literature on the topic 'Oddball'

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Journal articles on the topic "Oddball"

1

Friedel, Evelyn B. N., Michael Bach, and Sven P. Heinrich. "Attentional Interactions Between Vision and Hearing in Event-Related Responses to Crossmodal and Conjunct Oddballs." Multisensory Research 33, no. 3 (2020): 251–75. http://dx.doi.org/10.1163/22134808-20191329.

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Abstract Are alternation and co-occurrence of stimuli of different sensory modalities conspicuous? In a novel audio-visual oddball paradigm, the P300 was used as an index of the allocation of attention to investigate stimulus- and task-related interactions between modalities. Specifically, we assessed effects of modality alternation and the salience of conjunct oddball stimuli that were defined by the co-occurrence of both modalities. We presented (a) crossmodal audio-visual oddball sequences, where both oddballs and standards were unimodal, but of a different modality (i.e., visual oddball with auditory standard, or vice versa), and (b) oddball sequences where standards were randomly of either modality while the oddballs were a combination of both modalities (conjunct stimuli). Subjects were instructed to attend to one of the modalities (whether part of a conjunct stimulus or not). In addition, we also tested specific attention to the conjunct stimuli. P300-like responses occurred even when the oddball was of the unattended modality. The pattern of event-related potential (ERP) responses obtained with the two crossmodal oddball sequences switched symmetrically between stimulus modalities when the task modality was switched. Conjunct oddballs elicited no oddball response if only one modality was attended. However, when conjunctness was specifically attended, an oddball response was obtained. Crossmodal oddballs capture sufficient attention even when not attended. Conjunct oddballs, however, are not sufficiently salient to attract attention when the task is unimodal. Even when specifically attended, the processing of conjunctness appears to involve additional steps that delay the oddball response.
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2

McAuley, J. Devin, and Elisa Kim Fromboluti. "Attentional entrainment and perceived event duration." Philosophical Transactions of the Royal Society B: Biological Sciences 369, no. 1658 (2014): 20130401. http://dx.doi.org/10.1098/rstb.2013.0401.

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This study considered the contribution of dynamic attending theory (DAT) and attentional entrainment to systematic distortions in perceived event duration. Three experiments were conducted using an auditory oddball paradigm, in which listeners judged the duration of a deviant (oddball) stimulus embedded within a series of identical (standard) stimuli. To test for a role of attentional entrainment in perceived oddball duration, oddballs were presented at either temporally expected (on time) or unexpectedly early or late time points relative to extrapolation of the context rhythm. Consistent with involvement of attentional entrainment in perceived duration, duration judgements about the oddball were least distorted when the oddball occurred on time with respect to the entrained rhythm, whereas durations of early and late oddballs were perceived to be shorter and longer, respectively. This pattern of results was independent of the absolute time interval preceding the oddball. Moreover, as expected, an irregularly timed sequence context weakened observed differences between oddballs with on-time and late onsets. Combined with other recent work on the role of temporal preparation in duration distortions, the present findings allot at least a portion of the oddball effect to increased attention to events that are more expected, rather than on their unexpected nature per se .
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3

Ali Nazari, Mohammad, Amir Ebneabbasi, Hoda Jalalkamali, and Simon Grondin. "Time Dilation Caused by Oddball Serial Position and Pitch Deviancy." Music Perception 35, no. 4 (2018): 425–36. http://dx.doi.org/10.1525/mp.2018.35.4.425.

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When a deviant stimulus is presented within a stream of homogeneous stimuli, its duration tends to be overestimated. Two experiments investigated the effects of oddball serial position and pitch deviancy on perceived duration. In Experiment 1, the oddball method was used, in which an oddball stimulus is embedded in a series of standard stimuli and randomly positioned in each trial. In Experiment 2, the oddball position was stable and its deviancy varied from trial to trial. Musician and nonmusician participants were asked to judge whether the comparison interval was shorter or longer than the standards. The study indicates that for nonmusicians, the duration of an oddball stimulus appears longer than the repeated standard stimuli. Moreover, the oddballs occurring in later positions in the stream of stimuli are perceived to be longer than oddballs occurring in earlier positions in the stream. Also, a higher degree of oddball deviancy results in a greater dilation of perceived duration. In contrast with the results of nonmusicians, there is neither a position nor a deviancy effect with musician participants; the subjective duration remains constant. Several explanations are discussed in order to account for these group differences.
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4

Epstein, Michael L., and Tatiana A. Emmanouil. "Ensemble Statistics Can Be Available before Individual Item Properties: Electroencephalography Evidence Using the Oddball Paradigm." Journal of Cognitive Neuroscience 33, no. 6 (2021): 1056–68. http://dx.doi.org/10.1162/jocn_a_01704.

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Abstract Behavioral studies have shown that statistical properties of object groups are perceived accurately with brief exposure durations. This finding motivated the hypothesis that ensemble perception occurs rapidly in vision. However, the precise timing of ensemble perception remains unclear. Here, we used the superior temporal resolution of electroencephalography to directly compare the timing of ensemble processing to that of individual object processing. The P3b was chosen as a particular component of interest, as it is thought to measure the latency of stimulus evaluation. Participants performed a simple “oddball” task in which sets of 51 lines with varied orientations sequentially flashed briefly on the display. In these sequences, there was a 20% chance of an individual oddball, wherein one marked object tilted clockwise, and a 20% chance of an ensemble oddball, wherein the average orientation of the set tilted clockwise. In counterbalanced blocks, participants were instructed to respond to either individual or ensemble oddballs. ERP analysis was performed to test the timing of this processing. At parietal electrodes, P3b components were found for both individual and ensemble oddballs. Ensemble P3b components were found to occur significantly earlier than individual P3b components, as measured with both 50% area latency and 50% onset latency. Using multivariate pattern analysis, ensemble oddball trials were classifiable from standard trials significantly earlier in their timecourse than individual oddball trials. Altogether, these results provide compelling evidence that ensemble perception occurs rapidly and that ensemble properties can be available earlier than individual object properties.
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5

Alpert, Mark. "Neutron Oddball." Scientific American 298, no. 1 (2008): 24. http://dx.doi.org/10.1038/scientificamerican0108-24.

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6

Verleger, Rolf, and Patrick Berg. "The Waltzing Oddball." Psychophysiology 28, no. 4 (1991): 468–77. http://dx.doi.org/10.1111/j.1469-8986.1991.tb00733.x.

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7

Neeman, Amnon. "Oddball Bousfield classes." Topology 39, no. 5 (2000): 931–35. http://dx.doi.org/10.1016/s0040-9383(99)00040-3.

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8

Bauer, H., T. Radil, and Ch Rebert. "The ‘Oddball — CNV’." International Journal of Psychophysiology 7, no. 2-4 (1989): 134–35. http://dx.doi.org/10.1016/0167-8760(89)90081-0.

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9

Bell, Elaine. "Oddball T cells." Nature Reviews Immunology 3, no. 5 (2003): 358. http://dx.doi.org/10.1038/nri1099.

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10

Wehrman, Jordan. "The simultaneous oddball: Oddball presentation does not affect simultaneity judgments." Attention, Perception, & Psychophysics 82, no. 4 (2020): 1654–68. http://dx.doi.org/10.3758/s13414-019-01866-6.

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