Academic literature on the topic 'Old Los Angeles'

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Journal articles on the topic "Old Los Angeles"

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Thomas, H. "At the Old Los Angeles Zoo." Literary Imagination 13, no. 2 (2011): 232. http://dx.doi.org/10.1093/litimag/imr004.

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Gow, William. "A Night in Old Chinatown." Pacific Historical Review 87, no. 3 (2018): 439–72. http://dx.doi.org/10.1525/phr.2018.87.3.439.

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In 1938, the Chinese American community in Los Angeles hosted the Moon Festival in Old Chinatown as a fundraiser for Chinese victims of the Sino-Japanese War. Held against the backdrop of Bowl of Rice fundraisers across the United States, and the demolition of most of Old Chinatown by the construction of Union Station, the 1938 Moon Festival attracted tens of thousands of visitors to Old Chinatown while providing a stage for local Chinese Americans to perform self-representations of Chinatown to visitors. Focusing on Chinese American performances such as those of the Los Angeles Mei Wah Girls’ Drum Corps, this article examines the extent to which Chinese Americans utilized the festival’s performances of race and gender to challenge Orientalist ideas about the their community.
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Stanfield-Mazzi, Maya. "Introduction to Part I: Time and its Transformations from the Old World to the New." Religion and the Arts 18, no. 1-2 (2014): 5–10. http://dx.doi.org/10.1163/15685292-01801002.

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‭The four articles in Part I, Time and its Transformations from the Old World to the New, suggest that as Christianity was transmitted to the New World, this transmission necessitated new ways of conceiving of time and history. The articles thus point to new ways of thinking about the legacy of Christianity in Latin America. They also lead to a re-envisioning of the wider history of the Christian faith, a vision similarly expressed by artist Robert Graham on the doors of the Cathedral of Our Lady of the Angels in Los Angeles.‬
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Denney, Dennis. "Los Angeles Basin: New Oil From Old Fields." Journal of Petroleum Technology 49, no. 09 (1997): 982–83. http://dx.doi.org/10.2118/0997-0982-jpt.

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RYAN, MARY P. "A durable centre of urban space: the Los Angeles Plaza." Urban History 33, no. 3 (2006): 457–83. http://dx.doi.org/10.1017/s096392680600407x.

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This article searches for the historic centre of Los Angeles, California, the archetype of urban sprawl. Taking maps and photographs as its principal sources it finds an enduring urban centre in a plaza designed by the Spanish in 1781 and occupied by Mexicans until the US army conquered the city in 1847. The Plaza anchored the dispersed ranch land of the Pueblo of Los Angeles and was the magnet for commercial development during the first decades of American settlement. Between 1850 and 1880, Anglo immigrants built up the south-western side of the Plaza with shops and civic buildings creating a hybrid and bicultural centre, a compression of Main Street and the Plaza. After 1880 a process of spatial mitosis occurred as commerce and municipal functions moved down Main Street and melded into a modern downtown. Since then the skyscrapers downtown have overshadowed but not displaced the old Plaza, which still serves as social, symbolic and ceremonial space for Angelenos, especially immigrants from Latin America. The durability of the Plaza and its direct successors, Main Street and Downtown, not only designate a centre for Los Angeles, but articulate a distinctive urban morphology, that of a centrifugal metropolis rather than fragmented city or sprawl of suburbs.
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Bonacich, Edna, and Hector L. Delgado. "New Immigrants, Old Unions: Organizing Undocumented Workers in Los Angeles." Contemporary Sociology 23, no. 2 (1994): 199. http://dx.doi.org/10.2307/2075191.

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Gonzalez, Gilbert G., and Hector L. Delgado. "New Immigrants, Old Unions: Organizing Undocumented Workers in Los Angeles." Labour / Le Travail 37 (1996): 340. http://dx.doi.org/10.2307/25144070.

