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Journal articles on the topic 'One Hundred Years of Solitude'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Christ, Ronald. "One Hundred Years of Solitude." Review: Literature and Arts of the Americas 50, no. 2 (2017): 250–52. http://dx.doi.org/10.1080/08905762.2017.1415009.

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2

Runyon, Carl R. "Márquez's One Hundred Years of Solitude." Explicator 63, no. 2 (2005): 105–7. http://dx.doi.org/10.1080/00144940509596908.

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3

Fountain, Ben. "One Hundred Million Years of Solitude." Sewanee Review 125, no. 4 (2017): 776–808. http://dx.doi.org/10.1353/sew.2017.0062.

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4

Schmitt, Oliver Jens. "Hundert Jahre Einsamkeit." osteuropa 69, no. 6-8 (2019): 7–35. http://dx.doi.org/10.35998/oe-2019-0008.

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5

Irshad, Dr Saira, and Ayesha Sahar. "The Novel “One Hundred Years of Solitude”: In the context of Urdu Translations." Noor e Tahqeeq 8, no. 04 (2024): 57–74. https://doi.org/10.54692/nooretahqeeq.2024.08042290.

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Gabriel García Márquez's novel One Hundred Years of Solitude is a literary masterpiece, brimming with a wealth of concepts and profound insights. This iconic work has been translated into numerous languages across the globe. In Urdu, Zeenat Hussain and Naeem Klasra have rendered this masterpiece with remarkable linguistic finesse, selecting the most fitting words to convey its essence. However, the distinct approaches of the two translators become evident, highlighting differences shaped by their individual perspectives and literary backgrounds. While both translations demonstrate exceptional

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6

Minta, Stephen, and Michael Wood. "García Márquez: One Hundred Years of Solitude." Bulletin of Latin American Research 10, no. 1 (1991): 115. http://dx.doi.org/10.2307/3338592.

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7

Lvovich, Natasha. "One Hundred Years of Solitude in Moscow." New Writing 6, no. 2 (2009): 97–104. http://dx.doi.org/10.1080/14790720903215232.

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8

Martin, Gerald. "One Hundred Years of Solitude: Before and After." Review: Literature and Arts of the Americas 50, no. 2 (2017): 154–61. http://dx.doi.org/10.1080/08905762.2017.1414550.

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9

Corwin, Jay. "One Hundred Years of Solitude, Indigenous Myth, and Meaning." Theory in Action 6, no. 1 (2013): 112–26. http://dx.doi.org/10.3798/tia.1937-0237.13006.

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10

Halka, Chester S. "One Hundred Years of Solitude : Two Additional Translation Corrections." Journal of Modern Literature 24, no. 1 (2000): 173–75. http://dx.doi.org/10.1353/jml.2000.0026.

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11

Deveny, John J., and Juan Manuel Marcos. "Women and Society in One Hundred Years of Solitude." Journal of Popular Culture 22, no. 1 (1988): 83–90. http://dx.doi.org/10.1111/j.0022-3840.1988.2201_83.x.

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12

Abdulla, Ebtesam, Amit Agrawal, Rafael Cincu, Tariq Janjua, and Luis Rafael Moscote-Salazar. "Harassment in Academic Medicine: One Hundred Years of Solitude." Nepal Journal of Neuroscience 20, no. 1 (2023): 84–85. http://dx.doi.org/10.3126/njn.v20i1.51025.

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There are dozens of cases of harassment and bullying in academic medicine that are hidden in the most hidden drawers. Harassment in academic medicine is an accepted and widely recognized problem. As a common pattern, the protagonists are always someone with power against people with a lower hierarchy. Abuse in any of its forms, be it physical, moral, or academic, ends up affecting the student's performance and behavior. It should be considered an unacceptable and punishable pattern in any academic setting.

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13

Satrih, Satrih. "SOCIAL CRITIQUE IN GABRIEL GARCIA MARQUEZ’S "ONE HUNDRED YEARS OF SOLITUDE"." Seshiski: Southeast Journal of Language and Literary Studies 1, no. 1 (2021): 75–91. http://dx.doi.org/10.53922/seshiski.v1i1.16.

