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Journal articles on the topic 'Ontological symbolism'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Choza, Jacinto. "The Feminine Sacred: An Ontosociology of Woman as a Symbol." Religions 16, no. 4 (2025): 450. https://doi.org/10.3390/rel16040450.

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In contemporary development, feminism is divided into two major trends, that of difference and that of equality. The former tends to rely more on ontology and religious symbolism, and the latter on sociology and political praxis. This paper aims to show that this antagonism has as its background the complementarity and unity between both approaches, which are based on religious symbolism. Religious symbolism has both an ontological value and a sociological value, which give both internal consistency and external form to society.

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Chertenko, Ekaterina A. "Ontological ekphrasis Elena Shvarts’ poem “Memory of the Fresco of Fra Beato Angelico ‘Baptism’ at the Sight of the Head of John the Baptist in Rome”." Tyumen State University Herald. Humanities Research. Humanitates 10, no. 1 (2024): 84–99. http://dx.doi.org/10.21684/2411-197x-2024-10-1-84-99.

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Scientific interest in the problem of ekphrasis and the peculiarities of ekphrastic description has increased over the past decades. The article analyzes the ekphrastic poetics of E. Shvarts’ poem “Memory of Fra Beato Angelico’s fresco ‘Baptism’ at the sight of the head of John the Baptist in Rome”. The aim of this article is to identify the intermedial correlation of the verbal level with the visual level, revealing the ontological ekphrasis in this poem. The author of the article examined how the three levels of the image in the poem correlate in their ratio: artistic text, frescoes’ visual

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Syn, Thant, and Arkalgud Ramaprasad. "Megaprojects – symbolic and sublime: an ontological review." International Journal of Managing Projects in Business 12, no. 2 (2019): 377–99. http://dx.doi.org/10.1108/ijmpb-03-2018-0054.

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Purpose Megaprojects are symbolic milestones of human history. Most megaprojects are one-of-a-kind endeavors to which traditional project management principles are neither applicable nor suitable, rendering the holistic study of megaprojects especially difficult. There is no systemic framework that can help systematically assess and guide megaprojects and megaproject research. In the absence of such a framework there is a significant risk of bias in planning the projects and the topics researched. The purpose of this paper is to present an ontological framework of megaprojects and discuss how

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Whitley, David S. "Ontological Beliefs and Hunter–Gatherer Ritual Landscapes: Native Californian Examples." Religions 15, no. 1 (2024): 123. http://dx.doi.org/10.3390/rel15010123.

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Landscapes are socially produced and reproduced spaces. This is easily recognizable for large-scale urban groups with built environments that dominate living places. But it also pertains to all types of societies and cultures, even small-scale hunter–gatherers, once the ontological beliefs structuring landscape perception and use are acknowledged. The foragers of south–central and southern California and the Great Basin illustrate this fact. They maintained a widely shared ontological perspective supported by a fundamental cognitive postulate. This is that supernatural power, the principle cau

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Bell Jr, Wade A. "Dissecting George Miles: Objectification, the Gaze, and Ontological Uncertainty in Dennis Cooper's Closer." Moderna Språk 107, no. 2 (2013): 20–34. http://dx.doi.org/10.58221/mosp.v107i2.8062.

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This article offers a close reading of Dennis Cooper's 1989 cult novel Closer. Despite focusing on the experiences of gay males, I argue that Closer transcends identity politics by problematizing the status and treatment of the other in a contemporary Western setting. In doing so, the novel explores the theme of objectification from both a superficial and ontological perspective: Superficially, the objectification of the protagonist George Miles seems to mirror the way that women are objectified under patriarchy, however, from an ontological perspective, Closer's symbolism suggests a much deep

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임형모. "A Possibility of the Trinity in a Ontological Symbolism of Paul Tillich." Korean Jounal of Systematic Theology ll, no. 28 (2010): 7–38. http://dx.doi.org/10.21650/ksst..28.201012.7.

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Mpandzou, Anselme Mbemba. "Place of Women in Traditional African Societies: Case of Koongo Woman." Saudi Journal of Humanities and Social Sciences 9, no. 01 (2024): 8–13. http://dx.doi.org/10.36348/sjhss.2024.v09i01.002.