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Sanchez, George J., and Hector L. Delgado. "New Immigrants, Old Unions: Organizing Undocumented Workers in Los Angeles." International Migration Review 29, no. 3 (1995): 841. http://dx.doi.org/10.2307/2547516.

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MacDonald, Glen M. "The Myth of a Desert Metropolis." Boom 3, no. 3 (2013): 86–94. http://dx.doi.org/10.1525/boom.2013.3.3.86.

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Glen M. MacDonald dispels the myth that Los Angeles is a desert city. But he also warns that a desert is what Los Angeles may one day become. After defining what a desert is and then proving that Los Angeles (for now) is not a desert, Macdonald investigates the origins of the “desert city” myth. This myth has thrived despite the evidence that MacDonald culls from various archives: a missionary's diary entries describing Los Angeles in 1769, nineteenth century newspaper reports and photographs, and a very recent MODIS satellite image of the city. If Los Angeles has yet to be described accurately as a desert, the encroachments that the ever-expanding city is making, particularly on the Mojave, along with climate change, threaten to make the desert city myth real. Nevertheless, MacDonald argues, rather than reify this old myth, perhaps it is time we create a new one.
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Blodgett, Peter J. "“Overland to Los Angeles, by the Salt Lake Route in 1849,” by Judge Walter Van Dyke." Southern California Quarterly 95, no. 4 (2013): 368–79. http://dx.doi.org/10.1525/scq.2013.95.4.368.

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Walter Van Dyke, a young lawyer, headed overland to the California gold rush in 1849 with a large party that started late, traveled through Salt Lake City and over the Old Spanish Trail, and finally arrived in Los Angeles after an eight-month odyssey. He gives his first-hand impressions of the limited opportunities Los Angeles offered in 1850 and credits California’s progress four decades later to American settlers like himself.
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Dissertations / Theses on the topic "Old Los Angeles"

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Flores, Vicente R. "Evangelism and angelic regional authority in the Old Testament." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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Carlill, A. J. "Cherubim and Seraphim in the Old Testament." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:7e6701bd-90ae-4fa3-b269-79e1dad9f504.

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This thesis is the first modern joint study of biblical Cherubim and Seraphim. I begin by setting out the recent history of their interpretation, before taking each of the biblical texts in turn. Chapter 1 looks at the references to Cherubim in Ezekiel. I argue that the Cherubim in Ezek. 1-11 are based upon the two large Cherubim in the sanctuary in Jerusalem. I investigate the different traditions represented by LXX and MT versions of Ezek. 28 and identify a tradition which may account for the MT of this chapter. Chapter 2 covers the other descriptions of living Cherubim in the biblical texts in Gen. 3 and Ps. 18. I argue for a conscious link with the Jerusalem Temple in both texts but for their independence from each other. All the references to Cherubim in the Temple and the Tabernacle are looked at in Chapter 3, and I offer a radical re-imagining of the two large Cherubim in the Solomonic Temple and on the Kapporeth in the Mosaic Tabernacle. In Chapter 4 I question the validity of translating the Cherubim Formula as “enthroned upon the Cherubim”, and offer an alternative translation which makes reference to all the Cherubim mentioned in the text. In Chapter 5, looking at the references to saraph, I follow Joines and others in arguing for a serpentine form for the Seraphim, but argue that this identity was forgotten at an early stage of the textual transmission, and that they were then seen as part of Yhwh’s heavenly host. Finally, I argue that the role of Cherubim and Seraphim is similar, being primarily apotropaic, but that both are associated with theophany and, less frequently, with heavenly worship.
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Young, Stephen L. "They will shine like the stars of heaven early Jewish angelic resurrection and exaltation-of-the-righteous traditions in the Hellenistic matrix /." Philadelphia, PA : Westminster Theological Seminary, 2008. http://dx.doi.org/10.2986/tren.036-0393.

