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1

Patnaik, Dhirendranath. Odissi dance. Orissa Sangeet Natak Adademi, 1990.

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2

Odissi dance. Papyrus, 2014.

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3

J, Capers David, ed. Neo-classical Odissi dance. Harman Pub. House, 2009.

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4

Roy, Ratna. Neo-classical Odissi dance. Harman Pub. House, 2009.

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5

Dushyant, Parasher, and Raghuvanshi Alka, eds. Odissi, the dance divine. Niyogi Books, 2007.

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6

Rethinking Odissi. Harman Pub. House, 2007.

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7

Avinash, Pasricha, ed. Odissi, Indian classical dance art =: Odiśī nr̥tya. Marg Publications, 1990.

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8

C, Sarangi A., Kulaśreshṭha Sushamā 1945-, and Das Maya, eds. Abhinaya-candrikā and Odissi dance. Eastern Book Linkers, 2001.

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9

Roy, Ratna. Orissi dance in the context of classical dances of India. Mahari, 1994.

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10

Hejmadi, Patnaik Ahalya, ed. Odissi, an Indian classical dance form. Aryan Books International, 2007.

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11

Odissi, what, why & how--: Evolution, revival & technique. B.R. Rhythms, 2007.

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12

Ekāḍemī, Oḍiśā Saṅgīta Nāṭaka, ed. Perspectives on Odissi theatre. Orissa Sangeet Natak Akademi, 1998.

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13

Miśrā, Suprabhā. Bhāratīya nr̥tya. Pravīṇa Prakāśana, 2005.

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14

Dāsa, Debaprasāda. Nr̥tyānusaraṇī. Prāci Sāhitya Pratishṭhāna, 2002.

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15

Odissi: Eine ostindische Tanzform im Kontext der Debatten um regionale Traditionen und kulturelle Identität. Institut für Indologie und Südasienwissenschaften, 2005.

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16

Madhumita, Raut, ed. Odissi yaatra: The journey of Guru Mayadhar Raut. B.R. Rhythms, 2011.

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17

Odissi music: Evolution, revival, and technique. B.R. Rhythms, 2009.

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18

Sahoo, Itishree. Odissi music: Evolution, revival, and technique. B.R. Rhythms, 2009.

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19

Pālita, Śuklā Bandyopādhyāẏa. Origin and evolution of Odissi dance: Based on archaeological data. Natanam, 2011.

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20

Bedi, Ebrahim Pooja, ed. Timepass: The memoirs of Protima Bedi. Viking, 1999.

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21

Citaristi, Ileana. Guru Keḷucaraṇa: Jībana o kr̥ti. Lārka Buks, 2009.

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22

Citaristi, Ileana. Guru Keḷucaraṇa: Jībana o kr̥ti. Lārka Buks, 2009.

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23

Citaristi, Ileana. Guru Keḷucaraṇa: Jībana o kr̥ti. Lārka Buks, 2009.

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24

Reba, Pani, ed. Back to the roots: Essays on performing arts of India. Manohar Publishers & Distributors, 2004.

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25

Bose, Mandakranta, ред. Saṅgītanārāyaṇaḥ. Indira Gandhi National Centre for the Arts and Motilal Banarsidass Publishers, Delhi, 2009.

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26

Kishore, B. R. Dances of India. Diamond Pocket Books, 1993.

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27

Kishore, B. R. Dances of India. Diamond Pocket Books Pvt., 1988.

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28

Pradhāna, Rañjana. Ādibāsī nāca o gīta: Tribal dances & songs : an exclusive field study on tribal dances & songs of Koraput region, Odisha. Krietibh Odisa, 2012.

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29

Odissi Research Centre (Bhubaneswar, India), ed. The Odissi dance path finder. Odissi Research Centre, 1988.

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30

The Dance Orissi. Abhinav Publications, 2006.

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31

Pani, Jiwan. Sonal Mansingh Contribution to Odissi Dance. Centre for Indian Classical Dances, 1992.

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32

Banerji, Anurima. Dance and the Distributed Body. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.42.

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This chapter considers the links between contemporary Odissi dance and one of its antecedents, mahari naach, the dance of female ritual specialists associated with the Jagannath temple in Puri, a center of pilgrimage in Odisha, India. The author argues that mahari naach produced a notion of the “distributed body” by engaging in an intersubjective relationship with the animated figure of the deity and the personified architectural space that served as the venue for dance practice. Combining ethnographic, historical, and philosophical sources, this interdisciplinary analysis critically examines
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33

Dancing Odissi: Paratopic Performances of Gender and State. Seagull Books, Limited, 2019.

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34

Angahar, festival of Odissi dance, 7-10 March 1985, Kamani Auditorium, New Delhi. Gandharva Mahavidyalaya, 1985.

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35

The Making of a Guru, Kelucharan Mohapatra. Manohar Publishers and Distributors, 2001.

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