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At the root of the social construction of nations, there are almost always founding mythologies supposed to explain the advent of this or that fact and/or phenomenon. The Koongo nation is no exception. It has a mythology that relates how the muuntu, the primordial being, in its primitive uniqueness, split into two individual entities, each retaining its specificity, and, at the same time, the trace of this ontological split. From this ontological split in primordial being came man and woman. The aim of this paper is to show how, from this ontological split, the symbolism of the woman, who has

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Garipova, Gulchira T. "Specific of artistic world modeling in the Russian symbolism fiction: theory, trends, transpersonal models." RUDN Journal of Studies in Literature and Journalism 25, no. 3 (2020): 399–423. http://dx.doi.org/10.22363/2312-9220-2020-25-3-399-423.

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The article is devoted to the study of the peculiar properties of artistic world modeling in the Russian symbolism fiction with an emphasis on the anthropological and ontological concepts of Man and Being, structuring the world-like novel model. The ability to identify the evolutionary dynamics of both the aesthetic and ethical-philosophical paradigm of the modernist type of artistic consciousness, identified in the context of existentialization and neo-mythologization trends, determines the relevance of the research problem. The novelty of this research is in the analysis of the author's tran

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Casellato, Anna. "The Orphic Gazelle: A Critical Iconology of the Zoomorphic Trope in Franz Marc and Rainer Maria Rilke." Arts 12, no. 5 (2023): 187. http://dx.doi.org/10.3390/arts12050187.

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The article explores the curious landing of the gazelle in Franz Marc’s pictorial text (1913) and Rainer Maria Rilke’s poem (1907). An analysis of the iconographic and pictorial apparatus sets the foundations for a comparison to the poetic restitution of the same zoomorphic trope. Concepts from Visual Studies and recent iconological-anthropological schools of thought support a hypothesis of migration across time and medium of the gazelle’s symbolism and iconicity. Further, the critical iconology method reveals the possibility of autonomous expression for the zoomorphic trope in the idiosyncras

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Gravin, A. A. "Symbolism of Vyacheslav Ivanov and Andrey Bely in Context of Lyudmila Gogotishvili`s Predicative Concept." Solov’evskie issledovaniya, no. 4 (December 28, 2022): 133–47. http://dx.doi.org/10.17588/2076-9210.2022.4.133-147.

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This article analyzes theoretical approaches of Russian religious thinkers (Vyacheslav Ivanov and Andrey Bely) to the linguistic and metaphysical comprehension of symbol. It is shown that this approaches to the symbol can be considered in view of the linguo-philosophical concept of predicativity. In this regard, Lyudmila Gogotishvili's predicative concept of the symbol is used in the article as a methodological toolkit. It has been substantiated that, within the framework of this concept, the expression transcendental sense in the name and by myth predicativity turns out to be fundamental. A h

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Shimelfenig, Oleg. "Rationality and Symbolism of the Self-Rotating Torus." Ideas and Ideals 15, no. 3-1 (2023): 222–32. http://dx.doi.org/10.17212/2075-0862-2023-15.3.1-222-232.

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Rational thinking and language are faced with diffi culties, when it is necessary to express the setting of two opposite aspects of reality - change and constancy. The author is developing a plot-game methodology based on the ontological generalization of art history concepts of the plot, script and game to the level of philosophical categories. Categories correspond to natural science terms. On the basis of the selected universals – ‘through’ units of Being, with the involvement of geometric images-symbols of a circle, sphere and torus – a solution to the problem of organic synthesis of chang

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Liu, Taoran. "Ecofeminism in the "Tao Te Ching": Natural Symbolism, Gender Critique, and Cultural Reinterpretation." Философия и культура, no. 4 (April 2025): 32–44. https://doi.org/10.7256/2454-0757.2025.4.74236.

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This study explores the philosophical and cultural representation of the feminine principle in Laozi’s Dao De Jing from an interdisciplinary perspective that integrates feminist theory of alterity and ecofeminism. Special attention is paid to the analysis of gendered symbolism—such as the motifs of mother, female, and softness—and their philosophical significance within Daoist thought. The research aims to uncover the hidden mechanisms of symbolic elevation and simultaneous marginalization of the feminine, as well as to examine how such symbolism informs conceptions of subjectivity, nature, an

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Jarosz, Adam. "Autour de l’axis mundi. De la notion théorique à la mise en image littéraire dans l’œuvre de Jules Verne (Voyages et aventures du capitaine Hatteras et Le Sphinx des glaces)." Quêtes littéraires, no. 3 (December 30, 2013): 101–7. http://dx.doi.org/10.31743/ql.4610.