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Thesis (Th. M.)--Westminster Theological Seminary (Philadelphia, Pa.), 2008.<br>Typescript. Includes vita. Description based on print version record. Includes bibliographical references (leaves 126-139).
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Estenson, Kimberly. "Old Wives’ Tales, or the Feminist Revisionist Tales: “The Angels Whisper,” “Unyielding Hatred,” and “The Wampus Woman”." Wittenberg University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617210030156989.

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Chivers, Sally. "The literary potential of old age in Simone de Beauvoir, The stone angel, and new Canadian narratives /." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36564.

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In an interdisciplinary study, I argue that narrative fiction centred around old women, through its appeal to readers' imaginations, can challenge the ageism which currently governs how old women are scripted and depicted.<br>Chapter one situates media broadcasts amidst other discourses, such as academic theory, medical language, gerontology, and popular feminism, which confront---or avoid confronting---old women. To counter common, negative cultural depictions, chapter two examines Margaret Lock and Simone de Beauvoir's engagements with narratives of aging. I combine de Beauvoir's constructivist La Vieillesse and midlife fiction with Jean-Paul Sartre's What is Literature?, Martha Nussbaum's Poetic Justice, and Mieke Bal's Narratology to articulate how narrative fiction can compel what I call a committed reader to reimagine social possibilities for old women.<br>Chapter three foregrounds old age as a new category of analysis for Margaret Laurence's The Stone Angel, sifting through her metaphors of decrepitude to set up a model for studying three potential, late life, female social roles.<br>Chapter four connects Joan Barfoot's Duet for Three with Hiromi Goto's Chorus of Mushrooms, which both depart from the previous age-as-decrepitude convention, to propose that the role of grandmother offers old women opportunities to give freely and benefit from non-possessive love, in a family context. In chapter five, I examine how gerontological nursing textbooks theorize institutional care to illuminate how Edna Alford's A Sleep Full of Dreams and Shani Mootoo's Cereus Blooms at Night facilitate an intergenerational bond within nursing homes. Caregivers' communicative strategies in each text exemplify how readers' imaginative engagement could begin to counter negative cultural attitudes. In chapter six, I explore how female friendship, as depicted in Barfoot's Charlotte and Claudia Keeping in Touch and Cynthia Scott's The Company of Strangers, offers old women an interdependence which enables the self sufficiency they often (are considered to) lack, eschewing a old age versus youth binary opposition.<br>I conclude that narrative fiction provides opportunities to shift cultural meanings of the conventionally negative term old, so that committed reading can transform imagined possibilities and lead to new perceptions of old women.
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Chivers, Sally. "The literary potential of old age in Simone de Beauvoir, The stone angel, and new Canadian narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ64535.pdf.

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Jones, Angel D. Mrs. "Remnants." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4006.

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Angel Jones Artist Statement My mixed media collages address issues concerning the outcast, the overlooked, and the underprivileged. My inspirations come from what I experience and perceive around me. My purpose in life is to use my art to address social issues that involve children. For example, I focus my attention on issues ranging from homelessness to mental illness. I am passionate about how vital these concerns are to our success as human beings. To express my ideas, I layer a variety of materials and textiles. The materials include fragments of photographs, drawings, and objects. The textiles include articles of clothing and fabrics. Recurring symbols and imagery link the individual pieces together. The theme of each work determines the materials and media. While doing research for a piece, new social issues often surface and lead to the next piece.
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Machado, Maria Rita Cancella de Abreu da Silveira. "Um estudo da exposição “António Ole. Luanda, Los Angeles, Lisboa” e do recém-unificado Museu Calouste Gulbenkian – Coleção do Fundador e Coleção Moderna." Master's thesis, 2018. http://hdl.handle.net/10316/81673.

