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Journal articles on the topic 'Of Chŏnju'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Codruţa Sîntionean. "The Preservation of the Chŏnju Hanok Village: From Material Authenticity to the Themed Replica." Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 12, no. 1 (2015): 57. http://dx.doi.org/10.5749/futuante.12.1.0057.

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2

Keonhyung, Kim, та Seth Chandler. "2018 K'wiŏ Chŏnsa–Chŏnsa (前史) ·Chŏnsa (戰史)·Chŏnsa (戰士)". Azalea: Journal of Korean Literature & Culture 15, № 1 (2022): 247–70. http://dx.doi.org/10.1353/aza.2022.0010.

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3

O’Rourke, Kevin. "Sŏ Chŏngju and Modern Korean Poetry." Azalea: Journal of Korean Literature & Culture 8, no. 1 (2015): 105–43. http://dx.doi.org/10.1353/aza.2015.0023.

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4

Suhr, Paul. "I Remember My Father, Midang, Sŏ Chŏngju." Azalea: Journal of Korean Literature & Culture 8, no. 1 (2015): 83–86. http://dx.doi.org/10.1353/aza.2015.0014.

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5

Kim, In-geol, and Keiran Macrae. "Problems in Research on King Chŏngjo and the Chŏngjo Era." Seoul Journal of Korean Studies 32, no. 2 (2019): 293–310. http://dx.doi.org/10.1353/seo.2019.0017.

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6

Kim, Minseo. "A Socio-Scientific Analysis of the Artistic Originality of Tanwŏn Kim Hongdo." Korean Journal of Art History 324 (December 31, 2024): 43–75. https://doi.org/10.31065/kjah.324.202412.002.

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This study explores the direct and indirect influences that are presumed to have contributed to the artistic originality of Tanwŏn Kim Hongdo (檀園金弘道, 1745–1806) by employing a multidimensional analysis and a social-scientific approach to creativity. To identify the sources of his artistic innovation, individuals associated with Kim were categorized into six groups, each of which played a significant role during specific periods of his life and artistic development. In Kim’s early years, as he established himself as a painter in the Tohwasŏ (Royal Bureau of Painting), the literati group led by

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7

Wang, Sixiang. "Story of the Eastern Chamber: Dilemmas of Vernacular Language and Political Authority in Eighteenth-Century Chosŏn." Journal of Korean Studies 24, no. 1 (2019): 29–62. http://dx.doi.org/10.1215/21581665-7258042.

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AbstractThe earliest extant playscript in Korea stands as an enigma. It is an anonymous work written to celebrate a wedding arranged by King Chŏngjo. Called Story of the Eastern Chamber, the play evokes not only the Chinese Story of the Western Chamber through titular reference but also the Chinese vernacular tradition as a whole. Written entirely in Chinese characters, the text weaves vernacular Korean words into the syntax of Chinese baihua vernacular, an unusual form which upsets the conventional diglossic binary of literary Chinese (hanmun) and vernacular Korean (hangŭl). This essay situat

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8

Haboush, JaHyun Kim. "Unforgettable Things: Poems by Sŏ Chŏngju. By Sŏ Chŏngju. Translated by David R. McCann. Seoul: Si-sa-yong-o-sa. 162 pp. $15.00. (Distributed by Pace International Research, Inc.)." Journal of Asian Studies 47, no. 3 (1988): 667–68. http://dx.doi.org/10.2307/2057051.

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9

Haboush, JaHyun Kim. "Unforgettable Things: Poems by Sŏ Chŏngju. By Sŏ Chŏngju. Translated by David R. McCann. Seoul: Si-sa-yong-o-sa. 162 pp. $15.00. (Distributed by Pace International Research, Inc.)." Journal of Asian Studies 47, no. 03 (1988): 667–68. http://dx.doi.org/10.1017/s002191180005508x.

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10

Han, Seunghyun. "The Mangbaerye Examinations: Ming Loyalist Court Rituals and Royal Authority in Eighteenth- and Nineteenth-Century Chosŏn." Journal of Korean Studies 27, no. 1 (2022): 3–36. http://dx.doi.org/10.1215/07311613-9474266.

