Dissertations / Theses: 'One hundred'

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Ceci, Veronica B. "/100 (Out of One Hundred)." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397821954.

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Kessler, Eli Mikael. "One Hundred and Fifty Percent Elasticity." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/649.

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The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. This collusion asks the viewer to transgress the boundary of the stage, becoming a voyeur privileged to the world of exiled props and role reversal.

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Yates, Benjamin. "One hundred years of band tradition at Luther College." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3226.

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The Luther College Concert Band has enjoyed nearly 150 years of success. International tours, regional tours, concerts, service to the college and recording projects aided the success of this small college band that retained its Lutheran, liberal arts identity. Published documents exist about the Luther College band before 1948 but no comprehensive published documents are available after that time. This essay provides a more complete history of the band since 1948 based upon archival research and interviews with Weston Noble, Fredrick Nyline and Joan deAlbuquerque. The Concert Band started as a student led activity, which set it apart from other university bands of the late nineteenth century that had military connections. The Luther band eventually became an academic area of study and performed solely for campus concerts and on tours. The band took tours to Norway and Europe long before most college bands had touring programs. Later the band toured to Japan, China and Europe and continued regional tours throughout the United States. The Concert Band conductors, particularly the tenures of Carlo Sperati, Weston Noble, Frederick Nyline and Joan deAlbuquerque, helped shape the band program and music department at Luther College. This is a study of their educational philosophies that shaped the band, and the support the program received from the college administration, students and alumni. Also included is information about the Dorian Band Festival hosted by Luther College, works commissioned by the band, a review of works programed by conductors, a listing of recordings by the Luther College Concert Band and biographical information about each conductor.

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Chae, Christian Junshik. "Chasing the truth the patches of the one hundred patches preacher /." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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Pearson, Willie. "One in a hundred : a study of black American science doctorates." Ann Arbor, Mich. : ProQuest Information and Learning, 2005. http://gateway.proquest.com/openurl?res_dat=xri:ssbe&url_ver=Z39.88-2004&rft_dat=xri:ssbe:ft:keyresource:Mann_Diss_03.

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Curry, Curtis. "One hundred years of servitude : the Colombian labor movement 1848-1948." FIU Digital Commons, 1992. http://digitalcommons.fiu.edu/etd/2699.

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The current study seeks not only to place into focus the general patterns of social and economic organization prevalent in Colombia in the late nineteenth century and the early twentieth (such political and economic organization has been ably illustrated by several authors), but also strives to elucidate the systems of thought or 'ideologies' to which such socio-economic and political structures gave rise. It is concerned with the thought-systems that influenced the development of the Colombian labor movement, those of actors external to organized labor and indigenous systems of thought of labor activists themselves. The hypothesis is that class and party-based interests channelled the early development of organized labor toward a path that would further, or failing that, not conflict with dominant elite interests. Artisans, proudly independent, exerted inordinate influence over the movement, hindering the development of working class consciousness. As the result of dominance by élites external to the labor movement itself, workers were never able to forge an independent voice that would allow them to define their own interests in society.

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DAMASCENO, GUSTAVO XAVIER. "POSTCOLONIAL ESPECTRES IN ONE HUNDRED YEARS OF SOLITUDE: BEQUEST, TIME AND SOLITUDE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2012. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19911@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
O estilo literário que ficou conhecido internacionalmente como Realismo Mágico tem na laureada obra de Gabriel García Márquez, Cem Anos de Solidão, uma de suas maiores inspirações. O Boom latino-americano, movimento que impulsionou o reconhecimento original da produção literária na América Latina nas décadas de 1960 e 1970 terminou por acender um debate em escala planetária em torno da existência de uma realidade mítica e mágica que ultrapassa as estreitas concepções de realidade do Ocidente. Junto a este reconhecimento, a visão em torno de Cem Anos de Solidão passou a ser associada a uma representação metafórica da cultura e história da Colômbia e América Latina. Esta dissertação pretende problematizar o vínculo imediatamente assumido entre o nacional e o inter-nacional através deste símbolo literário do século XX. Assim, buscar-se-á uma intercessão teórica entre literatura, modernidade e póscolonialidade. Através da enunciação de Gabriel García Márquez o objetivo será interpelar os valores normativos de autoridade e de significação que são ao mesmo tempo assumidas e produzidas pelas teorias de modernização e de resquícios eurocêntricos, mormente a epistemologia das Relações Internacionais. Para esta finalidade, a compreensão de uma espaçotemporalidade disjuntiva e de uma poética da solidão pretendem deslocar as fronteiras que separam a mágica do real.
The international literary genre better known as Magical Realism had on Gabriel García Márquez’s laureate book One Hundred Years of Solitude one of its major inspirations. The movement of Boom boosted the original recognition of Latin American’s authors during the 1960s and 1970s sparking a world-scale debate about the existence of whether or not a mythical or legendary reality goes beyond the strict reality of West. Aside this acknowledgment, the view around One Hundred Years of Solitude became affiliated to a metaphorical representation of Colombia and Latin American culture and history. This dissertation intends to question the link between nation and inter-national through this literary symbol of twentieth century. Therefore, an intersection will be made between literature, modernity and post-coloniality. With Gabriel García Márquez’s local utterances my aim is to question the normalized values of authority and signification easily assumed and simultaneously produced by modernization theory and Eurocentric remnants, mainly International Relations epistemology. To this purpose I take an out of joint account of time and space allied with a poetics of solitude to enable a displacement of the boundaries that split the magical and the real.

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Gora, Tsitsi Isabel. "Palimpsest : derelict mines and architecture of archeology one hundred years from now." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/47401.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2009.
Includes bibliographical references (p. 103).
The realities of the built past and the palimpsest-ic nature of activities on the African mining landscape is under critique. On a site where nature gives way to the man-made activity of platinum ore excavation and mineral extraction, the activity of mining essentially creates infrastructures of dust and filthy landscapes. Inserting a new architecture within this obliterated savannah landscape allows for a process of reclamation to take place. This project uses an abandoned mine site in Southern Africa and focuses on the environmental mitigation and civic development of the site adjacent to the existing mining town of 40,000 inhabitants. The derelict mineshafts serve as infrastructure for a new civic space of scenic agrarian routes and programmed enclosures: auction floors, warehouses, residential short-stay rooms, water purification systems, mineral baths, crop rotational schemes, research labs and a museum space.
Tsitsi Isabel Gora.
M.Arch.

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Cook, Kelli Cargile. "Creating Eternity: The Coesistence of Time in One Hundred Years of Solitude." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500518/.