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Dissertação de Mestrado em Estudos Curatoriais apresentada ao Colégio das Artes<br>O primeiro capítulo deste Relatório de Estágio tem como objetivo apresentar o processo de união do Museu Calouste Gulbenkian com o Centro de Arte Moderna num único Museu. Acompanha aquilo que foi a minha experiência de estágio na Fundação Calouste Gulbenkian, que se iniciou em novembro de 2015, no Centro de Arte Moderna sob a direção de Isabel Carlos, continuando no Museu Calouste Gulbenkian - Coleção do Fundador e Coleção Moderna, sob a direção de Penelope Curtis.A segunda parte deste relatório centra-se na obra do artista angolano António Ole (Luanda, 1951) a partir da sua exposição retrospetiva Luanda. Los Angeles. Lisboa. Realizou-se no hall e piso 0 do recentemente unificado Museu Calouste Gulbenkian – Coleção Moderna, de 17 de setembro de 2016 a 9 de janeiro de 2017, com curadoria de Isabel Carlos e Rita Fabiana.Unificação dos dois museusA partir de 2015, os dois polos museográficos da FCG - Museu Calouste Gulbenkian e Centro de Arte Moderna José de Azeredo Perdigão - procedem a uma das maiores transformações da sua história: unem-se sob uma só direção e equipa. O novo Museu designa-se agora Museu Calouste Gulbenkian – Coleção do Fundador e Coleção Moderna sob a nova direção da curadora britânica Penelope Curtis (1961).Como mencionado anteriormente, a minha entrada no Centro de Arte Moderna deu-se nesta altura de grandes mudanças, iniciei o estágio em novembro de 2015, no período em que entrou a nova diretora, embora durante alguns meses ainda tenha trabalhado sob a direção de Isabel Carlos92. Comecei a colaborar na retrospetiva do artista português José Escada93 e do angolano António Ole94, o que me levou a acompanhar de perto o princípio desta transformação.Embora Penelope Curtis comece a exercer funções como diretora do Museu Calouste Gulbenkian no final de 2015, a programação completa do novo Museu unificado aconteceu apenas em março de 2017. A programação de 2016 apresenta-se como um ano de transição para o novo modelo, com a inauguração das primeiras apresentações semipermanentes da coleção moderna e em junho a exposição Linhas do Tempo a partir da qual se começou a designar oficialmente os dois Museus como Col. Fundador e Col. Moderna, mas só em 2017 toda a nova programação entrou em vigor e se pôde analisar o novo modelo programático e a nova utilização de espaços. Tem sido uma altura de desafios, juntar duas equipas que até então não tinham o hábito de trabalhar juntas, apesar de estarem tão perto espacialmente.<br>O primeiro capítulo deste Relatório de Estágio tem como objetivo apresentar o processo de união do Museu Calouste Gulbenkian com o Centro de Arte Moderna num único Museu. Acompanha aquilo que foi a minha experiência de estágio na Fundação Calouste Gulbenkian, que se iniciou em novembro de 2015, no Centro de Arte Moderna sob a direção de Isabel Carlos, continuando no Museu Calouste Gulbenkian - Coleção do Fundador e Coleção Moderna, sob a direção de Penelope Curtis.A segunda parte deste relatório centra-se na obra do artista angolano António Ole (Luanda, 1951) a partir da sua exposição retrospetiva Luanda. Los Angeles. Lisboa. Realizou-se no hall e piso 0 do recentemente unificado Museu Calouste Gulbenkian – Coleção Moderna, de 17 de setembro de 2016 a 9 de janeiro de 2017, com curadoria de Isabel Carlos e Rita Fabiana.Unificação dos dois museusA partir de 2015, os dois polos museográficos da FCG - Museu Calouste Gulbenkian e Centro de Arte Moderna José de Azeredo Perdigão - procedem a uma das maiores transformações da sua história: unem-se sob uma só direção e equipa. O novo Museu designa-se agora Museu Calouste Gulbenkian – Coleção do Fundador e Coleção Moderna sob a nova direção da curadora britânica Penelope Curtis (1961).Como mencionado anteriormente, a minha entrada no Centro de Arte Moderna deu-se nesta altura de grandes mudanças, iniciei o estágio em novembro de 2015, no período em que entrou a nova diretora, embora durante alguns meses ainda tenha trabalhado sob a direção de Isabel Carlos92. Comecei a colaborar na retrospetiva do artista português José Escada93 e do angolano António Ole94, o que me levou a acompanhar de perto o princípio desta transformação.Embora Penelope Curtis comece a exercer funções como diretora do Museu Calouste Gulbenkian no final de 2015, a programação completa do novo Museu unificado aconteceu apenas em março de 2017. A programação de 2016 apresenta-se como um ano de transição para o novo modelo, com a inauguração das primeiras apresentações semipermanentes da coleção moderna e em junho a exposição Linhas do Tempo a partir da qual se começou a designar oficialmente os dois Museus como Col. Fundador e Col. Moderna, mas só em 2017 toda a nova programação entrou em vigor e se pôde analisar o novo modelo programático e a nova utilização de espaços. Tem sido uma altura de desafios, juntar duas equipas que até então não tinham o hábito de trabalhar juntas, apesar de estarem tão perto espacialmente.
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Kopřivová, Marie. "Andělé v Bibli. Role andělů v biblických textech." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-296402.