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Abstract During the reigns of Yŏngjo (r. 1724–76) and Chŏngjo (r. 1776–1800), royal audiences and tests were established as important components of the mangbaerye-day events. For the two rulers, the audience was an occasion to use the significance of the rituals to justify bureaucratic promotions for the attendees. The literary and military tests on mangbaerye days were systematized by Yŏngjo and administered by the ruler as a stage in the state examination. By assuming leading ideological roles through rituals, Yŏngjo was able to present the image of a sage-ruler with supreme political and id

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11

Min, Gilhong. "Ch'ae Yongsin’s Portrait of Zhu Xi (朱子): A Collaboration Between Confucian Scholars and an Artist to Honor Neo-Confucianism". Korean Journal of Art History 324 (31 грудня 2024): 77–102. https://doi.org/10.31065/kjah.324.202412.003.

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Following the loss of Korea’s national sovereignty in 1910, many Confucian scholars sought to return to the essence of Confucianism, emphasizing self-cultivation and the acquisition of knowledge as a foundation for national restoration. In this context, Pak Manhwan (朴晩煥), who established Yŏngju Chŏngsa (瀛洲精舍) in Chŏngŭp, also constructed Yŏngyangsa (瀛陽祠) and commissioned Ch'ae Yongsin to paint portraits of twelve Confucian sages, including Zhu Xi (朱子). Ch'ae Yongsin not only created the requested portraits in Chŏngŭp but also traveled to other regions upon invitation to produce portraits of Zh

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12

Kozioł, Kamila. "The Collective Remembrance of Chŏng Mong-ju’s Biography – The Samgang Haengsil-to Versions." Politeja 22, no. 1(95) (2025): 277–93. https://doi.org/10.12797/politeja.22.2025.95.16.

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This paper examines the portrayal of Chŏng Mong-ju’s assassination in the Samgang haengsil-to (Illustrated Guide to the Three Relationships), one of the earliest texts intended for a broader, common audience due to its use of vernacular script. As a prominent philosopher and politician of the late Koryŏ period, Chŏng Mong-ju’s death became a symbolic turning point in the founding of the Chosŏn dynasty, despite his staunch opposition to it. This study explores how the narrative of his assassination was woven into the foundational myth of Chosŏn and traces the shifts in responsibility and blame

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13

Yoo-seung Jang. "Characteristics of Chŏngjo ŏch'alch'ŏp as a historical material." DAEDONG MUNHWA YEON'GU ll, no. 66 (2009): 117–43. http://dx.doi.org/10.18219/ddmh..66.200906.117.

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14

Yoo, Jamie Jungmin. "Social Authorship and the Production of Texts in Late Chosŏn: An Analytical Bibliography." East Asian Publishing and Society 8, no. 1 (2018): 1–33. http://dx.doi.org/10.1163/22106286-12341315.

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Abstract This research aims to revisit the study of the Ch’ŏngjanggwan chŏnsŏ (Complete works of Yi Tŏngmu, 1741-1793), with particular emphasis on its collaborative production, transmission, and modern appropriation. By analyzing eight different versions from North America, Japan, Korea, and China, I explore how each text was constructed by multiple agencies and constantly transformed through historical transmission. In the process of the collaborative production of the book, the selection of a primary author’s work was reinterpreted by the choices of those who received and collected the give

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15

Chin-sung Chang. "Chŏng Sŏn’s Responses to Painting Commissions." Dongak Art History ll, no. 11 (2010): 221–36. http://dx.doi.org/10.17300/jodah.2010..11.010.

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16

Christopher Lovins. "Absolute Monarchy East and West: Chŏngjo and Louis XIV." Journal of Asian History 52, no. 1 (2018): 1. http://dx.doi.org/10.13173/jasiahist.52.1.0001.

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17

Weonjae Jeong. "The Governance Theory of U Chŏng-Kyu." CHUL HAK SA SANG - Journal of Philosophical Ideas ll, no. 34 (2009): 71–103. http://dx.doi.org/10.15750/chss..34.200911.003.

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18

함규진. "Chŏng Yagyong's thoughts on national defense and security." JOURNAL OF KOREAN PHILOSOPHICAL HISTORY ll, no. 55 (2017): 125–59. http://dx.doi.org/10.35504/kph.2017..55.005.