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The purpose of this thesis is to examine the coexistence of time in Gabriel Garcfa Marquez's One Hundred Years of Solitude as a cause of the supernatural events, the hereditary memory, and the solitude and to examine the effects of this mythical time frame on character development, plot, narrative structure, and theme. The thesis is divided into five chapters. The first chapter introduces the parchments as creators of mythical time. The second, third, and fourth chapters investigate the effects of this unconventional time. Supernatural events, clairvoyance, and solitude are all examined as effects. The final chapter correlates the writing of the parchments with the writing of the novel and explains the effects of unconventional time on the reader. Thus, this thesis illustrates how the coexistence of time functions of two levels: the level of the parchments and the level of the novel.

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Sassaman, Tyler. "One Hundred Books: A journey through a century of John Newbery Award books." Digital Commons @ Butler University, 2019. https://digitalcommons.butler.edu/grtheses/516.

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"On a quest to read all of the existing Newbery award-winning books (est. 1921), a reading specialist examines the history of the books and the award itself. Considered the “most distinguished contribution to children’s literature,” the John Newbery gold medal, awarded by the American Library Association, is a high-water mark for upper elementary-aged children across the United States. The author’s two decades of teaching experience provide the analytical perspective and memoir-style investigation. Interviews with a book buyer for the Scholastic publisher, children’s librarians, former Newbery committee members, and a visit to the famed Kerlan Collection of Children’s Literature, frame the author’s adventure as he reads all the winners."--Provided by the author.

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Heley, Matthew. "Tentative title pages : Northrop Frye and Gabriel Garcia Marquez's One hundred years of solitude /." Title page and introduction only, 1992. http://web4.library.adelaide.edu.au/theses/09AR/09arh4746.pdf.

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Lee, Albert. "Synthesis of polyurethane from one hundred percent sustainable natural materials through non-isocyanate reactions." Thesis, Georgia Institute of Technology, 2014. http://hdl.handle.net/1853/53038.

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The synthesis route for the preparation of polyurethane using 100% sustainable materials was proposed. Lignin, one of the most abundance biomass on Earth, was used as one raw material, while the other one used is soybean oil. The reaction occurs in 3 steps, and is done in 2 different pot reactions. Briefly, purchased epoxidized soybean oil is carbonated to synthesize carbonated soybean oil. Then carbonated soybean oil was reacted with coupling agent, 3-aminopropyltriethoxysilane to produce urethane monomers. Finally, prepared urethane monomers were polymerized with lignin to produce sustainable polyurethane. Molecular structures were intensively analyzed using Fourier-Transform Infrared Spectroscopy and Nuclear Magnetic Resonance Spectroscopy. In addition, mechanical properties of prepared polyurethane were analyzed in order to evaluate its performance and compare with the polyurethanes available commercially. Our results indicated that the highest tensile strength achieved was 1.4 MPa, which is slightly below the typical tensile strengths of processible polyurethane. Chemical properties of all the intermediates and products and implications for future research are discussed.

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Strassburg, Jimmy. "Shamanic shadows : one hundred generations of undead subversion in Southern Scandinavia, 7000-4000 BC /." [S.l.] : Stockholms universiteit, 2000. http://catalogue.bnf.fr/ark:/12148/cb37717665p.

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Beltran, Michael J. (Michael Joseph). "One hundred channel electrophoresis prototypes for application to an ultra-high throughput mutational spectrometer." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/40398.

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Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2007.
Includes bibliographical references (leaves 58-59).
Mutation detection within the human genome is becoming an increasingly important field today. It is possible that with a correlation between diseases and the mutations that cause them, new therapeutic treatments could be developed against many of today's common diseases In order to accomplish mutation detection, 1012 gene segments may be needed, requiring a significant increase in current technologies An instrument termed an Ultra-high throughput mutational spectrometer (UTMS) uses a process known as constant denaturing capillary electrophoresis (CDCE) to detect mutations in 10,000 capillaries simultaneously. The UTMS is at a 100-capillary proof of concept stage to successfully perform CDCE. In order for this stage to be successful, multiple subsystems of the device must work in unison, including thermal control, optical detection, electrical and fluidic connectivity. In this thesis, multiple devices were created to work in conjunction with previously existing instruments, including a passively aligned 100-port buffer reservoir and DNA injection loading plate. These devices were used to perform electrophoresis on DNA fluorescent primers in order to test the functionality of the UTMS 100-stage concept.
(cont.) A procedure for performing these experiments was developed in order to minimize risk and maximize chance of success. Successful isolation of individual signal detection was accomplished through the use of these procedures and devices, proving the 100-capillary proof of concept may reliably and repeatedly perform CDCE on the UTMS.
by Michael J. Beltran.
S.B.

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Mallqui, Caballero Carmen Guadalupe, and Luis David Seng Wha Lau. "One hundred years after the Peruvian Landscapes: The contemporary importance of the cultural landscape." Pontificia Universidad Católica del Perú. Centro de Investigación en Geografía Aplicada, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/119924.

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The geographical landscape has always been attractive to everyone because there you can express the human curiosity to know the surrounding world. The ways to present or to describe these landscapes fill the literature books and, in the Peruvian case, there are the works of all writers to a major or minor degree. Thus, at the beginning of the 20th century it is notable the figure of the historian José de la Riva-Agüero y Osma, himself an aristocrat from Lima who made an heroic travel from Cusco to Ocopa, Huancayo, at a time when there were not roads, making the trip on mule back. Here we present a brief description of an experience made in October, 2012, where we look to capture some of Riva-Agüero’s impressions that could have marked his vision about the life conditions of the high mountain people of the Andes, which may have changed his political view of them.
El paisaje geográfico ha sido siempre el atractivo de todo ser humano porque allí se expresa la curiosidad de conocer el mundo que nos rodea. Las formas de presentar o describir estos paisajes llenan los libros de literatura y en el caso peruano están los trabajos de todos los escritores en mayor o menor grado. Así, a comienzos del siglo XX destaca la figura del historiador José de la Riva-Agüero y Osma, un aristócrata limeño que realizó un viaje heroico para la época en que no habían carreteras y cubrió a lomo de bestia el trecho entre Cusco y Ocopa, en el valle del Mantaro. Aquí se hace una breve descripción de la experiencia realizada en octubre de 2012, en donde se buscó captar algunas impresiones que pudieron haber marcado la visión de este viajero acerca de la vida de la población andina y que, de alguna manera, le hicieron cambiar su pensamiento político.

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Smeds, Fredrik. "Adjective Comparison in Contemporary British English : A Corpus Study of More than One Hundred Adjectives." Thesis, Karlstad University, Faculty of Arts and Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-933.