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The symbolism of axis mundi constitutes an integral part of cultural and religious systems across the world. Such symbolism appears clearly and precisely in all forms of religious life. As it is stressed by Eliade, many a time, axis mundi is an intersection of three varied ontological zones (the interior of the Earth, the surface of the Earth, and the Heaven) and creates a contact place of man with sacrum. The axis mundi symbolism, analysed here as a part of literary studies, is reflected also in two important novels by Julius Verne (Adventures of Captain Hatteras, 1864-65 ; An Arctic Mystery,

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Svensson, Fredrik. "Symbolism and Allegory in the Works of Cormac McCarthy." Cormac McCarthy Journal 22, no. 2 (2024): 184–93. https://doi.org/10.5325/cormmccaj.22.2.0184.

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ABSTRACT Cormac McCarthy’s ecocentric style has received continuous critical attention at least since Vereen Bell’s pioneering work in the early 1980s, and ultimately, critics seem to have settled on the term “optical democracy” as a shorthand for this style’s main feature: its ontological leveling, as in the oft-quoted passage in Blood Meridian, of all the world’s things. Labelling optical democracy a literary symbolism, and drawing on Charles Feidelson’s and Paul de Man’s theorizations of this form of writing, this article argues that McCarthy’s allegorical understanding of literature eventu

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LOBANKOVA, I. P. "SYMBOL AND CONSCIOUSNESS IN ANCIENT MYTH AND MODERN SOCIETY." Bulletin of Chelyabinsk State University 491, no. 9 (2024): 35–40. https://doi.org/10.47475/1994-2796-2024-491-9-35-40.

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A problem of a symbol in the mythological consciousness of ancient cultures and in modern interpretations is of scientific interest. Let’s consider this problem in the context of the conceptualization of M. K. Mamardashvili and A. M. Pyatigorsky on the relationship between symbol and consciousness. In modern world historical, cultural, religious, and providential reasons for the lack of symbolism are based on the peculiarities of the human psyche. Contemporaries perceive symbols with critical logical-conceptual thinking as signs for enriching knowledge about culture and the psyche. Desymboliza

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Czabanowska-Wróbel, Anna. "Poetry and Existence: The Kingfishers of Adam Zagajewski and Gerard Manley Hopkins." Konteksty Kultury 20, no. 1 (2023): 31–41. http://dx.doi.org/10.4467/23531991kk.23.006.17909.

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The article presents an interpretation of Adam Zagajewski’s poem “The Kingfisher” from the 2014 volume Asymmetry in the context of Gerard Manley Hopkins’s [“As kingfishers catch fire, dragonflies draw flame”], whose initial words, cited in English, were used as the motto. The article reviews the motif of the kingfisher in poetry and culture. The possible readings of the poem also relate to the symbolism of colours and fire, through which its ontological and metapoetic senses are revealed.

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Wójcik, Tomasz. "Apis mellifera (Rilke, Leśmian, Valéry, Miłosz)." Tekstualia 1, no. 7 (2021): 9–14. http://dx.doi.org/10.5604/01.3001.0015.6679.

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This essay concerns Paul Valéry’s sonnet The Bee, a fragment of Rainer Maria Rilke’s letter to Witold Hulewicz, Boleslaw Lesmian’s poem The Bees, and a fragment of Czeslaw Milosz’s poem Orpheus and Eurydice. Investigating the semantics and symbolism of the bee, a trope common to each text, allows for a reading of a broader ontological project: the relationship between being and non-being. This essay centres on denying the division between being and non-being, proposing the concept of a greater whole instead.

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Pezdirc Bartol, Mateja. "Podoba ladje in morja v treh slovenskih dramah." Jezik in slovstvo 66, no. 4 (2024): 97–105. http://dx.doi.org/10.4312/jis.66.4.97-105.

