Relevant bibliographies by topics / Odessa Museum of Regional History

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Academic literature on the topic 'Odessa Museum of Regional History'

Author: Grafiati
Published: 26 July 2024

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Journal articles on the topic "Odessa Museum of Regional History"

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Zhimolostnova, Veronica, and Valeria Lavrus. "Odessa period in the creative activity of the famous Ukrainian librarian L. Khavkinа." Вісник Книжкової палати, no. 11 (March 24, 2022): 40–42. http://dx.doi.org/10.36273/2076-9555.2020.11(292).40-42.

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The proposed research is substantively and conceptually related to research on the history of domestic library science and is directly devoted to the methodological and educational activities of the famous Ukrainian librarian L. Khavkinа in Odessa 1925 year. The article uses authentic materials stored in the funds of the Odessa Regional State Archive and in the funds of the Book Museum of the Odessa State Scientific Library. Among them are such unique documents as the minutes of the meetings of the presidium of the Library Association of Odessa in 1925 year, the report of the Bibinspektura on conducting a seminar with the participation of L. Khavkinа and, finally, own financial receipts made by L. Khavkinа. These documents state that the information provided during the methodological meetings by L. Khavkinа made an unforgettable impression on the Odessa library community and encouraged it to further the fruitful development of the Odessa library business and prompted the centralization of Soviet libraries in the Odessa region and further centralized exchange of methodological, scientific and educational, library and bibliographic literature and information. However, unfortunately, L. Khavkinа's stay in Odessa and holding a library seminar was accidental and took place on the recommendation of Agitprom Gubkom and the Odessa library community did not make a special professional impression on L. Khavkinа, so in the field of professional research interests of the famous librarian further was not included.
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Dimova, L. S., and V. V. Yavorskaya. "HISTORICAL CRUISE TOURISM IN UNESCO BIOSPHERE RESERVES: «CHERNOMORSKIY « & «DANUBE DELTA»." Odesa National University Herald. Geography and Geology 28, no. 1(42) (August 10, 2023): 84–94. http://dx.doi.org/10.18524/2303-9914.2023.1(42).282238.

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(Cooperation of the Scientific foreign languages Circle in honor of the Honorary President Mrs Halyna Semenivna Dimova (Shutko) «History of the Izmail Red Cross» and the Faculty of Geology and Geography оf Odesa I. I. Mechnikov National University) Problem statement and Purpose. The south of Ukraine has unique natural and historical treasures. The article analyzes the possibility of combining natural resources included in the World Network of UNESCO Biosphere Reserves and forgotten facts from the international history of the First World War, which took place in their water areas and adjacent territories, in cruise tourism. Taking into account the interest to the French language of the participants in the educational process, the Faculties of Romance and Germanic Philology, History and Philosophy, Geology and Geography, International relations, political and social studies the Circle explores various issues, including historical cruise tourism. The purpose of the article is to analyze the possibilities of combining the use of the direction of historical tourism of the work of the Scientific Circle related to niche local cruise tourism, the study of the possibility of including accumulated historical facts in the development of tourist routes of the domestic and international level within the interdisciplinary context of the French-language training of masters in the specialty 242 Tourism, specializations tourist service, with an orientation to the modern market of educational services. The task is to solve theoretical issues, in particular, to reveal the essence and content of local historical niche cruise tourism, the possibility of including local heroic historical heritage in existing cruise routes, both national and international, with scientific coverage and publication of the article in a specialized scientific publication on the specialty 242 Tourism. Data & Methods. The material is archival documents and publications of researchers-historians, local historians and museum workers of Odessa region, french language scientific academic publications of international official websites, where scientific international publications of the Circle are posted, which can be used by master’s, learning French. Since 2013, the Interdisciplinary University Circle in Foreign Languages «History of the Izmail Red Cross» began its activities thanks to the initiation and assistance of its Honorary Chairman (according to the European tradition – Honorary President) – Halyna Semenivna Dimova (Shutko), Chairman of the Izmail Organization of the Red Cross (2002–2018), Member of the Board of the Odessa Regional Organization of the Red Cross of Ukraine (2002–2018), holder of the highest distinction of the Red Cross Society of Ukraine – «Vis Humanitatis!», Honorary Distinction of the Odessa State Regional Administration, other awards. In 2021, unfortunately, she left this world, but her name continues to live in the activities and name of the Circle. Methods of analysis, analogy, deduction are used, as well as the axiomatic method and philosophical methods of explaining the inconsistency and complexity of the development of intercultural interactions. Results. The use of the Danube Delta and the 0-kilometer of the Black Sea for the development of historical cruise tourism on the principles of active promotion of the preservation of historical heritage, creating a sense of pride and responsibility among the local population, which coincided with the scientific research of cruise tourism at the second (master’s) level under the guidance of the Department of Economic and Social Geography and Tourism, which in the longer term can contribute to the development of the Tourism Development Program based on the use of this unique historical heritage of the area. The project of historical cruise tourism in the UNESCO biosphere reserves of the South of Ukraine of the Scientific Circle «History of the Izmail Red Cross» together with the Department of Tourism can become a unifying project, which will allow to present an original domestic tourist product. This will increase the economic component, a new impetus for the development and renewal of territories. In peacetime, it is Tourism, that will allow us to revive our country.
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Luchka, Ludmila M. "The Library Аctivity of Katerinoslav Scientific Archival Commission." Universum Historiae et Archeologiae 1, no. 1-2 (December 29, 2019): 123. http://dx.doi.org/10.15421/2611814.

