Relevant bibliographies by topics / Of Dramatic Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Of Dramatic Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Of Dramatic Art"

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Gangi, Jane M. "Philosophical Perspectives on Dramatic Art." Youth Theatre Journal 12, no. 1 (1998): 75–83. http://dx.doi.org/10.1080/08929092.1998.10012496.

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Senelick, Laurence, and Andrew Donskov. "Essays on L. N. Tolstoj's Dramatic Art." Russian Review 48, no. 1 (1989): 99. http://dx.doi.org/10.2307/130269.

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Rhoades, Mindi, and Vittoria S. Daiello. "Introducing dramatic inquiry as visual art education." Journal of Curriculum and Pedagogy 13, no. 3 (2016): 206–26. http://dx.doi.org/10.1080/15505170.2016.1219890.

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McMillin, Arnold, Andrey Bely, Roger Keys, et al. "The Dramatic Symphony: The Forms of Art." Modern Language Review 82, no. 3 (1987): 810. http://dx.doi.org/10.2307/3730520.

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Muftizade, Gulchehra Anvarovna. "INTERPRETATION OF WORLD DRAMATIC ART IN UZBEK THEATRE." Theoretical & Applied Science 91, no. 11 (2020): 555–59. http://dx.doi.org/10.15863/tas.2020.11.91.87.

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Knapp, James A. "Static and Transformative Images in Shakespeare's Dramatic Art." Criticism 54, no. 3 (2012): 377–89. http://dx.doi.org/10.1353/crt.2012.0022.

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Alam, Syed Maqsood, Abdul Khaliq, and Amir Jamil. "The Poetics of Anger in Ali's Dramatic Art." Global Language Review V, no. III (2020): 42–48. http://dx.doi.org/10.31703/glr.2020(v-iii).05.

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Anger is a strong feeling of indignation and displeasure; it is the fundamental human emotion which has a potential for destructive as well as constructive motives. Outrageous displeasure is both style and material in his actor compositions, which marks him out as a contemporary lobbyist. This examination paper plans to dissect the utilization of outrage in Ali's chosen plays: The Guilt (2014), The Last Metaphor (2014) and The Odyssey (2016), where the utilization of outrage is obvious and piercing. For this reason, the analyst draws upon the idea of outrage speculated by Harriet Lerner in her book The Dance of Anger (1985). The investigation features that outrage is the beginning stage for Ali and presumes that outrage is the rousing power and material for Ali's emotional work in addition to this. The findings reveal that although anger enunciated in Alis plays seems to be frenzied, yet it is very much cerebral.
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Toffin, Gérard. "Theatre of Emotion: A Nepalese Dramatic Art Form." Diogenes 60, no. 2 (2013): 5–15. http://dx.doi.org/10.1177/0392192114566136.

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HOEKMAN, BERNARD M., and PETROS C. MAVROIDIS. "Nothing Dramatic (… regarding administration of customs laws)." World Trade Review 8, no. 1 (2009): 31–44. http://dx.doi.org/10.1017/s1474745608004242.

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AbstractThis paper discusses the 2005 dispute between the European Community (EC) and the United States (US) regarding the customs classification of two specific products and the ambit of Art. X GATT (Publication and Administration of Trade Regulations). The Dispute Settlement Panel and the Appellate Body (AB) essentially upheld the position advocated by the EC, with one exception that is of no practical import, as the EC had already modified its regime. While the AB followed prior case law, it added two new findings. First, the WTO-consistency of laws can be challenged under Art. X GATT if they concern the implementation or application of laws concerning customs administration and enforcement. Second, the obligation included in Art. X.3(b) GATT to establish tribunals or procedures to review and correct administrative actions relating to customs matters concerns courts of first instance only. Thus it is quite possible that their decisions might not be uniform, and absence of uniformity at this level is not a violation of Art. X.3(b).
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Schmid, Herta. "Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics." Theatralia, no. 2, Supplementum (2019): 23–38. http://dx.doi.org/10.5817/ty2019-s-3.

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Dissertations / Theses on the topic "Of Dramatic Art"

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Maber, Peter Gervase Tregoning. "Voices within voices : John Berryman's dramatic art." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614668.

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Jacobsen, Kenneth Richard. "Prophecy, performance, and persuasion, sermon art and dramatic art in England, 1575-1630." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22468.pdf.

