Academic literature on the topic 'One Flew Over the Cuckoos Nest'
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Journal articles on the topic "One Flew Over the Cuckoos Nest"
Quinn, Daniel K. "One Flew over the Cuckoo's Nest." Teaching Sociology 17, no. 1 (January 1989): 122. http://dx.doi.org/10.2307/1317964.
Full textPink, Jim, and Lionel Jacobson. "One Flew Over the Cuckoo's Nest." BMJ 334, no. 7594 (March 22, 2007): 641.2–641. http://dx.doi.org/10.1136/bmj.39157.673102.47.
Full textForman, Milos, and Ron Baard. "ONE FLEW OVER THE CUCKOO’S NEST." Journal of Pastoral Theology 20, no. 1 (July 2010): 106–8. http://dx.doi.org/10.1179/jpt.2010.20.1.007.
Full textAbbara, Aula, and Huda Al-Hadithy. "One Flew Over the Cuckoo's Nest." BMJ 332, Suppl S5 (May 1, 2006): 0605217. http://dx.doi.org/10.1136/sbmj.0605217.
Full textScholten, Willemijn. "One flew over the cuckoo's nest." GZ - Psychologie 11, no. 4 (August 2019): 3. http://dx.doi.org/10.1007/s41480-019-0039-x.
Full textRoach, J. O'N. "Theatre: One Flew Over the Cuckoo's Nest." BMJ 321, no. 7258 (August 12, 2000): 457. http://dx.doi.org/10.1136/bmj.321.7258.457.
Full textNastu, Paul. "Kesey's One Flew Over the Cuckoo's Nest." Explicator 56, no. 1 (January 1997): 48–50. http://dx.doi.org/10.1080/00144949709595251.
Full textCollins, Aidan. "One Flew Over the Cuckoo's Nest: Dean Brooks." British Journal of Psychiatry 210, no. 4 (April 2017): 297. http://dx.doi.org/10.1192/bjp.bp.116.196634.
Full textGold, Stanley. "Book Review: One Flew Over the Cuckoo's Nest." Australian & New Zealand Journal of Psychiatry 37, no. 1 (February 2003): 115–18. http://dx.doi.org/10.1046/j.1440-1614.2003.01128.x.
Full textStagoll, Brian. "Book Review: One Flew Over the Cuckoo's Nest." Australian & New Zealand Journal of Psychiatry 37, no. 1 (February 2003): 118–22. http://dx.doi.org/10.1046/j.1440-1614.2003.t01-1-01128.x.
Full textDissertations / Theses on the topic "One Flew Over the Cuckoos Nest"
Jansson, Julia. "The Monster Behind the Smile : An Analysis of Nurse Ratched’s Character in Kesey’s One flew Over the Cuckoo’s Nest and Wasserman’s One Flew over the Cuckoo’s Nest: A Play in Two Acts." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-35693.
Full textMiller, Liizl Helen. "An Evaluation of the film one flew over the cuckoo's nest as a medium for the training of psychotherapists." Thesis, University of Limpopo (Medunsa Campus), 2010. http://hdl.handle.net/10386/283.
Full textThe aim of the study is to analyse the film One flew over the cuckoo’s nest, from a clinical psychology perspective in order to evaluate the possible use of the film and significant concepts depicted therein in a training context. The objectives of the study are to describe the interactional dynamics of the psychiatric system as depicted in the film, to identify and describe the impact of the systems and/or subsystems on the psychotherapeutic growth of “patients” and to provide suggestions for the training of psychotherapists on the basis of the film and the present research. A qualitative, descriptive research design was used to achieve these aims. This allowed for systematic clinical descriptions by four clinical psychologists to be obtained. The study involved an exploration of relevant literature as well as an indepth study of a specific therapeutic group in interaction as depicted in the film. The film was shown to four clinical psychologists. Their findings were analysed, and common themes in their analyses identified. The researcher came to certain conclusions on the basis of the above-mentioned analyses. The findings of this study seem to indicate that the interactional style of the psychiatric staff, as portrayed in the film, contributed to the deterioration of the psychological well-being of the “patients”, thus inhibiting their psychological growth and promoting psychopathology. In spite of the findings, the researcher wishes to recommend the utilisation of this film as a training medium, on condition that a paradigm shift is made away from the traditional medical/psychiatric approach to a ii systems-based epistemology. This could result in viewing the psychiatric system as a hierarchy of interrelated subsystems-in-interaction, and open up possibilities for a redefinition of the various roles of those involved within the larger system. Further research in this direction is strongly indicated and recommended.
Boo, Paula. "A Destructive Myth of Masculinity : Ken Kesey’s One Flew Over the Cuckoo’s Nest from a Men’s Studies Perspective." Thesis, Högskolan Dalarna, Engelska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-25498.
Full textJarrett, Marcus. "Matricide and the natural man : a study of Mary Shelley's Frankenstein and Ken Kesey's One flew over the Cuckoo's nest /." Title page and introduction only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09arj37.pdf.
Full textMarceau, Catherine. "Socio-sonic control, deviant musicality, and countercultural resistance in Nineteen Eighty-Four, Player Piano, and One Flew Over the Cuckoo's Nest." Master's thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/69914.
