Academic literature on the topic 'Old Stone Mansion'

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Journal articles on the topic "Old Stone Mansion"

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Somnath, Barure. "Mahesh Elkunchwar’s Old Stone Mansion: End of an Ethos." International Journal of English Language and Translation Studies 02, no. 04 (2014): 66–75. https://doi.org/10.5281/zenodo.15944.

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 Influence and Borrowing are still seen with suspicion in the literary circles in India and abroad. In fact, both these tools have proved their inevitability in the creation and study of literary works and other arts in the present time. There are innumerable examples of unparallel creations resulted as an effect of influence of some other art or based on some borrowed idea. Mahesh Elkunchwar’s Old Stone Mansion (Wada Chirebandi) is claimed to have been based on borrowed ideas by critics. Even after this criticism, this play claims its share for raising certain questions and provoki
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., Soni, and Dr Sanjeev Tayal. "Disintegration of family relationships in Mahesh Elkunchwar’s The Old Stone Mansion." International Journal of Research in English 6, no. 1 (2024): 175–78. https://doi.org/10.33545/26648717.2024.v6.i1c.298.

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Sedes, Fatma. "Arif Pasha Mansıon From its Fırst Constructıon to the Present." Architecture Image Studies 3, no. 1 (2023): 64–75. https://doi.org/10.62754/ais.v3i1.54.

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Arif Paşa Mansion, whose restoration works have been completed recently, is located in Fatih District of Istanbul (in the old Eminönü).The building, which has been used with different functions since its construction, was first built as a mansion. This building, which was planned to be restored as the “Provincial Youth Assembly and Culture Mansion” by the Istanbul Metropolitan Municipality, was best known as the old Eminönü Municipality Building.It was built as a “mansion” in the late 19th century and became known as “Arif Pasha Mansion”. After a lavish life, it changed hands in 1911 and was u
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ÖZKUT, DENİZ, ÇİĞDEM ALAS, and BÜKE ÖZDEN PULAT. "KALKANDELEN HARABATİ BABA TEKKESİNİN SOSYO-KÜLTÜREL BAĞLAMI VE MEKÂNSAL GELİŞİMİ." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 103 (September 20, 2022): 33–68. http://dx.doi.org/10.34189/hbv.103.002.

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The Harabati Baba Lodge settlement, significant religious center, is located in the province of Tetovo, west of Skopje, the capital of North Macedonia. The settlement has recognized as the considerable place in the field of culture, arts and crafts thanks to its dervishes as well. Therefore, not only it essentially consists of public spaces with socio-cultural functions but also there are places of worship and for accommodation that require privacy. The Lodge settlement, with high courtyard walls and four monumental gates, emerges as a sample that representing an extensive and fragmented site
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歐, 麗娟. "以“父”爲名:《紅樓夢》中的賈政新論". 人文中國學報, 1 липня 2022, 281–325. http://dx.doi.org/10.24112/sinohumanitas.342274.

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LANGUAGE NOTE | Document text in Chinese; abstract also in English.
 《紅樓夢》聚焦於貴族階層,書寫百年世家面臨末世的歷程,其主軸之一即家業傳承之必須,因此特重門風與子孫教育,尤其每一代的家族繼承人最是攸關重大,關於資質禀賦、性格特質、培育塑造皆有一定的脈絡可循,並建構出榮國府之世代軸心群,尤以賈政最體現了完整乃至完善的“貴族子裔之成長模式”。本文納入“父親”的概念以及“男性成長”的啓蒙議題,聚焦於賈府第三代的賈政,採取回歸傳統雅文化脈絡的視角、把握文本内容的全面基礎而重新探討此一人物的立體面相與縱深層次,就其以“政”爲名、以“存周”爲字,再以幾乎成爲杜甫之代稱的“工部員外郎”爲職銜的設計,闡發諸特定詞彙所内藴的文化指涉,並彼此互文而强化出一個正統菁英分子的完美典範,即以周公、杜甫與第一代始祖賈法爲重像,結合“正”字所代表的方正、官長之義,以及“攵”字所象徵的父親之義,從煉石場走到補天域,完整演繹了寶玉的前驅、同道與未來。明乎此,更能奠立堅穩的人物評論參照系,爲《紅樓夢》的創作宗旨、文化意義提供正確的定位。
 The Dream of the Red Chamber narrates a story of a century-old aristocratic family (世家), which
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Fletcher, Gordon. "An Index of Fame?" M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2418.

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This paper discusses the presentation of fame that can be identified through popular search terms. These terms reveal how the rapidly shifting interest in individual identities of ‘fame’ are cast against a continuous sequence of expected and unexpected events including movie releases, annual holidays, murders and terrorist attacks. The central claim of this paper is that fame is continuously reconstituted across a wide spectrum of cultural experiences and actions. Fame is attached to individuals as a personification of mainstream cultural fascination with specific events – whether manufactured
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Gáll, Erwin. "Dabaca: necropola din jurul bisericii din Gradina lui A. Tamas Cateva idei privind evolutia habitatului de la Dabaca / Dabaca: the Churchyard Cemetery in the Garden of A. Tamas. Some Ideas on the Evolution of the Medieval Habitat in Dabaca." Analele Banatului XXI 2013, January 1, 2013. http://dx.doi.org/10.55201/fidn6535.