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Carroll, Charles Michail. "François-André Danican Philidor : his life and dramatic art /." Ann Arbor : Mich. : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb37121952w.

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Hesson, Ian Matthew. "The worlds of Eugene Ionesco : his political views and his dramatic art." Thesis, Royal Holloway, University of London, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.265310.

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Neil, Allan. "The social and the aesthetic : a study of Diderot and Goethe." Thesis, University of Aberdeen, 2001. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU602024.

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Comparative literature on French influence on Goethe is predominantly concerned with Rousseau. In seeking to redress that imbalance, this thesis offers the first comprehensive study of Diderot's and Goethe's art theory. It treats that theory as a whole, and places it in the context of the social and philosophical thought which preceded it. The first part of the thesis studies Diderot's and Goethe's thought on the visual arts and the theatre. That thought reveals different attempts to assert, through the creativity of the artist, man's dominance over nature. This first part also shows that the unrecognised differences between Diderot and Goethe lie less in their discussion of the production of art than they do in their discussion of the beholder. The second part opens with a study of Rousseau. Rousseau's concern to reinstitute in civil society the unmediated exercise of the will assumed from the state of nature grounds a suspicion of the imagination at odds with the art theory discussed in part one. Diderot's unique contribution to the natural law tradition rests, however, on the understanding of the imagination developed within his art theory. For its part, Goethe's art theory of the 1790s provides remarkable affinities between the contemplation of the object of art, and the harmony between the senses and the understanding sought in Kant's and Schiller's aesthetics. Despite such synthesis, the final chapter identifies a normativism in Goethe's later art theory more in keeping with the absolutist tradition before him, but which does not obscure the similarities between his thought and Diderot's. The thesis closes with a brief consideration of the broader relevance of such a comparison.
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Reginio, Robert, David Houston Jones, and Katherine Weiss. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/3838210794/.

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art―he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond.The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like minimalism and conceptual art. Containing interviews with and pieces by working artists, alongside contributions of scholars of literature and the visual arts, this collection offers an essential reassessment of Beckett's work. Perceiving Beckett's ongoing importance from the perspective of contemporary art practices, dominated by installation and conceptual strategies, it offers a completely new frame through which to read perennial Beckettian themes of impotence, failure, and penury. From Beckett's remains, as it were, contemporary artists find endless inspiration.<br>https://dc.etsu.edu/etsu_books/1182/thumbnail.jpg
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Henry, Meghann Elise. "Devising dramaturgy an investigation into the art of dramatic composition when devising theatre for young audiences /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002157.

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Henry, Meghann. "DEVISING DRAMATURGY: AN INVESTIGATION INTO THE ART OF DRAMATIC COMPOSITION WHEN DEVISING THEATRE FOR YOUNG AUDIENCES." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2884.

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This thesis investigates the dramaturgy of devised theatre for young audiences, specifically children ages 2-5. The chapters dissect current applications of dramaturgy in regards to the development of dramatic and performance texts, and present an exploration of devised theatre. My research revolved around qualitative research tactics through a review of the current literature on dramaturgy and devising, unobtrusive data collection, and interviews with the artistic directors of three Theatre for Young Audience (TYA) companies: Patch Theatre Company based in Adelaide, Australia, Theatre Mala Scena based in Zagreb, Croatia, and the Coterie Theatre located in Kansas City, Missouri. In addition, I viewed productions by each the above companies which helped to uncover how the artists move theory into practice based on their personal theories on TYA, dramaturgy, and devising. Through this research I reveal how dramaturgy proves a key element in moving improvisations into performance texts, creating theatrical experiences that capture the imaginations of the very young.<br>M.F.A.<br>Department of Theatre<br>Arts and Humanities<br>Theatre MFA
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Heddon, Deirdre E. "In search of the subject : locating the shifting politics of women's performance art." Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/1590/.

