Relevant bibliographies by topics / Old man and the sea (Hemingway, Ernest)

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Academic literature on the topic 'Old man and the sea (Hemingway, Ernest)'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Old man and the sea (Hemingway, Ernest)"

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Bhai Solanki, Dr Mayurkumar Mukund. "Man’s Helplessness Against Destiny in Ernest Hemingway’s The Oldman and The Sea." SMART MOVES JOURNAL IJELLH 8, no. 6 (2020): 1. http://dx.doi.org/10.24113/ijellh.v8i6.10611.

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Ernest Hemingway, an American writer, produced considerable novels in the history of English literature. Hemingway’s The Oldman and the Sea is a story of an old man's struggle and his helplessness against destiny. Like Greek tragedians, Hemingway accepts the harshness of destiny in man’s life. It is very well said “Man proposes and God disposes" that denotes the role of destiny in man's life. The story of The Oldman and the Sea is universal because it reveals how human beings struggle to get something in life but sometimes crushed under the wheels of destiny. The old man has an indomitable spirit and sea experience yet he is unable to catch the fish for a few days. One day, he caught the big fish called the Marlin but it was too big for him to drag to the shore. The Old man tried to drag the Marlin to the shore but in a midway, its blood attracted the Sharks and he brought only its skeleton on the shore. So Hemingway talks about the helplessness of man against destiny through the character of an old man. This paper is a sincere effort to display man's helplessness against destiny through the character of an old man. 
 Ernest Miller Hemingway is known as Ernest Hemingway in English literature, was an American journalist, novelist, short story writer and sportsman. Hemingway wrote seven novels during his lifetime and among them, the popular novels are The Sun Also Rises, Farewell to Arms, and The Old man and the Sea. The Old man and the Sea brought him a good name and fame in literature. Hemingway’s works mainly deal with the themes of love, war, wilderness, and loss. Farewell to Arms deals with the theme of the futility of war. In A Farewell to Arms, Hemingway says, "The world breaks everyone and afterwards many are strong in broken places. But those that will not break it kills. It kills very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.” (en.m.wikipedia.org/wiki/Ernest _ Hemingway) It seems that there is always conflict between good and evil in this world but some people remain strong in broken places. The greater power called destiny crushes everyone under its wheels impartially. In this connection, Omar Khayyam writes:
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Zainuddin, Zainuddin. "INTRINSIC ELEMENT IN THE OLD MAN AND THE SEA BY ERNEST HEMINGWAY." Prosodi 14, no. 2 (2020): 113–18. http://dx.doi.org/10.21107/prosodi.v14i2.8762.

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Penelitian ini berjudul “Intrinsic Element in The Old Man And The Sea by Ernest Hemingway”. The Old Man and the Sea adalah novel pendek karya seorang jurnalis dan sastrawan besar Amerika, Ernest Hemingway, diterbitkan pada tahun 1952 dan mendapat hadiah Pulitzer pada 1953 untuk karya fiksi. Pada 1954, Hemingway memenangkan hadiah nobel berkat karya terakhirnya ini. Cerita dalam novel ini sangat menginspirasi, tentang seorang nelayan yang sangat gigih bertarung untuk mendapatkan ikan marlin besar. Tujuan penelitian ini adalah untuk mendeskripsikan tokoh, latar, alur, konflik, dan sudut pandang di dalam novel The Old Man and The Sea. Metode yang digunakan dalam penelitian ini adalah metode dokumenter yang menganalisis karya-karya berbentuk dokumen. Data yang digunakan dalam penelitian ini adalah kalimat-kalimat dalam novel The Old Man And The Sea karya Ernest Hemingway dan disesuaikan dengan teori.Hasil penelitian novel The Old Man and The Sea meliputi tokoh, latar, alur, dan sudut pandang sebagai berikut; Tokoh yang ada di dalam novel ini adalah dua orang bernama Santiago dan Manolin. Santiago digambarkan sebagai orang tua dan tidak banyak berkomunikasi dengan orang lain sedangkan Manolin digambarkan sebagai seorang bocah yang polos dan mempunyai semangat membantu Santiago, tetapi juga memiliki kebingungan karena ayahnya tidak menyukai pertemanannya dengan Santiago. Latar novel meliputi latar tempat, kebanyakan di tengah lautan, latar waktu, dan latar sosial yang beragam. Alur dalam cerpen ini memakai alur campuran atau dengan lebih dominan alur maju. Sudut pandang yang digunakan dalam cerpen ini adalah sudut pandang campuran atau omniscient.
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Rauf, Raad S. "Ernest Hemingway’s Iceberg Narrative Method of The Old Man and the Sea." Cihan University-Erbil Journal of Humanities and Social Sciences 7, no. 1 (2023): 88–90. http://dx.doi.org/10.24086/cuejhss.v7n1y2023.pp88-90.