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19

배요한. "A Study on Chŏng Yak-jong’s 『Jugyo-yoji』." Korea Presbyterian Journal of Theology 44, no. 4 (2012): 443–67. http://dx.doi.org/10.15757/kpjt.2012.44.4.018.

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20

Lee, Ann Sung-hi. "Selected Poems of Sŏ Chŏngju. Translated by David McCann. New York: Columbia University Press, 1989. 129 pp. $30.00." Journal of Asian Studies 48, no. 4 (1989): 891–92. http://dx.doi.org/10.2307/2058190.

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21

Hwang, Intae. "Analysis of Nogunt'an (Emerald Cloud Pool) from Chŏng Sŏn’s Album of Views in the Capital Region (Kyŏnggyo myŏngsŭng ch'ŏp) Using Virtual Reality Analysis Tool." Korean Journal of Art History 323 (September 30, 2024): 129–60. http://dx.doi.org/10.31065/kjah.323.202409.005.

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The Scenic Views of Kyŏnggyo (Kyŏnggyo myŏngsŭng ch'ŏp 京郊名勝帖) is a two-volume album of poetry and paintings in 1740 by Chŏng Sŏn (sobriquet: Kyŏmjae) during his time serving as magistrate of Yangch'ŏn. It captures scenic views from his travels along the Han River. Among these, three paintings (Nogunt'an 綠雲灘, Tokpaekt'an 獨栢灘, and Uch'ŏn 牛川), feature major viewpoints along the South Han River. Each has encouraged scholarly debates on the exact locations depicted in the album due to the scarcity of historical records and topographical changes of the area’s natural landscape.In particular, there h

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22

Lee, Youngmi. "Topology of Peace Community in Paek Sŏk’s Poems : A Focus on the Spatio-Visuo-Peaceful Image of Chŏngju Space." Peace and Religions 4 (December 31, 2017): 81–101. http://dx.doi.org/10.25168/kaprs.2017.4.81.

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23

Jung, He-rin. "Kim, Chŏng-hi and modified Namjong literary painting theory." Journal of Humanities 40 (September 30, 2019): 381–414. http://dx.doi.org/10.35559/tjoh.40.12.

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24

Baker, Donald Leslie. "Sirhak Medicine: Measles, Smallpox, and Chŏng Tasan." Korean Studies 14, no. 1 (1990): 135–66. http://dx.doi.org/10.1353/ks.1990.0000.

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25

Baker, Don. "The Philosophical Thought of Tasan Chŏng (review)." Journal of Korean Religions 3, no. 2 (2012): 191–94. http://dx.doi.org/10.1353/jkr.2012.0024.

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26

Paek-chol, Kim. "King Chŏngjo, An Enlightened Despot in Early Modern Korea by Christopher Lovins." Seoul Journal of Korean Studies 32, no. 2 (2019): 344–51. http://dx.doi.org/10.1353/seo.2019.0011.

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27

Park, Maeng-su, and Sunghwan Jo. "Tonghak Thoughts of Chŏn Pongchun." Religions of Korea 53 (October 31, 2022): 37–57. http://dx.doi.org/10.37860/krel.2022.10.53.37.

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28

YI, Jongwoo. "Faction or King-Centered Politics? The Debate between King Chŏngjo and Scholar-Officials." Acta Koreana 27, no. 2 (2024): 209–23. https://doi.org/10.18399/acta.2024.27.2.009.

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29

Lee, Peter H. "Distant Valleys: Poems of Chŏng Chi-yong (review)." Korean Studies 20, no. 1 (1996): 270–72. http://dx.doi.org/10.1353/ks.1996.0001.

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30

Evon, Gregory N. "Tobacco, God, and Books: The Perils of Barbarism in Eighteenth-Century Korea." Journal of Asian Studies 73, no. 3 (2014): 641–59. http://dx.doi.org/10.1017/s0021911814000412.