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There are mainly two ways of comparing adjectives in English: the analytic and the synthetic. The analytic way is to use more and most (for example difficult, more difficult, most difficult). The synthetic, or inflectional, way is to add the endings –er and –est (for instance fast, faster, fastest). During the last twelve centuries the way of forming comparisons in English has evolved from predominately synthetic to the point where both inflections and analytic forms are used. Today many adjectives are almost always compared either synthetically or analytically (e.g. fast and difficult respectively), but sometimes we have two alternatives; for example, we can choose between more polite and politer. The author has three aims with this paper: firstly, to examine how adjectives in English are compared today; secondly, to determine how well the descriptions in modern grammars agree with authentic written English; thirdly, to see whether there have been any recent changes in the way of indicating comparison. This is a quantitative study. A corpus investigation was undertaken: some one hundred common adjectives in two British newspapers, The Guardian and The Observer, from 1990–91 and 2005 that vary in their way of expressing comparison were studied. The results were compared with six grammars from the last five decades. After the data collection, the chi square test was applied, showing how statistically significant the changes between 1990–91 and 2005 are. Judging from the data in this study, the synthetic comparison seems to be becoming less common. The author also concludes that the comparison of adjectives in contemporary British English varies considerably.

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Parker, Stephen. "One hundred percent Americanism? : the Ku Klux Klan in American society during the 1920's /." Title page, contents and conclusion only, 1998. http://web4.library.adelaide.edu.au/theses/09AR/09arp243.pdf.

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Cheng, Ka-wai Eunice. "The melancholia of the solitary man history, memory and identity in one hundred years of solitude /." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B31953396.

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Jennings, William. "One Hundred Years of Slavery: A Sociohistorical and Demographic Study of the Origins of Cayenne Creole." Thesis, University of Auckland, 2000. http://hdl.handle.net/2292/911.

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This thesis takes a new approach to the study of the genesis of the lexically-French based Cayenne Creole, which emerged in French Guiana around the beginning of the eighteenth century. The study begins with an an overview of theories of creole genesis that describes the various schools of thought, notably the diffusionist, superstratist, substratist and universalist positions. Part 2 of the thesis examines the social history of Cayenne from 1650 to 1750. It provides information about the various early settlements of Cayenne Island, particularly the Dutch and Portugese Jewish establishment from 1654 to 1664 that saw the beginning of large-scale African enslavement in the colony. The development of the slave community in the context of the French colony is examined in detail, particularly with respect to the conditions of the slaves and their origins. Part 3 deals with the demography of Cayenne from 1650 to 1750. It features a detailed analysis of colonial censuses during this time, and looks at the 1690 slave list of Goupy des Marets in great detail. The origin of the slave ships to Cayenne is also discussed. Finally, Part 4 draws on the information provided in the social history and demography to suggest a model for the genesis of Cayenne Creole. The validity of this model will be tested in future linguistic studies of Cayenne Creole.

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Cheng, Ka-wai Eunice, and 鄭嘉慧. "The melancholia of the solitary man: history,memory and identity in one hundred years of solitude." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953396.

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Papademetriou, Stylianos-John S. "A study of governmental forms in cities with populations between fifty thousand and one hundred thousand." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1993. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.P.A.)--Kutztown University of Pennsylvania, 1993.
Source: Masters Abstracts International, Volume: 45-06, page: 2955. Abstract precedes thesis title page as 2 preliminary leaves. Typescript. Includes bibliographical references.

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Thomson, Jennifer. "Gendered Resistance & Reclamation: Approaches to Postcolonialism Modeled by Female Characters in One Hundred Years of Solitude." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/654.

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Motivated by the lack of scholarship surrounding female characters in Gabriel Garcia Marquez's One Hundred Years of Solitude, I sought to examine the distinct identities of four female characters. The collapse of dualities and embodiment of hybridity in Ursula, Pilar Ternera, Amaranta, and the Remedios women reveals the hegemonic power structures that are disrupted by these empowered women. The exploration of these women and their relationships to gendered dichotomies points to the potential of their identities in enacting colonial resistance and reclaiming traditional cultural heritage.

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Pang, Lai-kei, and 彭麗姬. "History as a form of narrative dreaming from war and peace to one hundred years of solitude." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31951090.

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Pang, Lai-kei. "History as a form of narrative dreaming from war and peace to one hundred years of solitude." [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13787317.

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López, S., V. D’Odorico, S. L. Ellison, G. D. Becker, L. Christensen, G. Cupani, K. D. Denney, et al. "XQ-100: A legacy survey of one hundred 3.5 ≲ z ≲ 4.5 quasars observed with VLT/X-shooter." EDP SCIENCES S A, 2016. http://hdl.handle.net/10150/622799.

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We describe the execution and data reduction of the European Southern Observatory Large Programme "Quasars and their absorption lines: a legacy survey of the high-redshift Universe with VLT/X-shooter" (hereafter "XQ-100"). XQ-100 has produced and made publicly available a homogeneous and high-quality sample of echelle spectra of 100 quasars (QSOs) at redshifts z similar or equal to 3.5-4.5 observed with full spectral coverage from 315 to 2500 nm at a resolving power ranging from R similar to 4000 to 7000, depending on wavelength. The median signal-to-noise ratios are 33, 25 and 43, as measured at rest-frame wavelengths 1700, 3000 and 3600 angstrom, respectively. This paper provides future users of XQ-100 data with the basic statistics of the survey, along with details of target selection, data acquisition and data reduction. The paper accompanies the public release of all data products, including 100 reduced spectra. XQ-100 is the largest spectroscopic survey to date of high-redshift QSOs with simultaneous rest-frame UV/optical coverage, and as such enables a wide range of extragalactic research, from cosmology and galaxy evolution to AGN astrophysics.

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Ahrling, Jane. "A Feminist Reading of The House of the Spirits, Song of Solomon, and One Hundred Years of Solitude." Thesis, Mittuniversitetet, Institutionen för humaniora, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-13840.

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Foltz, David Charles. "Ambiguity and apocalypse metafictional reading strategies in The crying of lot 49 and One hundred years of solitude /." Connect to this title online, 2009. http://etd.lib.clemson.edu/documents/1249066320/.

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Quinn, Samantha. "Commemorating one hundred years of Italian unification : the 1961 centennial celebrations as they were held in Turin and Philadelphia." Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567596.