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In most of his fictional works and in the line of his previous experience as a journalist and war reporter, Ernest Hemingway developed writing techniques peculiar to him to be followed by many predecessors after him. Among the well-known techniques are the one, in which he called “the iceberg theory.” The present paper concerns itself with analyzing this literary technique used by Hemingway in “The Old Man and the Sea.” This novella, written in 1952, and awarded Nobel Prize 1954 and Pulitzer Prize 1953, achieved a great successnot only in the writer’s career but also in the world of fiction as well. Hemingway’s exceptional use of the iceberg technique renowned the novella among his masterpieces and himself as a world Avant-garde in the fictional sphere. This is due to using a simple economical language. Yet, this simple language is full of symbols, metaphors, similes, allusions, personifications, interior monologues, repetitions, soliloquies, etc. All these devices provide another cognitive approach to this story delivered in a much unsophisticated language. This unique style, though written in prose, once has their sentences broken down they may be read as poetic. The aim of this paper is to trace these elements in a novel approach to reading Hemingway’s this masterpiece.
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Kurti, Bledar. "THE OLD MAN AND THE SEA, THE BATTLE OF LIFE FOR ALL HUMAN KIND." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 6 (2023): 28. http://dx.doi.org/10.58885/ijllis.v12i6.28bk.

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<p><span>The Old Man And The Sea, by Ernest Hemingway, went in printing in 1952, a year later was awarded the Pulitzer Prize for fiction. In 1954, Hemingway was given the Nobel Prize in Literature. After such a big success and a long and well accomplished career, a few years later, on a Sunday, the morning July 2nd 1961, Hemingway committed suicide. The paradox of the author’s ending with the ending of his most famous novel The Old Man And The Sea is that Ernest Hemingway, the man, gave up, whereas his character in the novel Santiago never gave up, was never defeated, emerging triumphant with the struggle against larger forces. This paradox raises the question: is The Old Man And The Sea a reflection of the author’s personal life and agony, as most commentators believe, or is it much more than that? A novel that depicts and represents the constant struggle of human kind in every era? Why was Hemingway in agony? Ernest Hemingway was a writer that belonged to the Lost Generation. One can imagine living the horrors of WWI, known as the Great War, being a personal witness in the Civil Spanish War, then WWII, living the entire adult life in and between wars. One looses hope and only dwells in the despair of loss, and agonizing in every breath. But as painful as his life was, Hemingway wrote this novel not just like a reflection of his own agony, not just as an expression of his own voice, but more than that, he portrayed the constant human struggle throughout the centuries, speaking in the voice of all humanity, past, present and future. This approach is the key what makes the novel so great. And the style and symbolism used in it make it a masterpiece therefore reading it a very thrilling experience. In this paper I will analyze the symbolism used in The Old Man And The Sea as well as make a comparison with a flow of historical and literary memory and conscience of the human kind, the world at large and of its author Ernest Hemingway. The purpose of this paper is to present an analysis on why this novel goes beyond the voice of the author. It is a universal work that represents the struggle and calling of humanity throughout the ages.</span></p><p><span><strong>Keywords:</strong> Hemingway, Old Man, sea, symbolism, Santiago, Manolin, Marlin, sharks, lions, fish, humankind, struggle, universal.</span></p>
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Schauder, Silke. "Papa Hemingway or the Tragic Alterity of the Work of Art." International Journal of Person Centered Medicine 7, no. 3 (2018): 182–86. http://dx.doi.org/10.5750/ijpcm.v7i3.649.