Full textThis thesis considers three literary works from the postwar decades in which social control is omnipresent: George Orwell's Nineteen Eighty-Four, Kurt Vonnegut's Player Piano, and Ken Kesey's One Flew Over the Cuckoo's Nest. The analysis posits that these authors depict potential individual and collective responses to socio-sonic control, including conformism and deviance, through the musicality of their characters. My approach, grounded in theorizations related to sociology, musicology, and sound studies, develops a holistic perspective of the soundscapes of modernity that characterize the novels. This theoretical framework allows for an examination of two central notions in the narratives; namely, the institutionalization of sonic cultures for purposes of social control, and the concept of musicality as part of a deviant career. My main argument is that Orwell, Vonnegut, and Kesey present their characters' reception of sound as being doubly tied to their reactions to repression. On one hand, the authors represent music and sound as tools of control produced and used by authoritarian powers. In the novels, such powers enforce socio-sonic norms that support a social system based on the subjugation of the population under a hegemonic ideology. On the other hand, the authors present musicality as means of resistance: they interlink their protagonists' deviant reactions vis-à-vis sound and their countercultural postures. Music and sound are an integral part of Orwell's, Vonnegut's, and Kesey's prose; I argue that, through their portrayals of musicality, they foreground the possibility for individual agency and countercultural resistance to oppose authoritarianism. The thesis offers an innovative approach to the narratives, as its theoretical interdisciplinarity leads to new considerations illuminating the relationship between socio-sonic control and deviant musicality in postwar anti-authoritarian dystopias.
O'Hara, Mark William. "Foucault and Film: Critical Theories and Representations of Mental Illness." Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1415896906.
Full textLing, Peter (Ching Kwun), and 凌清坤. "A Post-Foucauldian Interpretation of Ken Kesey''s One Flew Over the Cuckoo''s Nest." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/20210695357494842758.
Full text國立成功大學
外國語文學系
84
This thesis examines the Foucauldian conceptions of madness as a discursive formation and of power as a circular interaction. Applying Foucault''s power theory to Ken Kesey''s One Flew Over the Cuckoo''s Nest, this thesis firstdeconstrcuts traditional conceptions of sane and insane, and then illustrates the operations of power among characters within Kensey''s novel. Transcending the traditional concept that power is possessed by social elites such as intellectuals or rulers, this thesis emphasizes the productivity and fluidity of power; not only does power produce knowledge, it also produces docile bodies and madness. Likewise, this thesis demonstrates that the concept of madness is a social construct. The thesis then moves to an examination of the power struggles that dominate the dramatic development of Nest. As Foucault discards subjectivity, Faraday''s theory of magnetism is adapted to account for the agency of Nest''s characters in the course of Nest''s power struggles. Furthermore, previous criticism is evaluated in light of Foucault''s power theory and the notion of Foucault''s Governmentality is also used to explicate the novel. Throughout the thesis, a dialectic approach is maintained-- Foucault''s theory and Kesey''s text co-examine one another.
"Voices of resistance: alternative cultures in the Catcher in the rye, One flew over the cuckoo's nest and Generation X." 2004. http://library.cuhk.edu.hk/record=b5892252.
Full textThesis (M.Phil.)--Chinese University of Hong Kong, 2004.
Includes bibliographical references (leaves 121-127).
Abstracts in English and Chinese.
Abstract --- p.i
論文提要 --- p.iii
Acknowledgements --- p.iv
Introduction --- p.1
Chapter Chapter One: --- J.D. Salinger's The Catcher in the Rye --- p.22
Chapter Chapter Two: --- Ken Kesey's One Flew Over the Cuckoo's Nest --- p.49
Chapter Chapter Three: --- Douglas Coupland's Generation X --- p.80
Final Remarks --- p.110
Selected Bibliography --- p.121
Books on the topic "One Flew Over the Cuckoos Nest"
Kesey, Ken. One Flew Over the Cuckoo's Nest. 2nd ed. New York, USA: Penguin Books, 1999.
Find full textKesey, Ken. One Flew Over the Cuckoo's Nest. Thorndike, ME, USA: Thorndike Press, 1994.
Find full textKesey, Ken. One Flew Over the Cuckoo's Nest. 3rd ed. New York: Penguin Books, 1994.
Find full textKesey, Ken. One Flew Over the Cuckoo's Nest. Camberwell, Australia: Penguin Books, 2008.
Find full textKesey, Ken. One Flew Over the Cuckoo's Nest. Edited by John Clark Pratt. 8th ed. New York, USA: Penguin Books, 1996.
Find full textBook chapters on the topic "One Flew Over the Cuckoos Nest"
Neubauer, Paul. "Kesey, Ken: One Flew Over the Cuckoos' Nest." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5623-1.
Full textRosenthal, M. Sara. "Competency and Psychiatry Ethics: One Flew Over the Cuckoo’s Nest (1975)." In Clinical Ethics on Film, 107–30. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90374-3_6.
Full textSimmons, David. "‘Hundred-per-Cent American Con Man’: Character in Ken Kesey’s One Flew Over the Cuckoo’s Nest." In Reassessing the Twentieth-Century Canon, 175–86. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137366016_13.
Full textParsons, Anne E. "Flying the Cuckoo’s Nest." In From Asylum to Prison, 69–97. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640631.003.0004.
Full text"AN UNLOCKED WINDOW: DEVIANCE IN KEN KESEY’S ONE FLEW OVER THE CUCKOO’S NEST." In Opting Out, 103–28. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401208512_008.
Full textFink MD, Max. "The Patient’s Experience." In Electroconvulsive Therapy. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195365740.003.0006.
Full textSimmons, Alan H. "15. One Flew Over the Hippo's Nest: Extinct Pleistocene Fauna, Early Man, and Conservative Archaeology in Cyprus." In Perspectives on the Past, edited by Geoffrey A. Clark. Philadelphia: University of Pennsylvania Press, 1991. http://dx.doi.org/10.9783/9781512801811-017.
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