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At the end of the 19th century archival commissions as historical societies began to work in the provinces of the Imperial state. The application about opening of Katerinoslav province scientific commission was prepared in 1902. It was signed by famous elective district council members, public figures, cultural and educational leaders. The society of historians, archivists, ethnographers, archeologists and specialists in regional studies worked in Katerinoslav in 1903?1916. The author shows history and activity of the library of a local society as a province centre of local lore history. The printed editions of the society called “Chronocles” (volumes I?X) which contain proceedings of the commission meetings were the main source of research. The library collected works on history, archeology, ethnography and historical geography of Katerinoslav province. From the beginning of the library foundation it played an important part in the development of the society. The members of the society paid great attention to forming of book collections on regional history. From the first years of its activity the commission constantly supported book exchange with other institutions and organizations which favoured the spreading of knowledge and exchanging of experience. The sources contain information about people who gladly gave necessary and useful literature to the commission. Professors, teachers of local educational institutions, museum workers, cultural and educational leaders of Ukraine were among the members of the commission. In 1910 the commission totaled 11 honoured and 54 full members. Local activists paid special attention to keeping of church archive. In particular, D. I. Yavornitsky defended the thought about studying of archival documents as written evidence on the history of Ukrainian people. The library collection according to its content, subject, and chronology is considered in the article; authors groups are analyzed. Donations from different organizations and private persons were a valuable source of supplement of the commission’s book stock. The members of the commission had the opportunity to work with scientific editions of Kharkiv, Lviv and Odessa universities. The article reveals the role of A. S. Sinyavsky, V. O. Bidnov and I. Y. Akinfiev in the process of formation of readers’ tastes, scientific interest and professional level of Katerinoslav inhabitants at the beginning of the 20th century. Library activists maintained an active position in the activity of the society. For the period of existence 6 surnames of persons who took an active part in the commission’s librarianship are known.
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Okhotnikov, S. B. "The Odessa Museum of Archaeology." Ancient Civilizations from Scythia to Siberia 1, no. 1 (1995): 75–79. http://dx.doi.org/10.1163/157005794x00345.

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AbstractThe Odessa Museum of Archaeology was founded in 1825 by local antiquarians. The museum's collection grew in part due to excavations of classical sites in the region, in part due to gifts and purchases from dealers in classical antiquities. Up to the Second World War the focus of the Museum's activities was classical archaeology. In the post-war period this expanded to include the whole of the ancient history of the region from the Stone Age to the Middle Ages. The museum now houses one of the best collections of Classical Antiquities in the former Soviet Union and the third-ranking Egyptological collection. The museum formed from 1972 part of the Soviet Academy system and undertook fieldwork on the Lower Dniester at Bronze Age sites, as well as at classical sites such as Tyras, Nikonion, the site of the ancient Odessos, and Leuke and medieval sites such as Belgorod.
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Ovsiankin, Oleksandr, and Svitlana Storozhuk. "PREREQUISITES FOR THE CREATION OF ETHNOGRAPHIC PARK "SHKODOVA MOUNTAIN" IN ODESSA." Architectural Bulletin of KNUCA, no. 26-27 (September 24, 2023): 198–213. http://dx.doi.org/10.32347/2519-8661.2023.26-27.198-213.

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The article examines ethnographic parks, open-air museums and cave settlements of Ukraine for the relevance of creating an ethnographic park in Odessa. Tourist centers of territorial tourism systems are, as a rule, historical settlements that have valuable objects of cultural heritage and are determined according to the List of Historical Settlements of Ukraine. The role of tourist centers, in addition to historical settlements, is played by almost all regional cities, which, in addition to monuments, also have notable objects of modern architecture. Most ethnographic parks and open-air museums are located in the northwestern part of Ukraine. One of the most famous open-air museums of our country is the National Museum of Folk Architecture and Life of Ukraine, better known as the Pirogov Museum, which is located in the village of Pirogov, Kyiv region. The open-air Ethnographic Museum "Frumushyka-Nova Bessarabian Village" (2008) has only recently appeared in Odessa region. Another interesting type of settlement found on the territory of our country is Cave settlements (fortresses, cities and monasteries), the most famous "Cave Cities" are located in Crimea. On the mainland of Ukraine, cave settlements are mainly represented by "Cave monasteries". Odessa "Shkodova Mountain" is the center of Usativ culture, on the top of the mountain there is the Usativ cemetery and the Usativ burial mound, at the foot of it – another Cossack cemetery and the famous "Cave Houses" – unique historical monuments of the end of the 18th century, which need to be preserved as a unique cultural heritage of the Cossack era in Odessa. This territory, with appropriate natural and landscape resources within the settlement, which has a natural landscape, historical monuments, a beach and bathing area (a good location on the shore of the Khadzhibey estuary) and the presence of recreational facilities (Sanatorium "Kuyalnik"), can become a wonderful a short-term recreation area for tourists and residents of Odessa. All this indicates the urgency of creating an ethnographic museum in the city of Odessa called "Shkodova Mountain", taking into account the historical and archaeological value of this territory.
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Richardson, Tanya. "The Regional Life of Geopolitical Conflict: The Case of Odes(s)a Oblast." Soviet and Post-Soviet Review 46, no. 3 (August 12, 2019): 263–303. http://dx.doi.org/10.1163/18763324-04603004.

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When the events known as the “Russian Spring” began in the aftermath of Ukraine’s Euromaidan Revolution in February 2014, Odessa oblast seemed like it would be particularly vulnerable to separatist activity. This paper offers a tentative explanation for why Odessa oblast escaped war in the 2014–15 phase of the Russia-Ukraine conflict. To do so, it chronicles events in Odessa oblast between fall 2013 and spring 2015 drawing on secondary sources such as news articles, blogs, social media posts, YouTube footage, official statements, and reports. Odessa-based elites’ decision to support Ukrainian sovereignty was an important factor hindering the realization of a Donetsk or Luhansk scenario. However, the weak Oblast Administration in the spring of 2014 and the upcoming mayoral elections created a volatile environment that various individuals (oligarchs, politicians, criminal networks) exploited to maintain or enhance their influence in the region. The internationalization of the conflict in the spring of 2014 presented Odessans with stark existential choices which undermined the city’s violence-avoiding dispute resolution techniques and culminated in the violence on May 2.
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Yavorska, V. V., V. A. Sych, K. V. Kolomiyets, and A. M. Shashero. "Odessa catacombs as an integral part of the tourist image of the Black Sea region." Вісник Дніпропетровського університету. Геологія, географія 26, no. 1 (March 30, 2018): 219–26. http://dx.doi.org/10.15421/111822.