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This article examines autofiction in Ernest Hemingway's writing and the entanglement between work of art, biography and psychic conflict in order to articulate science and humanism and to enhance personalized understanding of illness and creativity in artists. Following an interpretative method, the author will analyze Ernest Hemingway’s The Old Man and the Sea after placing this short story in its bio-bibliographic context. She will explore the following hypothesis: in this novel, Hemingway's personal conflict and his posture as a writer are disclosed under the form of allegory. Finally, the artist’s block (i.e. the absence of major publications after the publication of The Old Man and the Sea) and his suicidal act will be considered in the light of infantile traumatism and its reviviscence after the death of Hemingway’s mother.
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Wu, Chunyan. "The Patriarchal Values Embodied in the Tough Image in The Old Man and the Sea." Frontiers in Sustainable Development 4, no. 4 (2024): 1–9. http://dx.doi.org/10.54691/ccc8va79.

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Ernest Miller Hemingway is a representative of America’s “Lost Generation” writers. He has always been known as a tough man in the literary world, and he is a spiritual monument of the American nation. Hemingway’s works marked the formation of his unique creative style, which occupies an important position in the history of American literature and even in the history of world literature. Since its publication, The Old Man and the Sea has attracted extensive research from scholars all over the world. This article selects the patriarchal values embodied in the tough guy image in Hemingway’s The Old Man and the Sea as the object of study. In order to explore the profound connotations of the spirit of the tough guy in Santiago, the author will combine specific novel excerpts and use relevant background of English and American literature to explore the intrinsic relationship between the images of the tough guy patriarchal values. Hemingway created a series of tough guy images in his works, which all reflect Hemingway’s philosophy of life and moral ideals. According to patriarchal values, readers can think about the concept of gender roles and patriarchal society, so as to help us understand Hemingway’s characters better.
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K., Abildayeva, Abisheva N., and Tazhibaeva Sh. "Study of Ernest Hemingway’s novel “The Old Man and the Sea”." Keruen 75, no. 2 (2022): 231–40. http://dx.doi.org/10.53871/2078-8134.2022.2-20.

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Annotation.This article deals with the problem of effective teaching of the story of the world-famous writer Ernest Hemingway “The Old Man and the Sea”. Due to the fact that this popular work of the writer who received the Nobel Prize is studied in the 11th grade, some teaching methods were considered for both university students and schoolchildren. All the methods used reflect the work of students in the group. First, the “fishbone diagram” method is chosen, which fully reveals the theme of the work, and its name is replaced by the skeleton of the catfish mentioned in the story. The authors of the article also emphasize the importance of using audiobooks and films in the classroom when studying Ernest Hemingway’s novella “The Old Man and the Sea”.The “FILA” method is also used, which is used when revealing the images of the heroes of the work. Using this method, a character description is created, a portrait of a young boy Manolo, the main character in Hemingway’s story “The Old Man and the Sea”. Questions that reveal the figurative personality of the hero help students to freely exchange opinions, including critical thinking. And the “6 why” method, which forms students’ critical thinking, also lends itself to systematic analysis. Here there is a rethinking of the opinions that have arisen, one’s own views are determined. The skill of the writer, who openly expressed his opinion about the title of this work by E. Hemingway “The Old Man and the Sea”, is evaluated at a high level. The huge fish that the fisherman has to pull ashore is a collective image of the entire catch that the fisherman had to catch. The main problem is self – acceptance and understanding of your needs. The fisherman constantly tries to defeat the fish and does not pay attention to the fact that it is hard for him, that the fishing line cuts his hands, that it hurts him and blood flows through his hands. He does not understand what to do in such a situation, because the creation of nature is now in a mutilated form — in his hands is an ordinary carcass of meat. The old man apologizes to the fish for what happened, he justifies himself by saying that this fish can be fed to other people.
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Ghimire, Din Prasad. "The Perseverance of Life: Exploring the Struggle for Existence in Hemingway's The Old Man and the Sea." International Research Journal of Parroha Multiple Campus 2, no. 1 (2023): 81–92. http://dx.doi.org/10.61916/prmn.2023.v02i01.008.