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From the late 1960s to the present, women have utilised performance art as a 'form' with which to resist, transgress, contest or reveal the position of women within wider society. However, as both the nature of feminist politics and the contexts within which the work has been produced have changed, the enactment of such oppositional strategies has also shifted. This thesis aims to locate and account for such shifts by mapping multiple subjects, including performance art, feminism(s), contemporary theory, performers and women's performance art. In the late 1960s throughout the 1970s, the strategies most often utilised by women performance artists either offered alternative, supposedly more 'truthful' representations which drew on the real, material lives of women, or completely reimagined woman, locating her in a place before or outside of the patriarchal structure. From the 1980s onwards, however, the practice of women's performance art looks somewhat different. While performers continue to contest the material conditions and results of being positioned as female in Western society, such contestations are now often enacted from within what might be considered a 'deconstructive' or 'poststructuralist' frame. Acknowledging the impossibility of ever representing the 'real' woman, since 'woman' is always already a representation (and is always multiple), I suggest that the aim of this work is therefore not so much to reveal the 'real' woman behind the fiction, but to take apart the fiction itself, revealing the way in which the signifier 'woman' has been differentially constructed, for what purpose, and with what real effects. I have nominated this shift as a movement from a performance and politics of identity to a performance and politics of subjectivity.
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Kundert-Gibbs, John Leeland. "No-thing is more real than nothing zen/chaos theory in the dramatic art of Samuel Beckett /." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487862399448208.

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Books on the topic "Of Dramatic Art"

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Hornbrook, David. Education and dramatic art. Basil Blackwell, 1989.

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Education and dramatic art. 2nd ed. Routledge, 1998.

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Ben Johnson, his dramatic art. Prestige Books, 1994.

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Caturvedī, Ravi. Dramatic elements in modern art. Publication Scheme, 2002.

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Prasad, Hari Mohan. The dramatic art of Eugene O'Neill. Associated Pub. House, 1987.

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Donskov, Andrew. Essays on L.N. Tolstoj's dramatic art. Harrassowitz, 1988.

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Dramatic dance: An actor's approach to dance as a dramatic art. Bloomsbury Methuen Drama, 2014.

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1880-1934, Bely Andrey, and Bely Andrey 1880-1934, eds. The dramatic symphony ; The forms of art. Polygon, 1986.

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The art of storytelling for dramatic screenplays. Edition Filmwerkstatt, 2008.

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Madhu, M. K. The History of dramatic art in ancient India. Ramananda Vidya Bhawan, 1992.

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Book chapters on the topic "Of Dramatic Art"

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Allen, Rob, and Nina Krebs. "Visual Art." In Dramatic Psychological Storytelling. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230800557_9.

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Bose, Mandakranta. "Lāsya: A Dramatic Art." In Movement and Mimesis. Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3594-8_4.

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Kimber, Gerri. "Dramatic Techniques." In Katherine Mansfield and the Art of the Short Story. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137483881_4.

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Wheeler, Kathleen. "Dramatic Art in Katherine Mansfield’s ‘Bliss’." In 'Modernist' Women Writers and Narrative Art. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1057/9780230375826_6.

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Leng, Andrew. "Re-interpreting Ruskin and Browning’s Dramatic ‘Art-poems’." In Ruskin, the Theatre and Victorian Visual Culture. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236790_5.

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Zou, Rui. "A Comprehensive Evaluation of the Academic Influence of Chinese Core Journals in Dramatic Art." In Lecture Notes in Electrical Engineering. Springer London, 2013. http://dx.doi.org/10.1007/978-1-4471-4805-0_102.

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Leonetti, Francesca. "Angiola D’Orso ante lo cómico calderoniano: Amore, honore e potere." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.16.

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This contribution aims to offer a study of the Italian adaptation of the Calderonian comedy Amor honor y poder by Angiola D'Orsi, in which the mechanisms that have allowed the recreation of the semantics of comedy, complex and strongly rooted in the stereotyped formulas of every literary tradition, are highlighted. Art comedian, dramatist, translator and highly experienced actor-manager (capocomico), Angiola D'Orsi shows her ability to acclimate the Spanish opera to the new context of reception, through an operation of mediation and interpretation of the two ideological and dramatic systems. Through the comparative analysis of the figures carrying comedy, characterized by linguistic and character stereotypes, we examine the ways in which their dramatic and cultural redefinition is carried out, closely linked to Italian theatrical practice and in accordance with the traditional mask of Zanni.
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Cohen, Itai, and Melanie Dreyer-Lude. "Shaping the Dramatic Arc." In Finding Your Research Voice. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31520-7_3.