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The article examines the history of the Odessa catacombs, focuses on the history of research of underground labyrinths, and their gradual transformation from objects of scientific interest to tourist objects. We understand the tourist image of the region as the system of rationally and emotionally formed ideas, which are based on specific features of the territory, emphasizing its individuality from the point of view of the tourists. Tourist image always is woven into a certain historical context and social situation. Each era generates its special perception of the environment, changing the era creates a modification of tourist image of the region. The Odessa catacombs, which today are an integral part of the tourist image of the Black Sea region, also have changed in the minds of people from time to time – from their purely practical application to the production of limestone; for a while they had a negative reputation as a refuge for criminal elements, smugglers. At the beginning of the last century researchers have engaged in advanced studies of catacombs. Only in the second half of the twentieth century, the catacombs became interesting tourist destination for individual tourists, but in the 21st century and for mass tourism. Thus, the purpose of this research is to update the modern views about the catacombs and underground museums of the Black Sea region and their contribution to the formation of the tourist image of the region. The history of the formation of the catacombs shows that they are obliged to exist in their existence by the ancient Pontian limestone, which was extracted as a building material by locals. Today, the length of the catacombs of Odessa and its suburbs reaches for various data from 1.7 to 3.0 thousand kilometers; they are famous for their multistage and meandering passages of underground galleries. The first studies of the dungeons were done by the paleontologist O. Nordman, the geologist M. Barbot de Marne, T. G. Hrytsay, modern – A. Dobrolyubsky, K. Pronin, M. Baranetsky, A. Babich, V. Yudin, and others. Several museums were created for tourists: the Museum of Partisan Glory in the village of Nerubaysk, the underground Grotto of the Odessa Art Museum, the museum «Catacombs of Odessa» under the Moldavanka district and in the city center «Kantakuzen's Catacombs». The quality of images that arise in mass tourists is directly related to the process of knowledge of the territory. In this connection, the development of travel routes as a way of getting acquainted with the territory becomes especially important. Moreover, contemporary museums are interested in attracting a wide target audience; they also offer expositions of different directions from mine history to various legends about the use of dungeons, from unique paleontological finds to historical drawings and inscriptions on the walls of the catacombs. As a result of understanding the importance of the existence of such an invaluable scientific and tourist facility, as well as maintaining it in a proper condition for historical and cultural monument, influences the formation of a positive tourist image of the Black Sea region.
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Kobelinski, Michel. "The Iguaçu Regional Museum and its Audiences." Estudos Ibero-Americanos 47, no. 2 (August 31, 2021): e38899. http://dx.doi.org/10.15448/1980-864x.2021.2.38899.

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This article examines discursive languages that the Regional Museum of Iguaçu built for itself and for its public, associated with the preservation of the environment and cultural heritage. In the second approach, the public of the museum exhibitions on social networks and forms of interaction with the Regional Museum of Iguaçu are analyzed. Based on the concepts and practices of public history, the objective is to contribute to the planning of exhibitions and to study the relationship between museum collections and audiences.
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Shcherbyna, Nadiia. "Libraries and their activities in the context of historical and local history development in the region." Bulletin of Luhansk Taras Shevchenko National University, no. 4 (342) (2021): 176–87. http://dx.doi.org/10.12958/2227-2844-2021-4(342)-176-187.

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The article reveals the historical and local history activities of the libraries of the Odessa region in the second half of the 40s – 80s XX century. The analysis of this activity indicates that despite the great difficulties (the residual principle of financing culture, and the weak material and technical base of libraries), they have become real centers of local history work in the region. During this period, libraries have accumulated a significant bibliographic base on local history issues, acquired extensive experience in working with local history research. In the development of library local lore, an important role was played by bibliographers of local lore of Odessa scientific libraries. Thanks to their activities, a local history fund was collected in almost every library, catalogs and card indexes were created, which included numerous materials on various local history topics. That is why libraries performed the social functions of education and culture units and became centers of local history. However, the regional studies of the regional libraries require further in-depth study, because by that time they, acting as regional information centers, were engaged in the search, storage and provision of local history literature for public use. The development of library local lore in the region was negatively affected by those general tendencies of social life arising from the very nature of the then totalitarian regime.
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Yatsenko, Sergey, Elena Shevchenko, and Valerii Usenko. "On the Series of Stone Slabs with Sarmatian Tamga Signs in Odessa Archaeological Museum." Stratum plus. Archaeology and Cultural Anthropology, no. 6 (December 2022): 277–311. http://dx.doi.org/10.55086/sp226277311.

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The analysis of 4 stone slabs with a series of Sarmatian tamgas is based on a series of new detailed photos and on the interpretation of influence of geological factors on the modern appearance of the slabs. The Sarmatian slabs from Olbia and Krivoi Rog were installed vertically, probably on top of the hills. Later these steles were tipped face up and covered with earth, which may be due to meteorological magic. The peasants who found them later worshipped them. In Olbia depicts the scene of the conclusion of the union, where 4 hands hold different vessels and are accompanied by tamgas. In the center is tamga 6, associated with Crimean Sarmatians. Here are the signs of clans of Crimea and DonBasin, which were depicted in two stages. In Krivoi Rog 50 tamgas of 46 types are engraved around the head of the Master of Animals, which were applied for about 3 centuries. The earliest signs are associated with the Kuban and Crimea. Since the middle of the 1st c. CE, the tamgas of influential groups of Western Ukraine and the Lower Don and the barbarians of the Crimea predominate, since the middle of the 2nd c. CE the signs of the Lower Don are the most frequent. It the center there are two important signs of the 2nd c. CE (Khorezmian king Artaw and co-ruler of the Bosporan Eupator), the analogies to the signs of Kangju and Khorezm. On the slab from Tanais of 236 CE there are 5 signs of local Sarmatians. On the slab from Tanais of 192 CE a large tamga of a local clan is important, it connected with the elite of Xiongnu later with Sogdia and Chach of the period of Hunnic rule.
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Dissertations / Theses on the topic "Odessa Museum of Regional History"

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Jones, Stacey Elizabeth. "Why women's clothing? a critical history of clothing collections : a regional case study /." Connect to PDF file Connect to PDF file, 2005. http://purl.fcla.edu/fcla/etd/UFE0009404.