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The Diploma thesis Angels in the Bible. The role of angels in biblical texts tries to describe the role of angels in the Bible based on the contexts containing the term angel. Then it analyzes and briefly characterizes individual texts of the Old and New Testament in which the term angel occures. With the help of this analysis it is possible to observe what role did the angels serve: they announced the birth of a son, God's election, God's commands, they become the life savers, leaders and protectors of the Israel nation and executors of God's punishment. An angel - interpreter acts in the apocalyptic texts. In the New Testament, angels also announce the birth of Jesus and John the Baptist, announce the God's will to people, they announce the resurrection and protect the church similarly to Israel. The most angels figure in the Book of Revelation and they play all roles known from apocalyptic literature: angel - interpreter, angel - guardian, as well as angels who participate on the heavenly council and effect the judgement according to the God's commands.
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Vogts, Angela [Verfasser]. "Plant wax alkanes and alkan-1-ols in ocean sediments as indicators of continental climate change : validation of a molecular proxy = Wachsalkane und -alkohole in Ozeansedimenten als Indikatoren kontinentaler Klimaveränderungen / von Angela Vogts." 2011. http://d-nb.info/101225738X/34.

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Books on the topic "Old Los Angeles"

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Delgado, Héctor L. New immigrants, old unions: Organizing undocumented workers in Los Angeles. Temple University Press, 1993.

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The Old Spanish Trail: From Santa Fe, New Mexico to Los Angeles, California. PowerKids Press, 2003.

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Dennis, Engel, ed. By the old Pacific's rolling water: Birth of the UCLA School of Medicine. School of Medicine, University of California, 1992.

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Theme song for an old show: A novel. Other Press, 2007.

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John Ford: Hollywood's old master. University of Oklahoma, 1995.

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Diary of a rich man's kid: Old Hollywood, world leaders, movers & shakers, and one boy at the center of it all! Beaufort Books, 2014.

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Numrich, Paul David. Old wisdom in the New World: Americanization in two immigrant Theravada Buddhist temples. University of Tennessee Press, 1996.

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1934-, Phillips Siân, ed. Mothers, mammies, and old maids: Twenty-five character actresses of golden age Hollywood. McFarland & Co., Publishers, 2012.

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Hafen, Le Roy Reuben. Old Spanish trail: Santa Fé to Los Angeles : with extracts from contemporary records and including diaries of Antonio Armijo and Orville Pratt. University of Nebraska Press, 1993.

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Joseph, Hansen. A country of old men: The last Dave Brandstetter mystery. No Exit, 1993.

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Book chapters on the topic "Old Los Angeles"

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Gamble, Sarah. "Wise Children (1991) and American Ghosts and Old World Wonders (1993)." In The Fiction of Angela Carter. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-08966-3_9.

