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1

Gardner, Gerald C. The censorship papers: Movie censorship letters from the Hays office, 1934-1968. Dodd, Mead, 1987.

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2

Washburn, Patrick Scott. The Office of Censorship's attempt to control press coverage of the atomic bomb during World War II. Association for Education in Journalism and Mass Communication (AEJMC), 1990.

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3

Washburn, Patrick Scott. The Office of Censorship's attempt to control press coverage of the atomic bomb during World War II. Association for Education in Journalism and Mass Communication, 1990.

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4

Services, United States Congress House Committee on Post Office and Civil Service Subcommittee on Postal Operations and. Disruption of mail to the Baltic States: Hearing before the Subcommittee on Postal Operations and Services of the Committee on Post Office and Civil Service, House of Representatives, One Hundred Second Congress, first session, May 21, 1991. U.S. G.P.O., 1991.

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5

United States. Congress. House. Committee on Post Office and Civil Service. Subcommittee on Postal Operations and Services. Mail interruption: Hearing before the Subcommittee on Postal Operations and Services of the Committee on Post Office and Civil Service, House of Representatives, One Hundred First Congress, first session, November 9, 1989. U.S. G.P.O., 1990.

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6

Holbrook, Culbert David, Mitchell Janice H. 1960-, Dobrosky Nanette 1956-, United States. Office of War Information., and University Publications of America, Inc., eds. Information control and propaganda: Records of the Office of War Information. University Publications of America, 1987.

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7

United States. Congress. House. Committee on Foreign Affairs. Subcommittee on Human Rights and International Organizations. Developments concerning Dr. Andrei Sakharov: Joint hearing before the Subcommittee on Human Rights and International Organizations of the Committee on Foreign Affairs and the Subcommittee on Investigations of the Committee on Post Office and Civil Service, House of Representatives, Ninety-ninth Congress, second session, March 18, 1986. U.S. G.P.O., 1986.

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8

Skinner, James M. The cross and the cinema: The Legion of Decency and the National Catholic Office for Motion Pictures, 1933-1970. Praeger, 1993.

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9

Herbert, Henry. The control and censorship of Caroline drama: The records of Sir Henry Herbert, Master of the Revels, 1623-73. Clarendon Press, 1996.

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10

Service, United States Congress House Committee on Post Office and Civil Service Subcommittee on Civil. Office of Management and Budget censorship of federal employees: Hearing before the Subcommittee on the Civil Service of the Committee on Post Office and Civil Service, House of Representatives, One Hundred First Congress, first session, May 17, 1989. U.S. G.P.O., 1989.

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11

Dept, Great Britain Foreign Office News. [General correspondence from 1906. The National Archives, 2004.

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12

Bravetti, Patrizia, and Orfea Granzotto, eds. False date. Firenze University Press, 2009. http://dx.doi.org/10.36253/978-88-8453-895-6.

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A considerable number of the books published in the course of the eighteenth century were printed with false details of the place of publication, authorised by the censorship offices themselves. This phenomenon, which was common throughout Europe, was particularly marked in Venice where over 800 titles, among the most sought-after of the time, were licensed exploiting this expedient to get around the bottleneck of the official publishing rules. The volume publishes the registers of the related Venetian documentation, complete with notes and indices that sketch a fairly complete picture of this
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13

Myers, James M. The Bureau of Motion Pictures and its influence on film content during World War II: The reasons for its failure. Edwin Mellen Press, 1998.

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14

Schwedt, Herman H. Censor censorum: Gesammelte Aufsätze von Herman H. Schwedt : Festschrift zum 70. Geburtstag. F. Schöningh, 2006.

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15

1799-1837, Pushkin Aleksandr Sergeevich, and Benkendorf Aleksandr Khristoforovich 1783-1844, eds. Perepiska A.S. Pushkina s A.Kh. Benkendorfom. Nestor-Istorii︠a︡, 2021.

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16

Gardner, Gerald C. The Censorship Papers: Movie Censorship Letters from the Hays Office, 1934 to 1968. Dodd Mead, 1988.

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17

Nock, Marjorie. Uncensored: Adventures in the US Office of Censorship. Llumina Press, 2008.

