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Books on the topic 'Olmec art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

(Firm), Taguchi Fine Art. Jaguar's children: The art of Olmec. Tokyo, Japan: Taguchi Fine Art, 2007.

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2

E, Clark John, and Pye Mary E, eds. Olmec art and archaeology in Mesoamerica. Washington, D.C: National Gallery of Art, 2000.

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3

Gerards, Francisca Philomena Johanna. Olmeekse hoofden: De omgekeerde pyramide. Leiden: Universiteit Leiden, 2000.

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4

D, Coe Michael, Princeton University Art Museum, and Museum of Fine Arts, Houston., eds. The Olmec world: Ritual and rulership. Princeton, N.J: Art Museum, Princeton University in association with Harry N. Abrams, 1995.

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5

Nuño, Rubén Bonifaz. Hombres y serpientes: Iconografía olmeca. México: Coordinación de Humanidades, Seminario de Estudios Prehispánicos para la Descolonización de México, Universidad Nacional Autónoma de México, 1989.

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6

E, Clark John, Pye Mary E, and National Gallery of Art (U.S.), eds. Olmec art and archaeology in Mesoamerica. Washington: National Gallery of Art, 2005.

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7

Tate, Carolyn Elaine. Reconsidering Olmec visual culture: The unborn, women, and creation. Austin: University of Texas Press, 2012.

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8

Rodrigo, Castañeda Valle, ed. Iconografía olmeca: Composición de signos y principio combinatorio. México: Universidad Nacional Autónoma de México, 2011.

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9

Miller, Mary Ellen. The art of Mesoamerica from Olmec to Aztec. London: Thames and Hudson, 1986.

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10

Nuño, Rubén Bonifaz. Olmecas: Esencia y fundación : hipótesis iconográfica y textual. México: El Colegio Nacional, 1992.

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11

author, Hirth Kenn, ed. Transporte y producción artesanal en los albores del mundo olmeca. Ciudad de México: Universidad Nacional Autónoma de México, Instituto de Investigaciones Antropológicas, 2016.

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12

Molina, Marta Foncerrada de. Cacaxtla: La iconografía de los olmeca-xicalanca. México: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 1993.

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13

Coe, Michael D. Mexico: From the Olmecs to the Aztecs. 6th ed. New York: Thames & Hudson, 2008.

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14

Coe, Michael D. Mexico: From the Olmecs to the Aztecs. 4th ed. New York: Thames and Hudson, 1994.

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15

Herrera, Rogelio Ramírez. Humano-felino: Ensayos de arqueología veracruzana. Veracruz, Veracruz, México: Instituto Veracruzano de Cultura, 1997.

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16

Switzerland), Musée olympique (Lausanne, ed. Ulama: Jeu de balle des Olmèques aux Aztèques = Ballgame from the Olmecs to the Aztecs. Lausanne: Musée Olympique, 1997.

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17

Instituto Nacional de Antropología e Historia (Mexico), Museo de Historia Mexicana (Monterrey, Mexico), and Nuevo León (Mexico : State), eds. El jaguar prehispánico: Huellas de lo divino. México]: CONACULTA-INAH, 2005.

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18

Coe, Michael D. The Olmec world: Ritual and rulership. The Art Museum, Princeton University, 1995.

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19

Olmec art of ancient Mexico. Washington, D.C: National Gallery of Art, 1996.

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20

(Editor), John E. Clark, and Mary E. Pye (Editor), eds. Olmec Art and Archaeology in Mesoamerica (Studies in the History of Art Series). NGW-Stud Hist Art, 2006.

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21

Xochipala: The Beginnings of Olmec Art. Princeton University Press, 2019.

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22

Reconsidering Olmec visual culture: The unborn, women, and creation. Austin: University of Texas Press, 2012.

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23

Early Olmec and Mesoamerica: The Material Record. Cambridge University Press, 2017.

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24

Bradley. Dragon and Goddess Olmec Art and Legacy. Taylor & Francis Group, 2006.

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25

Blomster, Jeffrey P., and David Cheetham. Early Olmec and Mesoamerica: The Material Record. Cambridge University Press, 2017.

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26

Blomster, Jeffrey P., and David Cheetham. Early Olmec and Mesoamerica: The Material Record. Cambridge University Press, 2017.

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27

The art of Mesoamerica: From Olmec to Aztec. New York, N.Y: Thames and Hudson, 1986.