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The development of nations can be measured from the kind of readings and the level of appreciation of their societies towards science, art, and literature. Hence, the researcher conducted research on social critique in Gabriel Garcia Marquez’s novel One Hundred Years of Solitude to give a description of the social critique revealed in the novel. The research used a sociological approach known as Marxist criticism, which relates to theories of class conﬂict supported by the social background of Colombian society. It answers the research question, what are the social critiques submitted by Gabri

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14

Castaneda, James A., Maria Elena de Valdes, and Mario J. Valdes. "Approaches to Teaching Garcia Marquez's One Hundred Years of Solitude." Modern Language Journal 76, no. 3 (1992): 440. http://dx.doi.org/10.2307/330214.

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15

Fiddian, Robin W., Maria Elena de Valdes, and Mario J. Valdes. "Approaches to Teaching Garcia Marquez's 'One Hundred Years of Solitude'." Modern Language Review 88, no. 1 (1993): 245. http://dx.doi.org/10.2307/3730873.

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16

Juan-Navarro, Santiago, and Gene Bell-Villada. "Gabriel García Márquez's "One Hundred Years of Solitude": A Casebook." Hispania 87, no. 1 (2004): 77. http://dx.doi.org/10.2307/20062985.

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17

McMurray, George R., María Elena de Valdés, Mario J. Valdés, Maria Elena de Valdes, and Mario J. Valdes. "Approaches to Teaching García Márquez's "One Hundred Years of Solitude"." Hispania 75, no. 1 (1992): 101. http://dx.doi.org/10.2307/344749.

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18

Chotiudompant, Suradech. "Decolonization and Demystification: One Hundred Years of Solitude and Nationhood." MANUSYA 6, no. 3 (2003): 68–87. http://dx.doi.org/10.1163/26659077-00603004.

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This essay aims to explore how the interconnected issues of nationhood and national identity are treated in Gabriel García Márquez's novel Cien años de soledad (One Hundred Years of Solitude). Through a discussion of the two basic yet complex themes of reality and history set against the exclusive backdrop of Colombian history, it is also intended to show how the author reinscribes the myth of nationhood by decentering what Jean-François Lyotard terms the metanarratives of the West, while simultaneously demystifying the monolithic concept of national identity in this work.

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19

Jaafar, Jihad. "Magical Realism in Garcia's "One Hundred Years of Solitude " as a Reflection of the Political Climate." International Journal of Language and Literary Studies 5, no. 1 (2023): 346–57. http://dx.doi.org/10.36892/ijlls.v5i1.1249.

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This article explores the use of magical realism in Gabriel Garcia Marquez's seminal novel, "One Hundred Years of Solitude," and its reflection on the political climate of Latin America during the time of its publication. Through an analysis of the novel's magical elements and their relation to historical events, the article argues that Marquez's use of magical realism is not merely a stylistic device, but rather a political statement on the social and political realities of Latin America. The article further examines the impact of "One Hundred Years of Solitude" on the literary and political

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20

Kapoor, Dr Sheetal. "One Hundred Years of Solitude-The Story of Mankind Re-visited." International Journal of English Literature and Social Sciences 6, no. 2 (2021): 230–34. http://dx.doi.org/10.22161/ijels.62.33.

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21

Adam, Alfred Mac, and Michael Wood. "Garcia Marquez: One Hundred Years of Solitude. Landmarks of World Literature." Hispanic Review 59, no. 4 (1991): 492. http://dx.doi.org/10.2307/473366.

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22

Shlykov, Vitaly. "Russian Army and the World Experience: One Hundred Years of Solitude." Journal of Political Theory, Political Philosophy and Sociology of Politics Politeia 20, no. 2 (2001): 5–43. http://dx.doi.org/10.30570/2078-5089-2001-20-2-5-43.

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23

Giordano, Enrique A. "Play and Playfulness in Garcia Marquez' "One Hundred Years of Solitude"." Rocky Mountain Review of Language and Literature 42, no. 4 (1988): 217. http://dx.doi.org/10.2307/1346974.

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24

Villegas, Santiago Nahuel. "One hundred years of Drosophila cancer research: no longer in solitude." Disease Models & Mechanisms 12, no. 4 (2019): dmm039032. http://dx.doi.org/10.1242/dmm.039032.

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25

Tangestani, Elahe, Mojgan Eyvazi, and Shirin Pourebrahim. "Elements of postmodernism in One Hundred Years of Solitude by G.G.Marquez." European Journal of English Language and Literature Studies 11, no. 6 (2023): 11–22. http://dx.doi.org/10.37745/ejells.2013/vol11n61122.

