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Journal articles on the topic 'Onnagata'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 February 2023

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1

Brandon, James R. "Reflections on the Onnagata." Asian Theatre Journal 29, no. 1 (2012): 122–25. http://dx.doi.org/10.1353/atj.2012.0001.

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2

Leiter, Samuel L. "Is the Onnagata Necessary?" Asian Theatre Journal 29, no. 1 (2012): 112–21. http://dx.doi.org/10.1353/atj.2012.0028.

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3

Liu, Siyuan. "Performing Gender at the Beginning of Modern Chinese Theatre." TDR/The Drama Review 53, no. 2 (June 2009): 35–50. http://dx.doi.org/10.1162/dram.2009.53.2.35.

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In the early twentieth century, female impersonators in Japan's first Western-style theatre, shinpa (new school drama), employed gender performance conventions based on kabuki onnagata and European melodramatic techniques. Shinpa performers influenced the performance of gender in early Chinese spoken drama. Chinese student actors emulated shinpa conventions in Tokyo and popularized them in Shanghai in the 1910s, where they were accepted as being accurate enactments of modern women.
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4

Herrn, Rainer, and Michael Thomas Taylor. "Magnus Hirschfeld’s Interpretation of the Japanese Onnagata as Transvestites." Journal of the History of Sexuality 27, no. 1 (January 2018): 63–100. http://dx.doi.org/10.7560/jhs27103.

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5

Doma, Petra. "Férfiak és nők: az onnagata-vita jelentősége és hatása a kabukira." Theatron 16, no. 2 (2022): 81–93. http://dx.doi.org/10.55502/the.2022.2.81.

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6

Wu, Guanda. "Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka." Theatre Journal 69, no. 4 (2017): 602–3. http://dx.doi.org/10.1353/tj.2017.0087.

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7

Kusunoki, Akiko. "Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka." Early Modern Women 11, no. 2 (2017): 264–67. http://dx.doi.org/10.1353/emw.2017.0041.

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8

Leiter, Samuel L. "Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka." Journal of Japanese Studies 43, no. 2 (2017): 423–27. http://dx.doi.org/10.1353/jjs.2017.0048.

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9

Lanki, Colleen. "Onnagata: A Labyrinth of Gendering In Kabuki Theatre by Mari Isaka." Asian Theatre Journal 34, no. 1 (2017): 247–49. http://dx.doi.org/10.1353/atj.2017.0018.

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10

Park, SooJung. "A Study on Yukio Mishima’s Onnagata - Focusing on Gender and Sexuality Issues -." Center for Japanese Studies Chung-ang University 56 (February 28, 2022): 99–118. http://dx.doi.org/10.20404/jscau.2022.02.56.99.

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11

Park, SooJung. "A Study on Yukio Mishima’s Onnagata - Focusing on Gender and Sexuality Issues -." Center for Japanese Studies Chung-ang University 56 (February 28, 2022): 101–20. http://dx.doi.org/10.20404/jscau.2022.02.56.101.

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12

Hyland, Peter. "‘A Kind of Woman’: The Elizabethan Boy-Actor and the Kabuki Onnagata." Theatre Research International 12, no. 1 (1987): 1–8. http://dx.doi.org/10.1017/s0307883300013250.

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When in 1932 M. C. Bradbrook put forward the view that the Elizabethan style of acting was probably formalistic, she initiated a debate that has not yet ended, between those who accept her view and those who, like Marvin Rosenberg, believe that Elizabethan acting style was probably realistic, akin to modern style. She wrote: ‘There would be comparatively little business, and gesture would be formalised. Conventional movement and heightened delivery would be necessary to carry off dramatic illusion.’ There is no real conclusion to be drawn, and those who take a middle way, arguing for a more complex fusion of the formalistic and the naturalistic, are probably close to the truth. The reason why the argument cannot be resolved is that there is virtually no contemporary evidence about acting styles in general or about particular performances, so that discussion rests less on scholarship than on conjecture based upon the few hints that can be gleaned from the plays and elsewhere. In this paper I want to consider the ways in which female roles might have been acted by boys and young men, taking my perspective from the performance of the onnagata, or female impersonator, in the Japanese Kabuki theatre.
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13

Sorgenfrei, Carol Fisher. "Maki Isaka, Onnagata: A Labyrinth of Gendering in Kabuki Theatermaki isaka. Onnagata: A Labyrinth of Gendering in Kabuki Theater. Seattle: University of Washington Press, 2016. Pp. 256. $50.00 (Hb)." Modern Drama 60, no. 2 (June 2017): 238–40. http://dx.doi.org/10.3138/md.2017.60.2.238.