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Goldman, Marlene. "Alice Munro’s Dramatic Fictions: Challenging (Dis)Ability by Playing with Oedipus the King and Embracing the Queer Art of Failure." In Ethics and Affects in the Fiction of Alice Munro. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90644-7_5.

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Biagini, Enza. "L’io nello sguardo dell’altra. L’arte del monologo di Claudio Magris." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.20.

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The current essay aims to highlighting a few aspects of the fine ‘art of the monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand, the play highlights his masterly use of the stylistic/dialogic capacity of the monologue on stage and, on the other, it offers an unprecedented and extraordinary (parodic) re-actualization of the myth of Orpheus.
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Conference papers on the topic "Of Dramatic Art"

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Li, Guode. "Study on Aristotle’s Dramatic Epic View and Its Influence." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.044.

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Jiang, Junming. "Dramatic Tension in Hitchcock’s Films—Taking North by Northwest as an Example." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.413.

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Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago." In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.

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Contemporary Russian socio-cultural, cultural and philosophical, socio psychological, artistic and aesthetic practices actualize the Russian tradition of rejection, criticism, undisguised hatred and fear of power. Today, however, power has ceased to be a subject of one-dimensional denial or condemnation, becoming the subject of an interdisciplinary scientific discourse that integrates cultural studies, philosophy, social psychology, semiotics, art criticism and history (history of culture). The article provides theoretical substantiation and empirical support for the two facets of notions of power. The first facet is the unique, not only political, but also mental determinant of the problem of power in Russia, a kind of reflection of modus vivendi. The second facet is the artistic and image-based determinant of problem of power in Russia designated as artis imago. Theoretical grounds for solving these problems are found in F. Nietzsche’s perceptions of the binary “potentate-mass” opposition, G. Le Bon’s of the “leader”, K.-G. Jung’s of mechanisms of human motivation for power. The paper dwells on the “semiosis of power” in the focus of thoughts by A. F. Losev, P. A. Sorokin, R. Barthes. Based on S. Freud’s views of the unconscious and G. V. Plekhanov’s and J. Maritain’s views of the totalitarian power, we substantiate the concept of “the imperial unconscious”. The paper focuses on the importance of the freedom motif in art (D. Diderot and V. G. Belinsky as theorists, S. Y. Yursky as an art practitioner). Power as a subject of influence and object of analysis by Russian creators is studied on the material of perceptions and creative experience of A. S. Pushkin (in the context of works devoted to Russian “impostors” by numerous authors). Special attention is paid to the early twenty-first century television series on Soviet rulers (Stalin, Khrushchev, Brezhnev, Furtseva). The conclusion is made on the relevance of Pushkin’s remark about “living power” “hated by the rabble” for contemporary Russia.
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Chen, Pu, Xinyi Xu, and Cheng Deng. "Deep View-Aware Metric Learning for Person Re-Identification." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/86.

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Person re-identification remains a challenging issue due to the dramatic changes in visual appearance caused by the variations in camera views, human pose, and background clutter. In this paper, we propose a deep view-aware metric learning (DVAML) model, where image pairs with similar and dissimilar views are projected into different feature subspaces, which can discover the intrinsic relevance between image pairs from different aspects. Additionally, we employ multiple metrics to jointly learn feature subspaces on which the relevance between image pairs are explicitly captured and thus greatly promoting the retrieval accuracy. Extensive experiment results on datasets CUHK01, CUHK03, and PRID2011 demonstrate the superiority of our method compared with state-of-the-art approaches.
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Guo, Yuzhen, and Wenwen Bi. "The Dramatic Narrative Tendency of Korean Family Drama." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.40.

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Li, Guoxin, Yueyue Liu, and Zhijun Li. "The Prosthetic Arm: A Dramatic Improvement For The Limb Amputation From The Humerus." In 2019 IEEE 4th International Conference on Advanced Robotics and Mechatronics (ICARM). IEEE, 2019. http://dx.doi.org/10.1109/icarm.2019.8833890.

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Wu, Ya'nan. "Inspiration of Dramatic Stage Space Research on the "Spatial Narrative" Mode of VR Images." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.35.

