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Journal articles on the topic 'One Hundred Years of Solitude'

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1

Christ, Ronald. "One Hundred Years of Solitude." Review: Literature and Arts of the Americas 50, no. 2 (July 3, 2017): 250–52. http://dx.doi.org/10.1080/08905762.2017.1415009.

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2

Runyon, Carl R. "Márquez's One Hundred Years of Solitude." Explicator 63, no. 2 (January 2005): 105–7. http://dx.doi.org/10.1080/00144940509596908.

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3

Fountain, Ben. "One Hundred Million Years of Solitude." Sewanee Review 125, no. 4 (2017): 776–808. http://dx.doi.org/10.1353/sew.2017.0062.

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4

Minta, Stephen, and Michael Wood. "García Márquez: One Hundred Years of Solitude." Bulletin of Latin American Research 10, no. 1 (1991): 115. http://dx.doi.org/10.2307/3338592.

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5

Lvovich, Natasha. "One Hundred Years of Solitude in Moscow." New Writing 6, no. 2 (July 2009): 97–104. http://dx.doi.org/10.1080/14790720903215232.

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6

Martin, Gerald. "One Hundred Years of Solitude: Before and After." Review: Literature and Arts of the Americas 50, no. 2 (July 3, 2017): 154–61. http://dx.doi.org/10.1080/08905762.2017.1414550.

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7

Corwin, Jay. "One Hundred Years of Solitude, Indigenous Myth, and Meaning." Theory in Action 6, no. 1 (January 31, 2013): 112–26. http://dx.doi.org/10.3798/tia.1937-0237.13006.

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8

Deveny, John J., and Juan Manuel Marcos. "Women and Society in One Hundred Years of Solitude." Journal of Popular Culture 22, no. 1 (June 1988): 83–90. http://dx.doi.org/10.1111/j.0022-3840.1988.2201_83.x.

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9

Halka, Chester S. "One Hundred Years of Solitude : Two Additional Translation Corrections." Journal of Modern Literature 24, no. 1 (2000): 173–75. http://dx.doi.org/10.1353/jml.2000.0026.

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10

Juan-Navarro, Santiago, and Gene Bell-Villada. "Gabriel García Márquez's "One Hundred Years of Solitude": A Casebook." Hispania 87, no. 1 (March 1, 2004): 77. http://dx.doi.org/10.2307/20062985.

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11

Castaneda, James A., Maria Elena de Valdes, and Mario J. Valdes. "Approaches to Teaching Garcia Marquez's One Hundred Years of Solitude." Modern Language Journal 76, no. 3 (1992): 440. http://dx.doi.org/10.2307/330214.

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12

Fiddian, Robin W., Maria Elena de Valdes, and Mario J. Valdes. "Approaches to Teaching Garcia Marquez's 'One Hundred Years of Solitude'." Modern Language Review 88, no. 1 (January 1993): 245. http://dx.doi.org/10.2307/3730873.

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13

Chotiudompant, Suradech. "Decolonization and Demystification: One Hundred Years of Solitude and Nationhood." MANUSYA 6, no. 3 (2003): 68–87. http://dx.doi.org/10.1163/26659077-00603004.

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This essay aims to explore how the interconnected issues of nationhood and national identity are treated in Gabriel García Márquez's novel Cien años de soledad (One Hundred Years of Solitude). Through a discussion of the two basic yet complex themes of reality and history set against the exclusive backdrop of Colombian history, it is also intended to show how the author reinscribes the myth of nationhood by decentering what Jean-François Lyotard terms the metanarratives of the West, while simultaneously demystifying the monolithic concept of national identity in this work.
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14

McMurray, George R., María Elena de Valdés, Mario J. Valdés, Maria Elena de Valdes, and Mario J. Valdes. "Approaches to Teaching García Márquez's "One Hundred Years of Solitude"." Hispania 75, no. 1 (March 1992): 101. http://dx.doi.org/10.2307/344749.

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15

Adam, Alfred Mac, and Michael Wood. "Garcia Marquez: One Hundred Years of Solitude. Landmarks of World Literature." Hispanic Review 59, no. 4 (1991): 492. http://dx.doi.org/10.2307/473366.

