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Relevant bibliographies by topics / Once Were Warriors

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Academic literature on the topic 'Once Were Warriors'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 January 2023

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Journal articles on the topic "Once Were Warriors"

1

Gump, James O., Robin Scholes, Lee Tamahori, and Riwia Brown. "Once Were Warriors." American Historical Review 100, no. 4 (October 1995): 1217. http://dx.doi.org/10.2307/2168218.

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Oxenham, Stephen, and Alan Duff. "Once Were Warriors." World Literature Today 69, no. 1 (1995): 231. http://dx.doi.org/10.2307/40151112.

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Bryden, Rachel. "Cultural Wounds and Physical Scarring in Once Were Warriors." Literature Compass 5, no. 3 (May 2008): 645–56. http://dx.doi.org/10.1111/j.1741-4113.2008.00543.x.

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Smith, Jo. "The Cultural Politics of Once Were Warriors." Cultural Politics: an International Journal 5, no. 2 (July 1, 2009): 265–69. http://dx.doi.org/10.2752/175174309x428243.

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Lambert, Iain B. M. "Representing Maori speech in Alan Duff's Once Were Warriors." Language and Literature: International Journal of Stylistics 17, no. 2 (May 2008): 155–65. http://dx.doi.org/10.1177/0963947007088225.

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Much of the reaction, both positive and negative, to the publication of Alan Duff's novel Once Were Warriors centred on its language. This article analyses the ways in which characteristic linguistic features of New Zealand English are represented in the novel, in particular by its Maori protagonists. It also draws stylistic comparisons with other writers, such as Scotland's James Kelman, who have attempted to give their characters a particular local voice outside of, or in opposition to, Standard English by having them speak in their own language or variety of English.

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D’Costa, Bina. "Once were warriors: the militarized state in narrating the past." South Asian History and Culture 5, no. 4 (August 22, 2014): 457–74. http://dx.doi.org/10.1080/19472498.2014.936205.

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TAWAKE, SANDRA K. "On understanding a text: reader response and Alan Duff's Once Were Warriors." World Englishes 14, no. 2 (July 1995): 281–300. http://dx.doi.org/10.1111/j.1467-971x.1995.tb00357.x.

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Gutleben, Christian. "The Counter-Order of Simulacra: Alan Duff’s gut novel, Once Were Warriors." Caliban, no. 21 (May 1, 2007): 137–45. http://dx.doi.org/10.4000/caliban.1902.

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Simmons, Rochelle. "Driving Force: Narrative in Lee Tamahori's Television Advertisements and Once Were Warriors." Media International Australia 80, no. 1 (May 1996): 27–31. http://dx.doi.org/10.1177/1329878x9608000106.

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Ramstad, Jorun Bræck. "Once were Warriors – a Model that Matters and a Mirror of Concerns." Nordlit 16, no. 2 (October 23, 2012): 87. http://dx.doi.org/10.7557/13.2374.

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In this article, I will focus on connections between media, culture and society in order to understand two prototypical Maori responses to the film. The two kinds of responses are captured in the following phrases: “The film should never have been made” and “That’s not fiction, that’s reality”. One of my objectives is to show how these particular Maori responses to this fiction-film are entangled with deep concerns about ethnic policies and marginalization in general. In other words, the film is explored as a statement about Maori – Pakeha inter-ethnic relations and ‘biculturalism’, which is t

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Dissertations / Theses on the topic "Once Were Warriors"

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Diedericks, Nana Marie. "Fictional warriors: Real responses. Emotion, mood, and cognition in "Once Were Warriors"." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p1430191.

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Boyer, Michelle Nicole. "Indigenous Representations of Birthing and Mothering in The Painted Drum, Faces in the Moon, The Way We Make Sense, The Marriage of Saints, and Once Were Warriors." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/577488.