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Gabriel Garcia Marquez is considered as one of the greatest postmodern writers who has inspired innumerable authors throughout the world. His peculiar utilization of postmodern elements has been subject of investigation in the study with critical emphasis on: fragmentation, lack of identity and juxtaposition of two disparate cultures. Theories for the present study is a combination of Nunberg (1990) and Briscoe (1995). Employing descriptive analytical method, three aforementioned elements dabbled in previous are discussed and arrayed by explanation and instances from the text. The results reve

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26

Koch, Bonojyotsna. "Magic Realism: Representations in One Hundred Years of Solitude and Shame." International Journal of English Literature and Social Sciences 10, no. 3 (2025): 755–61. https://doi.org/10.22161/ijels.103.104.

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Magic Realism is a literary genre which comprises magical or supernatural elements with the narrative representing the events as something mundane and realistic without inviting the question of improbability and allowing the readers to question reality itself. Ambiguous in its articulation and innovative in its style, magic realism has been employed by several writers across different regions and is considered to be one of the most experimental and popular literary genres. This study explores two texts namely Gabriel Garcia Marquez’s One Hundred Years of Solitude and Salman Rushdie’s Shame and

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27

PESSOA, MARCELO. "UMA TRILHA SONORA PARA A OBRA CEM ANOS DE SOLIDÃO." Revista AKEDIA - Versões, Negligências e Outros Mundos 15 (2023): 79–102. http://dx.doi.org/10.33726/akdpapers2447-7656v15y9in2023p79a102.

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The work examines the possibility of applying the concept of chronicle-song to a novelistic substrate, called One Hundred Years of Solitude (MÁRQUEZ, 1967). The purpose of the text focuses on two aspects: one, to give the reader more fluid access to a concept that was longer and more densely developed during the master's (2003) and doctoral (2010) course. Another, to present a different possibility of applying the concept 'chronicle-song' to the genre 'novel', an approach not initially foreseen in the main bibliographic contributions that support our research (PESSOA, 2013/2014/2020 a&b).

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28

Pessoa, Marcelo. "Cem Anos de Solidão e Viver para Contar, de Gabriel García Márquez: expressões de identidade sociocultural latinoamericana." Revista AKEDIA - Versões, Negligências e Outros Mundos 897 (2011): 01–13. http://dx.doi.org/10.33726/abralicandakdpub9788598402079v897a2011p01a13.

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Our work investigates post-colonialism categories in the works One Hundred Years of Solitude and Live to Count. The pillars of our search are fictional and biographical images constituents of the works in question. Such references are focused as expressions sociocultural aspects of the Latin American people. Our interest in the work One Hundred Years of Solitude, by Gabriel García Márquez, is related to the fact that this literary production represents strong elements of contemporary Latin American context. Likewise, we realize that the author, in the literary manifestation of signs of Latinit

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29

Bolaños-Cuéllar, Sergio. "The Russian Retranslation of Gabriel García Márquez’s One Hundred Years of Solitude." Mutatis Mutandis. Revista Latinoamericana de Traducción 11, no. 2 (2018): 278–99. http://dx.doi.org/10.17533/udea.mut.v11n2a01.

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30

PONTIERO, GIOVANNI. "Michael Wood, "Gabriel García Márquez: One Hundred Years of Solitude" (Book Review)." Bulletin of Hispanic Studies 69, no. 4 (1992): 401. http://dx.doi.org/10.3828/bhs.69.4.401.

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31

Ryan, Jonathon. "Problematic Communication and Theories of Language in One Hundred Years of Solitude." Theory in Action 6, no. 1 (2013): 93–111. http://dx.doi.org/10.3798/tia.1937-0237.13005.

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32

Rascovsky, K., M. E. Growdon, I. R. Pardo, S. Grossman, and B. L. Miller. "'The quicksand of forgetfulness': semantic dementia in One Hundred Years of Solitude." Brain 132, no. 9 (2009): 2609–16. http://dx.doi.org/10.1093/brain/awp100.

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33

Shumylovych, Bohdan. "One Hundred Years of Solitude: Meditating on Tarik Amar’s Book on Lviv." Nationalities Papers 48, no. 6 (2020): 1086–89. http://dx.doi.org/10.1017/nps.2019.134.

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34

Ceulemans, Cédric, Victor Ginsburgh, Juan Prieto-Rodriguez, and Sheila Weyers. "One hundred years of solitude: Bestsellers in the United States, 1900–1999." Poetics 79 (April 2020): 101422. http://dx.doi.org/10.1016/j.poetic.2019.101422.