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16

Giordano, Enrique A. "Play and Playfulness in Garcia Marquez' "One Hundred Years of Solitude"." Rocky Mountain Review of Language and Literature 42, no. 4 (1988): 217. http://dx.doi.org/10.2307/1346974.

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17

Shlykov, Vitaly. "Russian Army and the World Experience: One Hundred Years of Solitude." Journal of Political Theory, Political Philosophy and Sociology of Politics Politeia 20, no. 2 (2001): 5–43. http://dx.doi.org/10.30570/2078-5089-2001-20-2-5-43.

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18

Villegas, Santiago Nahuel. "One hundred years of Drosophila cancer research: no longer in solitude." Disease Models & Mechanisms 12, no. 4 (April 1, 2019): dmm039032. http://dx.doi.org/10.1242/dmm.039032.

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19

Kapoor, Dr Sheetal. "One Hundred Years of Solitude-The Story of Mankind Re-visited." International Journal of English Literature and Social Sciences 6, no. 2 (2021): 230–34. http://dx.doi.org/10.22161/ijels.62.33.

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20

PONTIERO, GIOVANNI. "Michael Wood, "Gabriel García Márquez: One Hundred Years of Solitude" (Book Review)." Bulletin of Hispanic Studies 69, no. 4 (October 1992): 401. http://dx.doi.org/10.3828/bhs.69.4.401.

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21

Ryan, Jonathon. "Problematic Communication and Theories of Language in One Hundred Years of Solitude." Theory in Action 6, no. 1 (January 31, 2013): 93–111. http://dx.doi.org/10.3798/tia.1937-0237.13005.

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22

Bolaños-Cuéllar, Sergio. "The Russian Retranslation of Gabriel García Márquez’s One Hundred Years of Solitude." Mutatis Mutandis. Revista Latinoamericana de Traducción 11, no. 2 (2018): 278–99. http://dx.doi.org/10.17533/udea.mut.v11n2a01.

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23

Shumylovych, Bohdan. "One Hundred Years of Solitude: Meditating on Tarik Amar’s Book on Lviv." Nationalities Papers 48, no. 6 (May 13, 2020): 1086–89. http://dx.doi.org/10.1017/nps.2019.134.

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24

Ceulemans, Cédric, Victor Ginsburgh, Juan Prieto-Rodriguez, and Sheila Weyers. "One hundred years of solitude: Bestsellers in the United States, 1900–1999." Poetics 79 (April 2020): 101422. http://dx.doi.org/10.1016/j.poetic.2019.101422.

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25

Rascovsky, K., M. E. Growdon, I. R. Pardo, S. Grossman, and B. L. Miller. "'The quicksand of forgetfulness': semantic dementia in One Hundred Years of Solitude." Brain 132, no. 9 (May 15, 2009): 2609–16. http://dx.doi.org/10.1093/brain/awp100.

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26

Rueda, María Helena. "One Hundred Years of Solitude: From Colombia to the World and Back." Review: Literature and Arts of the Americas 50, no. 2 (July 3, 2017): 170–77. http://dx.doi.org/10.1080/08905762.2017.1414554.

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27

Jaffar Shah, Ghulam Rasool, and Zia-ur-Rehman. "Magic Realism: An Overview of Gabriel Garcia Marquezs’ One Hundred Years of Solitude." Al-Burz 11, no. 1 (December 25, 2019): 21–31. http://dx.doi.org/10.54781/abz.v11i1.57.

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Magic Realism refers to the method of describing reality in a mythical, magical and supernatural version of the indigenous cultures. This paper highlights the significance of the tool of Magic Realism with reference to Gabriel Garcia Marquez’s One Hundred Years of Solitude as a fantastic literary form employed by the writer to present his culture, society and political history. Reality combined with magical elements, this paper has Magic Realism as theoretical framework to prove how Gabriel Garcia Marquez manipulates this tool to tell the reality of his national history, colonialism, and post-colonialism period. Employing the tool of Magic Realism, the writing is all about troubles, loss and death in the Colombia. The intention is to combine fantastic in order to present his Colombia, where myths and modern inventions are part of the same environment; where the indigenous culture has not been subdued by the advent of modern technology. The writer of the novel also wants his people to acquire true knowledge in lieu of mere imitation of the West. The main source of the data in this paper was literature review that helped identify the gap. This paper is meant to bridge the gap identified through the literature. The specific objective is to ascertain as to how Magic Realism has been employed by Gabriel Garcia Marquez in One Hundred Years of Solitude so as to stick to the truth of his national history.
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28