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Fosmo, Talleraas Lise Emilie. "Et uregjerlig mangfold? : Lokale og regionale museer som saksfelt i norsk kulturpolitikk 1900 - cirka 1970." Doctoral thesis, Stockholm : Almqvist & Wiksell, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018678439&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Harrington, Kaysie Marie. "The American Studio Glass Movement: A Regional Study of its Birth in Northwest Ohio." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1542125173303787.

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Batista, Sandro Tôrres. "Do começo ao fim: história da implantação, desdobramentos e encerramento do Salão Nacional de Arte de Goiás - Prêmio Flamboyant (Goiânia, 2001 – 2006) Bastidores e memórias de um caso no sistema artístico regional." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6703.

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This research had as object the National Art Salon Goiás - Flamboyant Award held in Goiânia between 2001 and 2006; analyze the relevant facts gathered from documentary sources and depositions. The Salon was designed, built and managed throughout its realization by a group of professionals who combined the project scope in the commercial sphere and professionals in the arts, in the defense of cultural character, and coined a form and regimentation never before seen in this State and aimed to select and reward through public tender (via notice) Brazilian artists with recent production in contemporary art. In the period of the Salon, the city was featured in the Brazilian scene of the visual arts and, therefore, attracted the attention of renowned artists, curators and art critics. It was left to the researcher in his text to highlight some aspects from the data collected in the survey, particularly with regard to the analysis of competition-salon format, the impact on the local landscape and the historical and cultural legacy for the city and the state. Interviews were conducted with some of the main characters involved in the project and analyzed documents and printed primary sources of research. During the master of the period, some versions of the text results of the survey were presented in the form of communications, lectures and discussions on the topic in the history of events, arts and within the Research Group Interartes- Interartistics Processes and Systems and Performance Studies (CNPq), which the researcher was part of effective and active form since joining the PPGH UFG.
Esta pesquisa teve como objeto o Salão Nacional de Arte de Goiás – Prêmio Flamboyant que aconteceu em Goiânia entre 2001 e 2006; com o objetivo de analisar os fatos relevantes levantados a partir de fontes documentais e depoimentais. O Salão foi concebido, erigido e gerido, ao longo de sua realização, por um grupo de profissionais que mesclavam o escopo do projeto na esfera mercantil e profissionais do campo das artes, na defesa do caráter cultural, e cunhou uma forma e arregimentação nunca dantes vista neste estado e tinha como finalidade selecionar e premiar, por meio de concurso público (via edital), artistas brasileiros com produção recente em arte contemporânea. No período de realização do Salão, a cidade recebeu destaque no cenário brasileiro das artes visuais e, com isso, atraiu a atenção de reputados artistas, curadores e críticos de arte. Coube ao pesquisador em seu texto destacar alguns aspectos dentre os dados levantados em pesquisa, principalmente no tocante à análise do formato de concurso-salão, o impacto no cenário local e o legado histórico e cultural para a cidade e o estado. Foram realizadas entrevistas com alguns dos principais personagens envolvidos no projeto e analisados documentos e materiais impressos, fontes primárias de pesquisa. Durante o período do mestrado, algumas versões do texto resultado da pesquisa foram apresentadas na forma de comunicações, palestras e discussões sobre o tema em eventos de história, de artes e dentro do Grupo de Pesquisa Interartes- Processos e Sistemas Interartísticos e Estudos de Performance (CNPq), do qual o pesquisador fez parte de forma efetiva e atuante desde seu ingresso no PPGH-UFG.
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Rhodes, Mark A. II. "“They Feel Me a Part of that Land”: Welsh Memorial Landscapes of Paul Robeson." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1430923136.

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Nunes, Rosiane da Silva. "As vozes do Museu Regional de São João del Rei." Doctoral thesis, 2021. http://hdl.handle.net/10437/12309.

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Orientação: Mário Caneva Moutinho
Apresentamos um exercício de escuta do outro, ação-reflexão-ação coletiva e constante autoanálise. As vozes dos funcionários deram o tom, caminhos e encaminhamentos para um Museu com responsabilidade social, por meio delas realizamos o registro da história institucional e direcionamos as ações desenvolvidas entre 2015-2018. As narrações foram os principais elos de ligações entre passado, presente e vontade de futuro. Diversos olhares foram desvelados e a multiplicidade de experiências possibilitou ampliar a consciência acerca da organização. A história oral, pesquisa ação, empresa generativa e autoanálise objetivou trazer o público interno e externo nas ações museais, todos esses processos foram realizados por meio da educação libertadora e de uma museologia integrativa. Ouvindo e agindo conjuntamente o museu transformou-se numa grande ação educativa. Os funcionários passaram a ser agentes do desenvolvimento da instituição e contribuíram para a interação com a comunidade. As experiências transpassaram a todos os envolvidos nesses processos, trouxemos a perspectiva da Sociomuseologia para um museu federal e tradicional. Integrar público interno e externo nas ações museais, ampliar a capilaridade da instituição, sistematizar a história institucional e principalmente promover a inclusão social por meio da escuta e ação foram as bases norteadoras desse trabalho, no qual os funcionários protagonizaram esse documento histórico.
We present an exercise of listening the other, collective action-reflection-action and constant self-analysis. The voices of the employees set the tone, paths and referrals to a Museum with social responsability, through them we perform the registration of the institutional history and we direct the developed actions between 2015-2018. The narrations were the principal bond of ligations between past, present and will of future. Several looks were unveiled and the multiplicity of experiences made it possible to expand the conscience about the organization. The oral history, action research, generative company and self-analysis aimed to bring the public internal and external in the museum actions, all these processes were carried out through liberating education and an integrative museology. Listening and acting together the museum self transformed into a big educative action. The employees became agents of the development of the institution and contributed to the integration with the community. The experiences run through to all who was envolve in these processes, we bring the perspective of sociomuseology to a federal and traditional museum. Integrate the public internal and external on the museum actions, expand the institution’s capillarity, systematize the institutional history and mainly promote the social inclusion through listening and actions were guiding bases of this work, in which the employees starred this historical document.
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Šebelová, Lucie. "Muzejní spolky ve středovýchodních Čechách a jejich osudy v 19. a 20. století." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-266954.