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Ernest Hemingway's classic novel, "The Old Man and the Sea," is a powerful exploration of the human spirit's unyielding determination to find purpose and meaning in a seemingly indifferent and absurd world. The protagonist, Santiago, emerges as a symbol of hope and resilience in the face of existential challenges. This abstract delves into Santiago's unwavering courage and enduring patience, which guide him towards a triumphant victory in his life. Santiago's journey is a rebellion against the inherent absurdity and meaninglessness of existence, a struggle to carve out his own purpose in an indifferent universe. His character epitomizes the heroism, stoicism, and humanism necessary for preserving one's existence amidst the chaos of life. Through Santiago's relentless battle with the marlin and the elements of the sea, Hemingway artfully crafts an allegory for the broader human experience. Santiago's struggle symbolizes the fundamental themes of heroism, as he confronts insurmountable odds; stoicism, as he endures relentless hardship and loss with unshakable composure; and humanism, as he forms a deep connection with the natural world and ultimately emerges as a triumphant figure in the face of life's existential challenges. "The Old Man and the Sea" remains a timeless literary work, offering profound insights into the human condition and the enduring quest for meaning in a world that often appears absurd and indifferent. Santiago's indomitable spirit serves as an inspiration to all who face the struggle for existence against the backdrop of the universe's inherent ambiguity and meaninglessness. Keywords: Ernest Hemingway, The Old Man and the Sea, Human spirit, Santiago, Triumph, Absurdity, Heroism
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Salim Hameed, Fahmi. "The Impact of Symbolism in Ernest Hemingway’s Novel the Old Man and the Sea." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 13, no. 02 (2023): 787–94. http://dx.doi.org/10.37648/ijrssh.v13i02.066.

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This research study and examine the masterful writer. The author exhibits their expertise of writing in a distinctive way by utilizing literary devices and approaches. We have a single example of significant authors and novels. The Old Man and the Sea by Ernest Hemingway is a notable symbolic work of American literature that demonstrates the author's skill in using symbols to enhance the literary value of the text. In order to decipher the symbols and determine the many meanings they stand for, the goal of this study is to investigate their application in the novel. This project is divided into: First, we'll discuss aestheticism in general and discuss typical literary style elements like simile, metaphor, irony, and so on. Secondly the study would be about the concept of symbol and the meaning of symbolism. Thirdly gives the general idea of American literature and the major works of Ernest Hemingway focusing on his novel The old man and the sea and its literary analysis . The last thing going to mention with the study all the symbols used in the novel and their meanings. The goal of this work that showing how was Hemingway interesting with his work and writing for symbols and his intention to represent themes behind the use of symbols in The old man and the sea.
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Prasetyo, Arif Bagus, Ida Bagus Putra Yadnya, and Ni Luh Nyoman Seri Malini. "PENERJEMAHAN REPETISI LEKSIKAL DALAM THE OLD MAN AND THE SEA DAN DUA VERSI TERJEMAHANNYA." Aksara 30, no. 1 (2018): 89. http://dx.doi.org/10.29255/aksara.v30i1.225.89-106.

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Penelitian ini membahas penerjemahan repetisi leksikal dengan mengacu pada novel The Old Man and the Sea karya Ernest Hemingway dan dua versi terjemahannya dalam bahasa Indonesia. Pengkajian dilakukan terhadap cara yang digunakan oleh masing-masing penerjemah novel tersebut, Sapardi Djoko Damono dan Yuni Kristianingsih Pramudhaningrat, untuk menangani repetisi leksikal dalam teks sumber, serta pergeseran terjemahan yang ditimbulkannya. Dalam kajian ini terungkap bahwa kedua penerjemah telah mereduksi gaya bahasa repetisi Hemingway. Reduksi menyebabkan kedua teks terjemahan mengalami pergeseran yang substansial dari teks orisinal, baik secara sintaktis maupun semantis.
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Dissertations / Theses on the topic "Old man and the sea (Hemingway, Ernest)"

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Spitler, Carole Sue. "The Old Man and the Sea: Hemingway, heteroglossia, and the hero's voice." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2381.

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In this subjective hero concept lies an intriguing aspect of Bakhtin's paradigm: A hero is not necessarily a living entity; a hero can be ideas, objects and locations. When viewed through the lens of traditional western rhetorical theory, Hemingway's The Old Man and the Sea appears as a monologue wherein Santiago seemingly speaks for the author about the subject of doom and man's relationship to the world.
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Robin, Dominic. "The Inevitability of Decay: Disability in Ernest Hemingway's The Old Man and the Sea." UNF Digital Commons, 2018. https://digitalcommons.unf.edu/etd/833.