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Djurdjanovic, Dragan, Laine Mears, Farbod Akhavan Niaki, Asad Ul Haq, and Lin Li. "Process and Operations Control in Modern Manufacturing." In ASME 2017 12th International Manufacturing Science and Engineering Conference collocated with the JSME/ASME 2017 6th International Conference on Materials and Processing. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/msec2017-3104.

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Dramatic advancements and adoption of computing capabilities, communication technologies, and advanced, pervasive sensing have impacted every aspect of modern manufacturing. Furthermore, as society explores the 4th Industrial Revolution characterized by access to and leveraging of knowledge in the manufacturing enterprise, the very character of manufacturing is rapidly evolving, with new, more complex processes and radically new products appearing in both the industries and academe. As for traditional manufacturing processes, they are also undergoing transformations in the sense that they face ever-increasing requirements in terms of quality, reliability and productivity, needs that are being addressed in the knowledge domain. Finally, across all manufacturing we see the need to understand and control interactions between various stages of any given process, as well as interactions between multiple products produced in a manufacturing system. All these factors have motivated tremendous advancements in methodologies and applications of control theory in all aspects of manufacturing: at process and equipment level, manufacturing systems level and operations level. Motivated by these factors, the purpose of this paper is to give a high-level overview of latest progress in process and operations control in modern manufacturing. Such a review of relevant work at various scales of manufacturing is aimed not only to offer interested readers information about state-of-the art in control methods and applications in manufacturing, but also to give researchers and practitioners a vision about where the direction of future research may be, especially in light of opportunities that lay as one concurrently looks at the process, system and operation levels of manufacturing.
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Malinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.

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This article covers some new forms of publicness in the field of art culture of the Russian city of Perm, e.g. dramatics as a performance in a street environment, and synthetic museum-theatrical form under the conditions of a stage box. The study was accomplished mainly via culturological method. At one time theatre left the urban environment, but in the 21st century theatrical forms have begun to permeate urban space again, the statement primarily concerns site-specific theatre. This is equivalent to the birth of new theatrical-city publicity, a new modality of the interpenetration of the public and the private. One of the best-known theatrical projects in this field is ‘Remote X’ (‘Rimini Protokoll’ band). Here, the close co-existence habitual to city dwellers turns into a social substrate, and a way to implement interpersonal artistic communication, thereby largely changing the disposition of the former, and transforming itself. Another new form of relationship between collective and individual aspects in the public sphere is the synthetic museum-theatre form, on the example of immersion dramatics ‘Permian Pantheon’ (Perm Academic Theatre, stager Dmitry Volkostrelov). The natural ‘calendar-seasonal’ tempo-rhythm of the dramatics creates a triple semantic effect risen from artistic reality. It immerses the viewer into the process of traditional subsistence in whole (actualisation of the cultural collective unconscious), represents cultural phenomena (which corresponds to the culture-focused paradigm of artistic consciousness of the second half of the 20th century to the early 21st century), reaches the level of worldview values, the philosophical generalisation of cultural-existential reality. Thus, on the example of two Perm theatrical plays the author can speak about the origin of new forms of publicness in contemporary culture to entail new relationships between publicity and privacy in the current realities.
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JÄGER, Alexander, Heike KAHR, Tina ORTNER, and Renate KRÄNZL-NAGL. "BIOETHANOL FROM STRAW AND ITS PUBLIC ACCEPTANCE." In RURAL DEVELOPMENT. Aleksandras Stulginskis University, 2018. http://dx.doi.org/10.15544/rd.2017.009.

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The consequences of global warming and the need for a reduction in greenhouse gases have led to dramatic changes in the automotive sector. Whereas the use of biofuel increased continuously over the first decade of this century, e-mobility has been deemed.by politicians and the media alike. As the development of the electric car, rechargeable batteries and charging stations are far from being fully explored, biofuels will play an important role as a bridging technology over the next 20 years. The successful use of biofuels requires its widespread acceptance by consumers. To evaluate the public opinion towards biofuels we carried out a representative opinion poll to collect information on the population’s acceptance of biofuels. The result indicates that there is a lack of interest and information about biofuels, especially among young people and women. First generation bioethanol is strongly associated with the waste of food, but the acceptance of the second generation, produced from agricultural remnants like straw from wheat or corn, is considerably higher. The interviewees see more transparent, objective and less technical information about biofuels as an essential way to increase the level of information and the acceptance rate. In summary, the introduction of biofuels must be accompanied by information campaigns if biofuels should ever reach larger market shares. The irritations caused by the manipulation of the software on the part of several automobile manufacturers of Diesel engines could pave the way for this. So, future decentralized bioethanol plants could play an important role in biofuel production and contribute to the development of rural areas. In this paper the legal aspects of biofuel usage are described, the State of the art Bioethanol production from lignocellulosic material is described, the production capacity worldwide is calculated and the results from an opinion poll concerning the public acceptance of biofuels are presented.
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Reports on the topic "Of Dramatic Art"