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In this paper, we analyse three Slovenian plays: Ognjeni zmaj (Fire Dragon) by Miran Jarc, Ladja brez imena (Ship Without a Name) by Vitomil Zupan and Konec Atlasa (The End of Atlas) by Žanina Mirčevska. Although these texts are from three different periods, they share a common setting, namely, a ship on a stormy sea. We find that a ship in the middle of the ocean is a metaphor for human unease and inner struggles, and develops into a symbol of man’s navigation between good and evil. Accordingly, the ocean symbolises man’s thrownness into the world and raises fundamental ontological questions

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Pronyakin, Volodymyr. "The philosophy of B. Pascal and modern Christian theology. Towards an assessment of Christianity's adaptive capabilities in the postmodern socio-cultural context." Sententiae 1, no. 1 (2000): 178–85. http://dx.doi.org/10.31649/sent01.01.178.

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Author claims that Western theology must turn to Pascal's religious-philosophical legacy in order to find identification normatives that can ensure the cultural-adaptive stability of Christian identity. Such an approach is justified by a number of specific features of Pascal's philosophy: (1) existential character of thought; (2) anthropological nature; (3) symbolism; (4) semiotically obvious authenticity of artefacts of religious experience. In the author's opinion, the most promising in this context would be to address (2), Pascal's symbolic metaphysics, which is determined by the predominan

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Kurdybaylo, Dmitry. "On the meaning of the term symbol in the writings of Plutarch of Chaeronea." Schole Ancient philosophy and the classical tradition 19, no. 1 (2025): 185–204. https://doi.org/10.25205/1995-4328-2025-19-1-185-204.

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Plutarch of Chaeronea was a prominent Middle Platonist, influential both in early Christian Platonism and in pagan Neoplatonic schools. One of the significant markers of this succession is an increasing interest in symbolism and terminological usage of the term symbol. As Plutarch provided almost no explicit theory of symbolism, this research focuses on the contextual word usage in his writings, its analysis and reconstruction of Plutarchian symbolism in the philosophical milieu of his time. Plutarch understands symbol as a two-level entity, which combines an ordinary object or object-related

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Yatsenko, Т., and Ya Amurova. "Archaisms and their discovery in archetypal symbolism." Fundamental and applied researches in practice of leading scientific schools 30, no. 6 (2018): 3–13. http://dx.doi.org/10.33531/farplss.2018.6.01.

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The article presents the problem of archaisms, their energy influence on the human behavior in the integration unity with the ontological aspects of human development. The paper integrates the latest ideas of «non-classical psychology» (L. Vygotsky, A. Asmolov, D. El’konin, etc.), which determines the dynamics of the psychology development from statics to the psychodynamic approach to the study of the human psyche. The archaic heritage, as argued here, can not be studied independently from the personalized-individual human psyche. The article emphasizes the energу «doubling» (amplificati

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Pletinck, Karel. "Albert Béguin's Reception of German Romanticism in L'Âme romantique et le rêve (1937) and French Ontological Film Theory (1940s-1950s)." French Forum 48, no. 1 (2023): 49–63. http://dx.doi.org/10.1353/frf.2023.a932967.

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Abstract: In the late 1930s, literary critic Albert Béguin traced the poetics of Symbolism and Surrealism back to German Romanticism, in his influential doctoral dissertation L'Âme romantique et le rêve. Essai sur le romantisme allemand et la poésie française (1937). The understanding of poetry as a genuine means to acquire knowledge, as developed by the German Romantics, proved extremely influential in French poetics from the 19th century onwards. The central thread of this approach is its 'revelationism', i.e. the idea that the artwork does not merely copy exterior reality, but reveals its h

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Absattarov, Raushanbek, Galimzhan Absattarov, Marat Absattarov, Zhanna Karimova, and Nailya Seisen. "Integrated promotion model of the European culture in the global world: a socio-philosophical analysis." XLinguae 15, no. 1 (2022): 169–78. http://dx.doi.org/10.18355/xl.2022.15.01.17.

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The article analyzes the problem of the integrated model of the promotion of European culture. The paper shows that the crisis trends in the development of culture are a natural process, which is a necessary stage of the movement of culture to progressive development in the given ontological foundations of the culture system. At the same time, crises are divided into structural and systemic. The latter, according to the author, is a socio-cultural transformation. The author analyzes the concepts of “culture” and characterizes the features of the technogenic civilization of the West. In the con

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Demin, Gleb I. "ONEIRIC SYMBOLISM AND MULTIPOLAR SUBJECTIVITY IN M. MERLEAU-PONTY’S PHENOMENOLOGICAL ONTOLOGY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 1 (2024): 60–75. http://dx.doi.org/10.28995/2073-6401-2024-1-60-75.