Grigore, Rodica. "Truth, History and Myth in Gabriel García Márquez’s One Hundred Years of Solitude." Theory in Action 6, no. 1 (January 31, 2013): 50–73. http://dx.doi.org/10.3798/tia.1937-0237.13003.

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29

Strelkov, Petr, Natalia Shunatova, Mikhail Fokin, Nikolay Usov, Mikhail Fedyuk, Sergey Malavenda, Olga Lubina, Alexey Poloskin, and Sergei Korsun. "Marine Lake Mogilnoe (Kildin Island, the Barents Sea): one hundred years of solitude." Polar Biology 37, no. 3 (November 30, 2013): 297–310. http://dx.doi.org/10.1007/s00300-013-1431-4.

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30

Leonavičiūtė, Gabija, and Dovilė Kuzminskaitė. "Culture-Specific Items’ Translation Into Lithuanian: “One Hundred Years of Solitude” By Gabriel García Márquez." Sustainable Multilingualism 18, no. 1 (May 1, 2021): 185–209. http://dx.doi.org/10.2478/sm-2021-0009.

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Summary Growing interest in Spanish-speaking countries in Lithuania leads to the increased number of translations of Spanish and Latin American literature. Therefore, it is important to analyse translations from Spanish into Lithuanian and vice versa to improve the quality of translation work. One of the most difficult elements to translate are culture-specific items that reveal cultural uniqueness. The novel “One Hundred Years of Solitude” by Gabriel García Márquez contains many culture-specific items related to Colombia, that could be difficult to translate. This article aims to analyse and compare translation strategies of culture-specific items from Spanish into Lithuanian, which were used in 1972 by Elena Treinienė and in 2017 by Valdas V. Petrauskas, to translate the novel “One Hundred Years of Solitude”. Firstly, this article defines the concepts of cultural elements and culture-specific items. It also discusses the classification of culture-specific items based on the works of Eugene Nida, Peter Newmark, Sergej Vlahov, Sider Florin and Laura Santamaria Guinot. Furthermore, this article describes translation strategies of culture-specific items emphasized by Amparo Hurtado Albir, Eirlys Davies, Georges L. Bastin and Pekka Kujamäki. In this research, culture-specific items are counted and described using Santamaria Guinot’s classification, which allows to claim that there are 69 different culture-specific items in “One Hundred Years of Solitude” and they are reflected by 252 examples in the text. These culture-specific items are related with concepts of ecology, social structures, cultural institutions, social universe and material culture. The most common ones are culture-specific items from the category of ‘material culture’. The results of the research allow distinguishing six translation strategies, used in different frequency: transcription, equivalence of situations, actualisation, usage of exoticism, extension and explication, and omission. Both Lithuanian translators Treinienė and Petrauskas mainly used strategies of transcription and equivalence of situations. The analysis of the translation of culture-specific items was performed using the methods of quantitative, comparative, and descriptive translation analysis.
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31

POSADA-CARBÓ, EDUARDO. "Fiction as History: The bananeras and Gabriel García Márquez's One Hundred Years of Solitude." Journal of Latin American Studies 30, no. 2 (May 1998): 395–414. http://dx.doi.org/10.1017/s0022216x98005094.

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This article, inspired by a TV interview with the Nobel Prize-winner Gabriel García Márquez, revises the ways that the fiction in One Hundred Years of Solitude has been accepted as history. In particular, it raises some questions about how literary critics and historians have accepted as history García Márquez's rendition of the events during the strike that took place in Colombia in 1928. It examines the repressive nature of the Colombian regime and of the strike itself; it also examines the idea that following the strike there was a sort of ‘conspiracy of silence’ to erase the truth from the nation's history.
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32

Salinardi, Paula. "Álvaro Santana Acuña, Ascent to Glory. How One Hundred Years of Solitude Was Written and Became a Global Classic. Nueva York, Columbia University Press, 2020, 370 páginas." Orbis Tertius 26, no. 33 (May 3, 2021): e206. http://dx.doi.org/10.24215/18517811e206.

