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Books on the topic 'Oedipus complex in motion pictures'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Consult the top 33 books for your research on the topic 'Oedipus complex in motion pictures.'

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1

Warren, Buckland, ed. Puzzle films: Complex storytelling in contemporary world cinema. Malden, MA: Wiley-Blackwell, 2009.

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2

Krämer, Lucia. Bollywood in Britain: Cinema, brand, discursive complex. New York: Bloomsbury Academic, 2016.

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3

Goldsmith, Ben. Cinema cities, media cities: The contemporary international studio complex. Woolloomooloo NSW: Australian Film Commission, 2003.

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4

Edipo classico e contemporaneo. Hildesheim: Georg Olms, 2012.

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5

Duclos, Denis. The werewolf complex: America's fascination with violence. Oxford: Berg, 1998.

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6

Freytag, Julia. Die Tochter Elektra: Eine verdeckte Figur in Literatur, Psychoanalyse und Film. Köln: Böhlau Verlag, 2013.

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7

The wedding complex: Forms of belonging in modern American culture. Durham: Duke University Press, 2002.

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8

Krämer, Lucia. Bollywood in Britain: Cinema, Brand, Discursive Complex. Bloomsbury Publishing Plc, 2017.

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9

The Lost Child Complex in Australian Film. Routledge, 2019.

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10

Buckland, Warren. Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley & Sons, Limited, John, 2009.

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11

Buckland, Warren. Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley & Sons, Incorporated, John, 2009.

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12

Buckland, Warren. Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley & Sons, Incorporated, John, 2010.

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13

Grieveson, Lee, and Haidee Wasson. Cinema's Military Industrial Complex. University of California Press, 2018.

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14

Grieveson, Lee, and Haidee Wasson. Cinema's Military Industrial Complex. University of California Press, 2017.

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15

Cinema's Military Industrial Complex. University of California Press, 2018.

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16

Kiss, Miklós, and Steven Willemsen. Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema. Edinburgh University Press, 2018.

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17

Kiss, Miklós, and Steven Willemsen. Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema. Edinburgh University Press, 2016.

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18

Kiss, Miklós, and Steven Willemsen. Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema. Edinburgh University Press, 2016.

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19

Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema. Edinburgh University Press, 2017.

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20

Waddell, Terrie. Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Taylor & Francis Group, 2019.

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21

Waddell, Terrie. Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Taylor & Francis Group, 2019.

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22

Waddell, Terrie. Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Taylor & Francis Group, 2019.

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23

Waddell, Terrie. Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Taylor & Francis Group, 2019.

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24

Waddell, Terrie. The Lost Child Complex in Australian Film: Jung, Story and Playing Beneath the Past. Routledge, 2019.

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25

Cinema Cities, Media Cities: The Contemporary International Studio Complex. Not Avail, 2003.

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26

Farghaly, Nadine. Unraveling Resident Evil: Essays on the Complex Universe of the Games and Films. McFarland, 2014.

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27

Wojcik, Pamela Robertson. Apartment Complex: Urban Living and Global Screen Cultures. Duke University Press, 2018.

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28

Wojcik, Pamela Robertson. Apartment Complex: Urban Living and Global Screen Cultures. Duke University Press, 2018.

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29

Apartment Complex: Urban Living and Global Screen Cultures. Duke University Press, 2018.

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30

Reconstructing violence: The southern rape complex in film and literature. Louisiana State University Press, 2015.

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31

The Speechgesture Complex Modernism Theatre Cinema. Edinburgh University Press, 2013.

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32

Waddell, Calum. The Style of Sleaze. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474409254.001.0001.

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What is an exploitation film? The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations - blaxploitation, horror and sexploitation - indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement. Offering a fresh perspective on studies of marginal cinema, The Style of Sleaze maintains that defining exploitation cinema as a vaguely attributed 'excess' is unhelpful, and instead concludes that this period in American film history produced a number of the most transgressive, and yet morally complex, motion pictures ever made.

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33

Diffrient, David Scott. Hands, Fingers and Fists: ‘Grasping’ Hong Kong Horror Films. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0008.

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The cultural imaginary of kung-fu cinema has been codified as a physically balletic and graceful, if also violently bloody and brutal, genre defined in part by the persistent presence of deadly, thrusting hands. Of course, hands are also central to another type of cultural production, one that has often incorporated kung-fu action and iconography. This chapter assesses a broad range of motion pictures that showcase hands in thematically complex and symptomatically relevant ways, be they the severed anatomical remnants of long- departed souls sprung back to life in Witch from Nepal (1986) or the skeletal appendages that comically grab the protagonist’s crotch in Encounters of the Spooky Kind (1980). This chapter strives to pin down the powerful forces that lay dormant within the genre, including its tendency to dredge up and display moments of excessive, otherwordly violence for which there is seemingly no “rational” explanation.

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