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With his suicide in 1961, Ernest Hemingway seemingly cemented into place his legacy as the classic image of the able-bodied, masculine man; he was, to many, the anti-disability writer, the author who lived for ability, lost ability, and took his life once he realized no chance of regaining his ability existed. Such a narrative, however, ignores the truly complicated and dynamic shape his understanding of the body took. Through an analysis of The Old Man and the Sea, I examine the form this ideology of ability took at the end of his life when, like the novella’s protagonist, Santiago, his failing health forced him to focus on the realities of the inevitable failure of his own body. Through the application of research such as David T. Mitchell and Sharon L. Snyder’s theory of narrative prosthesis, Tobin Siebers’ work on the ideology of ability, and Andrew Farah’s research on Hemingway’s declining physical condition, I demonstrate the ways The Old Man and the Sea legitimizes the disabled body, avoiding, in the process, several common narrative tropes such as the overcoming narrative or the kill-or-cure dichotomy and creating a space in which the inevitable decay of the human body must be seriously and honestly addressed. Through this research, a new more nuanced picture of Hemingway emerges, one that recognizes the complicated and dynamic nature his view of the able-bodied individual took.
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Danesand, Frida. "Hemingway's Representation of Race : Investigating Ernest Hemingway’s Depiction of Race in The Old Man and the Sea." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49401.

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Eklöf, Tobias. "The Code of the Hero : in Ernest Hemingway's The Old Man and the Sea." Thesis, Karlstad University, Faculty of Arts and Education, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-306.

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<p>Title: The Code of the Hero in Ernest Hemingway's The Old Man and the Sea</p><p>Author: Tobias Eklöf</p><p>English C, 2006</p><p>Abstract: By examining the depiction of Santiago, his actions, life style and role models as well as his close relation to the author I show how he grows from an old worn out man into a true hero by following a particular stance towards life; a code. The protagonist's approach to life and being put to the supreme test of overcoming bad luck, through the struggle with the marlin, creates a hero. In addition, the depiction of Santiago in terms of undefeated nature adds to his heroic proportions. The adversity of old age and the recent bad luck force the old man to challenge and defend his claimed championship. By catching and killing the ultimate opponent he recovers his selfhood. As I will show, there are two important role models providing the old man with strength and endurance during his battles. Joe DiMaggio gives the old man courage and stands as a symbol for the right way of living, a man who defied pain to achieve greatness. The boy Manolin provides the old man with strength as he plays the role of the observer, Santiago's audience. The boy is also the inheritor of the mastership, given by the protagonist. Both Joe DiMaggio and the boy Manolin fit Santiago's code and are therefore a direct source of inspiration. The results of Santiago's actions, of living according to his code, are illustrated through the ultimate sacrifice: crucifixion. The protagonist follows his code right to the very end, and is therefore undefeated, though facing physical defeat (loosing the fish to the sharks). The parallel between the old man and Christ's passion is created as a symbol for the inevitable; we are all going to die, what matters is how we live the life we are given. Christ never abandoned his belief and he eventually was crucified. Santiago chooses to stick to his code, and confront death with grace.</p>
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Feldman, Andrew. "L'art de l'intrigue dans les récits de L'Etranger d'Albert Camus et The Old Man and the Sea d'Ernest Hemingway : création et abîme." Paris 4, 2005. http://www.theses.fr/2004PA040243.

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Constatant que les forces de l'intrigue animent et galvanisent toute œuvre littéraire, nous avons observé leur progression dans deux histoires marquantes du vingtième siècle : The Old Man and the Sea et L'Etranger. Hemingway et Camus utilisent l'intrigue pour affronter l'abîme de l'existence humaine, se mesurant à la mort à l'aide de personnages qui se heurtent à d'insurmontables forces, mais transcendent leur destin par un héroïsme exceptionnel. Chaque artiste écrit l'intrigue de sa propre vie, dans une lutte constante contre le désordre et la noirceur qu'il rencontre. Chacun illumine l'obscurité d'un univers incompréhensible à l'aide d'une intrigue d'idées qui donne plus de sens à l'existence. Enfin, tous deux élaborent leur " intrigue de l'art ", car chaque histoire représente un progrès artistique, remettant en question les perceptions anciennes pour innover et raviver le lien qu'entretient l'humanité avec ses valeurs sacrées. Ainsi, en écrivant L'Etranger et The Old Man and the Sea, Hemingway et Camus dénouent l'éternelle rencontre entre l'homme et l'" abîme " à travers un jeu poétique ininterrompu et la constante renaissance de la création artistique<br>The forces of plot galvanize every work of literature, such that we examined them at work in two landmark stories of the 20th century: The Old Man and the Sea and L'Étranger. Ernest Hemingway and Albert Camus use plot to confront the abyss of human existence, opposing death with protagonists who clash against insurmountable forces yet transcend their inevitable fates through exceptional personal heroism. Each artist writes the plot of his own life, in constant struggle against the death, disorder and darkness that he encountered. Each novelist illuminates the obscurity of an inexplicable universe through a “plot of ideas,” which renders existence more meaningful. Moreover, they evolve “the plot of the history of art,” for each story represents artistic progress insofar as it revolts against previous ideas and perceptions so as to both innovate and renew humanity and connection to its sacred values. Hence in living to write the L'Étranger and The Old Man and the Sea, Hemingway and Camus resolve man´s unending encounter with “the abyss” through the essential, continuous practice of poetic play and the unremitting renaissance of artistic creation
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Hall, Robert L. (Robert Lee) 1956. "Natural Innocence in "Adventures of Huckleberry Finn", the Nick Adams Stories, and "The Old Man and the Sea"." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc500586/.