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This study examines the traditional views surrounding Indigenous birthing and mothering, as well as the mother-child relationship cycle in contemporary Indigenous literature, and compares the traditional past to the contemporary present. Five contemporary Indigenous novels from four different American Indian and Indigenous Nations are included: Louise Erdrich's The Painted Drum (Ojibwe), Betty Louise Bell's Faces in the Moon (Cherokee), Dawn Karima Pettigrew's The Way We Make Sense and The Marriage of Saints (Creek), and Alan Duff's Once Were Warriors (Maori). Themes in the novels are studied

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Johnston, Emma Anne. "Healing maori through song and dance? Three case studies of recent New Zealand music theatre." Thesis, University of Canterbury. Theatre and Film Studies, 2007. http://hdl.handle.net/10092/980.

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This thesis investigates the way "healing" may be seen to be represented and enacted by three recent New Zealand music theatre productions: Once Were Warriors, the Musical-Drama; The Whale Rider, On Stage; and Footprints/Tapuwae, a bicultural opera. This thesis addresses the ways each of these music theatre productions can be seen to dramatise ideologically informed notions of Maori cultural health through the encounter of Maori performance practices with American and European music theatre forms. Because the original colonial encounter between Maori and Pakeha was a wounding process, it may b

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4

Summerhayes, Catherine, and catherine summerhayes@anu edu au. "Film as Cultural Performance." The Australian National University. School of Art, 2002. http://thesis.anu.edu.au./public/adt-ANU20090210.095136.

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This thesis investigates how Victor Turners concept of cultural performance can be used to explore and analyse the experience of film. Drawing on performance theory, hermeneutics, phenomenology and Bakhtins dialogism, Sections One and Two develop this investigation through a theoretic discussion which relates and yet distinguishes between three levels of performance in film: filmmaking performance, performances as text and cultural performances. The theory is grounded within four films which were researched for this thesis: Once Were Warriors (Lee Tamahori, 1994), Rats in the Ranks (Bob

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Summerhayes, Catherine. "Film as Cultural Performance." Phd thesis, 2001. http://hdl.handle.net/1885/49365.

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This thesis investigates how Victor Turner’s concept of ‘cultural performance’ can be used to explore and analyse the experience of film. Drawing on performance theory, hermeneutics, phenomenology and Bakhtin’s dialogism, Sections One and Two develop this investigation through a theoretic discussion which relates and yet distinguishes between three levels of ‘performance’ in film: filmmaking performance, performances as text and cultural performances. The theory is grounded within four films which were researched for this thesis: Once Were Warriors (Lee Tamahori, 1994), Rats in the Ranks (Bob

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Gillman, Natalie B. "“A Bunch of Grapes" : a reading of Lindsey Collen’s The Rape of Sita." Diss., 2006. http://hdl.handle.net/2263/28954.

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This feminist analysis addresses Lindsey Collen’s intertextual use of myth in The Rape of Sita and how her reformation of the parodied texts becomes a resistance to patriarchy. Collen’s examination of possible counteractions against patriarchy is analysed and it is determined whether or not she posits writing, especially demythologization, as the best resistance to patriarchal discourse. Also, her assertion that transformation and a unity of the sexes are needed to bring about equality is studied. The methodology used is qualitative and inductive. The sources are examined and interpreted throu

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Books on the topic "Once Were Warriors"

1

Alan, Duff. Once were warriors. London: Vintage, 1995.

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Once were warriors. St. Lucia, Qld., Australia: University of Queensland Press, 1991.

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Once were warriors. New York: Vintage International, 1995.

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Once were warriors. Honolulu: University of Hawaii Press, 1994.

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Once Were Warriors. Audio Literature, 1998.

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6

Duff, Alan. Once Were Warriors. Tandem Press, 1990.

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7

Duff, Alan. Once Were Warriors. Random House New Zealand, 2012.

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Duff, Alan. Once Were Warriors. Univ of Queensland Pr, 1995.

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9

Duff, Alan. Once Were Warriors. Penguin Random House, 1998.

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10

Birkenhead, Tandem Press. Once Were Warriors (Talanoa). University of Hawaii Press, 2006.

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Book chapters on the topic "Once Were Warriors"

1

Surkamp, Carola, and Lars Eckstein. "Duff, Alan: Once Were Warriors." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8421-1.