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This thesis analyses the meaning of unity and unification in post-war Italian life through a transnational study of the two great events staged for the celebration of one hundred years of Italian unification: Italia '61 and the Festival of Italy. Held in Turin, Italia '61 was the Italian national celebration and the overall purpose was to put on display the 'progress made in Italy in 100 years of national life' and to make a statement about Italy's place in the Cold War world order. To do so it comprised three major components: a Historical Exhibition, which traced a history of unification focused on the Risorgimento and the Resistance; a Regional Exhibition; and the International Labour Exhibition, which contained displays on work practices and conditions from twenty-one nations and international organisations. Across the Atlantic in Philadelphia, the Festival of Italy was the largest Italian centennial commemoration held outside Italy and it had been planned in conjunction with the Italia '61 organisers and collaboratively with the Italian American community in Philadelphia. The Festival's theme was 'lOO years of Progress' and the corresponding exhibitions and events emphasised the cultural richness of Italy, the high culture of Italy, the contribution of Italy and Italian culture and people to contemporary civilisation and in particular to the U.5., and the modernity of contemporary Italy. This thesis presents the argument that 1961 represents a change or turning point in the way identity was celebrated and so conceived in both Italy and among Italian American communities. The effects of the reconfiguration are identified through analysis of the national, international, intergovernmental, ethnic and transnational relationships in operation at Italia '61 and the Festival of Italy.

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Holliday, Henry Earl. "Teacher perceptions toward at-risk students : a study of one hundred Ohio teachers from urban, suburban and rural districts /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487758680161367.

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Hunt, Nicole Elizabeth. "As a children's ministry changes reshaping a children's ministry as it expands from twenty to one hundred kids, and beyond /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Nordgren, Johannes. "Första världskriget, one hundred years in the making : En studie av hur första världskriget framställs i media under jubileumsåret 2014." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-71510.

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In this essay I will examine two different forms of media from two different publishers. Throughout the essay I will study how these differing media cover the First World War and I will focus on both what is highlighted and what is not in the two different publishers. The two different publishers have a differing reader-base one focusing on the public while the other is targeted towards historians and history teachers. I will focus on the use of history and what the different publishers chose to highlight and expose during the anniversary of the great war (2014).

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Kowalski, Elizabeth. "One Hundred Forty-Six| The score for a music and modern dance theater production about the Triangle Shirtwaist Factory Fire of 1911." Thesis, The University of North Carolina at Greensboro, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1541301.

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One Hundred Forty-Six is a music and dance theater production portraying an artistic memorial to the victims, tragedy, and progress of the historical Triangle Shirtwaist Factory Fire of March 25, 1911. The music, composed by Elizabeth L. Kowalski, was scored for string quartet with added electronics. Images and sounds of textile factory work and the events of the fire and memorial are communicated throughout the music. The score is accompanied here by a written document explaining the work. One Hundred Forty-Six has an approximate duration of 45 minutes. The premiere was held in the UNCG Dance Theater on March 30, 2012, shortly after the 101^st anniversary of the fire.

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Rattner, Ashley K. "We Have Been with You More Than One Hundred Years, and Are Still Not Understood’: Fantasies of Misreading in the Shaker-Tolstoy Correspondence." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/2986.

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Ward, Kenneth J. "America’s Last Newspaper War: One Hundred and Sixteen Years of Competition between the Denver Post and Rocky Mountain News." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1521568820565621.

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Hedström, Michelle. "Hwang Jungeun's One Hundred Shadows; A Study of Korean Onomatopoeia and How They Are Affected by Translation : Korean to English and Korean to Swedish." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-196890.

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The book Paegŭi Kŭrimja (One Hundred Shadows) written by Hwang Jungeun (Hwang Jŏngŭn) was published in 2010 and translated by Jung Yewon (Chŏng Yewŏn) in 2016 after its success throughout South Korea. It does not yet exist an official translation in Swedish and therefore, in order to make a comparative analysis about the differences in translation between Korean, English and Swedish, which is the author of the present thesis’ native language, the author have translated a part of the book (pages 1-40) during a course in Korean literature translation into Swedish. This thesis will be specifically focused on how the Korean onomatopoeias in the book have been changed through translation and what difference that creates for the meaning and nuance of the source text. This thesis uses a comparative qualitative method to examine how the onomatopoeias in the book have been affected by the English and the Swedish translations where the author found that there were some onomatopoeias that were more affected by translation than others, whereas omission was found to be the most used translation strategy, which resulted in some loss of nuance, but that no meaning was lost when omitting or changing the onomatopoeias. This thesis also compares the differences of the English and Swedish translations which were also considered to be minimal and disregarding one’s personal stylistic choice, the author found both translations to be appropriate and was therefore also not considered to affect the text in a significant way. The author hopes that further research about onomatopoeias and their place in translation will be studied in the future, as well as translation between Korean-English and Korean-Swedish to further expand and discover the Korean-English and Korean-Swedish literature area.

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Callwood, Chaneel Marie. "Architectural nights : an articulation of the structure of "The Garden of Forking Paths" by Jorge Luis Borges and "One Hundred Years of Solitude" by Gabriel Garcia Marquez." Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23932.

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Hudson, Julie Ellen. "Family and national narratives in Toni Morrison's Song of Solomon and Beloved and Gabriel García Márquez's One Hundred years of solitude and the autumn of the patriarch /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Laughlin, Don. "A report and analysis of utilizing the one hundred and tenth anniversary of The First Baptist Church of Archie, Missouri to increase its visibility within the 64725 zip code." Theological Research Exchange Network (TREN), 1993. http://www.tren.com.

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Itocazo, Gabriela Rocha. "Um estudo sobre as pinturas de montanhas-e-águas e outras tópicas do mundo-flutuante, em Cem Vistas do Monte Fuji, de Hokusai." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-24102018-111225/.