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Hemingway claims in Green Hills of Africa that "all modern American literature comes from one book by Mark Twain called Huckleberry Finn." If this basic idea is applied to his own work, elements of Adventures of Huckleberry Finn appear in some of Hemingway's Nick Adams stories and his novel The Old Man and the Sea. All major characters and several minor characters in these works share the quality of natural innocence, composed of their primitivism, sensibility, and active morality. Hemingway's Nick, Santiago, and Manolin, and Twain's Huck Finn and Jim reflect their authors' similar backgrounds and experiences and themselves come from similar environments. These environments are directly related to their continued possession and expression of their natural innocence.
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Caetano, Maria Alexandra de Barros 1967. "Gestos fundadores: uma literatura de Ernest Hemingway : the old man and the sea." Doctoral thesis, 2010. http://hdl.handle.net/10451/3570.

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Tese de doutoramento, Estudos Literários (Teoria da Literatura), Universidade de Lisboa, Faculdade de Letras, 2011<br>Esta tese propõe uma leitura da novela de Ernest Hemingway, The Old Man and the Sea (1952). Tendo como objecto de análise a história de um velho que luta para resgatar do oceano o seu mais sublime peixe, a fim de vingar a escassez de oitenta e quatro dias sem captura, estabelece-se uma analogia entre a aprendizagem da pesca e a interpretação literária. A partir desta correlação, sugere-se que a novela reconfigura, sob uma expressão conceptual e idiomática própria, a noção de identidade ancorada na visão pós-cartesiana da psique: o conceito de gestos fundadores traduz a luta do herói para se afirmar; o vocábulo conversão, oriundo da tradição judaico-cristã, descreve a sua aprendizagem; a metáfora é o tropo em que se exprime a metamorfose; imitação ou mimese é o conceito, de inspiração aristotélica, que subtende a equação autobiográfica entre a demanda de pesca e a arte poética. A investigação procurará harmonizar a análise do pormenor com a visão do todo.<br>This thesis proposes a reading of the novel The Old Man and the Sea (1952) by Ernest Hemingway. Having as an object of analysis the story of an old man who struggles to rescue from the ocean its most sublime fish, in order to avenge the scarcity of eighty-four days without capture, it establishes an analogy between learning how to fish and literary interpretation. From this correlation, it is suggested that the novel reconfigures, in a conceptual and idiomatic expression, the notion of identity rooted in the post-Cartesian view of the psyche: the concept of foundational gestures reflects the hero's struggle to assert himself; the word conversion, derived from the Judeo-Christian tradition, describes his learning; the metaphor is the trope that expresses the metamorphosis; imitation or mimesis is the concept of Aristotelian inspiration which implies the autobiographical equation between the demand for fishing and the poetic art. The investigation will try to harmonize the analysis of detail with the vision of the whole.<br>Ministério para a Ciência e Tecnologia - Fundação para a Ciência e Tecnologia (bolsa de doutoramento - programa Praxis XXI / POCTI – Formar e Qualificar)
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Books on the topic "Old man and the sea (Hemingway, Ernest)"

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Criswell, Jeanne Salladé. CliffsNotes Hemingway's The old man and the sea. IDG Books Worldwide, 2001.