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This diploma thesis deals with the phenomenon of regional museums in the second half of the 19th century and in the first half of the 20th century in the area of central-eastern Bohemia. The thesis is divided into three main chapters, first of which offers the overview of the establishment and development of the regional museums. The following one analyses the laws of association and statutes of the particular societies. The last chapter introduces the most important milestones in the history of four museum societies which are: Museum society of Chrudim, Museum of Hlinsko County, Archaeological society Vocel and Archaeological and museum society Včela Čáslavská. Based on the primary sources analysis and comparative method, the author of the thesis tried to focus on the common and different moments in the history and activities of the museum societies mentioned above. KEYWORDS Regional history, society's activity, museum societies, museum, museology, Archaeological and museum society Včela Čáslavská, Archaeological society Vocel, Museum society of Chrudim, Museum of Hlinsko County.
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Fitzpatrick, Peter Gerard Media Arts College of Fine Arts UNSW. "The Doulgas Summerland collection." 2007. http://handle.unsw.edu.au/1959.4/44257.

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The Douglas Summerland Collection is a fictional "monographically based history"1. In essence this research is concerned with the current debates about history recording, authenticity of the photograph, methods of history construction and how the audience digests new 'knowledge'. The narrative for this body of work is drawn from a small album of maritime photographs discovered in 2004 within the archives of the Port Chalmers Regional Maritime Museum in New Zealand. The album contains vernacular images of life onboard several sailing ships from the nineteenth and twentieth centuries, including the DH Sterling and the William Mitchell. Through investigating the'truth' systems promoted by the photograph within the presentations of histories this research draws a link between the development of colonialism and the perception of photography. It also deliberates on how 'truth' perception is still a major part of an audience's knowledge base. 1. Anne-Marie Willis Picturing Australia: A History of Photography, Angus & Robertson Publishers, London. 1988:253
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Gravel, Denis. "Élites commémorantes et mise en scène de l’histoire dans la construction de l’identité lachinoise à l’époque du maire Anatole Carignan (1933-1939 et 1944-1952)." Thèse, 2018. http://hdl.handle.net/1866/21111.

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Rasal, Sneha. "Reconnecting The City With The Riverfront, To Revitalize The Socio-Economic Conditions Of Springfield, Ma." 2012. https://scholarworks.umass.edu/theses/795.

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The City of Springfield, Massachusetts is one of the largest cities in western Massachusetts, and was established on the Connecticut River for trading and as a fur-collecting post. In 18th and early 19th century, it experienced an industrial boom and became a regional financial center. Springfield became a major railroad center and grew to become the regional center for banking, finance, and courts. However, in mid-19th century Springfield suffered due to the flooding of the Connecticut River and the disinvestment in industry. These resulted in an urban sprawl as people started moving away from heart of the city. Now, once again, the city is trying to revitalize its downtown and neighboring areas to attract people by improving different types of social and cultural amenities. In this thesis, the author studies the relation of the city with its natural asset ‘The Connecticut Riverfront’ which can be a great place to attract people towards the heart of the city. The author has also researched the various reasons causing this natural asset to be underutilized for several years. In addition, the author also explores the possibilities of connecting the Springfield downtown to the riverfront, providing safe and undisturbed access mainly to pedestrians, physically challenged people, and bike riders. Research shows that the existing transportation paths are the major barriers discouraging people from reaching the riverfront. In order to overcome this problem, a design solution is proposed including a safe, pedestrian-friendly link from the downtown area to the riverfront mitigating all the transportation paths such as highway, high speed traffic roads, and railway tracks. The proposed link will give encouragement to local artist and will also aim to boost local businesses by providing sites for museums, exhibitions, art galleries, food courts, and retail shops. This structure will not only improve the accessibility but it will also provide public open spaces where people can gather for various activities and can also enjoy the scenic view of the riverfront. In Addition, local people can also enjoy the water viewing restaurant and bar overlooking Connecticut River. Lastly, this connecting link lays the foundation for further development of the riverfront area due to increased accessibility to this asset.
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Books on the topic "Odessa Museum of Regional History"

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Zheni︠a︡, Zhekova, ed. Catalogue of medieval seals at the regional historical museum of Shumen. Shumen: Historical Museum of Shumen, 2007.

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Willie, Loots, South African Society for Cultural History. Transvaal Regional Branch., and National Cultural History Museum (South Africa), eds. Cultural resources and regional tourism: Conference organised by the Transvaal Regional Branch (S.A. Society for Cultural History) and the National Cultural History Museum. Pretoria: Publication of the National Cultural History Museum for the Transvaal Regional Branch (SASCH), 1995.

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Museum, St Catharines, ed. Fire services in Niagara, 1937-1950: From the standard collection, St. Catharines Museum. St. Catharines, Ont: Looking Back Press, 2008.

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Roberts, W. Keith. The house by the Wilderness Road. Dublin, Va: Pulaski Print. Co., 1993.

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Symposium, zur Vermessungsgeschichte (4th 1990 Dortmund Germany). Entwicklung der ländlichen Bodenordnung im Lande Nordrhein-Westfalen: 4. Symposium zur Vermessungsgeschichte in Dortmund am 19. Februar 1990 im Museum für Kunst und Kulturgeschichte. Stuttgart: K. Wittwer, 1990.