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Handler, Stephen, Carrie Pike, Brad St. Clair, Hannah Abbotts, and Maria Janowiak. Assisted Migration. USDA Forest Service Climate Change Resource Center, 2018. http://dx.doi.org/10.32747/2018.6893746.ch.

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Evidence suggests that species have responded individually during historic periods of dramatic&#x0D; climate change through geographic migrations to and from unique glacial refugia [1, 2, 3]. Recent&#x0D; research has demonstrated that many tree species are already undergoing distribution shifts in&#x0D; response to climate change, with different studies highlighting species that are moving poleward&#x0D; and higher in elevation [4], or moving east-west to track changes in moisture availability [5].
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Gorman, Clare. Exposing the Worst Forms of Child Labour in Bangladesh’s Leather Sector. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/clarissa.2021.001.

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As one of the country’s biggest employers and its second largest exporter, the leather sector is big business in Bangladesh. But it is also in crisis. A dramatic decrease in the global demand for leather since COVID-19 has led to the collapse of the supply chain with workers, especially children, bearing the worst of the brunt. As cracks in the industry’s surface widen, new research from the Child Labour: Action-Research-Innovation in South and South-Eastern Asia (CLARISSA) programme shines a light into its hidden corners, revealing examples of the worst forms of child labour (WFCL) at almost every turn.
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Bohorquez-Penuela, Camilo, and Mariana Urbina-Ramirez. Rising Staple Prices and Food Insecurity: The Case of the Mexican Tortilla. Banco de la República de Colombia, 2020. http://dx.doi.org/10.32468/be.1144.

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We study the relationship between rising prices of tortillas---the Mexican staple par excellence---and household food insecurity between 2008 and 2014, a period in which global food prices experienced dramatic increases. The use of a unique combination of household-level data and official state-level information on prices allows us exploit signi cant variation in prices across the Mexican states. Since households cannot be tracked across time, we follow Deaton (1985) by constructing a series of pseudo-panels to control for time- invariant unobserved heterogeneity and measurement error. The regression estimates suggest that increasing tortilla prices affected food insecurity rates in Mexico. More speci cally, households with children or those in the second or third income quintile are more likely to be affected.
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Nathan, Harms, and Cronin James. Variability in weed biological control : effects of foliar nitrogen on larval development and dispersal of the alligatorweed flea beetle, Agasicles hygrophila. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/41886.

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Host quality can have dramatic effects on performance of biological control agents but its importance is understudied. We used a combination of field measurements and laboratory experiments to determine the range of foliar nitrogen (FN) that larvae of the alligatorweed flea beetle (Agasicles hygrophila) are exposed to in the field and its importance to larval development and dispersal. Seasonal variability in FN was assessed at field sites spanning southern to northern Louisiana every 2–3 weeks during the growing season for four years. In a series of laboratory experiments, alligatorweed FN was manipulated to examine its influence on larval development and survival (under different temperature regimes), adult biomass, and dispersal of the biological control agent, A. hygrophila. Foliar nitrogen and rearing temperature had strong independent effects on larval development rate. We demonstrated that increasing nitrogen in leaf tissues shortens larval A. hygrophila developmental time and increases survival to adulthood, regardless of exposure temperature during development. It also suggests that foliar nitrogen may have important effects on biological control of alligatorweed, particularly as a result of seasonal variation in temperature and plant nutrition at field sites and could contribute to observed variation in A. hygrophila efficacy in the field.
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Achakulwisut, Ploy, and Peter Erickson. Trends in fossil fuel extraction. Stockholm Environment Institute, 2021. http://dx.doi.org/10.51414/sei2021.001.