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18

Sweeney, Michael S. Secrets of Victory: The Office of Censorship and the American Press and Radio in World War II. The University of North Carolina Press, 2000.

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19

Sweeney, Michael S. Secrets of Victory: The Office of Censorship and the American Press and Radio in World War II. The University of North Carolina Press, 2000.

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20

Secrets of victory: The Office of Censorship and the American press and radio in World War II. University of North Carolina Press, 2001.

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21

Sweeney, Michael S. Secrets of Victory: The Office of Censorship and the American Press and Radio in World War II. University of North Carolina Press, 2003.

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22

Nedbal, Martin. Sex, Politics, and Censorship in Mozart’s Don Giovanni/Don Juan. Edited by Patricia Hall. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.6.

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This article examines sex, politics, and censorship in Wolfgang Amadeus Mozart’s opera Don Giovanni/Don Juan, published in Vienna in the spring or summer of 1787. More specifically, it considers the so-called dialogic aspects of censorship by citing the example of institutional supervision over the content of Mozart’s work. It first discusses the issues surrounding the libretto and the role of censorship in several performances of a German adaptation at the Vienna court theater. It then describes how Franz Karl Hägelin, head of the office of the theater censor in Vienna, and other court theate
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23

John, Galsworthy. Justification of the Censorship of Plays : (together with a Demand for the Extension of the Principle of That Office to Other Branches of the Public Service). Creative Media Partners, LLC, 2021.

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24

Argument of Jeff Chandler Against Pending Bills To Exclude Lawful State Corporations from the Use of the U.S. Mails, and To Establish by Congress a Censorship of the Press: Hearings before the United States House Committee on the Judiciary, and House Committee on Post Office and Post Roads, Fiftieth Congress, first session. U.S. G.P.O., 1985.

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25

Woods, Philip. Organising the War Correspondents in Burma. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190657772.003.0005.

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This chapter looks at the role of the Army Public Relations Office in organising the work of the war correspondents. It examines the way correspondents operated whilst in Burma, and the constraints they were under, particularly from the strict military censorship regime. Examples are given of how, sometimes, they were able to challenge censorship decisions. It points to the limited role women war correspondents were allowed to play in covering the fighting front but shows how the organization provided for two women correspondents, Eve Curie and Claire Boothe Luce, to report from Burma.
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26

Tutino, Stefania. Jesuits Versus Jesuits. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190694098.003.0008.

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This chapter explores the virtually unknown but distinctively interesting case of the Italian Jesuit Alberto de Albertis and his massive manuscript treatise on probabilism. Alberto’s treatise was censored, criticized, and corrected over the course of almost three decades by various Roman institutions, including the internal Jesuit system of censorship, the Congregation of the Inquisition, and the Office of the Master of the Sacred Palace. Despite all these efforts, however, the treatise was never published. This chapter explains the reasons why this happened, showing that Alberto’s treatise ca
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27

Forster, Chris. Very Serious Books. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840860.003.0005.

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This chapter draws on the records of the British Home Office to reconsider the censorship of two novels by women in the late 1920s: Radclyffe Hall’s The Well of Loneliness and the Norah James’s less well-known Sleeveless Errand. It argues that the suppression of these novels was a function of the way they were positioned and received as “serious” works, capable of effecting social change. The chapter argues that specific circumstances in the late 1920s also shaped the perception of the novels. A perception that World War I had radically imbalanced the British population by creating two million
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28

Matzko, Paul. The Radio Right. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190073220.001.0001.

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By the early 1960s, and for the first time in history, most Americans across the nation could tune their radio to a station that aired conservative programming from dawn to dusk. People listened to these shows in remarkable numbers; for example, the broadcaster with the largest listening audience, Carl McIntire, had a weekly audience of twenty million, or one in nine American households. For the sake of comparison, that is a higher percentage of the country than would listen to conservative talk radio host Rush Limbaugh forty years later. As this Radio Right phenomenon grew, President John F.
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29

Guarneri, Michael. Vampires in Italian Cinema, 1956-1975. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458115.001.0001.