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In the lecture course of 1954–1955, dealing with the issue of “passivity” in phenomenological philosophy, M. Merleau-Ponty pays much attention to the “unconscious” as “Freud’s discovery”. The philosopher finds approaches to the unconscious by analysing the phenomena of dreaming, memory, etc. on the basis of Freud’s descriptions and offering his own terminology and interpretations of psychoanalytic observations. Merleau-Ponty sets out to overcome the limitations of the original readings of psychoanalytic discovery due, among other things, to the reliance of Freud’s theoretical models on the cla

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Reznichenko, Anna I. "“About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist." Dostoevsky and World Culture. Philological journal, no. 3 (2021): 238–59. http://dx.doi.org/10.22455/2619-0311-2021-3-238-259.

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The article is devoted to the literary and philosophical origins of Sergei Durylin’s report “On a Symbol in Dostoevsky” (the report was read in 1926 at a meeting of the Commission for the Study of Dostoevsky at the Literary Section of GAKhN). The history of the report in the context of the Literary Section is considered. Аbstracts and debates on the report are published for the first time. The relationship of Durylin’s ideas with the complex of Dostoevsky’s interpretations, developed by both the Symbolists (G.I. Chulkov) and Russian religious philosophers (P.A. Florensky, A.F. Losev) is shown.

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Reznichenko, Anna I. "“About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist." Dostoevsky and world culture. Philological journal, no. 3 (2021): 238–59. http://dx.doi.org/10.22455/2541-7894-2021-3-238-259.

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The article is devoted to the literary and philosophical origins of Sergei Durylin’s report “On a Symbol in Dostoevsky” (the report was read in 1926 at a meeting of the Commission for the Study of Dostoevsky at the Literary Section of GAKhN). The history of the report in the context of the Literary Section is considered. Аbstracts and debates on the report are published for the first time. The relationship of Durylin’s ideas with the complex of Dostoevsky’s interpretations, developed by both the Symbolists (G.I. Chulkov) and Russian religious philosophers (P.A. Florensky, A.F. Losev) is shown.

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Dolgova, Anzhela V. "Anthropocentrism and Symbolism in Armenian Films of the Soviet Era." Общество: философия, история, культура, no. 5 (May 21, 2025): 262–72. https://doi.org/10.24158/fik.2025.5.32.

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The inner world and behavior of individuals in the context of their experienced historical epoch have consistent-ly constituted central thematic concerns in Armenian cinema. Filmmakers accorded particular emphasis to tra-ditional values – namely, family, child-rearing, diligence, and the capacity to summon resilience amid condi-tions marked by military conflicts, revolutions, genocide, and natural disasters. The cohesion and unity of the Armenian people, intergenerational continuity, love for their native land, as well as the veneration and meticu-lous preservation of cultural heritage collect

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Mukherjee, Prakriti. "Rosary as Artifact: From Religious Symbolism to Scientific Implications." MEΘEXIS Journal of Research in Values and Spirituality V, no. I (2025): 49–80. https://doi.org/10.71210/mjrvs.8.a.2.

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Prayer beads, referred to as a Japamala or rosary, are significant artifacts across diverse religious traditions, particularly in Hinduism and Buddhism. This paper aims to explore the importance of prayer beads in Hinduism and Buddhism, with a focus on a comparative analysis between Indian and Chinese traditions. Japamala, which typically consists of 108 beads, is utilized for mantra recitation, breath counting, and the enhancement of mindfulness and concentration. In Buddhism, the philosophical emphasis lies on the transformative power of mantra recitation and the development of Bodhicitta. I

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Chandler, Claire. "Investigating the Magical Practice found in PGM (Greek Magical Papyri) XIII." Culture and Cosmos 19, no. 1 and 2 (2015): 87–97. http://dx.doi.org/10.46472/cc.01219.0209.

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PGM XIII is a Greco-Egyptian magical papyri dated to the mid fourth century CE. It contains at least two versions of a rite to summon the creator god and gain his name, which is then used in further spells also included in the papyrus. This paper examines the practices involved in this rite and explores their theoretical underpinning, investigating timing, writing and symbolism to expose the interconnectedness implicit in the ancient worldview and the place of magic within it. The magical papyri are documents which reflect the methods and experience of actual magical practitioners rather than

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Kikhney, Lioubov. "Oнтологический статус слова в поэтическом дискурсе Серебряного века". Modernités Russes 11, № 1 (2010): 47–63. http://dx.doi.org/10.3406/modru.2010.919.