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33

Jupp, James C. "The Necessity of the Literary Tradition: Gabriel García Márquez's "One-Hundred Years of Solitude"." English Journal 89, no. 3 (January 2000): 113. http://dx.doi.org/10.2307/822107.

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34

Mondal, Samaresh. "One Hundred Years of Solitude: Reading Magic Realism and Alienation in their different aspects." Litinfinite Journal 1, no. 1 (July 2, 2019): 70. http://dx.doi.org/10.47365/litinfinite.1.1.2019.70-77.

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35

Diler, Hatice Elif. "Gabriel García Márquez’s One Hundred Years of Solitude as a Grotesque Magical Realist Text." International Journal of Social Sciences and Education Research 1, no. 2 (April 1, 2015): 489. http://dx.doi.org/10.24289/ijsser.106442.

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36

Roy, Shaibal Dev. "The Sources of Magic Realism in One Hundred Years of Solitude of Gabriel Garcia Marquez." Stamford Journal of English 7 (April 7, 2013): 252–62. http://dx.doi.org/10.3329/sje.v7i0.14477.

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37

Santana-Acuña, Alvaro. "How a literary work becomes a classic: The case of One Hundred Years of Solitude." American Journal of Cultural Sociology 2, no. 1 (February 2014): 97–149. http://dx.doi.org/10.1057/ajcs.2013.16.

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38

Swanson, Philip. "Pop Goes the Boom: One Hundred Years of Solitude and the Latin American New Novel." Review: Literature and Arts of the Americas 53, no. 2 (July 2, 2020): 280–87. http://dx.doi.org/10.1080/08905762.2020.1819024.

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39

Columbus, Claudette Kemper. "The Heir Must Die: One Hundred Years of Solitude as a Gothic Novel." MFS Modern Fiction Studies 32, no. 3 (1986): 397–416. http://dx.doi.org/10.1353/mfs.0.0157.

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40

Chorna, N. V. "Magical Realism: Language World Picture in the novel «One Hundred Years of Solitude» of Gabriel Garcia Márquez." Science and Education a New Dimension IX(257), no. 75 (September 25, 2021): 21–26. http://dx.doi.org/10.31174/send-ph2021-257ix75-04.

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The article focuses on the study of language world picture of the magical realism discourse in the novel «One Hundred Years of Solitude» of Gabriel Garcia Marquez. The magical realism discourse depicts a realistic view of the modern world through the prism of mythological way of thinking and supplements mysterious, farial and mystical elements. The main conceptual characteristics of magical realism discourse are considered to be: fantastical elements, unity of reality and magic, possible words, mythical chronotope, author’s reticence, hyperbolization of the secret and metadiscourse
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41

Abdullah, Abu Shahid. "Rewriting rural community and dictatorial history through magical realism in Márquez’s One Hundred Years of Solitude." Journal of Language and Cultural Education 3, no. 2 (May 1, 2015): 55–65. http://dx.doi.org/10.1515/jolace-2015-0014.

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Abstract Márquez was greatly influenced by his grandmother’s story-telling ability, and was highly indebted to the socio-political history of Latin America, particularly Colombia. In One Hundred Years of Solitude, he wants to reconstruct the lost world of childhood by using magical realism which gives expression to the world-view of a rural people who live in isolation from modern world. By retelling the official history from the perspective of the oppressed, he reveals the fact that history is never factual and impartial but serves the interest of those who write it. Through the banana company massacre and the subsequent hide and seek over the number of dead workers, Márquez exposes the way official history becomes fabricated and distorted by authorities, and fails to provide the original occurrences. He was disgusted with the political violence and civil wars which had distraught people; he was also against capitalism, scientific and technological inventions, and so-called modernization, which are the means through which foreign culture brings corruption and brutality, dominates, exploits and oppresses the natives, and threatens the native culture and identity. By employing magical realism, he was able to recreate Colombian history to protest against the way capitalism dominated the socio-political and economic structure of the region.
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42

Želinský, Dominik. "Ascent to Glory: How One Hundred Years of Solitude Was Written and Became a Global Classic." Journal of Cultural Analysis and Social Change 5, no. 2 (December 18, 2020): 15. http://dx.doi.org/10.20897/jcasc/9325.