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Jones-Bley, Karlene. Early and middle Bronze Age pottery from the Volga-Don steppe: A catalogue of pottery from the Volgograd Regional History and Cultural Museum. Oxford: Archaeopress, 1999.

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1940-, Bivins John, and Alexander Forsyth 1960-, eds. The regional arts of the early South: A sampling from the collection of the Museum of Early Southern Decorative Arts. Winston-Salem, N.C: The Museum, 1991.

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Söke, Dinkla, Brockhaus Christoph fl 1975-, Kultur Ruhr, and Duisburg (Germany), eds. Connected cities: Kunstprozesse im urbanen Netz : Wilhelm Lehmbruck Museum Duisburg und ausgewählte Standorte der Industriekultur : 20. Juni bis 1. August '99 = processes of art in the urban network : Wilhelm Lehmbruck Museum Duisburg and selected sites of industrial culture. Ostfildern-Ruit: Hatje Cantz, 1999.

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Cuccu, Baingio. Tessidura: Trame e tessuti tradizionali in Sardegna nella collezione del Museo unico regionale dell'arte tessile sarda di Samugheo = artefacts and testimonies from sardinia in the collection of the Regional Museum of Sardinian Textile Art of Samugheo. Nuoro: Imago, 2017.

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N, Savenko S., and Stavropolʹskiĭ gosudarstvennyĭ istoriko-kulʹturnyĭ i prirodno-landshaftnyĭ muzeĭ-zapovednik imeni G.N. Prozriteleva i G.K. Prave, eds. Arkhyz: Drevniĭ t︠s︡entr khristianstva : k 100-letii︠u︡ Stavropolʹskogo gosudarstvennogo kraevedcheskogo muzei︠a︡ im. G.N. Prozriteleva i G.K. Prave, g. Stavropolʹ = Arkhyz : an ancient center of Christianity for 100th anniversary of Stavropol State Museum of Regional History named after G.N. Prozritelev and G.K. Prave (Stavropol). 2nd ed. Tver': A.N. Pinkin, 2009.

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Book chapters on the topic "Odessa Museum of Regional History"

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Kludkiewicz, Kamila. "Museums of a Stateless Nation, between History and Art." In Spaces for Shaping the Nation, 131–52. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839466940-007.

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In this article, Kamila Kudkiewicz is dedicated to the question of Polish national museums in the nineteenth century. At the end of the eighteenth century, the historical territory of Poland was divided among Russia, Austria, and Prussia. Each of these countries had its own laws and policies towards Poles: take, for example, the policies of Russification and Germanization implemented by the Russian and German authorities in their respective territories and, contrastingly, the autonomy granted to Polish Galicia in Austria-Hungary after 1860. Despite the differences between the regions, in the second half of the nineteenth century, Poles founded museums that were perceived to be 'national', whether on a de facto basis - as attested by publications and written sources from the period - or because they had the word 'national' in their very name. Although early initiatives to create museums with the designation 'national' were undertaken in Poland as early as the eighteenth century, actual national museums (or institutions considered to be such) only emerged after 1870. The latter consisted of : the Musee National Polonais (Polish National Museum) in Rapperswil, Switzerland (opened 1870), the Muzeum im. Mielzynskich w Poznaniu (Mielzynski Museum in Poznan, 1881), the Muzeum Narodowe w Krakowie (National Museum in Krakow, 1883), the Muzeum Narodowe im. Krola Jana III we Lwowie (King Jan III National Museum in Lviv, 1908), and the Muzeum Sztuk Pieknych w Warszawie (Museum of Fine Arts in Warsaw), which was called after 1916 the Muzeum Narodowe w Warszawie (National Museum in Warsaw). The most important Polish national museums were established in large urban centres, namely in regional capitals (i.e. Poznan, the capital of Greater Poland in the nineteenth century within the borders of Prussia, and Krakow, the main city of Galicia in the nineteenth century within Austria and later Austria-Hungary), but also in other nations (i.e. Rapperswil in Switzerland). They were founded by city authorities, learned societies, or private collectors. The fact that the museums were established and managed by various entities made their activities very diverse. However, one can observe two main areas of interest for Polish national museums in the nineteenth century: national (Polish) history, on the one hand, and Polish art, primarily contemporary painting, on the other. In some cases, like that of Rapperswil, the dominating elements of the collection were connected with historical elements that, at least initially, were also sentimental, nostalgic, and emotional in character. This sentimentality bespeaks the institution's intended influence on viewers. Elsewhere, the wish to exhibit and promote Polish art prevailed over the interest in objects related to national history (i.e. the Mielzynski Museum in Poznan). And certain museums underwent an evolution in their declared status, from that of a national gallery of painting to that of an institution attempting to show various aspects of Polish culture (National Museum in Krakow). The present analysis of the activity of these museums will focus on the discourse accompanying their creation, the goals set by their founders, and the curation of their exhibitions.
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Knuth, Detlef, Ina Pokorny, and Dirk Berger. "POTSDAM: Naturkundemuseum Potsdam: Natural History Museum of Potsdam Documentation of Regional Biodiversity and 50 Years of Experience with a Freshwater Aquarium." In Zoological Collections of Germany, 571–82. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-44321-8_48.

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Küver, Jan. "The Politics of Shared Heritage: Contested Histories and Participatory Memory Work in the Post-Colonial Urban Landscape." In 50 Years World Heritage Convention: Shared Responsibility – Conflict & Reconciliation, 139–50. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05660-4_11.

