Relevant bibliographies by topics / Olympic (Musical Group)

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Academic literature on the topic 'Olympic (Musical Group)'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Olympic (Musical Group)"

1

Jesús, Jáuregui. "El Mariachi. Símbolo musical de México The Mariachi, Musical Symbol of Mexico." Música Oral del Sur, no. 9 (December 12, 2012): 220–40. https://doi.org/10.5281/zenodo.4633228.

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Resumen: La tradición original del mariachi se conformó en el noroccidente de la Nueva España durante la segunda mitad del siglo XVIII y su región se extendía por la costa pacífica desde San Francisco, en la Alta California, hasta Oaxaca. A principios del siglo XX tuvo lugar la primera apropiación simbólica de esta macrotradición por parte del estado de Jalisco y, tras la Revolución mexicana, en 1925 la segunda y definitiva. A partir de grupos residentes en la ciudad de México se conformó el nuevo mariachi, pro
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Nikolenko, R. V. "M.-A. Hamelin’s composing and performing style in the context of postmodern aesthetics." Aspects of Historical Musicology 14, no. 14 (2018): 168–80. http://dx.doi.org/10.34064/khnum2-14.12.

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Background. The peculiarities of the worldview and philosophy of modern contradictory era put forward before the art new requirements and benchmarks, which the Postmodern aesthetics embodies. The phenomenon of «Postmodernism» covers different levels of contemporary life. In philosophy, this concept was first introduced by J.-F. Lyotard in his report «The status of postmodernism». The French philosopher revealed the essence of Postmodernism consisting in «awareness of diversity and pluralism of forms of rationality, activity of life, as well as the recognition of this diversity as a natural pos
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Popović, Ružena, and Tijana Purenović-Ivanović. "Review of Selected Studies on Aesthetic Sports and Creative Arts." Innovare Journal of Education, May 1, 2022, 1–7. http://dx.doi.org/10.22159/ijoe.2022v10i3.44640.

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There are different classifications of sports and disciplines. The division into individual and collective is considered fundamental. From the aspect of all divisions, they are mainly bipolar (like Men/Women Artistic Gymnastics) instead of the psychological typology of sports activities, where certain individual sports belong to the group of aesthetic-coordination ones. Rhythmic gymnastics (RG) is the most typical representative in this group, where complex movements predominate most acyclic type. Activities in RG occur in several disciplines with different apparatus (rope, hoop, ball, clubs,
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Denisova, Anastasia. "How Vladimir Putin’s Divorce Story Was Constructed and Received, or When the President Divorced His Wife and Married the Country Instead." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.813.

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A politician’s political and personal selves have been in the spotlight of academic scholarship for hundreds of years, but only in recent years has a political ‘persona’ obtained new modes of mediation via networked media. New advancements in politics, technology, and media brought challenges to the traditional politics and personal self-representation of major leaders. Vladimir Putin’s divorce announcement in June 2013, posed a new challenge for his political self-mediation. A rather reserved leader (Loshak), he nonetheless broadcast his personal news to the large audience and made it in a ve
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5

Kellner, Douglas. "Engaging Media Spectacle." M/C Journal 6, no. 3 (2003). http://dx.doi.org/10.5204/mcj.2202.

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In the contemporary era, media spectacle organizes and mobilizes economic life, political conflict, social interactions, culture, and everyday life. My recently published book Media Spectacle explores a profusion of developments in hi-tech culture, media-driven society, and spectacle politics. Spectacle culture involves everything from film and broadcasting to Internet cyberculture and encompasses phenomena ranging from elections to terrorism and to the media dramas of the moment. For ‘Logo’, I am accordingly sketching out briefly a terrain I probe in detail in the book from which these exampl
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Books on the topic "Olympic (Musical Group)"

1

Tůma, Jaromír. Čtyři hrají rock: Jasná zpráva o skupině Olympic. Panton, 1986.

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2

The Hopefuls: Chasing a Rock 'n' Roll Dream in the Minnesota Music Scene. McFarland & Company, 2018.

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Jonas Brothers. ABDO Pub. Co., 2009.

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Vile, John R. America’s National Anthem. ABC-CLIO, 2021. http://dx.doi.org/10.5040/9798400610042.

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This A–Z encyclopedia is a one-stop resource for understanding the history and evolution of the national anthem in American politics, culture, and mythology, as well as controversies surrounding its emergence as a lightning rod for political protests and statements. This reference work serves as a comprehensive resource for understanding all aspects of the national anthem and its significance in U.S. history and American life and culture. It covers the origins of the song and its selection as the nation’s official anthem and acknowledges other musical compositions proposed as national anthems.
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Book chapters on the topic "Olympic (Musical Group)"

1

Howard, Keith. "Songs for New Leaders." In Songs for "Great Leaders". Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190077518.003.0010.

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This chapter first turns the spotlight on how fascist and socialist states approach popular music, both in respect to control and censorship and in attempts to create authorized pop repertories, arguing for a redefinition of “popular.” It then introduces the two North Korean pop bands established in the mid-1980s, Pochonbo and Wangjaesan. Two vignettes explore how pop songs functioned as a “state telegraph” during the 1994–1997 transition period to Kim Jong Il that began with Kim Il Sung’s death, and during 2009–2011 as the third leader, Kim Jong Un, was eased into power, following the death o
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2

Zagagi, Netta. "Comic Patterns in Sophocles’ Ichneutae." In Sophocles Revisited. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198130062.003.0010.

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Abstract Sophocles’ Ichneutae is one of a group of satyr-plays which are only loosely connected with tragedy in their themes and in their poetic atmosphere. One can safely assume that it does not constitute a direct parody of any individual tragedy —but that, after all, is one of the salient characteristics of the satyric genre. Moreover, the theme of this play itself, albeit mythological, is in its very nature and essence non-tragic. Its plot consists mainly of the story of the search for Apollo’s lost cattle, ending successfully with the exposure of the thief, the baby Hermes; but at the sam
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