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Esta dissertação dedica-se ao estudo da obra \"Cem Vistas do Monte Fuji\" (Fugaku Hyakkei) (1834-47?), de Katsushika Hokusai (1760-1849), pintor japonês do século XVIII-XIX. Trata-se de um livro-imagem (ehon), com cento e duas estampas impressas em preto-e-branco (sumizukuri) e tons de cinza (em sua 1ª edição), produzidas com a técnica da xilogravura japonesa, dentro do estilo ukiyo-e (pinturas do mundo-flutuante). O foco da pesquisa está em (1) estudar os assuntos presentes nas estampas, reconhecendo suas categorias dentro de tópicas tradicionais da pintura japonesa, suas referências temáticas, literárias, mitológicas, religiosas e particularidades; (2) analisar os aspectos temáticos e estéticos, em relação à espacialidade, perspectivas e composições, para identificar e refletir acerca das influências ocidentais, chinesas e da tradição japonesa presentes na obra. Ao final do projeto propõe-se uma revisão de nomenclatura para as vistas do mundo natural (shizen), produzidas por Hokusai, em sua última fase de criação (século XIX) comumente chamadas, pelos especialistas, de sansuiga (pinturas de montanhas-e-águas), no Japão, ou \"pintura de paisagem\", no Ocidente. Para tanto, na primeira parte contextualiza-se a vida e obra do pintor, apresentando brevemente características da sociedade japonesa, do período Edo (1603-1868), o estilo artístico ukiyo-e, a técnica utilizada, os sistemas tradicionais de transmissão de saberes nas artes e os nomes de artistas (go) do pintor, para então realizar um estudo sobre os gêneros \"pintura de paisagem\", da tradição ocidental, e \"pinturas de montanhas-e-águas\", da tradição chinesa (shanshuihua) e japonesa (sansuiga), a fim de compará-los e reconhecer as influências estéticas e temáticas presentes nas estampas do pintor. Na segunda parte analisa-se a obra \"Cem vistas do Monte Fuji\", elencando-se assuntos dentro de tópicas da tradição pictórica japonesa, para que assim fosse possível reconhecer as camadas e composições das estampas, tal como suas referências formais e temáticas, debatidas no primeiro capítulo. Foi realizado, para fins metodológicos, uma classificação em sete categorias, para cada uma delas foram selecionadas algumas imagens que melhor exemplificam temas e tratamentos formais que se pretendeu discutir: (i.) Cenas históricas, figuras mitológicas e lendárias; (ii.) Pinturas de montanhas-e-águas e de flores-e-pássaros; (iii.) Cenas de homens-letrados, de contemplação e de lugares-famosos; (iv.) Cenas de assuntos religiosos; (v.) Cenas de usos-e-costumes, de viajantes e trabalhadores; (vi.) Os disfarces e as linhas do Mt. Fuji; (vii.) Geometria, carpintaria e arquiteturas.
This dissertation is dedicated to the study of \"Hundred Views of Mount Fuji\" (Fugaku Hyakkei) (1834-47?), by Katsushika Hokusai (1760-1849), a 18th-19th century Japanese painter. It is a picture-book (ehon), with one hundred and two prints in black-and-white (sumizukuri) and shades of gray (in its 1st edition), produced with the Japanese woodcut technique, in the style of ukiyo-e (floating-world paintings). The focus of the research is to (1) study the subjects present in the prints, recognizing their categories within traditional Japanese painting topics, their thematic, literary, mythological, religious, and particular references; (2) to analyze the thematic and aesthetic aspects, in relation to spatiality, perspectives and compositions, to identify and reflect on the Western, Chinese and Japanese influences present in the work. At the end of the project is proposed a review of nomeclature for the views of the natural world (shizen), produced by Hokusai, in their last phase of creation (19th century) commonly called by experts, sansuiga (mountains-and-waters paintings), in Japan, or landscape painting, in the West. Therefore, the first part contextualizes the work and life of the painter, briefly presenting characteristics of Japanese society in the Edo period (1603-1868), the ukiyo-e artistic style, the technique used, traditional transmission systems of knowledge in arts and the artist\'s names (g) of the painter, to carry out a study of the \"landscape painting\" genres, of the Western tradition, and \"mountains-and-waters paintings\", of the Chinese tradition (shanshuihua) and Japanese (sansuiga) traditions, in order to compare them and to recognize the aesthetic and thematic influences present in the painter\'s prints. In the second part, the work \"Hundred Views of Mount Fuji\" is analyzed, listing subjects within topics of Japanese painting tradition, so that it would be possible to recognize the layers and compositions of the paintings, as well as their formal and thematic references discussed in the first chapter. For methodological purposes, a classification was made in seven categories, for each one of them was selected some images that best exemplified formal themes and treatments that were intended to be discussed: (i) Historical scenes, mythological figures and legendary; (ii.) Mountains-and-waters and flowers-and-birds paintings; (iii.) Scenes of literate men, contemplation and famous-places; (iv.) Scenes of religious subjects; (v.) Scenes of uses-and-customs, travelers and workers; (vi.) Fujis disguises and lines; (vii.) Geometry, carpentry and architectures.

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Triquet, Ismérie. "Les manuscrits enluminés de la Grande Chronique de Normandie aux XIVe et XVe siècles." Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20032.

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A la fin du Moyen Age l’historiographie normande connaît un nouvel essor par la rédaction dans la seconde moitié du XIVe siècle de la Grande Chronique de Normandie. Le texte relate l’histoire du duché de Normandie et du monde anglo-Normand entre 911 et 1204. En 911 le chef viking Rollon recevait du roi de France Charles le Simple le territoire de Neustrie contre promesse de défendre ses frontières et de se convertir au catholicisme. Les Normands feront croître leur territoire au-Delà des limites de la Manche, initiant ainsi une nouvelle dynastie royale en Angleterre. La Normandie sera rattachée en 1204 à la couronne française de Philippe Auguste. Tardivement mis en image au XVe siècle, le texte sera illustré de scènes typologiques, traditionnellement utilisées dans les chroniques médiévales. Puis, se développerons des images plus complexes et narratives. Le but étant toujours la mise en exergue de la dynastie anglo-Normande. Produits durant ou juste après la guerre de Cent Ans, les manuscrits s’inscrivent dans un contexte tout à fait singulier. L’histoire normande sera utilisée à des fins politiques pour servir les prétentions des belligérants ou pour éduquer le lectorat médiéval. Largement diffusée dans le nord de la France l’illustration des manuscrits a permis la mise en place d’une tradition iconographique relative à la dynastie anglo-Normande dans trois grands centres artistiques : la Normandie, Paris et les Flandres. Enfin, le texte sera remanié et continué afin de poursuivre l’histoire normande jusqu’aux temps présents de la production. La Grande Chronique de Normandie a survécu à l’apparition de l’imprimerie tout en perdant toutefois sa récente tradition iconographique
In the late Middle Ages, the writting of the GCN gave to the norman historiography a new growth in the second half of the 14th century. The text dealt with the history of the duchy of Normandy and the anglo-Norman world from 911 to 1204. In 911, the Viking chief Rollo received the territory of Neustrie from Charles the Simple, king of France, in exchange of the promise to defend the border and to become catholic. The Normans increased there territory over the Channel, thus they started a new dynasty in England. The Normandy has been attached to the french crown under the reign of Philippe Auguste. At a late stage, the text of the GCN has been illuminated with typologic scenes, traditionnaly used in medieval chronicals. Moreover, images became more and more complicated and narrative as well, whose purpose was still the highlighting ofthe anglo-Norman dynasty. The context of the making of the manuscripts is very specific in so far as they have been made during or shortly after the One Hundred Year War. The norman history will be used for the political interest of the belligerants as well as to educate the medieval readership. Widely spread in Nothern France, the illuminated manuscripts permitted the settlement of an iconographic tradition related to the anglo-Norman dynasty in three great artistic centres : the Nomandy, Paris and Flanders. Finally, the text has been changed and increased in order to go on the norman history till now. The GCN managed to go through the period of printing, therefore it lost its new iocnography recently gained

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Arruda, Marcos. "SER DA LINGUAGEM, O FORA E CEM ANOS DE SOLIDÃO." Pontifícia Universidade Católica de Goiás, 2013. http://localhost:8080/tede/handle/tede/3183.