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Gee, Sarah, and Steven Jackson. "Once Were Warriors: Haka, Promotional Culture and Māori Masculinity Past, Present and Future." In Sport, Promotional Culture and the Crisis of Masculinity, 215–45. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55673-8_8.

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Murray, Stuart. "Once Were Warriors." In Making Film and Television Histories. I.B.Tauris, 2012. http://dx.doi.org/10.5040/9780755698707.0017.

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"Once Were Warriors." In Reading Pakeha?, 97–172. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042026452_004.

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"Once Were Warriors (Lee Tamahori, 1994)." In Watching Human Rights, 43–44. Routledge, 2015. http://dx.doi.org/10.4324/9781315631219-14.

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"Once Were Warriors: New Zealand’s first indigenous blockbuster." In Movie Blockbusters, 242–53. Routledge, 2013. http://dx.doi.org/10.4324/9781315012919-26.

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"3. Internalising ‘outsider’ representations: the Once Were Warriors syndrome." In Media and Ethnic Minorities, 52–72. Edinburgh University Press, 2005. http://dx.doi.org/10.1515/9780748626304-006.

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8

"10. CONFRONTING DOMESTIC VIOLENCE AND FAMILIAL ABUSE: ONCE WERE WARRIORS (LEE TAMAHORI, 1994)." In Coming-of-Age Cinema in New Zealand, 121–34. Edinburgh University Press, 2017. http://dx.doi.org/10.1515/9781474429467-013.

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Bakin, Kyokutei. "A gallant looses an arrow and kills a white horse; A craven usurps two districts and approaches the scarlet gate." In Eight Dogs, or "Hakkenden", translated by Glynne Walley, 42–58. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501755170.003.0007.

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This chapter begins by examining Awa, which was originally the southern extremity of the province of Fusa. Awa comprised a mere four districts, called Heguri, Nagasa, Awa, and Asahina. Long ago, in the Nin'an and Jishō eras, during the ascendency of the house of Taira, there were three warriors there, whose names are Maro Gorō Nobutoshi of Mikuriya, Anzai Saburō Kagemori, and Tōjō Shichirō Akinori. In the eighth month of the third year of Jishō, the Noble Lord Yoritomo of the Minamoto was defeated in battle at Mount Ishibashi and made his way to Awa, and at this time the aforementioned warriors were the first to join his following. Once the Minamoto clan had consolidated their rule, those men were given the four districts of Awa to share among themselves. Their descendants for ten or more generations inherited them, not losing their home territories even as the realm passed into the hands of the Hōjō, and then began the time of the Ashikaga house. The chapter then considers the deeds of Yamashita Sakuzaemon Sadakane.

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"Shared Place and Maimed Bodies: Flesh of the Past, Soul of the Future (or Vice-Versa) in Once Were Warriors." In Shared Waters, 75–81. Brill | Rodopi, 2009. http://dx.doi.org/10.1163/9789042027671_008.

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Conference papers on the topic "Once Were Warriors"

1

STRAZDINA, Vija, Valentina FETERE, Liga FEODOROVA-FEDOTOVA, Janis JASKO, and Olga TREIKALE. "REACTION OF WINTER WHEAT GENOTYPES ON THE YELLOW (STRIPE) RUST PUCCINIA STRIIFORMIS, WES." In RURAL DEVELOPMENT. Aleksandras Stulginskis University, 2018. http://dx.doi.org/10.15544/rd.2017.124.

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Yellow rust, caused by Puccinia striiformis Wes. is one of the most significant diseases constraint to winter wheat production in the world. Since 2011 in Europe have appeared distinct new races – Warrior, Kranich, Warrior (-) that have caused wide epidemics on different cultivars of wheat. Grain yield losses can be prevented by using a combination of varietal resistance and fungicides. Information on wheat variety susceptibility to local yellow (stripe) rust Puccinia striiformis Wes. races can help to reduce the risk of yield losses in high disease pressure situations. Field trials with eight

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