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Hulster, Izaak J. de. "Chapter 7. Of Angels and Iconography: Isaiah 6 and the Biblical Concept of Seraphs and Cherubs." In Iconographic Exegesis of the Hebrew Bible / Old Testament. Vandenhoeck & Ruprecht, 2015. http://dx.doi.org/10.13109/9783666534607.147.

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Gamble, Sarah. "History as Story in Angela Carter’s American Ghosts and Old World Wonders." In Metafiction and Metahistory in Contemporary Women’s Writing. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206281_3.

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Tew, Philip. "Otherness, Post-Coloniality and Pedagogy in B. S. Johnson’s Albert Angelo (1964) and See the Old Lady Decently (1975)." In Re-reading B. S. Johnson. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230286122_16.

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"11. Old Competitors,New Opera Companies in 1925." In Making Music in Los Angeles. University of California Press, 2019. http://dx.doi.org/10.1525/9780520933835-013.

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"Los Angeles: between the old and the new." In Immigrant Enterprise in Europe and the USA. Routledge, 2006. http://dx.doi.org/10.4324/9780203346853-12.

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Snyder, Sherri. "Six." In Barbara La Marr. University Press of Kentucky, 2017. http://dx.doi.org/10.5810/kentucky/9780813174259.003.0007.

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After receiving a series of ominous threats in the wake of her alleged kidnapping, Reatha has been compelled to leave Los Angeles with her parents; this chapter begins with her arrival in the remote town of El Centro, California. Longing for Los Angeles, Reatha returns alone and startles her friends and newspapers with an announcement that she was married to an Arizona rancher named Jack Lytelle and widowed soon after. The rest of the chapter focuses upon Reatha’s emerging dancing talent, her escapades in the city’s cabarets, and her father’s appeal to juvenile authorities to rescue her from what he believes to be her imminent ruin. Pronouncing seventeen-year-old Reatha “too beautiful” to remain alone in Los Angeles and threatening her with imprisonment, the chief juvenile officer forces her to return to her parents in El Centro.
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Steinberg, Paul F. "Keep the Change." In Who Rules the Earth? Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780199896615.003.0015.

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On a fall morning in 1980, Pitzer College freshman George Somogyi walked out of his dormitory, looked up, and froze in his tracks. In front of him was something incredible. An enormous mountain, over 10,000 feet tall, stretched up to the sky in the near distance. What made this sight so bizarre is that the mountain wasn’t there before. Somogyi had been at college for three months and had never laid his eyes on Mount Baldy, a five-million-year-old formation that stands just a few miles from this campus on the eastern edge of Los Angeles County, because it was shrouded in smog so thick that it obscured the view for months at a time. Air pollution is a problem well known to the people of Los Angeles. In the 1970s their city became an icon of urban air pollution, as photos of brown haze choking downtown LA circulated worldwide. The air was so hazardous that people were hospitalized by the thousands. Yet today the air around Los Angeles, while far from perfect, is markedly improved. The amount of smog has been sliced in half since the 1970s, even as the population has doubled in size. More impressive still, the amount of particulate pollution—the small dust particles that lodge deep in the lungs and are especially harmful to human health—has been reduced to one-fifth the levels experienced in 1955. How did a change of this magnitude come about? This physical transformation was precipitated by a political transformation, as the people of Los Angeles joined together and fought for new rules to clean up the air. Beginning in the 1940s, citizens demanded that city officials look into the causes of the problem, which were not obvious at the outset. Their efforts led to the creation of the Los Angeles Bureau of Smoke Control in 1945. Soon the movement spread throughout California, where in 1947 state legislators passed the Air Pollution Control Act—a full quarter century before national policymakers adopted similar legislation.
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Naremore, James. "To Sleep with Anger (1990)." In Charles Burnett. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520285521.003.0005.