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Made available in DSpace on 2016-08-10T11:06:53Z (GMT). No. of bitstreams: 1 MARCOS ARRUDA.pdf: 548427 bytes, checksum: 111750529c661f96378278aeab617441 (MD5) Previous issue date: 2013-02-15
O propósito desta dissertação é apresentar uma análise a partir do ser da linguagem, segundo filosofo francês Michel Foucault, a possibilidade da literatura por meio do pensamento foucaultiano, perpassando ainda por outros filósofos, e também realizar uma análise literária de Cem Anos de Solidão, de Gabriel Garcia Márquez, vivenciando-se as ferramentas encontradas na arqueologia de um pensamento e buscando-as no ficcional. Para conduzir esta dissertação, a base teórica será sustentada pelas seguintes obras: As Palavras e as Coisas, Ditos e Escritos III, de Michel Foucault (1992-2006); Os conceitos fundamentais da Metafísica - Mundo Finitude - Solidão (2011), que dialogarão com Blanchot - A Conversa Infinita (2010) e com outros saberes, que nos dão, através da filosofia, uma sedimentação apropriada no que se refere ao ser, à linguagem, à transgressão, ao Eros, ao poder e à solidão.. Desde o primeiro capítulo, apresenta-se a literatura moderna foucaultiana; em seguida, trabalha-se conceitualmente o ser da linguagem e antes da análise de Cem Anos de Solidão, procura-se estabelecer a ontologia da solidão, do ponto de vista metafisico Heiddegeriano e pós-metafisico. O conceito de o fora , de Blanchot (2010), surge ao discutirmos a literatura marquesiana como fundamentação epistemológica, ao longo da dissertação construída.

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Rausberger, Claes Michael. "Ont begär : horsbrotten i Fryksdals härad och Jösse härad i Värmland under mitten av 1600-talet." Thesis, Högskolan på Gotland, Institutionen för humaniora och samhällsvetenskap, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-1445.

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The 17th century was a time of change in Sweden. During the century many of the Swedish laws were altered. In the beginning of the 17th century this alteration resulted in a more severe sentence for most of the committed crimes, but a mitigation of the sentence for some of those crimes was effected in the middle of the 17th century. The aim of this study is to see how two local courts in the judicial system during the mid 17th century in Sweden treated adultery, and those who committed the crime against the background of what the law regarding adultery stipulated. The source material used are court records from Fryksdals hundred and Jösse hundred in western Sweden, and laws regarding adultery during the 17th century. This research shows that the laws regarding adultery were in themselves not gender specific, and their main concern was the marital status of those involved. The punishment for all forms of adultery was a death sentence during the first half of the 17th century, but during the latter part of the century the punishment for a specific form of adultery, when only one of the involved was married, was mitigated to a fine which differed according to marital status. In most of the cases both courts in Fryksdals hundred and Jösse hundred applied the law as it was written in their verdict, and the verdicts of acquittals were few. There is however a tendency in the findings towards a difference between the actual local courts at the end of the first half of the 17th century. Court records show that Fryksdals hundred, which generally had more crimes regarding adultery than Jösse hundred, during that time applied a more rigorous attitude towards those crimes. The conclusion is that, although the results from both hundreds do not differ much from the general picture of adultery in Sweden, there is still a tendency of a difference between the actual local courts themselves.

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Marques, Marcelo Cunha. "Performance de cruzamentos entre genitores tolerantes à ferrugem asiática da soja." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/11/11137/tde-03062014-165528/.