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Late eighteenth-century East Asia witnessed similar events with the Qianlong emperor's (r. 1736–96) literary inquisition in China, King Chŏngjo's (r. 1776–1800) fight against heterodoxy in Korea, and Matsudaira Sadanobu's (1759–1829) Ban on Heterodoxy (Igaku no kin, 1790) in Japan. As is well known, Qianlong sought to destroy anti-Manchu writings, whereas Matsudaira sought to impose order by mandating the neo-Confucian orthodoxy of Zhu Xi (1130–1200) in elite education. Chŏngjo's activities are less understood, but equally significant. His own literary inquisition developed around threats Cath

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31

Son, Myenghee. "A Place and Symbols of Remembrance and Filial Piety for Crown Prince Sado: A Study of Mangmyoru at Kyŏngmogung Shrine and the Enshrined Portraits." Korean Journal of Art History 322 (June 30, 2024): 5–32. http://dx.doi.org/10.31065/kjah.322.202406.001.

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This paper examines the ascent to prominence of Mangmyoru Pavilion within Kyŏngmogung Shrine, dedicated to Crown Prince Sado, as a principal repository for enshrining royal portraits (御眞, Ŏjin) during the late Chosŏn period. It also explores the regular inspection and management system of both the chambers inside the pavilion and the portraits enshrined there, which formed the basis for its prominence. Furthermore, the paper delves into the iconography and format of the portraits as documented in historical records, as well as the stylistic characteristics of the existing royal portraits from

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32

Donald L. Baker. "BETWEEN HEAVEN AND EARTH: TASAN CHŎNG YAGYONG’S UNDERSTANDING OF HUMAN NATURE." Acta Koreana 20, no. 1 (2017): 73–90. http://dx.doi.org/10.18399/acta.2017.20.1.004.

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33

Torrey, Deberniere. "Separate but Engaged: Human Subjectivity in the Poetry of Tasan Chŏng Yagyong." Journal of Korean Studies 15, no. 1 (2010): 95–122. http://dx.doi.org/10.1215/07311613-15-1-95.

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Abstract Tasan Chŏng Yagyong’s (1762–1836) philosophy is often noted for its departure from the mainstream Neo-Confucian thought of his time, particularly for its conception of the human mind as being distinguished from the cosmos. This aspect of Tasan’s philosophy implies a new paradigm of human subjectivity, which would have ramifications for his creative work. Thus, the question: How does this new subjectivity manifest itself in Tasan’s poetry? This paper analyses the characteristics of Tasan’s social poems that reflect his distinctive paradigm as follows: ethnic self-consciousness, heighte

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34

Shadel, Kevin. "Ports of Call: A Maritime Study of Korean Modernist Poetry." Verge: Studies in Global Asias 10, no. 2 (2024): 191–218. http://dx.doi.org/10.1353/vrg.2024.a934660.

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Abstract: This essay undertakes a survey of Korean modernist poetry in miniature by means of a singular motif—the seaport (hanggu)—in whose tidal vortex the politics and poetics of the Korean Peninsula were recalibrated at the outset of the modern age, specifically the years submerged in the depths of Japanese colonial rule (1910–45). While the essay's comparison between Kim Ch'ang-sul's (1903–50) and Chŏng Chi-yong's (1902–50) 1920s-era modernist aesthetics of dockside labor and harbor construction foregrounds an oscillation between proletarian collectivity and depoliticized solipsism, the pa

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35

Minjeong Baek. "MORAL SUCCESS AND FAILURE IN THE ETHICAL THEORY OF TASAN CHŎNG YAGYONG." Acta Koreana 19, no. 1 (2016): 241–66. http://dx.doi.org/10.18399/acta.2016.19.1.009.

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36

Hughes, Theodore. "Development as Devolution: Nam Chŏng-hyŏn and the "Land of Excrement" Incident." Journal of Korean Studies 10, no. 1 (2005): 29–57. http://dx.doi.org/10.1353/jks.2005.0004.

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37

Jang, Jin-youp. "Record of a Journey to Japan and Chŏng Hukyo’s Perception of Japan." Nammyonghak Studies 61 (March 31, 2019): 189–241. http://dx.doi.org/10.14381/nmh.2019.61.03.30.189.

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38

Yi, Jongwoo. "Implicit Political and Economic Liberties in the Thought of Tasan Chŏng Yagyong." Korean Studies 42, no. 1 (2018): 1–16. http://dx.doi.org/10.1353/ks.2018.0000.

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39

Roh, Jihyun. "The Introduction of Bat Design in late Chosŏn and its Use by the Royal Court." Korean Journal of Art History 318 (June 30, 2023): 103–33. http://dx.doi.org/10.31065/kjah.318.202306.004.