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43

Hussair, Narghese. "A Comparitive Study of Magical Realism in One Hundred Years of Solitude and the Legends of Khasak." SMART MOVES JOURNAL IJELLH 8, no. 7 (July 27, 2020): 212–19. http://dx.doi.org/10.24113/ijellh.v8i7.10676.

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Macondo like Malgudi, a fictional town created by the Latin American novelist Gabriel Garcia Marquez in his magnum opus One Hundred Years of Solitude with its cosmic spirituality and surreal characters lies deep-hearted in the minds of literary lovers all over the world. But far away from Colombian hills and miles apart from its vast seas lies Vijayan’s Khasak. A fine work of magical realism which changed the trajectory of Malayalam novel that got lost in translation like many other great works of Malayalam literature. This paper attempts to critically analyze both these novels in their socio-cultural and post-colonial perspectives and how they contribute to the genre of magical realism.
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44

Pecoits-Filho, Roberto, and Gabriel García Márquez. "Introduction." Peritoneal Dialysis International: Journal of the International Society for Peritoneal Dialysis 27, no. 3 (May 2007): 314–15. http://dx.doi.org/10.1177/089686080702700320.

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A new and sweeping utopia of life, where no one will be able to decide for others how they die, where love will prove true and happiness be possible, and where the races condemned to one hundred years of solitude will have, at last and forever, a second opportunity on earth.
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45

Aysel Talibova Saleh. "PROPER NAMES IN G. G. MARQUEZ’S NOVEL “ONE HUNDRED YEARS OF SOLITUDE” AS BEARERS OF AUTHOR MISSION." International Academy Journal Web of Scholar, no. 2(44) (February 28, 2020): 22–25. http://dx.doi.org/10.31435/rsglobal_wos/28022020/6913.

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The article is about proper names that are found in the work “One Hundred Years of Solitude” by Gabriel Garcia Marquez. The literary- ideological relation between the semantic and etymological meanings these names contain and the characters and activities of the images that are bearers of those names has been investigated. The names that have this kind of symbolic meanings are mainly toponyms and anthroponyms in the work. Firstly, the research about the meanings and historical originalities of those names has been carried out, then the relations between their literary missions and this information have been analyzed in the article. Almost all toponyms and anthroponyms have mystical- symbolic meanings in the work. The article contains the research basically about a toponym (Macondo), an ethnonym (gypsy), 3 anthroponyms (José, Úrsula, Melquíades).
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46

Yin, Jiaqi. "An Interpretation of Female Images in <i>One Hundred Years of Solitude</i>." International Journal of Literature and Arts 6, no. 1 (2018): 14. http://dx.doi.org/10.11648/j.ijla.20180601.13.

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47

Friesen, Maren L., and Katy D. Heath. "One hundred years of solitude: integrating single-strain inoculations with community perspectives in the legume-rhizobium symbiosis." New Phytologist 198, no. 1 (January 30, 2013): 7–9. http://dx.doi.org/10.1111/nph.12173.

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48

Poniatowska, Elena. "Gabriel García Márquez: “I Tore Up All the Drafts of One Hundred Years of Solitude out of Modesty”." Review: Literature and Arts of the Americas 50, no. 2 (July 3, 2017): 214–17. http://dx.doi.org/10.1080/08905762.2017.1414567.

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49

Conniff, Brian. "The Dark Side of Magical Realism: Science, Oppression, and Apocalypse in One Hundred Years of Solitude." MFS Modern Fiction Studies 36, no. 2 (1990): 167–79. http://dx.doi.org/10.1353/mfs.0.0821.

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50

Tzoupis, Damianos. "Book Review: Ascent to Glory: How One Hundred Years of Solitude was Written and Became a Global Classic." Cultural Sociology 15, no. 3 (March 3, 2021): 455–57. http://dx.doi.org/10.1177/17499755211000277.

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