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A ferrugem asiática da soja (FAS) foi constatada pela primeira vez no Brasil em 2000/2001, tendo desde então ocasionado elevados prejuízos aos sojicultores. O emprego de cultivares geneticamente resistentes/tolerantes é um componente fundamental de um programa integrado para controle desta doença. A pesquisa tem encontrado muita dificuldade, pois o fungo Phakopsora pachyrhizi apresenta grande variabilidade patogênica e as poucas fontes de resistência/tolerância disponíveis não são adaptadas às condições brasileiras. O objetivo geral do presente estudo foi avaliar a performance de linhagens experimentais de soja derivadas de cruzamentos entre genitores tolerantes à ferrugem asiática, com a finalidade de incrementar a tolerância a FAS. Os experimentos foram conduzidos durante os anos agrícolas 2008-09, 2009-10 e 2010-11, nas Estações Experimentais Anhumas e Areão e na sede (ESALQ), áreas estas pertencentes à Escola Superior de Agricultura \"Luiz de Queiroz\" e situadas no município de Piracicaba - SP. Os experimentos com as progênies nas gerações F2:4, F2:5 e F2:6 foram delineados em blocos aumentados de Federer, sendo cada experimento subdividido em conjuntos experimentais com testemunhas comuns. Para estimar o efeito ferrugem e o nível de tolerância de cada genótipo a FAS, em cada local e ano agrícola, foram conduzidos dois experimentos com aplicações de fungicidas diferentes: no primeiro experimento aplicou-se fungicida para controle apenas das doenças de final de ciclo (DFC), enquanto que no segundo experimento, foi aplicado fungicida com princípios ativos para o controle tanto das DFC quanto da FAS. Nos experimentos com controle de DFC e FAS houve tendência de médias maiores para PG e PCS. A metodologia do contraste de reações das plantas a fungicidas distintos foi eficiente em estimar o efeito ferrugem e a reação de cada genótipo a FAS. A pressão do fungo da FAS sobre as progênies variou entre os anos agrícolas, tendo sido maior em 2009-10. O local Anhumas destacou-se entre os demais, possibilitando altas médias de produtividade de grãos (PG) em todos os anos agrícolas avaliados. Este ambiente também mostrou-se apropriado para estimar o efeito ferrugem. Os genitores 1 (USP 04-18.032) e 5 (USP 11-38) foram os que originaram as progênies mais precoces e os genitores 3 (USP 97-08.135) e 10 (USP 191-104-11) as progênies mais tardias. Os genitores 8 (USP 191-102-03) e 10 (USP 191-104-11) foram os que mais contribuíram para elevadas médias de PG e peso de cem sementes (PCS). Já o genitor 4 (BUSP 16-015) destacou-se na média de PG, além de ter apresentado valor alto de capacidade média de combinação para PG, na média dos três anos agrícolas. O cruzamento 7x10 (USP 14-06-20 x USP 191-104-11) destacou-se originando o maior número de progênies com desempenho superior em PG e tolerância a FAS. Por outro lado, os genitores 1 (USP 04-18.032), 3 (USP 97-08.135) e 9 (USP 191-103-12) foram os que menos contribuíram para a geração de progênies com alta PG. Houve variação entre as progênies dentro de cruzamentos para as estimativas dos parâmetros de adaptabilidade e estabilidade fenotípica. Consequentemente, as progênies 231- 2224-12 (6x8 = USP 97-10.046 x USP 191-102-03), 231-6127-06 (1x8 = USP 04- 18.032 x USP 191-102-03) e 231-1120-08 (7x10 = USP 14-06-20 x USP 191-104-11) foram as mais indicadas para a seleção recorrente para tolerância a FAS.
The Asian soybean rust (FAS) was reported for the first time in Brazil in 2000/2001 and has since caused considerable damage to soybean crops. The use of genetically resistant cultivars is a key component of an integrated program to control this disease. In the researches has been found many difficulties because the fungus Phakopsora pachyrhizi shows great variability in pathogenicity and the small number of sources of resistance that are available has no adaptability to Brazilian environmental conditions. The overall objective of this study was to evaluate the performance of experimental soybean lines derived from crosses among soybean rust tolerant parents, in order to increase the horizontal resistance (tolerance). The experiments were conducted during the crop years 2008-09, 2009-10 and 2010-11, in three experimental stations (Anhumas, Areão and ESALQ), areas belonging to the College of Agriculture \"Luiz de Queiroz\" and located within the municipality of Piracicaba, State of São Paulo, Brazil. The experiments with progenies in generations F2:4, F2:5 and F2:6 were designed in augmented block of Federer, with each experiment divided into sets with common checks. In order to estimate the effect of FAS and the level of tolerance of each genotype to FAS, in each location and crop year, there was conducted two experiments with applications of different fungicides: in the first experiment was applied one fungicide for controlling only the soybean late season leaf diseases (DFC), while in the second experiment were applied one fungicides with active principles for controlling DFC as well as FAS. In the experiments with control of DFC and FAS there was tendency of superior means for PG and PCS. The methodology of contrasting the plant reactions to different fungicides was effective for estimating the effect of FAS and the level of tolerance of each genotype to FAS. The pressure of the fungal FAS on progenies ranged among crop years, being highest in 2009-10. The location Anhumas stood out among the rest, enabling high average seed yield (PG) in all evaluated crop years; this environment also proved to be suitable for estimating the rust effect. The parents 1 (USP 04-18032) and 5 (USP 11-38) were those that originated the earliest progenies and parents 3 (USP 97-08135) and 10 (USP 191-104-11) the later progenies. The parents 8 (USP 191-102-03) and 10 (USP 191-104-11) were the main contributors to higher average PG and one hundred seed weight (PSC). However, the parent 4 ( BUSP 16-015 ) exceeded for PG, besides also have presented high value of average combining ability for PG, in average of the three crop years. The cross 7x10 (USP 14-06-20 x USP 191-104-11) stood out by originating the highest number of progenies with superior performance in PG and tolerance to FAS. On the other hand, the parents 1 (USP 04-18 032), 3 (USP 97-08 135), and 9 (USP 191-103-12) have contributed with the smallest number of superior progenies in PG. There was variation among progenies within cross, for the estimates of adaptability and phenotypic stability parameters. Consequently, the progenies 231-2224-12 (6x8 = USP 97-10 046 x USP 191-102-03), 231-6127-06 (1x8 = USP 04-18 032 x USP 191- 102-03), and 231-1120 - 08 (7x10 = USP 14-06-20 x USP 191-104-11) were the most suitable for the utilization as parents in the recurrent selection for tolerance to FAS.

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North, Tamala. "A Comparison of Two Classroom Assessment Contexts Following a Science Investigation: Does the Use of Interview as an Assessment Tool Provide Different Results than Existing Teacher-Driven Tests?" University of Toledo / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1523432689936995.

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Arnold, Brian John. "Justification One Hundred Years After Paul." Diss., 2013. http://hdl.handle.net/10392/4527.

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This dissertation seeks to answer the following question: how did the doctrine of justification fare one hundred years after Paul's death (c. AD 165)? The thesis argued is that Paul's view of justification by faith is present in the second century, which particularly challenges T. F. Torrance's long-held notion that the Apostolic Fathers abandoned this doctrine. Chapter 1 provides an overview for the study. Groundwork is laid by providing a history of research on the reception of Paul in the second century as well as a section examining the important works on justification in the Fathers. Chapter 2 examines justification in 1 Clement. Looking primarily at chapter 32, it is argued that Clement held to justification by faith alone apart from works, despite the frequent claim that he held to works righteousness. Chapter 3 analyzes the seven letters of Ignatius. Although he only makes one pertinent reference to justification, Ignatius does have much to say against Judaism, which reveals a good deal about his view of justification. Chapter 4 covers the oft-tread ground of justification in the Epistle to Diognetus. The ninth chapter of Diognetus contains the clearest expression of justification in the second century. Chapter 5 surveys the Odes of Solomon. This overlooked songbook has a wealth of soteriological motifs, including mentions of justification. In at least three Odes there appears to be a dependence on Paul for the Odist's view of justification, and at times, imputation. Chapter 6 explores justification in Justin Martyr's Dialogue with Trypho. Trypho informs Justin that he must keep the whole law in order to be saved. Justin, in turn, looks to the Old Testament, particularly to Abraham, as proof that justification comes by faith and not by adherence to the law. The five authors examined demonstrate greater theological continuity between the first and second centuries than has often been recognized. Paul's doctrine of justification by faith was not replaced with works righteousness in the following century. Justification fared well one hundred years after the Apostle's death.

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LI, SUN-WEN, and 李孫文. "Speech recognition of one hundred Chinese sentences." Thesis, 1988. http://ndltd.ncl.edu.tw/handle/16081108823372099992.

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Lubke, Roy, and Estelle Brink. "One hundred years of botany at Rhodes University." 2004. http://eprints.ru.ac.za/120/1/sajsci_v100_n11_a22%5B1%5D.pdf.