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14

Episale, Frank. "Gender, Tradition, and Culture in Translation: Reading the Onnagata in English." Asian Theatre Journal 29, no. 1 (2012): 89–111. http://dx.doi.org/10.1353/atj.2012.0023.

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15

Leiter, Samuel L. "From Gay to Gei: The Onnagata and the Creation of Kabuki's Female Characters." Comparative Drama 33, no. 4 (1999): 495–514. http://dx.doi.org/10.1353/cdr.1999.0015.

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16

Morinaga, M. "The Gender of Onnagata As the Imitating Imitated: Its Historicity, Performativity, and Involvement in the Circulation of Femininity." positions: east asia cultures critique 10, no. 2 (September 1, 2002): 245–84. http://dx.doi.org/10.1215/10679847-10-2-245.

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17

Schneider, Robert, and Nathan Schneider. "A Dive and a Dance with Kabuki Vaudeville: Taishū Engeki Comes Back!" New Theatre Quarterly 36, no. 3 (August 2020): 256–71. http://dx.doi.org/10.1017/s0266464x20000470.

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Taishū engeki occupies a niche in Japanese popular theatre between the all-male troupes of state-subsidized Kabuki and the highly commercial, all-female troupes of the Takarazuka Revue. Its origins are disputed: while some scholars trace it back to the thirteenth century, others say it is mostly a post-war phenomenon. Family-based, itinerant troupes comprising both sexes book theatres for a month at a time. They live in the theatre, sleeping onstage or in the house. They perform twice daily for largely working-class audiences. Tickets are cheap, but troupes supplement their box office with merchandise sales and with generous tips which patrons deliver in mid-performance. The form draws heavily on onnagata performance in Kabuki, less heavily on the otokoyaku (women in men’s roles) of the Takarazuka Revue. In taishū engeki, however, actors of both sexes often cross-dress with star performers appearing en homme and en femme in quick succession. Like vaudeville, whose demise was repeatedly announced in the early decades of the last century, taishū engeki has often been pronounced dead. Yet despite its notorious geriatric core audience, there are signs that taishū engeki is coming back. Robert Schneider is an Associate Professor of Theatre and Dance at Northern Illinois University, DeKalb, Illinois. He is also a playwright and translator whose articles and reviews have appeared in the New York Times, American Theatre, and Plays International & Europe. Nathan Schneider is a writer and translator who lives in Tokyo.
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18

Lee, Adele. "Transvestism and the Onnagata Traditions in Shakespeare and Kabuki. Edited by Minoru Fujita and Michael Shapiro. Kent: Global Oriental, 2006. Pp. vii + 213 + illus. £50 Hb." Theatre Research International 33, no. 1 (March 2008): 98–99. http://dx.doi.org/10.1017/s0307883307003434.

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19

Ammirati, Megan. "Onnagata: A Labyrinth of Gendering in Kabuki Theater. By Maki Isaka . Seattle and London: University of Washington Press, 2016; pp. xvi + 256, $50 cloth, $50 e-book." Theatre Survey 58, no. 1 (January 2017): 127–29. http://dx.doi.org/10.1017/s004055741600079x.

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20

Fleming, William D. "A History of Japanese Theatre; Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost; Onnagata: A Labyrinth of Gendering in Kabuki Theater." TDR/The Drama Review 62, no. 2 (June 2018): 163–67. http://dx.doi.org/10.1162/dram_r_00760.

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21

Morley, Carolyn. "Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka, and: Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki." Harvard Journal of Asiatic Studies 78, no. 1 (2018): 230–42. http://dx.doi.org/10.1353/jas.2018.0015.

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22

Gerstle, C. Andrew. "Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost by Satoko Shimazaki, and: Onnagata: A Labyrinth of Gendering in Kabuki Theater by Maki Isaka." Monumenta Nipponica 72, no. 1 (2017): 100–104. http://dx.doi.org/10.1353/mni.2017.0009.

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23

劉亮延, 劉亮延. "抄襲即原創：《關於大野一雄》與舞譜." 藝術評論 43, no. 43 (July 2022): 031–84. http://dx.doi.org/10.53106/101562402022070043002.