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Disappointment in the rhetorical word prompted poets to turn to pre-rhetorical, that is a ritually-mythological, stage of the word’s existence. The article is devoted to the ontological status of the word as an integrating basis of modernist poetics. We consider the concepts of "word-symbol" (in symbolism), "word-Logos" (in Acmeism) and "word as such" (in Futurism), which, having a common sacred denominator provide certain super-unity of the discursive practices of poets belonging to different currents of the Silver Age. In the works of the Symbolists, Futurists and Acmeists the word as such,

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Mikhailov, I. F. "COMPUTATIONAL IMAGE OF SCIENCE." Humanities And Social Studies In The Far East 17, no. 3 (2020): 81–88. http://dx.doi.org/10.31079/1992-2868-2020-17-3-81-88.

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Within a round table at the Institute of Philosophy of the Russian Academy of Sciences in the framework of the seminar ‘Interdisciplinary problems of cognitive sciences’ on December 19, 2019, a discussion was held on the possibility of identifying computational processes in nature, which identification, if successful, could constitute the ontological and methodological basis of cognitive (neuro) sciences. Some participants in the discussion expressed doubts about relevance of such an approach, putting forward the following arguments: computational processes deal with symbols by perforce and fo

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Ozherelyev, K. A. "DEUS CREATUS: ONTOLOGICAL AND AXIOLOGICAL PROBLEMATIC IN THE STORY BY F. BROWN “THE ANSWER”." Review of Omsk State Pedagogical University. Humanitarian research, no. 32 (2021): 39–43. http://dx.doi.org/10.36809/2309-9380-2021-32-39-43.

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In the article, based on the material of micro story of F. Brown “The answer” (1954) the spectrum of key philosophical problems is analysed which are raised by the science fiction writer: from the issue about existence of higher intelligence in the Universe to the fundamental value foundations of being. In the course of analysis and interpretation there are viewed in detail artistic concept sphere and story symbolism, there are revealed its intertextual and motivational parallel with Judeo-Christian theology (Bible tradition) and general philosophical context (consonance with some ideological

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Artemenko, Mykyta. "ONTOLOGICAL SYSTEM OF BARDAISAN – FREE WILL AND “ETHICAL COSMOLOGY”." 66, no. 66 (November 25, 2022): 52–58. http://dx.doi.org/10.26565/2226-0994-2022-66-6.

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The article is devoted to the reconstruction of the ontological system of Bardaisan. A specific view of ethics as an ontological construct is characteristic of the Middle Eastern philosophical tradition. The teachings of Bardaisan lie at the origins of the Syrian religious philosophy, therefore the reconstruction of his teachings allows us to understand the main sources that formed the Eastern philosophical tradition in its originality. A detailed philosophical analysis of the concept of fate in the teachings of Bardaisan has not previously been undertaken. In addition, most of the studies pai

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Zakharova, V. T., and I. S. Kudryavtseva. "Symbolism of Natural Imagery in Prose of Russian Émigré Writers (E. Yu. Skobtsova, N. D. Gorodetskaya, V. A. Nikiforov-Volgin)." Nauchnyi dialog 13, no. 4 (2024): 207–29. http://dx.doi.org/10.24224/2227-1295-2024-13-4-207-229.

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This study explores the issue of symbolization of natural imagery in an ontological, existential sense through the works of authors belonging to the first wave of Russian literary emigration. It is noted that in E. Yu. Skobtsova’s novel “Russian Plain”, a mythologized image of spiritualized space is created, encompassing an expressively colored image of the motherland, calling on children to respond to universal pain. In the autobiographical prose of N. D. Gorodetskaya, past and present converge in a unified sense of gratitude: the gracious, invaluable past seems to merge into the present, giv

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Evchuk, O. P. "Symbolism and metaphysics of spring image in Russian poetry of 19th century." Memoirs of NovSU, no. 2 (2025): 318–27. https://doi.org/10.34680/2411-7951.2025.2(57).318-327.