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28

The art of Mesoamerica: From Olmec to Aztec. New York: Thames and Hudson, 1996.

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29

The art of Mesoamerica: From Olmec to Aztec. 5th ed. London: Thames & Hudson, 2012.

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30

The Art of Mesoamerica: From Olmec to Aztec (World of Art). Thames & Hudson, 2001.

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31

Molina, Marta Foncerrada de. Cacaxtla: La iconografia de los olmeca-xicalanca. Universidad Nacional Autonoma de Mexico, Instituto de Investigaciones Esteticas, 1993.

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32

Aimi, Antonio. Mesoamerica: Olmecas, Mayas, Aztecas (Art Book). Sociedad Editorial Eleca Espana, 2003.

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33

Olmec Art at Dumbarton Oaks (Dumbarton Oaks Other Titles in Pre-Columbian Studies). Dumbarton Oaks Research Library and Collection, 2004.

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34

Aimi, Antonio. Mesoamerica. Electa, 2003.

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35

Chan, Roman Pia, and Roman Piina Chan. El Lenguaje de Las Piedras: Glifica Olmeca y Zapoteca (Seccion de Obras de Antropologia). Fondo de Cultura Economica USA, 1993.

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36

Olmec Civilization at a Glance: Art and Religion Mexico in World History Grade 5 Children's Books on Ancient History. Speedy Publishing LLC, 2022.

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37

Olmec Civilization at a Glance: Art and Religion Mexico in World History Grade 5 Children's Books on Ancient History. Speedy Publishing LLC, 2022.

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38

Olmec Civilization at a Glance: Art and Religion Mexico in World History Grade 5 Children's Books on Ancient History. Speedy Publishing LLC, 2022.

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39

Lowe, Gareth W. Mesoamérica olmeca: diez preguntas. Edited by Víctor Esponda Jimeno. Universidad Nacional Autónoma de México, Centro de Investigaciones Humanísticas de Mesoamérica y el estado de Chiapas, 1998. http://dx.doi.org/10.22201/cimsur.9683646271p.1998.

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Abstract:

El libro que el lector tiene en sus manos trata sobre la cultura olmeca desde un punto de vista que rebasa la mera contemplación de los ejemplos y reproducciones del arte prehispánico de esta civilización, enfoque con que tradicionalmente se ha estudiado. Aquí, el doctor Gareth Lowe destaca la antigüedad e importancia de esta cultura y el papel decisivo que desempeñó en el desarrollo de la civilización mesoamericana. El presente trabajo es el resultado del planteamiento de una lista sencilla de diez preguntas cuyo propósito radica en la búsqueda de una descripción del florecimiento olmeca que sea fácil de comprender. El autor desea que la respuesta breve a cada pregunta cumpla con ese cometido. Asimismo, para los curiosos y estudiosos que pretendan profundizar en el tema, se incluye una discusión amplia y se presentan varias hipótesis respecto a las cuestiones planteadas.

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40

Mexico: From the Olmecs to the Aztecs. 6th ed. London: Thames & Hudson, 2008.

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41

Coe, Michael D. Mexico: From the Olmecs to the Aztecs (Ancient Peoples and Places). 4th ed. Thames & Hudson, 1994.

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42

Koontz, Rex, and Michael D. Coe. Mexico: From the Olmecs to the Aztecs (Fifth Edition). 5th ed. Thames & Hudson, 2002.

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43

Blomster, Jeffrey P. Mesoamerica—Highland Formative (Early to Middle Formative) Figurines. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.013.

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Abstract:

Figurines are ubiquitous during the Early to Middle Formative (1400–500 bc) throughout the Mesoamerican highlands. As materializations of embodiment, figurines represent productions and performances of cultural practices. Two theses are pursued in this chapter: synchronic juxtapositions in figurine style evince strategies and negotiations of social actors, referencing identity, gender, social norms, affiliation, status and rank, and/or ethnicity, while diachronic changes in figurine frequency and style may reflect larger societal processes. Through comparisons of excavated Early and Middle Formative figurine assemblages from two major highland regions, the southern highlands (the Valleys of Oaxaca and Nochixtlán) and the central highlands (the Basin of Mexico, Puebla, and Morelos), as well as brief comparative detours to Olmec-style figurines from the Gulf Coast and Mokaya figurines from Soconusco, the chapter explores entanglements between synchronic aesthetic negotiations and diachronic changes in figurines and socio-political transformations.

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