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<p>以日本藝術家川口隆夫2013年的單人表演作品《關於大野一雄》為經緯，本文透通過探索土方巽對傳統歌舞伎的翻譯與理解，呈現戰後前衛藝術運動之承襲與擴展。本文核心在於闡述《關於大野一雄》在創作自述中所提出「抄襲即原創」的概念，並從歌舞伎圖像學的脈絡，爬梳複製與抄襲的傳統，藉此分析女形表演與影像(（意象)）間的譜記關係。以歌舞伎類型化角色實踐的立場來理解，本文於結論指出，該這部作品的激進之處在於透，通過妄想、追憶等想像力總和的譜記技術，同時經由變形與退化的途徑，在噴發與穿刺之時，反身性主體得以現身。</p> <p>&nbsp;</p><p>This essay takes &ldquo;About Kazuo Ohno,&rdquo;, a one man show project by Takao Kawaguchi in 2013 as the main axis, and presents a study on Japanese Kabuki via the reading and translation from Hijikata Tashumi, a postwar avant-garde artist. It cites &ldquo;Copy is Original&rdquo; from Takao Kawaguchi&rsquo;s statement of &ldquo;About Kazuo Ohno&rdquo; and explains the tradition of copy and reduplicate in kabuki iconology, analysis notations relation between Onnagata and its images. In the praxis terms of characterization role playing in Kabuki tradition, this essay draws out the radical thinking by &ldquo;About Kazuo Ohno,&rdquo;, that it presents the reflexive subject by taking notation technics for illusion, reminiscence, in sums by imaging; Or or the subject may also appear at the very moment of penetration and menstruation, by transforming and deforming.</p> <p>&nbsp;</p>
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24

Suzuki, Noriyuki, Yoshikazu Sampei, and Osamu Koga. "Norcholestane in Miocene Onnagawa siliceous sediments, Japan." Geochimica et Cosmochimica Acta 57, no. 18 (September 1993): 4539–45. http://dx.doi.org/10.1016/0016-7037(93)90509-u.

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25

Ito, Yoshiharu, Tsutau Takeuchi, and Yutaro Arima. "Hydraulic fracturing experiment at Onnagawa formation outcrop." Journal of the Japanese Association for Petroleum Technology 86, no. 3 (2021): 170–80. http://dx.doi.org/10.3720/japt.86.170.

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26

Watanabe, Yoshio, Masanobu Yamamoto, and Mahito Watanabe. "Geochemistry and paleoceanography of the Onnagawa diatomaceous sediments." Journal of the Japanese Association for Petroleum Technology 60, no. 1 (1995): 15–26. http://dx.doi.org/10.3720/japt.60.15.

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27

Kumada, Yuko, Kunio Akihisa, Osamu Takano, and Takatoshi Namikawa. "Potential evaluation of Onnagawa tight oil by basin modeling." Journal of the Japanese Association for Petroleum Technology 83, no. 5 (November 30, 2018): 390–407. http://dx.doi.org/10.3720/japt.83.390.

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28

Kumada, Yuko, Kunio Akihisa, Osamu Takano, and Takatoshi Namikawa. "Potential evaluation of Onnagawa tight oil by basin modeling." Journal of the Japanese Association for Petroleum Technology 83, no. 5 (November 30, 2018): 390–407. http://dx.doi.org/10.3720/japt.83.390.

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29

Suzuki, Noriyuki. "Formation of Onnagawa siliceous source rocks and tight oil." Journal of the Japanese Association for Petroleum Technology 86, no. 3 (2021): 155–69. http://dx.doi.org/10.3720/japt.86.155.

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30

Kashiyama, Y., N. O. Ogawa, M. Shiro, R. Tada, H. Kitazato, and N. Ohkouchi. "Reconstruction of the biogeochemistry and ecology of photoautotrophs based on the nitrogen and carbon isotopic compositions of vanadyl porphyrins from Miocene siliceous sediments." Biogeosciences Discussions 5, no. 1 (January 30, 2008): 361–409. http://dx.doi.org/10.5194/bgd-5-361-2008.