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The paper is devoted to the problem of symbolism and metaphysics of the image of Spring in Russian poetry of the 19th century in the context of the national spiritual traditionaddressed to patristic thought and the axiological foundations of Russian culture. The significance of the Easter archetype in the national cultural consciousness, as well as in the ideological, stylistic and aesthetic content of Russian literature in general, is clarified. In this regard, attention is drawn to the religious and philosophical context of the image of Spring, which embodies the idea of spiritual awakenin

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Lupașcu, Silviu. "Han-Shan, Li Po, Tu Fu, Basho and the Mystical Theology of the Mountainous Space." Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 8 (November 27, 2009): 283–90. http://dx.doi.org/10.35219/history.2009.14.

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The spiritual masters of the Chinese and Japanese classical poetry used the image of the mountain as a symbol of the passage from this world toward the next world. The certitude of the irreversible fading away from this world is metamorphosed in the certitude of the happy proximity to the nonworld. The trip itself becomes a way of the revelation, of the manifest truth, of the re-defining of the human being through wu-wei or satori. As meeting of the truth, of the inner self or of the theocratic void, the immersion of the soul within the shining space situated beyond the world is accomplished t

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Khoroshavina, V. B. "NIKOLAI SIDELNIKOV'S SPIRITUAL WORKS AS A REFLECTION OF THE PHILOSOPHY OF CULTURE." Arts education and science 1, no. 1 (2020): 128–33. http://dx.doi.org/10.36871/hon.202001016.

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The article contains the analysis of the Nikolai Sidelnikov’s spiritual art from the standpoint of the XXth-century philosophical and religious beliefs in terms of cultural and religious interactions. It is highlighted that the master is interested not in any particular national or religious tradition but in culture in general. In the author’s spiritual works the word concentrates the sacred meaning, while music doesn’t distract one’s attention from the word perception, but gives its accompaniment in a meaningful way. The composer enriches traditional spiritual music with his own ideas, which

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Kaianidi, Leonid G. "Casus Gogotishvili: critical remarks on the concept of predicative symbolism." Tyumen State University Herald. Humanities Research. Humanitates 9, no. 3 (2023): 25–39. http://dx.doi.org/10.21684/2411-197x-2023-9-3-25-39.

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L.A. Gogotishvili’s linguophilosophical concepts have become the subject of intense scientific interest in recent years. The research of S. V. Fedotova, A. A. Gravin, E.K. Sozina is devoted to them. These concepts receive panegyric assessments, while they have, in our opinion, a number of obvious semantic and historical inconsistencies. The material of our research was two articles by Gogotishvili devoted directly to the work of Vyacheslav Ivanov (“Between the name and the predicate (symbolism of V. Ivanov against the background of the imiaslavie)” and “The Antinomic principle in the poetry of

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Erokhina, Tatiyana I. "TRANSFORMATION OF FEMININE STEREOTYPES IN SOVIET CULTURE IN THE BEGINNING OF THE TWENTIETH CENTURY." Verhnevolzhski Philological Bulletin 23, no. 4 (2020): 169–79. http://dx.doi.org/10.20323/2499-9679-2020-4-23-169-179.

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The article examines the cultural projects of the new personality presented in the national culture of the Silver age and the Soviet culture of the first post-revolutionary decade. The analysis of the concept of a new person is given through feminine stereotypes, which in the culture at the turn of the XIX–XX centuries had ontological significance. The author focuses on the transformation of strategies of behavior expected from women, which were in demand in the culture of Russian symbolism and Soviet culture of the early twentieth century. The article identifies the main feminine images that

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Muhtar, Solihin1* Pajar Abdurahman2 Rohanda3. "THE CULTURE OF 'WAYANG GOLEK' IN AN EPISTEMOLOGICAL, ONTOLOGICAL AND AXIOLOGICAL PERSPECTIVE." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) II, no. VI (2024): 344–48. https://doi.org/10.5281/zenodo.14553793.

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<strong>Abstract</strong> <em>Wayang Golek is a traditional cultural art in Indonesia, which contains very deep philosophical values. These philosophical values can be explored from the perspectives of epistemology, ontology and axiology, all three of which are an integral part of the Philosophy of Science. For this reason, this research aims to reveal the philosophical values of Wayang Golek from the perspective of epistemology, ontology and axiology. This research uses a philosophical-phenomenological approach and uses interdisciplinary-qualitative analysis to analyze the philosophical meani

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Matveeva, Yu V. "Miljkovic, N. (2022). Three conversations about Poplavsky: Boris Poplavsky’s poetics through the prism of intertextuality. Belgrade, Sevojno: Faculty of Philology, Grafičar. (In Russ.)." Voprosy literatury, no. 5 (October 17, 2024): 172–77. http://dx.doi.org/10.31425/0042-8795-2024-5-172-177.

