Relevant bibliographies by topics / Olympian odes (Pindar)

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Academic literature on the topic 'Olympian odes (Pindar)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Olympian odes (Pindar)"

1

Instone, S. "Pindar I: Olympian Odes, Pythian Odes; Pindar II: Nemean Odes, Isthmian Odes, Fragments. W H Race (ed., trans.)." Classical Review 48, no. 2 (1998): 264–65. http://dx.doi.org/10.1093/cr/48.2.264.

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De Decker, Filip. "The augment use in the five oldest Odes of Pindar." Humanitas, no. 77 (June 28, 2021): 9–24. http://dx.doi.org/10.14195/2183-1718_77_1.

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In this short article I discuss the augment use in Pindar's five oldest Odes (based on the text of the editions by Snell & Maehler' in the Teubner and Race in the Loeb), namely Pythian 10 (498 BC), Pythian 6 (490), Pythian 12 (490), Olympian 14 (488, if correctly dated) and Pythian 7 (486). As the augment use in Pindar has never been studied in detail before and commentaries often do not mention it, I use the observations made for epic Greek as basis, more specifically that the augment is used to refer to foregrounded actions and actions in the recent past, and that it remains absent when
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Pfeijffer, I. "Pindar: Selected Odes: Olympian One, Pythian Nine, Nemeans Two & Three, Isthmian One. S Instone." Classical Review 48, no. 2 (1998): 262–63. http://dx.doi.org/10.1093/cr/48.2.262.

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Gerber, Douglas E. "Commentaries on Pindar - W. J. Verdenius: Commentaries on Pindar, Vol. 1: Olympian Odes 3, 7, 12, 14. (Mnemosyne, Suppl. 97.) Pp. xii+132. Leiden: Brill, 1987. Paper, fl. 54." Classical Review 38, no. 2 (1988): 203–5. http://dx.doi.org/10.1017/s0009840x00121109.

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Robbins, E. "The Broken Wall, the Burning Roof and Tower: Pindar, Ol. 8.31–46." Classical Quarterly 36, no. 2 (1986): 317–21. http://dx.doi.org/10.1017/s0009838800012076.

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In the Eighth Olympian, for Alcimedon of Aegina, Pindar recounts a story (31–46) that, according to a notice in the scholia, is not found in earlier Greek literature. Aeacus was summoned from Aegina to Troy by Apollo and Poseidon to help in the construction of the city's fortifications. Smoke, says the poet, would one day rise from the very battlements Aeacus built. The wall newly completed, a portent appeared: three snakes tried to scale the ramparts but two fell to earth while one succeeded in entering the city. Apollo immediately interpreted this sign: Troy would be taken ‘owing to the work
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Carey, Christopher. "Commentary on Pindar - W. J. Verdenius: Commentaries on Pindar, vol. II: Olympian Odes 1, 10, 11, Nemean 11, Isthmian 2. (Mnemosyne Suppl. 101.) Pp. xi + 154. Leiden, New York, Copenhagen and Cologne: Brill, 1988. Paper, fl. 62." Classical Review 40, no. 2 (1990): 216–17. http://dx.doi.org/10.1017/s0009840x00253328.

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Instone, Stephen. "Pindar. Commentaries on Pindar. By W. J. Verdenius. 1. Olympian odes 3, 7, 12, 14. (Mnemosyne, supp., 97.) Leiden: Brill, 1987. Pp. xi + 132. Fl. 54/$24.50. - (G.) Bonelli Il mondo poetico di Pindaro. Turin: G. Giappichelli, 1987. Pp. 171, [I] plate. L 16.000." Journal of Hellenic Studies 109 (November 1989): 213–14. http://dx.doi.org/10.2307/632060.

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8

Agócs, Peter. "A COMMENTARY ON SELECTED ODES OF PINDAR - E. Krummen Cult, Myth, and Occasion in Pindar's Victory Odes. A Study of Isthmian 4, Pythian 5, Olympian 1, and Olympian 3. English translation by J.G. Howie . (Arca 52.) Pp. x + 346. Prenton: Francis Cairns, 2014 (originally published as Pyrsos Hymnon: festliche Gegenwart und mythisch-rituelle Tradition als Voraussetzung einer Pindarinterpretation, Isthmie 4, Pythie 5, Olympie 1 und 3, 1990). Cased, £75, US$150. ISBN: 978-0-905205-56-4." Classical Review 65, no. 1 (2015): 13–15. http://dx.doi.org/10.1017/s0009840x14003035.

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de Jong, Irene. "Herakles als ‘stichter’ van de Olympische Spelen bij Pindarus." Lampas 54, no. 2 (2021): 194–212. http://dx.doi.org/10.5117/lam2021.2.002.jong.

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Abstract The origin of the Olympics is a topic much researched by historians and archaeologists, who are eager to reconstruct ‘wie es eigentlich gewesen’. An ancient poet like Pindar had a very different take on this issue: he constructs a past that is attractive to the victors in the games, and does so by modelling the mythic past closely after the historic present. This phenomenon of invented tradition is illustrated in detail for the two odes in which Heracles is portrayed as inventor of the Olympic Games.
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Foster, Margaret. "Hagesias as Sunoikistêr." Classical Antiquity 32, no. 2 (2013): 283–321. http://dx.doi.org/10.1525/ca.2013.32.2.283.