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Abstract. We determined both the nitrogen and carbon isotopic compositions of various vanadyl alkylporphyrins isolated from siliceous marine sediments of the Onnagawa Formation (middle Miocene, northeastern Japan) to investigate the biogeochemistry and ecology of photoautotrophs living in the paleo-ocean. The distinctive isotopic signals support the interpretations of previous works that the origin of 17-nor-deoxophylloerythroetioporphyrin (DPEP) is chlorophylls c, whereas 8-nor-DPEP may have originated from chlorophylls a2 or b2 or bacteriochlorophyll a. Although DPEP and cycloheptanoDPEP are presumably derived from common precursory pigments, their isotopic compositions differed in the present study, suggesting that the latter represents a specific population within the photoautotrophic community. Based on the δ 15N values of DPEP (−6.9 to −3.6‰ n=7), the average δ15N value for the entire photoautotrophic community is estimated to be −2 to +1‰, considering the empirical isotopic relationships that the tetrapyrrole nuclei of chloropigments are depleted in 15N by ~4.8‰ and enriched in ;13C by ~1.8‰ relative to the whole cells. This finding suggests that nitrogen utilized in the primary production was supplied mainly through N2-fixation by diazotrophic cyanobacteria. Based on the δ13C values of DPEP (–17.9 to −15.6‰ n=7), we estimated isotopic fractionation associated with photosynthetic carbon fixation to be 8–14‰. This range suggests the importance of β-carboxylation and/or active transport of the carbon substrate, indicating in turn the substantial contribution of diazotrophic cyanobacteria to primary production. Based on the δ15N values of 17-nor-DPEP (−7.4 to −2.4‰ n=7), the δ15N range of chlorophylls c-producing algae was estimated to be −3 to +3‰. This relative depletion in ;15N suggests that these algae mainly utilized nitrogen regenerated from diazotrophic cyanobacteria. Given that diatoms are likely to have constituted the chlorophylls c-producing algae within the biogenic-silica-rich Onnagawa Formation, cyanobacteria-hosting diatoms may have been important contributors to primary production.
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31

Kashiyama, Y., N. O. Ogawa, M. Shiro, R. Tada, H. Kitazato, and N. Ohkouchi. "Reconstruction of the biogeochemistry and ecology of photoautotrophs based on the nitrogen and carbon isotopic compositions of vanadyl porphyrins from Miocene siliceous sediments." Biogeosciences 5, no. 3 (May 15, 2008): 797–816. http://dx.doi.org/10.5194/bg-5-797-2008.

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Abstract. We determined both the nitrogen and carbon isotopic compositions of various vanadyl alkylporphyrins isolated from siliceous marine sediments of the Onnagawa Formation (middle Miocene, northeastern Japan) to investigate the biogeochemistry and ecology of photoautotrophs living in the paleo-ocean. The distinctive isotopic signals support the interpretations of previous works that the origin of 17-nor-deoxophylloerythroetioporphyrin (DPEP) is chlorophylls-c1-3, whereas 8-nor-DPEP may have originated from chlorophylls-a2 or b2 or bacteriochlorophyll-a. Although DPEP and cycloheptanoDPEP are presumably derived from common precursory pigments, their isotopic compositions differed in the present study, suggesting that the latter represents a specific population within the photoautotrophic community. The average δ15N value for the entire photoautotrophic community is estimated to be –2 to +1‰ from the δ15N values of DPEP (–6.9 to –3.6‰; n=7), considering that the empirical isotopic relationships that the tetrapyrrole nuclei of chloropigments are depleted in 15N by ~4.8‰ and enriched in 13C by ~1.8‰ relative to the whole cells. This finding suggests that nitrogen utilized in the primary production was supplied mainly through N2-fixation by diazotrophic cyanobacteria. Based on the δ13C values of DPEP (–17.9 to –15.6‰; n=7), we estimated isotopic fractionation associated with photosynthetic carbon fixation to be 8–14‰. This range suggests the importance of β-carboxylation and/or active transport of the carbon substrate, indicating in turn the substantial contribution of diazotrophic cyanobacteria to primary production. Based on the δ15N values of 17-nor-DPEP (–7.4 to –2.4‰ n=7), the δ15N range of chlorophylls-c-producing algae was estimated to be –3 to +3‰. This relative depletion in sup>15N suggests that these algae mainly utilized nitrogen regenerated from diazotrophic cyanobacteria. Given that diatoms are likely to have constituted the chlorophylls-c-producing algae within the biogenic-silica-rich Onnagawa Formation, cyanobacteria-hosting diatoms may have been important contributors to primary production.
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32

Kamitsuji, Ryohei, Yusuke Kumano, and Satoru Yokoi. "Acid Stimulation Test of Fractured Siliceous Shale Reservoir, Onnagawa Tight Oil Formation." Journal of the Japanese Association for Petroleum Technology 78, no. 6 (2013): 491–95. http://dx.doi.org/10.3720/japt.78.491.