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35

Rueda, María Helena. "One Hundred Years of Solitude: From Colombia to the World and Back." Review: Literature and Arts of the Americas 50, no. 2 (2017): 170–77. http://dx.doi.org/10.1080/08905762.2017.1414554.

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36

Kuchukova, Zukhra A., Liana B. Berberova, and Ayna A. Khadzieva. "Marquez's novel “One Hundred Years of Solitude”: The experience of discursive analysis." Philological Sciences. Scientific Essays of Higher Education, no. 6s (November 2023): 95–105. http://dx.doi.org/10.20339/phs.6s-23.095.

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The object of the study is the novel “One Hundred Years of Solitude” by the Colombian writer Gabriel Garcia Marquez, which is considered one of the most complex works in world literature due to the many repetitive anthroponyms and bizarre expressive means due to the poetics of magical realism. A rationalized literary analysis is carried out, aimed at identifying and explaining the philosophical, anthropocentric message of the text, ‘cleared’ from mythopoetic layers. The main discursive, problem-thematic lines that predetermine the systemic crisis of society and the ‘end of the world’ are ident

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37

Jain, Indu. "Malleable Time and Magic Realism in Marquez’s One Hundred Years of Solitude." International Journal of Research in Social Sciences and Humanities 15, no. 1 (2025): 11–13. https://doi.org/10.37648/ijrssh.v15i01.002.

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Time is often characterised as an unseen element, ephemeral and yet ever present in the background to any narrative, wherein the action unfolds in the foreground. However, in the hands of a masterful writer like Gabriel Garcia Marquez, it becomes malleable and prone to manipulation, such that it becomes a key element in the novel. In one of the most celebrated books by Marquez—One Hundred Years of Solitude (1967), the unending quality of South American Dictatorship is articulated through a novelised version of time where any distinction between the past and present disappears. It reorganises t

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38

Zainab Amir, Dr. Zahida Hussain, and Maham Noor . "THE ECHOES OF THE WORLD: LEXICAL BORROWING AND CULTURAL EXCHANGE IN MARQUEZ, ONE HUNDRED YEARS OF SOLITUDE." Journal for Current Sign 3, no. 2 (2025): 109–24. https://doi.org/10.63075/jcs.v3i2.136.

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Language functions beyond basic communication because it reflects both historical elements and power structures that unite with cultural traditions. Throughout One Hundred Years of Solitude, Gabriel García Márquez combines Spanish indigenous languages and African dialects with English vocabulary in his story creation. The paper employs William Labov’s Sociolinguistic Variation Theory (1966) to examine how borrowed lexical items display Macondo’s evolving social order together with its colonial relationships and economic transformations. According to Labov, language variation is influenced by h

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39

Jaffar Shah, Ghulam Rasool, and Zia-ur-Rehman. "Magic Realism: An Overview of Gabriel Garcia Marquezs’ One Hundred Years of Solitude." Al-Burz 11, no. 1 (2019): 21–31. http://dx.doi.org/10.54781/abz.v11i1.57.

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Magic Realism refers to the method of describing reality in a mythical, magical and supernatural version of the indigenous cultures. This paper highlights the significance of the tool of Magic Realism with reference to Gabriel Garcia Marquez’s One Hundred Years of Solitude as a fantastic literary form employed by the writer to present his culture, society and political history. Reality combined with magical elements, this paper has Magic Realism as theoretical framework to prove how Gabriel Garcia Marquez manipulates this tool to tell the reality of his national history, colonialism, and post-

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40

Li, Xuankun, and David K. Yeates. "One hundred years of solitude ended: A second species of Marmasoma White, 1916 (Diptera, Bombyliidae, Bombyliinae, Eclimini) from Australia." Zootaxa 4420, no. 1 (2018): 34–42. https://doi.org/10.11646/zootaxa.4420.1.2.

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Li, Xuankun, Yeates, David K. (2018): One hundred years of solitude ended: A second species of Marmasoma White, 1916 (Diptera, Bombyliidae, Bombyliinae, Eclimini) from Australia. Zootaxa 4420 (1): 34-42, DOI: 10.11646/zootaxa.4420.1.2

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41

Leonavičiūtė, Gabija, and Dovilė Kuzminskaitė. "Culture-Specific Items’ Translation Into Lithuanian: “One Hundred Years of Solitude” By Gabriel García Márquez." Sustainable Multilingualism 18, no. 1 (2021): 185–209. http://dx.doi.org/10.2478/sm-2021-0009.