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AbstractShared heritage is a concept that serves to address cultural ties between countries or people that emanate from colonial history, including conflicts and contestations as well as connections and commonalities. This contribution evaluates the potential of shared heritage to work as a tool for a transformative heritage management practice through exploring the post-colonial heritage landscape of Iringa, Tanzania. The historical dynamics of colonialism have left various tangible and intangible traces throughout Iringa Town and Region. Combining ethnographic and historical methods, this paper examines historical narratives of different social groups, representations of these trajectories in the regional museum, and community responses to buildings and sites of colonial origin in the cityscape. In line with UNESCO’s Historic Urban Landscape (HUL) approach, observed applied conservation activities are discussed in the light of local development processes. I argue that shared heritage can serve as a viable concept to grapple with the colonial legacy vested in the HUL while at the same time using the discursive energy provided by these conflicts to support the cultural, social, and economic development of communities.
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"The Stiftelsen Arkivet Experience: A Second World War Gestapo Regional Headquarters in Norway." In Challenging History in the Museum, 84–93. Routledge, 2016. http://dx.doi.org/10.4324/9781315571171-10.

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Howard-Hill, T. H. "Regional Bibliography." In British Literary Bibliography, 1970–1979, 63–103. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198181835.003.0004.

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Abstract 564 Anderson, John P. The book of British topography; a classified catalogue of the topographical works in the library of the British museum relating to Great Britain and Ireland. With a new introduction by.. .Jack Simmons. [East Ardsley], EP publishing, 1976. (First pub. London, W. Satchell, 1881; repr. Baltimore, Genealogical pub., 1970). xx,472p. 22cm. Repr. efBBLB2 855. 565 Martin, Geoffrey H. and Sylvia McIntyre. A bibliography of British and Irish municipal history. Leicester, Leicester U.P., [New York], Humanities pr., 1972– . v. 23cm. I. General works. (1972). –II.
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Skvortsova, S. I. "FROM THE HISTORY OF THE MEMORIAL COMPLEX «MONUMENT-MUSEUM, BUILT IN HONOR OF THE VOLOCHAEV BATTLES»." In PRESENT PROBLEMS OF REGIONAL DEVELOPMENT, 113–16. ИКАРП ДВО РАН, 2021. http://dx.doi.org/10.31433/978-5-904121-31-0-2021-113-116.

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Rountree, Travis A. "“Feelings Are Still Very Strong”." In Hillsville Remembered, 90–115. University Press of Kentucky, 2023. http://dx.doi.org/10.5810/kentucky/9780813197227.003.0005.

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'Feelings Are Still Very Strong': Sites of Public Memory in Hillsville, Virginia," examines the vernacular and official histories of the shoot-out in three museums local to Hillsville. These histories demonstrate the values of the communities where they are located and provide epideictic history making moments as patrons are lead through three different constructions and experiences of the shoot-out. These constructions provide vernacular, humanistic views located in the courthouse museum to official, stereotypical portrayals in the Mt. Airy Regional History Museum. The courthouse museum gives a ground zero approach that depends on the guidance of the curator, Bill Webb, to guide patrons through. Whereas the Mount Airy Regional History Museum attempts to officially place Hillsville in the construction of the Appalachian region. Lastly, the most vernacular museum, the Gooch Harmon Museum, asks patrons to construct their own versions of the shoot-out through an assortment of artifacts ranging from local newspapers to more intimate objects like Floyd Allen's saddle bags. Each of these museums demonstrates that the story of the shoot-out continues to emerge in Hillsville's culture today.
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Maria P., Mironenko. "The fate of the Russian archaeologist at the era-breaking time." In Traditional and innovative ways to explore social history of Russia 12th–20th centuries: Collection of articles in honor of Elena Nikolaevna Shveikovskaya, 185–93. Novyj hronograf, 2021. http://dx.doi.org/10.31168/94881-516-9.15.

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The article is devoted to the fate of an archaeologist, historian, employee of the Rumyantsev Museum, local historian, head of the section for the protection of museums and monuments of art and antiquities in Arkhangelsk, member and active participant of the Arkhangelsk Church Archaeological Committee and the Arkhangelsk Society for the Study of Russian North K.N. Lyubarsky (1886–1920). The Department of Written Sources of the State Historical Museum stores his archive, which sheds light on the history of his struggle to protect churches and other monuments of art and culture dying in the North of Russia during the revolution and civil war, for the creation of the Arkhangelsk Regional Museum.
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Dziwoki, Julia. "From the history of the Society for the Promotion of Regional Culture 1932–1939." In Ziemia Częstochowska. T. 46, 11–31. Wydawnictwo Naukowe Uniwersytetu Humanistyczno-Przyrodniczego im. Jana Długosza w Częstochowie, 2020. http://dx.doi.org/10.16926/zc.2020.46.01.

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The first period of the activity of the Society for the Promotion of Regional Culture in Częstochowa was the time of a huge work done and the implementation of all the assumptions of the Founding Meeting. We managed to create the Museum of Regional Collections, inspire others to collect monuments and protect the fauna and flora of the Częstochowa region. Most importantly, the periodical publishing house “Ziemia Częstochowska” was initiated, which fills the gap and becomes a contribution to the preparation of the Encyclopedia of Częstochowa. Such active activity of the Society was interrupted first by the death of the president, Wacław Płodowski, and then by the outbreak of World War II on September 1, 1939, which forced the Board to suspend its activities. It seems, however, that the research directions set out in the Foreword by Kazimierz Kühn to the first volume of Częstochowa Land, as in the spiritual testament, are still being implemented.
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Walcott, Carolyn. "Convergences of Southern Identity and the Global South in the National Center for Civil and Human Rights." In Reconstructing Southern Rhetoric, 254–76. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496836144.003.0013.

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Utilizing autoethnography, a Guyanese scholar reads the National Center for Civil and Human Rights in Atlanta, Georgia as a site not of national significance primarily, but of regional significance. Contributor Carolyn Walcott does not mean to diminish the museum in such a claim; rather, it opens the museum to being of significance to regions globally, thinking about how the African diaspora and the Global South relate to the U.S. South as a colonized, developing region. In a walkthrough of the curated space, the comparison with Guyana history allows the reader to experience this better vantage point of global regionalism and its activist and trauma-healing potential.
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Conference papers on the topic "Odessa Museum of Regional History"

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Стародубцева, М. Н. "Participatory practices in the activities of the regional museum." In Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-10.