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33

Chiyonobu, Shun, Shigehiro Kitamura, Tsutau Takeuchi, Paolo Martizzi, Fumitaka Abe, Aina Kondo, Riona Yamada, and Yutaro Arima. "Fraccability of the Miocene Onnagawa Formation and its relationship with microfacies analysis." Journal of the Japanese Association for Petroleum Technology 86, no. 6 (2021): 483–91. http://dx.doi.org/10.3720/japt.86.483.

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34

Waseda, Amane, Takashi Tsuji, Yoshiteru Kajiwara, and Hideki Nishita. "Organic facies and depositional environment of the Onnagawa Formation. Comparison with the Monterey Formation." Journal of the Japanese Association for Petroleum Technology 60, no. 1 (1995): 49–61. http://dx.doi.org/10.3720/japt.60.49.

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35

Yoshioka, Jumpei, Junichiro Kuroda, Naoto Takahata, Yuji Sano, Kenji M. Matsuzaki, Hidetoshi Hara, Gerald Auer, Shun Chiyonobu, and Ryuji Tada. "Zircon U-Pb dating of a tuff layer from the Miocene Onnagawa Formation in Northern Japan." GEOCHEMICAL JOURNAL 55, no. 3 (2021): 185–91. http://dx.doi.org/10.2343/geochemj.2.0622.

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36

Komuro, Kosei, and Yoshimichi Kajiwara. "Heavy Sulfur-isotope Enrichment in Middle Miocene Onnagawa Mudstones in the Green Tuff Region, Northeastern Japan." Resource Geology 53, no. 1 (March 2003): 61–65. http://dx.doi.org/10.1111/j.1751-3928.2003.tb00158.x.

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37

Sampei, Yoshikazu, Toshinori Inaba, and Noriyuki Suzuki. "Abnormally abundant alkenone-derived C37 and C38 n-alkanes in Miocene Onnagawa siliceous mudstones, northeast Japan." Organic Geochemistry 34, no. 9 (September 2003): 1247–58. http://dx.doi.org/10.1016/s0146-6380(03)00115-3.

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38

KIMURA, Shin-ichi, Naotatsu SHIKAZONO, Masato NOHARA, and Shuhei IWAI. "Behavior of Trace and Rare Earth Elements with Chemical Weathered. Sedimentary Rocks, Miocene Onnagawa Formation, Oga Peninsula." Journal of the Japan Society of Engineering Geology 40, no. 5 (1999): 281–94. http://dx.doi.org/10.5110/jjseg.40.281.

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39

Takayama, Masashi, and Susumu Kato. "Lithology and total organic carbon of the Onnagawa Formation in the subsurface of the Akita-Yamagata Sedimentary Basin." Journal of the Japanese Association for Petroleum Technology 60, no. 1 (1995): 39–48. http://dx.doi.org/10.3720/japt.60.39.

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40

Okubo, Susumu. "Chemical composition of the rock-forming minerals in the Onnagawa Formation from Ayukawa oil and gas field, Akita Prefecture, Japan." Journal of the Japanese Association for Petroleum Technology 83, no. 6 (December 26, 2018): 509–20. http://dx.doi.org/10.3720/japt.83.509.

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41

Okubo, Susumu. "Chemical composition of the rock-forming minerals in the Onnagawa Formation from Ayukawa oil and gas field, Akita Prefecture, Japan." Journal of the Japanese Association for Petroleum Technology 83, no. 6 (December 26, 2018): 509–20. http://dx.doi.org/10.3720/japt.83.509.

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42

Jayawickrama, Eranga G., Jun Muto, Osamu Sasaki, and Hiroyuki Nagahama. "The quantitative characterization of hydraulic fracture connectivity from a postmortem investigation." Journal of Geophysics and Engineering 19, no. 2 (April 2022): 211–26. http://dx.doi.org/10.1093/jge/gxac012.