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At present, most global GHG emissions – over 75% – are from fossil fuels. By necessity, reaching net zero emissions therefore requires dramatic reductions in fossil fuel demand and supply. Though fossil fuels have not been explicitly addressed by the UN Framework on Climate Change, a conversation has emerged about possible “supply-side” agreements on fossil fuels and climate change. For example, a number of countries, including Denmark, France, and New Zealand, have started taking measures to phase out their oil and gas production. In the United States, President Joe Biden has put a pause on new oil and gas leasing on federal lands and waters, while Vice President Kamala Harris has previously proposed a “first-ever global negotiation of the cooperative managed decline of fossil fuel production”. This paper aims to contribute to this emerging discussion. The authors present a simple analysis on where fossil fuel extraction has happened historically, and where it will continue to occur and expand if current economic trends continue without new policy interventions. By employing some simple scenario analysis, the authors also demonstrate how the phase-out of fossil fuel production is likely to be inequitable among countries, if not actively and internationally managed.
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Picciotto, Sol. The Contested Shaping of International Tax Rules: The Growth of Services and the Revival of Fractional Apportionment. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/ictd.2021.014.

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The digitalisation of the economy has spotlighted fundamental flaws in international tax rules, which have been exacerbated since the 1970s with the wider shift to the services economy and the growth of international services. These systemic flaws have been more evident from the perspective of countries that are mainly importers of services that have tried to retain rights to tax profits at the source from which they derive. While they succeeded in retaining a wider scope for source taxation, key provisions have been subject to continuing conflicts and contestation over their formulation and interpretation, leaving a legacy of ambiguity and confusion. Digitalisation has now sparked a dramatic reversal of perspective by more developed countries and an acceptance of principles they have long resisted: that taxation of transnational corporations can be based on apportionment of an appropriate fraction of their global income and can be by countries from where they derive income, regardless of physical presence. This paper outlines the contested process that has shaped the formulation of key provisions on taxation of international services, discusses the recent moves to reshape these rules and evaluates some policy options for capital-importing countries to strengthen their taxing rights in the current context.
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Dodd, Hope, David Peitz, Gareth Rowell, et al. Protocol for Monitoring Fish Communities in Small Streams in the Heartland Inventory and Monitoring Network. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2284726.

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Fish communities are an important component of aquatic systems and are good bioindicators of ecosystem health. Land use changes in the Midwest have caused sedimentation, erosion, and nutrient loading that degrades and fragments habitat and impairs water quality. Because most small wadeable streams in the Heartland Inventory and Monitoring Network (HTLN) have a relatively small area of their watersheds located within park boundaries, these streams are at risk of degradation due to adjacent land use practices and other anthropogenic disturbances. Shifts in the physical and chemical properties of aquatic systems have a dramatic effect on the biotic community. The federally endangered Topeka shiner (Notropis topeka) and other native fishes have declined in population size due to habitat degradation and fragmentation in Midwest streams. By protecting portions of streams on publicly owned lands, national parks may offer refuges for threatened or endangered species and species of conservation concern, as well as other native species. This protocol describes the background, history, justification, methodology, data analysis and data management for long-term fish community monitoring of wadeable streams within nine HTLN parks: Effigy Mounds National Monument (EFMO), George Washington Carver National Monument (GWCA), Herbert Hoover National Historic Site (HEHO), Homestead National Monument of America (HOME), Hot Springs National Park (HOSP), Pea Ridge National Military Park (PERI), Pipestone National Monument (PIPE), Tallgrass Prairie National Preserve (TAPR), and Wilson's Creek national Battlefield (WICR). The objectives of this protocol are to determine the status and long-term trends in fish richness, diversity, abundance, and community composition in small wadeable streams within these nine parks and correlate the long-term community data to overall water quality and habitat condition (DeBacker et al. 2005).
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Wills, Gabrielle, Janeli Kotzé, and Jesal Kika-Mistry. A Sector Hanging in the Balance: Early Childhood Development and Lockdown in South Africa. Research on Improving Systems of Education (RISE), 2020. http://dx.doi.org/10.35489/bsg-rise-wp_2020/055.