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Harold, Bloom, ed. Ernest Hemingway's The old man and the sea. Chelsea House Publishers, 1999.

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Harold, Bloom, ed. Ernest Hemingway's The old man and the sea. Bloom's Literary Criticism, 2008.

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Bellany, John. John Bellany: Images inspired by Ernest Hemingway's book "The old man and the sea". Compass Gallery, 1987.

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Hemingway, Ernest. The old man and the sea. Scribner Paperback Fiction, 1995.

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Hemingway, Ernest. The old man and the sea. Limited Editions Club, 1990.

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Hemingway, Ernest. The Old Man & The Sea. Creative Books, 2015.

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Cooperman, Stanley. Ouneisite Haimingwei de lao ren yu hai: Ernest Hemingway's The old man and the sea. Wai yu jiao xue yu yan jiu chu ban she, 1996.

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Valenti, Patricia Dunlavy. Understanding The old man and the sea: A student casebook to issues, sources, and historical documents. Greenwood Press, 2002.

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Harold, Bloom, ed. Ernest Hemingway's The old man and the sea / edited and with an introduction by Harold Bloom. Chelsea House, 1995.

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Book chapters on the topic "Old man and the sea (Hemingway, Ernest)"

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Drews, Jörg, and Frank Kelleter. "Hemingway, Ernest: The Old Man and the Sea." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5470-1.

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Perrin, Tom. "The Old Men and the “Sea of Masscult”: T. S. Eliot, Ernest Hemingway, and the Middlebrow Aesthetic." In The Aesthetics of Middlebrow Fiction. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137523952_2.

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Bakker, J. "The Old Man and the Sea (1952)." In Ernest Hemingway in Holland 1925-1981. BRILL, 1986. http://dx.doi.org/10.1163/9789004483354_015.

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Pérez, Rafael Pérez y., and Mike Sharples. "Weaving texts with patterns." In An Introduction to Narrative Generators. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198876601.003.0008.

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Abstract This chapter describes how a statistical information technique, known as Markov Chains, can be employed to generate texts. We introduce concepts like probabilistic distribution, patterns, and generalization. We provide an example that illustrates how this technique works. Employing the short story ‘The Devoted Friend’, by Oscar Wilde, we show how it is possible to generate novel sentences using statistical methods. The chapter continues with some comments about the novel A Noise Such as a Man Might Make written by a computer program using Markov Chains. This program employs data extracted from two novels: The Old Man and the Sea by Ernest Hemingway, published in 1952, and The Road by Cormac McCarthy, published in 2006. We finish with some thoughts about the use of statistical information techniques for text generation.
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Watson, William Braasch. "“Old Man at the Bridge”:." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 2013. http://dx.doi.org/10.2307/j.ctv123x676.13.

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Watson, William Braasch. "Historical-Biographical Analysis “Old Man at the Bridge”." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 1990. http://dx.doi.org/10.1215/9780822382348-009.

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Sylvester, Bickford. "The Cuban context of The Old Man and the Sea." In The Cambridge Companion to Hemingway. Cambridge University Press, 1996. http://dx.doi.org/10.1017/ccol0521454794.012.

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"Historical-Biographical Analysis: "Old Man at the Bridge": The Making of a Short Story." In New Critical Approaches to the Short Stories of Ernest Hemingway. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382348-011.

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Pozzi, Piero Ambrogio. "The Italian Translation of Across the River." In Hemingway and Italy, translated by Allyson McKay. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054414.003.0014.

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Pozzi analyzes Fernanda Pivano’s definitive translations of The Old Man and the Sea and Across the River and into the Trees and identifies the many inconsistencies and errors. He argues convincingly for the need for a new, corrected translation. Pozzi goes on to interpret various symbols in Across the River and into the Trees, particularly the cryptic references in the scandalous sex scene in the gondola. Pozzi argues that Hemingway was making reference to Marlene Dietrich in that notorious chapter thirteen.
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Conference papers on the topic "Old man and the sea (Hemingway, Ernest)"

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Purwaningsih, Tri, Mangatur Nababan, and Riyadi Santosa. "Translation Analysis of Circumstances in The Novel "The Old Man and The Sea" by Ernest Hemingway and Its Indonesian Translation by Yuni Kristianingsih." In Proceedings of the 5th Asia Pasific Education Conference (AECON 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/aecon-18.2018.45.

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