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Abstract Two bio-siliceous Onnagawa (ONG I and ONG II) shale samples have been hydraulically fractured under two constant differential stresses (60 and 85 MPa, respectively) to investigate the fracture network's connectivity evolution by a postmortem analysis. The pressure inside the drilled borehole in a cylindrical core sample is increased above the confining pressure (10 MPa) until failure by hydraulic fracture. The two samples failed at two different borehole pressures (ONG I: 42 MPa, ONG II: 16 MPa). Fractured samples were scanned in an industrial X-ray CT machine and the tomographic images of the fracture network were extracted for a postmortem investigation. From the fracture volume segments, obtained by thresholding the frequency distribution of the fracture network's voxel values, a quantitative estimation of fracture connectivity was carried out. The connectivity was quantified based on the relative entropy of size distribution of fractures (${H_r}$), a method adapted from information theory. Fracture connectivity estimation shows that ${H_r}$ is at a maximum value when the fractures show a significant distribution with very limited connectivity. The value of ${H_r}$ is at a minimum and close to 0 when a well-linked fracture network is formed. In both samples, this minimum was attained at the threshold of 43k indicating the highest connectivity and the best representation of the fracture network. The extracted fracture network of ONG I showed a multi-winged hydraulic fracture network while a planar conventional two-winged hydraulic fracture network had been generated in ONG II with a lower fracture volume.
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43

Yamamoto, Shinji, Tomohisa Irino, Ryuji Tada, and Azuma Iijima. "Reconstruction of Miocene volcanic seamount and the sedimentation depth for siliceous shale of the Onnagawa Formation in the Fujisato area, northern Akita." Journal of the Geological Society of Japan 100, no. 8 (1994): 557–73. http://dx.doi.org/10.5575/geosoc.100.557.

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44

Okubo, Susumu. "Sulfate minerals forming on the cores of shale and siliceous rocks of the Onnagawa Formation in the Ayukawa-Kita AK-1 well, Akita Prefecture, Japan." Journal of the Japanese Association for Petroleum Technology 82, no. 4 (2017): 263–68. http://dx.doi.org/10.3720/japt.82.263.

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45

Tsuji, Takashi, Satoru Yokoi, Amane Waseda, Shoki Kurokawa, Hideki Nishita, Takeaki Ohtani, Tetsuya Tamagawa, Takatoshi Namikawa, Haruhiko Arisaka, and Tsutau Takeuchi. "History of exploration and research of Miocene biosiliceous mudstone reservoirs, preliminary study of the reservoir properties in the thermally-matured biosiliceous mudstones of the Onnagawa Formation." Journal of the Japanese Association for Petroleum Technology 86, no. 4 (2021): 259–72. http://dx.doi.org/10.3720/japt.86.259.

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46

SHIKAZONO, Naotatsu, Shin-ichi KIMURA, and Shuhei IWAI. "Relationship between Gypsum Formation due to Chemical Weathering and Mineral Composition of Original Rocks. A Case Study of the Onnagawa Sedimentary Rocks in Oga Peninsula, Akita Prefecture, Japan." Journal of the Japan Society of Engineering Geology 43, no. 3 (2002): 134–42. http://dx.doi.org/10.5110/jjseg.43.134.

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47

Yokoi, Satoru, Takashi Tsuji, and Amane Waseda. "Tight oil exploration in the Onnagawa formation, Miocene biosiliceous rocks of Japan: what we have learned and its implication for Monterey-like siliceous rocks in the Circum-North Pacific." Journal of the Japanese Association for Petroleum Technology 86, no. 5 (2021): 406–20. http://dx.doi.org/10.3720/japt.86.406.

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48

Jayawickrama, E. G., J. Muto, O. Sasaki, and H. Nagahama. "Damage Evolution of Onnagawa Shale by Postmortem Thresholding of X‐Ray Computed Tomography." Journal of Geophysical Research: Solid Earth 126, no. 11 (November 2021). http://dx.doi.org/10.1029/2021jb022056.

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49

Ryuji Tada. "Origin of Rhythmical Bedding in Middle Miocene Siliceous Rocks of the Onnagawa Formation, Northern Japan." SEPM Journal of Sedimentary Research Vol. 61 (1991). http://dx.doi.org/10.1306/d426784d-2b26-11d7-8648000102c1865d.

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"^|^ldquo;Alternation of Hard and Soft Layers (Porcelanite and Siliceous Mudstone)^|^rdquo; in the Onnagawa Formation, Akita Prefecture, Japan (front)Monterey Formation, Pismo Beach, California: Oil is Present in Fractures (back)." Journal of Geography (Chigaku Zasshi) 122, no. 1 (2013): Cover01_1—Cover01_3. http://dx.doi.org/10.5026/jgeography.122.cover01_1.

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