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Books on the topic 'Odissi dance'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

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1

Odissi dance. Papyrus, 2014.

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2

Ekāḍemī, Oḍiśā Saṅgīta Nāṭaka, ed. Odissi dance. Orissa Sangeet Natak Adademi, 2006.

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3

Patnaik, Dhirendranath. Odissi dance. Orissa Sangeet Natak Adademi, 1990.

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4

Rethinking Odissi. Harman Pub. House, 2007.

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5

Avinash, Pasricha, ed. Odissi, Indian classical dance art =: Odiśī nr̥tya. Marg Publications, 1990.

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6

J, Capers David, ed. Neo-classical Odissi dance. Harman Pub. House, 2009.

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7

Roy, Ratna. Neo-classical Odissi dance. Harman Pub. House, 2009.

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8

Dushyant, Parasher, and Raghuvanshi Alka, eds. Odissi, the dance divine. Niyogi Books, 2007.

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9

C, Sarangi A., Kulaśreshṭha Sushamā 1945-, and Das Maya, eds. Abhinaya-candrikā and Odissi dance. Eastern Book Linkers, 2001.

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10

Odissi Research Centre (Bhubaneswar, India), ed. The Odissi dance path finder. Odissi Research Centre, 1988.

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11

Michael, Weston. Odissi: A dance of sculpture. The Kai Trust, 2012.

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12

Hejmadi, Patnaik Ahalya, ed. Odissi, an Indian classical dance form. Aryan Books International, 2007.

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13

Ekāḍemī, Oḍiśā Saṅgīta Nāṭaka, ed. Perspectives on Odissi theatre. Orissa Sangeet Natak Akademi, 1998.

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14

Roy, Ratna. Orissi dance in the context of classical dances of India. Mahari, 1994.

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15

Odissi, what, why & how--: Evolution, revival & technique. B.R. Rhythms, 2007.

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16

Aṅgarāg, Guru Debaprasad Dance Institute, ed. Cherished fragments: Sketch book on Odissi dance. Aṅgarāg, 2015.

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17

author, Mudgal Arushi, and Sangeet Natak Akademi, eds. The bud and the blossom: Aesthetics of Odissi dance. Sangeet Natak Akademi, 2016.

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18

Dāsa, Debaprasāda. Nr̥tyānusaraṇī. Prāci Sāhitya Pratishṭhāna, 2002.

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19

Sahoo, Itishree. Odissi music: Evolution, revival, and technique. B.R. Rhythms, 2009.

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20

Odissi music: Evolution, revival, and technique. B.R. Rhythms, 2009.

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21

Madhumita, Raut, ed. Odissi yaatra: The journey of Guru Mayadhar Raut. B.R. Rhythms, 2011.

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22

Miśrā, Suprabhā. Bhāratīya nr̥tya. Pravīṇa Prakāśana, 2005.

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23

Sendh, Rajesh. Odissi: The Third Classical form of Indian Music. Kanishka Publishers Distributors, 2015.

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24

Bedi, Ebrahim Pooja, ed. Timepass: The memoirs of Protima Bedi. Viking, 1999.

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25

Citaristi, Ileana. Guru Keḷucaraṇa: Jībana o kr̥ti. Lārka Buks, 2009.

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26

Citaristi, Ileana. Guru Keḷucaraṇa: Jībana o kr̥ti. Lārka Buks, 2009.

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27

Citaristi, Ileana. Guru Keḷucaraṇa: Jībana o kr̥ti. Lārka Buks, 2009.

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28

Pālita, Śuklā Bandyopādhyāẏa. Origin and evolution of Odissi dance: Based on archaeological data. Natanam, 2011.

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29

Odissi: Eine ostindische Tanzform im Kontext der Debatten um regionale Traditionen und kulturelle Identität. Institut für Indologie und Südasienwissenschaften, 2005.

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30

Reba, Pani, ed. Back to the roots: Essays on performing arts of India. Manohar Publishers & Distributors, 2004.

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31

Bose, Mandakranta, ред. Saṅgītanārāyaṇaḥ. Indira Gandhi National Centre for the Arts and Motilal Banarsidass Publishers, Delhi, 2009.

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32

Kishore, B. R. Dances of India. Diamond Pocket Books Pvt., 1988.

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33

Kishore, B. R. Dances of India. Diamond Pocket Books, 1993.

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34

Calabrò, Nello. Roberto Zappalà: Odisseo : il naufragio dell'accoglienza. L'epos, 2011.

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35

Pradhāna, Rañjana. Ādibāsī nāca o gīta: Tribal dances & songs : an exclusive field study on tribal dances & songs of Koraput region, Odisha. Krietibh Odisa, 2012.

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36

Odissi. Wisdom Tree, 2009.

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37

The Odissi girl. Rupa & Co., 2011.

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38

Sikand, Nandini. Languid Bodies, Grounded Stances: The Curving Pathway of Neoclassical Odissi Dance. Berghahn Books, Incorporated, 2016.

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39

Pani, Jiwan. Sonal Mansingh Contribution to Odissi Dance. Centre for Indian Classical Dances, 1992.

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40

The Dance Orissi. Abhinav Publications, 2006.

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41

Dancing Odissi: Paratopic Performances of Gender and State. Seagull Books, Limited, 2019.

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42

Banerji, Anurima. Dance and the Distributed Body. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.42.

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Abstract:
This chapter considers the links between contemporary Odissi dance and one of its antecedents, mahari naach, the dance of female ritual specialists associated with the Jagannath temple in Puri, a center of pilgrimage in Odisha, India. The author argues that mahari naach produced a notion of the “distributed body” by engaging in an intersubjective relationship with the animated figure of the deity and the personified architectural space that served as the venue for dance practice. Combining ethnographic, historical, and philosophical sources, this interdisciplinary analysis critically examines
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43

Languid Bodies, Grounded Stances: The Curving Pathway of Neoclassical Odissi Dance. Berghahn Books, Incorporated, 2016.

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44

The Making of a Guru, Kelucharan Mohapatra. Manohar Publishers and Distributors, 2001.

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45

Angahar, festival of Odissi dance, 7-10 March 1985, Kamani Auditorium, New Delhi. Gandharva Mahavidyalaya, 1985.

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46

Armônica, Sociedade. O Inferno: O Inferno é a Primeira Parte Da Divina Comédia, Onde Dante Descreve a Sua Odisséia e Os Pecadores Que Ele Encontra Em Cada Círculo e Suas Punições. Independently Published, 2018.

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