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In positioning his laudandus Hagesias as the co-founder of Syracuse, Pindar considers the larger ideological implications of including a seer in a colonial foundation. The poet begins Olympian 6 by praising Hagesias as an athletic victor, seer, and sunoikistêr (co-founder) and therefore as a figure of enormous ritual power. This portrayal, however, introduces an element of competition into Hagesias' relationship with his patron Hieron, the founder of Aitna. In response, the ode's subsequent mythic portions circumscribe Hagesias' status so as to mitigate any challenge the seer might present to
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Dissertations / Theses on the topic "Olympian odes (Pindar)"

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Araujo, Alisson Alexandre de. "7ª Ode Olímpica de Píndaro: tradução e notas." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-23082007-121817/.

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A finalidade deste trabalho é realizar um comentário à 7ª Ode Olímpica de Píndaro. Adicionalmente, procura demonstrar a maneira como a obra desse autor foi citada ou aludida no mundo de língua grega, até a publicação, em 1515, da edição de Zacarias Calierges, e como se formou a crítica pindárica nos séculos XIX e XX.<br>This work aims to present a comment to Pindar\'s 7th Olympian Ode. Additionally, it intents not only to demonstrate the way Pindar\'s work was mentioned or referred to in Greek language until the publication of Zacarias Calierges\' edition, in 1515, but also show how the pindar
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2

Goode, L. J. "Three odes of Pindar : a commentary on Olympians 7, 9, and 13." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317792.

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Silva, Tiago Bentivoglio da. "Tradução e comentário à 13ª Olímpica de Píndaro." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-15032016-154636/.

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O objetivo deste trabalho é apresentar uma tradução e um comentário textual à 13ª Olímpica de Píndaro, com base nas mais recentes edições e trabalhos críticos acerca do poeta e do gênero desse poema, o epinício. Também foi composto um ensaio interpretativo que tenta abarcar os temas mais importantes da ode e relacioná-los com o todo da obra de Píndaro. As imagens do poema desenvolvem a contraposição entre medida e excesso, representada tanto nas referências mitológicas (Têmis e as Horas contra a Soberba e Insolência; Belerofonte encilhando Pégaso) quanto nas reflexões da primeira pessoa (que n
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Books on the topic "Olympian odes (Pindar)"

1

Society, Greek Font. Pindar: Olympian odes. Greek Font Society, 2004.

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2

Gildersleeve, Basil L., ed. Pindar: Olympian and Pythian Odes. Cambridge University Press, 2010. http://dx.doi.org/10.1017/cbo9780511698002.

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Pindar, ed. A commentary on Pindar Olympian nine. Franz Steiner, 2002.

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4

Daude, Cécile. Scholies à Pindare: Vies de Pindare et scholies à la première Olympique : Un chemin de paroles, O. I, 110. Presses universitaires de Franche-Comté, 2013.

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5

Pindar. The odes of Pindar. S. Albahari, 21st, 2007.

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6

Pindar and Xanthakē-Karamanou G, eds. Nikē kai politikos vios ston Pindaro: Olympionikos 12. : Ergotelei Himeraiō dolichodromō : philologikos hypomnēmatismos kai historikē epopsē tēs Ōdēs. Ekdoseis Papazēsē, 2011.

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Mader, Walter. Die Psaumis-Oden Pindars (O. 4 und O. 5): Ein Kommentar. Universitätsverlag Wagner, 1990.

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8

Olympian Odes of Pindar. Creative Media Partners, LLC, 2023.

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9

Gildersleeve, Basil L., and Pindar. Pindar: The Olympian and Pythian Odes. Franklin Classics Trade Press, 2018.

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Gildersleeve, Basil L., and Pindar Pindar. Pindar. the Olympian and Pythian Odes. Franklin Classics Trade Press, 2018.

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Book chapters on the topic "Olympian odes (Pindar)"

1

"General Introduction." In Pindar: Selected Odes, edited by Stephen Instone. Liverpool University Press, 1996. http://dx.doi.org/10.3828/liverpool/9780856686689.003.0001.

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This chapter introduces the Ancient Greek lyric poet Pindar and reviews surviving short biographies, biographical notes, and anecdotes that purport to give information about his life. It reviews Pindar's Odes, which includes five victory poems: Olympian One, Phythian Nine, Nemean Two, Nemean Three, and Isthmian One. It also details Olympian One, which celebrates the victory of Hieron in the horse race at the Olympic Games of 476 BC and Pythian Nine, which talks about Telesicrates's life. The chapter discusses Nemean Two, which was composed for the victor in the pancration at the Nemean Games t
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2

Lefkowitz, Mary R. "The First Person in Pindar." In First-Person Fictions: Pindar’s Poetic ‘I’. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198146865.003.0001.

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Abstract The victory ode is a curious and somewhat paradoxical form of art. As we know it, from the extant works of Pindar and Bacchylides, it appears to be in the tradition of the songs of the bards and the lyric poets, that is, an address by a single poet to his audience. For example, in the opening lines of Pindar’s Second Olympian Ode (‘Hymns that rule the lyre I which god, which hero, which man shall we sing?’) the ‘we’ is clearly Pindar, since the invocation to ‘hymns’ and the first person verb ‘we shall sing’ indicate that the speaker is concerned with the composition of song, in other
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"Olympian 7." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296226.

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"Olympian 10." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296229.

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"Olympian 6." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296225.

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"Olympian 5." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296224.

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"Olympian 12." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296231.

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"Olympian 2." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296221.

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"Olympian 1." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296220.

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"Olympian 13." In Oxford World's Classics: Pindar: The Complete Odes. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00296232.

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