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New evidence suggests that over four months after the closure of early childhood development (ECD) programmes on 18 March 2020, the ECD sector was likely to be operating at less than a quarter of its pre-lockdown levels. Of the 38 percent of respondents from the new NIDS-CRAM survey reporting that children aged 0-6 in their households had attended ECD programmes before the lockdown in March, only 12 percent indicated that children had returned to these programmes by mid-July, well after programmes were allowed to reopen. Using these findings, we estimate that just 13 percent of children aged 0-6 were attending ECD programmes by mid-July to mid-August compared to 47 percent in 2018. The last time that ECD attendance rates were as low as this was in the early 2000s. At this point it is not yet clear what proportion of these declines are only temporary, or whether there will be a lasting impact on ECD enrolment in the country. This dramatic contraction in the ECD sector relates to prohibitive costs to reopening ‘safely’ imposed by the regulatory environment, coupled with shocks to the demand side for ECD programmes (both in terms of reduced household incomes and parent fears of children contracting COVID-19). When viewed from a broader socio-economic lens, the threat of ECD programme closures across the nation will have impacts beyond ECD operators to the lives of millions of children, millions of households and millions of adults who rely on these ECD services. A swift intervention by government is necessary to save this important sector and limit the ripple effect of programme closures on multiple layers of society.
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Herbert, George. How Can Middle-income Countries Improve Their Skills Systems Post- COVID-19? Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.082.

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Vocational training systems in middle-income countries are going to face multiple challenges in the post-COVID era, notably, challenges related to (1) automation; (2) the transition to a green economy, and (3) demographic pressures. Of these, automation - linked to the burgeoning ‘fourth industrial revolution’ that is set to transform the global economy - represents the most serious challenge and is the only one of the three challenges discussed in any depth in this paper. Whilst estimates of the likely scale of automation in the coming years and decades vary widely, it appears likely that waves of automation will lead to a dramatic decline in many kinds of jobs that largely involve routine, repetitive tasks. These trends pre-date COVID-19, but the disruption caused by the pandemic provides an opportunity to prepare for these challenges by implementing vocational training system reforms as part of the Build Back Better agenda. Reforms to vocational training systems will be crucial to ensuring middle-income countries respond appropriately to accelerating labour market changes. However, they should only form a limited part of that response and need to be integrated with a wide range of other policy measures. Vocational training reform will need to occur in the context of major reforms to basic education in order to ensure that all workers are equipped with the cross-cutting cognitive and socio-emotional skills they will require to perform hard-to-automate tasks and to be able to learn and adapt rapidly in a changing economy. Middle-income countries will also likely need to progressively expand social protection schemes in order to provide a safety net for workers that struggle to adapt to changing labour market requirements.
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Quak, Evert-jan. The Link Between Demography and Labour Markets in sub-Saharan Africa. Institute of Development Studies (IDS), 2020. http://dx.doi.org/10.19088/k4d.2021.011.

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This rapid review synthesises the literature from academic, policy, and knowledge institution sources on how demography affects labour markets (e.g. entrants, including youth and women) and labour market outcomes (e.g. capital-per-worker, life-cycle labour supply, human capital investments) in the context of sub-Saharan Africa. One of the key findings is that the fast-growing population in sub-Saharan Africa is likely to affect the ability to get productive jobs and in turn economic growth. This normally happens when workers move from traditional (low productivity agriculture and household businesses) sectors into higher productivity sectors in manufacturing and services. In theory the literature shows that lower dependency ratios (share of the non-working age population) should increase output per capita if labour force participation rates among the working age population remain unchanged. If output per worker stays constant, then a decline in dependency ratio would lead to a rise in income per capita. Macro simulation models for sub-Saharan Africa estimate that capital per worker will remain low due to consistently low savings for at least the next decades, even in the low fertility scenario. Sub-Saharan African countries seem too poor for a quick rise in savings. As such, it is unlikely that a lower dependency ratio will initiate a dramatic increase in labour productivity. The literature notes the gender implications on labour markets. Most women combine unpaid care for children with informal and low productive work in agriculture or family enterprises. Large family sizes reduce their productive labour years significantly, estimated at a reduction of 1.9 years of productive participation per woman for each child, that complicates their move into more productive work (if available). If the transition from high fertility to low fertility is permanent and can be established in a relatively short-term period, there are long-run effects on female labour participation, and the gains in income per capita will be permanent. As such from the literature it is clear that the effect of higher female wages on female labour participation works to a large extent through reductions in fertility.
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