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The book takes as its subject a corpus of thirty-three vampire movies made, distributed and exhibited during the peak years of film production in Italy, and certified to be of Italian nationality by state institutions such as the Italian Show Business Bureau and the Italian Film Censorship Office. Positioning itself at the intersection of Italian film history, horror studies and cultural studies, the book asks: why, and how, is the protean, transnational and transmedial figure of the vampire appropriated by Italian cinema practitioners between 1956 and 1975? Or, more concisely, what do the vam
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30

Shiro, Okamoto, and Samuel L. Leiter. Man Who Saved Kabuki: Faubion Bowers and Theatre Censorship in Occupied Japan. University of Hawaii Press, 2001.

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31

Ezell, Margaret J. M. Laws Regulating Publication, Speech, and Performance, 1685–1699. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0020.

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This section covers the renewal of the Licensing Act and growing resistance in Parliament; its lapse in 1695 altered censorship. The stage continued to be monitored by the Lord Chamberlain and Master of the Revels, as part of the larger attempts to reform it. A controversial Act of Toleration passed by James still restricted dissenters and Quakers, but permitted Catholics to serve in public offices
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32

Shiro, Okamoto. The Man Who Saved Kabuki: Faubion Bowers and Theatre Censorship in Occupied Japan. University of Hawaii Press, 2001.

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33

(Translator), Samuel L. Leiter, ed. The Man Who Saved Kabuki: Faubion Bowers and Theatre Censorship in Occupied Japan. University of Hawaii Press, 2001.

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34

Müller, Juliane. Rights in the Digital Age. International Institute for Democracy and Electoral Assistance (International IDEA), 2025. https://doi.org/10.31752/idea.2025.33.

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This report advocates for thorough protection of human rights in the digital age, emphasizing the strength of constitutional safeguards over ordinary legislation. As digital technologies increasingly influence civil and political rights, online as well as offline, robust constitutional frameworks are essential to address new challenges such as unwarranted surveillance, censorship and data monopolies. Ensuring adequate constitutional protection helps anchor fundamental rights in an evolving digital landscape.
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35

Kumar, Nishant. Religious Offence and Censorship of Publications: An Enquiry Through the Prism of Indian Laws and the Judiciary. Taylor & Francis Group, 2023.

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36

Kumar, Nishant. Religious Offence and Censorship of Publications: An Enquiry Through the Prism of Indian Laws and the Judiciary. Taylor & Francis Group, 2023.

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37

Kumar, Nishant. Religious Offence and Censorship of Publications: An Enquiry Through the Prism of Indian Laws and the Judiciary. Taylor & Francis Group, 2023.

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38

Religious Offence and Censorship of Publications: An Enquiry Through the Prism of Indian Laws and the Judiciary. Routledge, 2023.

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39

Hatzis, Nicholas. Offensive Speech, Religion, and the Limits of the Law. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198758440.001.0001.

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Is the government ever justified in restricting offensive speech? This question has become particularly important in relation to communications which offend the religious sensibilities of listeners. It is often argued that insulting a person’s beliefs is tantamount to disrespecting the believer; that insults are a form of hatred or intolerance; that the right to religious freedom includes a more specific right not to be insulted in one’s beliefs; that religious minorities have a particularly strong claim to be protected from offence; and that censorship of offensive speech is necessary for the
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40

Messitt, Maggie. Newspaper. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781501392207.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Newspaper is about more than news printed on paper. It brings us inside our best and worst selves, from censorship and the intentional destruction of historic record, to partisan and white supremacist campaigns, to the story of an instrument that has been central to democracy and to holding the powerful to account. This is a 400-year history of a nearly-endangered object as seen by journalist Maggie Messitt in the two democratic nations she calls home – the United States and South Africa.
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41

Epicureismo e pederastia: Il "Lucrezio" e l'"Anacreonte" di Alessandro Marchetti secondo il Sant'Uffizio. L.S. Olschki, 2012.

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42

Keymer, Thomas. Poetics of the Pillory. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198744498.001.0001.

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On the lapse of the Licensing Act in 1695, Thomas Macaulay wrote in his History of England, ‘English literature was emancipated, and emancipated for ever, from the control of the government’. It’s certainly true that the system of prior restraint enshrined in this Restoration measure was now at an end, at least for print. Yet the same cannot be said of government control, which came to operate instead by means of post-publication retribution, not pre-publication licensing, notably for the common-law offence of seditious libel. For many of the authors affected, from Defoe to Cobbett, this new r
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