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Summary Growing interest in Spanish-speaking countries in Lithuania leads to the increased number of translations of Spanish and Latin American literature. Therefore, it is important to analyse translations from Spanish into Lithuanian and vice versa to improve the quality of translation work. One of the most difficult elements to translate are culture-specific items that reveal cultural uniqueness. The novel “One Hundred Years of Solitude” by Gabriel García Márquez contains many culture-specific items related to Colombia, that could be difficult to translate. This article aims to analyse and

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42

Salinardi, Paula. "Álvaro Santana Acuña, Ascent to Glory. How One Hundred Years of Solitude Was Written and Became a Global Classic. Nueva York, Columbia University Press, 2020, 370 páginas." Orbis Tertius 26, no. 33 (2021): e206. http://dx.doi.org/10.24215/18517811e206.

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43

Grigore, Rodica. "Truth, History and Myth in Gabriel García Márquez’s One Hundred Years of Solitude." Theory in Action 6, no. 1 (2013): 50–73. http://dx.doi.org/10.3798/tia.1937-0237.13003.

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44

Strelkov, Petr, Natalia Shunatova, Mikhail Fokin, et al. "Marine Lake Mogilnoe (Kildin Island, the Barents Sea): one hundred years of solitude." Polar Biology 37, no. 3 (2013): 297–310. http://dx.doi.org/10.1007/s00300-013-1431-4.

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45

Giordano, Enrique A. "Play and Playfulness in Garc�a M�rquez' One Hundred Years of Solitude." Rocky Mountain Review of Language and Literature 42, no. 4 (1988): 217–29. http://dx.doi.org/10.1353/rmr.1988.a460241.

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46

R.Gopinathan. "Exploration of Supernatural Allusions in Gabriel Garcia Marquez's "One Hundred Years of Solitude"." Literary Druid 2, no. 2 (2020): 11–15. https://doi.org/10.5281/zenodo.3833406.

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The supernatural transcends the limit of questionable state of existence in magic realism. Even if the readers are conscious about the conflicting and opposing polarities of the rational and irrational, they are not disconcerted at the coherence of elements in magic realism. The article Traces such elements in the chosen topic. 

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47

Arun, Kumar Dr. S., and Nagalakshmi Dr. M. "Feminist Literary Criticism of Notable Female Characters in One Hundred Years of Solitude." International Journal of Research 12, no. 5 (2025): 358–75. https://doi.org/10.5281/zenodo.15517544.

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Gabriel García Márquez’s <em>One Hundred Years of Solitude</em> (1967) presents a richly layered portrayal of women who simultaneously sustain and challenge the patriarchal structures of Macondo. This study applies feminist literary criticism to examine how key female characters—Úrsula Iguarán, Amaranta, Rebeca, Remedios the Beauty, Fernanda del Carpio, Pilar Ternera, and Amaranta Úrsula—navigate power, sexuality, and autonomy in a society dominated by male authority. The analysis reveals that while these women are central to the emotional a

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48

POSADA-CARBÓ, EDUARDO. "Fiction as History: The bananeras and Gabriel García Márquez's One Hundred Years of Solitude." Journal of Latin American Studies 30, no. 2 (1998): 395–414. http://dx.doi.org/10.1017/s0022216x98005094.

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This article, inspired by a TV interview with the Nobel Prize-winner Gabriel García Márquez, revises the ways that the fiction in One Hundred Years of Solitude has been accepted as history. In particular, it raises some questions about how literary critics and historians have accepted as history García Márquez's rendition of the events during the strike that took place in Colombia in 1928. It examines the repressive nature of the Colombian regime and of the strike itself; it also examines the idea that following the strike there was a sort of ‘conspiracy of silence’ to erase the truth from the

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49

Sarma, Shohinee, Lisa Richardson, and John Neary. "One hundred years of solitude—underrepresentation of Indigenous and minority groups in diabetes trials." Lancet Global Health 10, no. 10 (2022): e1383-e1384. http://dx.doi.org/10.1016/s2214-109x(22)00356-4.

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50

Jupp, James C. "The Necessity of the Literary Tradition: Gabriel García Márquez's "One-Hundred Years of Solitude"." English Journal 89, no. 3 (2000): 113. http://dx.doi.org/10.2307/822107.

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