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Ивтагина, Лариса Сергеевна. "FUND COMPILATION HISTORY: THE KORYAK REGIONAL LOCAL MUSEUM OF THE 2Oth CENTURY." In Всероссийская научно-практической конференция с международным участием, посвященной 100-летию со дня рождения выдающегося ученого-североведа И.С. Гурвича (1919-1992). Электронное издательство Национальной библиотеки РС (Я), 2019. http://dx.doi.org/10.25693/gurvich.2019ivtagina.

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Krakhmalnaya, T. V., O. M. Kovalchuk, and T. G. Derkach. "Rhinoceroses from the paleontological collection of the Zaporozhye regional museum of local history (Ukraine): systematic and ecological diversity." In International symposium ”Functional ecology of animals” dedicated to the 70th anniversary from the birth of academician Ion Toderas. Institute of Zoology, Republic of Moldova, 2019. http://dx.doi.org/10.53937/9789975315975.13.

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Yang, Jiaying. "An Analysis of the Design Concept of Modern Urban History Museums from the Controversy Related to the Architectural Appearance of Ningbo Museum." In 2022 International Conference on Urban Planning and Regional Economy（UPRE 2022）. Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/aebmr.k.220502.057.

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Krivosheev, Vladimir A., and Marina G. Minyakova. "MUSEUM OF NATURAL HISTORY OF THE REGIONAL STATE BUDGET NON-TYPICAL EDUCATIONAL ORGANIZATION “THE PALACE OF CREATIVITY OF CHILDREN AND YOUTH” AND ITS ROLE IN THE CONTINUOUS ENVIRONMENTAL EDUCATIONAL PROCESS." In Treshnikov readings – 2022 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2022. http://dx.doi.org/10.33065/978-5-907216-88-4-2022-119-120.

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The article provides data on the Museum of Natural History “Palace of Creativity for Children and Youth” and its role in the environmental education process. Museums of natural sciences are considered as a qualitatively new step in the multilevel system of environmental education at the present stage of development of society.
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Shelegina, Olga N. "MODERN TREND IN THE DEVELOPMENT OF MUSEUMS AND MUSEOLOGY: Materials of the IV All-Russian (with International Participation) Scientific Conference." In MODERN TREND IN THE DEVELOPMENT OF MUSEUMS AND MUSEOLOGY, edited by Galina M. Zaporozhchenko. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1115-7.

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The collection of materials of the IV all-Russian scientific and practical conference «Modern trends in museums and museology» presents reports of employees of Russian research institutes, leading museums of the Russian Federation and the Republic of Belarus, the Republic of Kazakhstan, teachers of higher educational institutions, representatives of cultural institutions. They reflect a wide range of topical issues related to the development of the theory and practice of Museum business in modern conditions at the international, national and regional levels. Important attention is paid to socio-cultural practices for the development of historical and cultural heritage, digitalization of the Museum sphere and its adaptation to the conditions of the pandemic. The publication will be interesting for specialists in the field of history of science and culture, heritage management, Museum studies and cultural studies, teachers of universities, employees of museums and libraries, local historians.
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Kirana, Ayu Dipta, and Fajar Aji Jiwandono. "Indonesian Museum after New Order Regime: The Representation that Never Disappears | Museum Indonesia Selepas Orde Baru: Representasi Rezim yang Tak Pernah Hilang." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-33.

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Indonesia marked a new era, known as the Reformation Era, in 1998 after the downfall of Suharto, the main face of the regime called the New Order (Orde Baru) and ran the government from 1966 to 1998. This long-run government creates certain structures in many sectors, including the museum sector in Indonesia. Suharto leads the government in a totalitarian manner, his power control over many layers, including the use of museums as regime propaganda tools. The propaganda in the museums such as a standardized storyline, the use of historical versions that are approved by the government, and the representation of violence through the military tale with the nation’s great enemy is made for the majority of museums from the west to east Indonesia at that time. Thus, after almost two-decade after the downfall of the New Order regime how Indonesian museum transform into this new era? In the new democratic era, museum management is brought back to the regional government. The museums are encouraged to writing the local history and deconstruct the storyline from the previous regime. Not only just stop there, but there are alsomany new museums open to the public with new concepts or storylines to revive the audience. Even, the new museum was also erected by the late president’s family to rewrite the narration of the hero story of Suharto in Yogyakarta. This article aims to look up the change in the Indonesian museum post-New Order regime. How they adjust curatorial narration to present the storyline, is there any change to re-write the new narrative, or they actually still represent the New-Order idea along with the violence symbolic that never will deconstruct. Indonesia menandai masa baru yang dikenal sebagai masa reformasi pada tahun 1998 dengan tumbangnya Soeharto yang menjadi wajah utama rezim yang dikenal dengan sebutan Orde Baru ini. Pemerintahan Orde Baru telah berlangsung sejak tahun 1966 hingga 1998 yang mengubah banyak tatanan kehidupan, termasuk sektor permuseum di Indonesia. Corak pemerintahan Orde Baru yang condong pada kontrol dan totalitarian mengantarkan museum sebagai kendaraan propaganda rezim Soeharto. Dimulai dari narasi storyline yang seragam di seluruh museum negeri di Indonesia hingga kekerasan simbolik lewat narasi militer dan musuh besar bangsa. Lalu setelah hampir dua dekade era reformasi di Indonesia bagaimana perubahan museum di Indonesia? Pada era demokrasi yang lebih terbuka, pengelolaan museum dikembalikan kepada pemerintah daerah dan diharapkan untuk dapat menulis kembali sejarah lokal yang baru. Tak berhenti disitu, banyak museum-museum baru yang tumbuh berdiri memberikan kesegaran baru namun juga muncul museum yang berbau rezim Orde Baru turut didirikan sebagai upaya menuliskan narasi.
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