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The Botany Department of Rhodes University is located in the historic Schonland Building. An indigenous garden was created in its courtyard, mainly of species of the Eastern Cape province, and its growth in diversity and stature mirrors the changes in the department over the years. Professor Selmar Schonland, the founding father of botany at Rhodes, was also the curator/director of the Albany Museum. Under his leadership, systematics was firmly established as a discipline at Rhodes and research on the flora of the Eastern Cape begun, to be continued to this day. Under professors William Isaac (1949–1951) and Edgar Twyman (1951–1973), plant physiology became an important area of study, and future leaders in physiology at other universities obtained degrees under them. Phycology and aquatic ecology became notable disciplines with Mary Pocock’s world-class work in the 1940s on freshwater and marine algae, which inspired others such as head of department Professor Stanley Seagrief (1958–1986) to develop these studies further. Mycology and microbiology were established as major subdisciplines under Noel Smith (1926–1948) and Twyman through to the 1960s, when the Department of Microbiology was established. Early studies in ecology owe their success to Tony Martin (1947–1956) and the link with the Grahamstown Botanical Research Station, when a sound base for plant ecology in the Eastern Cape was established. Coastal ecology became a major focus in the 1970s, when Roy Lubke and Ted Avis concentrated on dunes and the management of coastal regions. This led to the establishment of the Department of Environmental Science in the 1990s. The expertise of the botany staff in teaching and research in a variety of fields is reflected in the careers of its many students around the world.

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賴春美. "Linhuan Zhang one hundred Children’s poem chapter research." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/4e5yx7.

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碩士
國立嘉義大學
中國文學系研究所
106
Abstract This study analyzes the structure of children's poetry from the perspective of chapters and laws, and selects Lin Huanzhang's selection of the book "Children's Poems" as the research text. The children's poems written by 85 adults in the book and the poems suitable for children's appreciation are studied, and Chen Manming Based on more than forty kinds of lexical chapters and essays, Qiu Xiaoping conducted an analysis of the constitutional structure of eighty-five children's poems, trying to find out the general context of the poetry of poetry. This paper is divided into six chapters, which are described as follows: The first chapter is an introduction: to describe the motives and purposes of research, the scope and boundaries of research, research methods and procedures, and the review of previous research results. The second chapter Lin Huanzhang and "Children's Poems": This chapter discusses the definition and classification of children's poems, Lin Huanzhang and the creation of children's poems, and the content analysis of "Children's Poems". Chapter III Theoretical Basis of Chapters and Laws: This chapter explores the definition and laws of chapters, the types and structures of chapters, and the classification of chapters. The fourth chapter "Children's Poems" (on) works chapter analysis: This chapter analyzes the second, third and fourth works chapters. The fifth chapter "Children's Poems 100" (below) works chapter analysis: This chapter analyzes the fifth, sixth and seventh works chapters. Chapter VI Conclusions and Suggestions: According to the chapters and chapters of the eightty-five children's poems, the results are summarized, summarized, conclusions, and suggestions. Keywords: children's poems, children's poems, chapters, chapters, constitutional structure

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Liu, Mei-hui, and 劉美慧. "A Case Study in Lyrics Translation of The One Hundred and One Best Songs." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/6r394b.

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碩士
國立臺灣師範大學
翻譯研究所
101
The One Hundred and One Best Songs was published by Taiwan Provincial Education Association in March, 1952. Eighty nine songs were translated by eight translators: Hsiao Er–hua, Chou Zue–pu, Hai Chou, Chang Yi, Liu Ting–fang, Wang Fei–li, Ting Tso–jen, Wang Yu–yuan. This was the first lyrics translation activity led by Taiwan Government. As several worldwide famous songs in this book are collected in the music textbooks in primary education, almost everyone is familiar with lyrics translation since young. However, lyrics translation has not received much attention from the research community. The purpose of this thesis is to explore language phenomena, musical elements and cultural contents of the Chinese lyrics. Adopting Christiane Nord’s text analysis method, this study discusses lyrics translation strategies, the challenges the translators faced, and also the background and function of The One Hundred and One Best Songs. The findings in this text analysis indicate that the lyrics translation of these world-famous songs followed a certain pattern and rules during that period. Except sacred songs, translators were free to choose between faithful expression and total rewrite. These translators used various rhetorical devices to demonstrate the literariness of the lyrics in accordance with the contemporary Chinese poetics. Rhyming and musicality was considered a necessity, while a certain foreignization was applied. This research also finds that there is no unified standard for translating these lyrics in terms of their language use or rhetorical devices. What is clear is that the themes of the song lyrics were rendered morally right and spiritually encouraging. As these world-famous songs traveled, they have been transformed and adjusted to our cultural contexts. Through music, the educational purpose and the appreciation of the world culture has been achieved by these successful lyrics translation.

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50

Yang, Chang-En, and 楊長恩. "One hundred forty of land reform in Russia（1861-2001）." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/83139248348544522129.

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Abstract:

碩士
淡江大學
俄羅斯研究所
91
The agriculture and problem of the land has been an important subject in Russia. People have many doubts about the agriculture of Russia, because Russia has abundant resource of the agriculture, owns the most vast land in the world, but in the 90's it became the biggest food imports country in the world. Russia’s commune and serf's system, collective farm and state farm which is created by Lenin and Stalin, all produce profound influence to Russia’s agriculture and land. Although collective farm and state farm has ever made the agriculture of the Soviets send out the ray of light, when the Soviets entered peace built the period, the agriculture and land of Russia gradually appeared many problems, this system also became one of the reason to caused the problems. In fact, all leaders of Russia tried to reform agriculture and land problem, but they didn’t success, agriculture is still a big problem of Russia.The purpose of this thesis is attempting to analyze the history of Russia’s peasant and land, including Russian problem of the “Mir”, “serf’s system”, the serf relieves and Stolypin’s reform. “Mir” was the village’s type of Russia, this special type produced serf’s system, and Stolypin’s reform establish new production relationship for Russian village. Then author will focus on the agriculture reform in Soviets period, the communism of the wartime, new economic policy and exercise of the collectivization of agriculture, and the agriculture reform in the period of “perestroika”.After the collapsed of Soviets, the problem of the agriculture become a very serious problem of Russia, domestic yield of the long-term is not enough, most food of Russia must import from abroad, so Russia started to reform collective farm and state farm, changed the production mode of whole village, and promoted the land reform, passing new law of land. Through the research of the reform of agriculture in Soviets and Russia, this thesis attempts to analyze the development of Russia’s agriculture in the future.

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Dissertations / Theses on the topic 'One hundred'

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