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This study aims to clarify how bat design, originally developed in Ming and Qing dynasties to wish for longevity on the Imperial Birthday, were introduced to and used by the royal family of Chosŏn. Until now, bat designs of late Chosŏn were interpreted as being of Chinese influence or as common symbol of good fortune. However, in both countries, bat design could be employed only by the royal family to wish for longevity. The earliest example of bat design in Chosŏn appeared during the reign of King Yŏngjo, and by King Chŏngjo’s time, it had evolved significantly to resemble Qing designs. I hav

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40

Steven Capener. "KIM SŬNG-OK’S LITERARY RESPONSE TO PAK CHŎNG-HŬI’S RE-MAKING OF KOREANSOCIETY." Acta Koreana 21, no. 1 (2018): 309–31. http://dx.doi.org/10.18399/acta.2018.21.1.012.

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41

장승희. "The Moral Cultivation of Sŏng in Dasan Chŏng Yagyong and the Moral Education." Journal of Moral & Ethics Education ll, no. 35 (2012): 79–104. http://dx.doi.org/10.18338/kojmee.2012..35.79.

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42

Sheen, Joo Hyun. "A Historical Implication of Anti-Buddhist Discussions in Chŏng Yak-jong's Chugyo yoji." Study of Korean History of Thoughts 61 (April 30, 2019): 319–45. http://dx.doi.org/10.31309/skht.61.201904.10.

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43

Kim, Sung Lim. "Kim Chŏng-hŭi (1786–1856) andSehando:The Evolution of a Late Chosŏn Korean Masterpiece." Archives of Asian Art 56, no. 1 (2006): 31–60. http://dx.doi.org/10.1484/aaa.2006.0003.

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44

Torrey, Deberniere. "Chugŭm ŭl nŏmŏsŏ: sun’gyoja Yi Suni ŭi okchung p’yŏnji by 정병설 Chŏng Pyŏngsŏl". Journal of Korean Religions 7, № 2 (2016): 185–88. http://dx.doi.org/10.1353/jkr.2016.0017.

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45

Shin, Seungyop. "Text Beyond Context: Power, Discourse, and the Chŏng Kam nok in Colonial Korea." Journal of Korean Religions 11, no. 1 (2020): 123–53. http://dx.doi.org/10.1353/jkr.2020.0004.

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46

Baek, Min-Jeong. "Some Questions about the Legitimacy of Political Power in Chŏng Yagyong’s Political Philosophy." CHUL HAK SA SANG - Journal of Philosophical Ideas ll, no. 29 (2008): 3–42. http://dx.doi.org/10.15750/chss..29.200808.001.

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47

Baker, Don. "Confucianism and Civilization: Tasan Chŏng Yagyong’s Views of Japan, the Ryūkyūs, and Tsushima." Korean Studies 40, no. 1 (2016): 43–57. http://dx.doi.org/10.1353/ks.2016.0001.

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48

Choi, Jeongon. "Feminist Transformation, Magical Power for Caring: Feminist Reading of Chŏng Serang’s Genre Writing." Sungshin Humanities Research 51 (February 28, 2025): 221–50. https://doi.org/10.24185/sswuhr.2025.02.51.8.

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49

Cho, Eun-su. "Chŏng Suok’s Tour of Imperial Japan and its Impact on the Development of the Nuns’ Order in Korea." Religions 10, no. 6 (2019): 385. http://dx.doi.org/10.3390/rel10060385.

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The eminent scholar-nun Chŏng Suok (1902–1966) traveled from colonial Korea to Imperial Japan from 1937 to 1939 and wrote a travelogue that provides an important first-hand account from a woman’s perspective on the state of Japanese and Korean Buddhism during the early 20th century. Bemoaning the destitute state of Korean Buddhist nuns who had no schools, lecture halls, or even meditation rooms, she notes the stark contrast with the Japanese nuns who had access to proper education and enjoyed respect from society. After returning from Japan, she became not only a dharma instructor and abbess b

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50

하명준. "No Sangchu’s regional identity and official activities in the Northen regions during the reign of King Chŏngjo." 영남학 ll, no. 66 (2018): 285–319. http://dx.doi.org/10.36034/yncdoi.2018..66.285.

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