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e village of Dăbâca/Doboka is situated 30 kms northwest of Cluj-Napoca, by the stream called Lona, which flows into the River Someş 10 km away from this place. One side of the mountain called Nagyhegy, which is situated southwest of the village (529 m above sea level), made the valley of the stream Lona so narrow that it is a vantage point of the pass. e road in the narrow valley, squeezed between two hills, in the middle of the village takes a sharp turn to the left. e old fortress district was in the area curbed this way. e two hills are gradually declining towards northwest.e shape of the f
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James, Sarah. "Culture and Complexity." M/C Journal 10, no. 3 (2007). http://dx.doi.org/10.5204/mcj.2670.

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 Figure 1 Recently I was walking down a street in The Mission district of San Francisco, which has a high proportion of the city’s Mexican population, when I was struck by a mural on the side of a shop. Vivid and colourful, the mural depicted a large Aztec face surrounded by lush jungle, aesthetically balanced by a carved stone face on the other end of the mural (Figure 1). It was not the beauty, size or colour of the artwork that most impressed me but the way it replicated art I had seen days before walking around Aztec ruins near Mexico City. The paintings I had seen at t
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Books on the topic "Old Stone Mansion"

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Old stone mansion = Wada chirebandi. Seagull Books, 1989.

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2

Collected plays of Mahesh Elkunchwar: Garbo, Desire in the rocks, Old stone mansion, Reflection, Sonata, An Actor exists. Oxford University Press, 2009.

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Elkunchwar, Mahesh, Samik Bandyopadhyay, Shanta Gokhale, and Supantha Bhattacharya. Collected Plays of Mahesh Elkunchwar: Garbo / Desire in the Rocks / Old Stone Mansion / Reflection / Sonata / an Actor Exits. Oxford University Press, 2010.

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Book chapters on the topic "Old Stone Mansion"

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Kessler-Harris, Alice. "1048 Fifth Avenue." In American Places. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195130263.003.0018.

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Abstract As such things go it is certainly one of the lesser mansions on Fifth Avenue. Number 1048 sits unobtrusively on the southeast corner of 86th Street, its gray brick stones tucked into the surrounding neighborhood. It boasts no sweeping circular driveway: no generous portico flanked by brass or iron balustrades: no defenses against the pedestrian traffic on the sidewalk it directly abuts. This was once the home of a banker who earned his riches in the Gilded Age and who passed it on to a Vanderbilt family widow. Its quiet elegance, its clean lines, its understated solidity, testify to the wealth that once flowed through its rooms. And yet, for many years, these lines concealed a quintessentially American institution that literally captured the efforts of immigrants to meld their New and Old World roots. For nearly forty years, 1048 Fifth Avenue did not function as a mansion at all: it housed the collections of the Yidisher Visnshaftlekher Institut, now officially known as YIVO Institute for Jewish Research.
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KOZBE, Gülriz. "ŞANLIURFA KALESİ KAZILARI." In CUMHURIYETIN BIRINCI YÜZYILINDA ANADOLU’DA TÜRK DÖNEMI ARKEOLOJI ÇALISMALARI. Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-61-0.ch24.

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Excavations at Şanlıurfa Castle are carried out with the permit of the Ministry of Culture and Tourism, General Directorate of Cultural Heritage and Museums under the presidency of Prof.Dr. Gülriz Kozbe (Batman University) since 2020. Şanlıurfa Castle is situated on Dambak Hill just south of Balıklıgöl (Pool of Abraham), in the city center. The castle is surrounded by the fortification walls built with cut limestone block stones having the same characteristics with the limestone bedrock on which it was built. Since Şanlıurfa Castle has been excavated for only four years, the knowledge about its foundation and historical sequence are mainly based on Latin, Armenian, Syriac and Arabic written sources. After the death of Alexander the Great, the Seleucid Kingdom (312 BC-63 BC), including Urfa region founded by Seleucus I Nicator, one of his generals during Hellenistic period. He had built a new city on the ruins of the old settlement and named the city as “Edessa”. As a result of the weakening of the Seleucids, the Syriacs declared the Kingdom of Osrhoene (Edess) under the leadership of Aryu (Leo) in132 BC. Thus, it’s the first independent local kingdom seen in Urfa region. Osrhoene, which ruled for about 375 years, was become a Roman Colony in 214. On the basis of the recent archaeological evidence, the earliest data in the castle is the Monument Columns erected just behind the North Wall. Due to its Syriac inscription carved on the eastern column, they are attributed to the 3rd century. Various great or small powers, such as Arameans, Osrhoenes, Eastern Romans, Abbasids, Marwanids, Arab Emirates and Dynasties, Crusaders, Zangids, Ayyubids, Seljuks, Mongols, Mamluks, Aqqoyunlus, Qaraqoyunlus, Safavids and Ottomans wanted to take control of the city, often intervened in the castle and were implementing their own defense strategies. The 2020-2023 archaeological excavations at Şanlıurfa Castle were carried out in three different areas such as “Sector A” which covers the remains of two Monument Columns in the center of the castle adjacent to the Northern Wall; “Sector B” situated in the western part of the castle where a monumental building (mansion) with vaults and stairs exposed and the “Western Towers Sector” where three towers appear at the far west of the castle. There is no doubt that the historical and cultural details of the castle will gain more meaning when the architectural remains are evaluated together with the artifacts such as pottery assemblages, weapons, tools, coins, and etc. For more detailed information, please refer to the Extended Abstract at the end of the text
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