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This chapter discusses one of Burnett’s major achievements and the first of his films to be made under relatively normal Hollywood production circumstances. To Sleep with Anger tells the story of generational and class conflict within a black family in Los Angeles. Retired worker Gabriel and his wife, Susie, are visited by Harry, an old friend from the south, who becomes a houseguest. Soon after Harry’s arrival, strange things begin to happen. Gabriel falls ill, and his youngest son falls under Harry’s bad influence.
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Clarke, Donald D. "OLD OIL FIELDS AND NEW LIFE: A VISIT TO THE GIANTS OF THE LOS ANGELES BASIN." In Field Conference Guide, AAPG National Convention, San Diego, California. The Pacific Section American Association of Petroleum Geologists, 1996. http://dx.doi.org/10.32375/1996-gb73.20.

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Conference papers on the topic "Old Los Angeles"

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Hill, James M. "Los Angeles Basin, New Oil from Old Fields." In SPE Western Regional Meeting. Society of Petroleum Engineers, 1997. http://dx.doi.org/10.2118/38330-ms.

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Gomes, Gary G. "Visual Simulation The Old Way." In O-E/LASE'86 Symp (January 1986, Los Angeles), edited by Elliott Schlam. SPIE, 1986. http://dx.doi.org/10.1117/12.961231.

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Hanks, Keith. "City of Los Angeles Tests 48 Year Old T-Lock Protected Pipe." In Pipeline Division Specialty Conference 2002. American Society of Civil Engineers, 2002. http://dx.doi.org/10.1061/40641(2002)64.

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Burland, D. M., and F. C. Bos. "Photoconductivity In Amorphous Polymers: An Old Problem Revisited." In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), edited by David Adler. SPIE, 1987. http://dx.doi.org/10.1117/12.940165.

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Paul, D. L., R. Asaithambi, I. Ershaghi, J. Crompton, and D. Gautier. "Energy Security in the Los Angeles Basin: A New Look at an Old Treasure." In SPE Western Regional Meeting. Society of Petroleum Engineers, 2015. http://dx.doi.org/10.2118/174029-ms.

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Seeta, Vamsi K., Brad Jenson, Eliza J. Whitman, Surendra Thakral, and David Yankovich. "Challenges in Rehabilitating a 100 Year Old Non-Circular Brick Sewer for City of Los Angeles." In Pipelines Specialty Conference 2009. American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41069(360)135.

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Strottman, D. D. "The Core-Quasiparticle Model For Odd-Odd Nuclei And Applications To Candidates For Gamma-Ray Lasers." In 1988 Los Angeles Symposium--O-E/LASE '88, edited by Randy C. Jones. SPIE, 1988. http://dx.doi.org/10.1117/12.943888.

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Lagumdžija, Zlatko. "Adil Zulfikarpašić: od ideologije do identiteta." In Panel razgovor "Adil Zulfikarpašić i liberalne političke inicijative". Bošnjački institut - Fondacija Adila Zulfikarpašića, 2021. http://dx.doi.org/10.52450/zraz01.

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Abstract:
Snage inkluzivnih i ekskluzivnih društava regrutiraju s obje strane tradicionalnog ideološkog spektra. Narodnjački čelnici Njemačke i Mađarske Angela Merkel i Viktor Orban našli su se sukobljeni na branicima inkluzivnog, odnosno ekskluzivnog društva. Isto se desilo i u sukobu na evropskoj Ijevici, gdje je švedski premijer Stefan Löfven branio inkluzivno društvo od svog kolege, slovačkog premijera Roberta Ficoa, kojem je Orban postao “prva politička familija” u odbrani segregiranih društava. Zašto je onda danas potrebno se vraćati na politiku, profil i principe koji su određivali Adila Zulfikarpašića? Bio je Zulfikarpašić čovjek, beg, antifašista, Ijevičar, liberal, demokrata, musliman, Bošnjak, Bosanac, Evropljanin... Imao je svaki od tih identiteta u najboljem i punom značenju tih riječi, kao što je bio i sve to u isto vrijeme. Kada je ideologija definirala svijet, bio je na strani vrijednosti u koje je vjerovao, a ne onih za koje je u teškim vremenima mogao pomisliti da će biti na pobjedničkoj strani.
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