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The review is devoted to a monograph about the Russian émigré poet Boris Poplavsky written by the Serbian scholar Nikola Miljkovic. Marking the 120th anniversary of Poplavsky’s birth, the book is the author’s third study of the poet. Miljkovic justly recognizes Poplavsky’s legacy as a unique literary phenomenon with its own ontological, existential, historical, and aesthetical roots. The book’s structure corresponds to the scholar’s threefold objective: to explore various modifications of Poplavsky’s lyrical self; to examine the influence of various aesthetical paradigms (Romanticism, the Deca

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Dudareva, M. A., and N. V. Grashchenkov. "ENTELECHY OF CULTURE IN A BOOK OF POEMS BY A. SHATSKOV’S BOOK OF POEMS “TYUTCHEV’S SWANS”." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 82 (2022): 73–78. http://dx.doi.org/10.37313/2413-9645-2022-24-82-73-78.

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The object of the article is entelechy of culture. The subject is the entelechy of Russian artistic culture. The material for this article is represented by a new book of poetry by contemporary Russian poet A. Shatskov “Tyutchev’s Swans”. The focus of hermeneutic reconstruction is a cycle of poems from the book which presents swan symbolism in different variations. Great attention is paid to the problem of cultural entelechy which has a theoretical nature and at the same time is important for understanding the philosophical issues of creativity. The research methodology is based on the holisti

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Kretov, P. V., and O. I. Kretova. "SYMBOLIC LANDSCAPE OF CONSCIOUSNESS: MAN BETWEEN REPRESENTATIONALISM, FUNCTIONALISM AND RELATIVISM." Anthropological Measurements of Philosophical Research, no. 12 (December 21, 2017): 40–49. https://doi.org/10.15802/ampr.v0i12.119122.

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<strong>Purpose.</strong> The aim of the study is to clarify the changed interpretation of symbol in the context of the ontological turn in cultural anthropology and philosophical anthropology and their correlation with the functioning of the semantic field of culture, and in particular with religious symbols. The paper also considers an epistemological-ideological positions of representationalism, functionalism and relativism with respect to philosopheme of symbol. <strong>Methodology.</strong> The authors implemented theoretical and conceptual analysis in synchronic and diachr

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Otte, Michael Friedrich, and Luiz Gonzaga Xavier de Barros. "What is Mathematics, Really? Who Wants to Know?" Bolema: Boletim de Educação Matemática 29, no. 52 (2015): 756–72. http://dx.doi.org/10.1590/1980-4415v29n52a16.

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AbstractFamous physicists, like Einstein and Wigner have been wondering, why mathematical symbolism could play such an effective and decisive role in the development of physics. Since the days of Plato, there have been essentially two different answers to this question. To Plato mathematics was a science of the unity and order of this universe. Since Galilei people came to believe that mathematics does not describe the objective world, it is not a reflection of some metaphysical realism. It is rather a reflection of human activity in this world. Kant, by his “Copernican Revolution of Epistemol

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ОРЛОВ, Ю. В. "КРИМІНАЛЬНИЙ АКЦІОНІЗМ: ВІД СИМВОЛІЧНОСТІ СУБ’ЄКТА ДО СУБ’ЄКТИВІЗАЦІЇ СИМВОЛУ". Вісник Кримінологічної асоціації України 26, № 1 (2022): 49–61. http://dx.doi.org/10.32631/vca.2022.1.05.

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The article is devoted to the study of the nature of criminal actionism. It is established that actionism is an invasion of a symbol into being, aggression of a simulacrum, transformation of being into a symbol with partial preservation of ontology; such a simulative deontologization and ontological simulativity. It is dialogical in nature, as any manifesto presupposes the existence of another subject. At the same time, not every manifestation is actionism, but only that which is directly experienced as a process, it has existential significance. It is concluded that criminal actionism is an e

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SHTEINBUK, Feliks. "PROSPECTIVITY OF FINALIZATION IN SERHIY ZHADAN’S NOVEL THE ORPHANAGE." Ezikov Svyat volume 22 issue 1, ezs.swu.v22i1 (February 23, 2024): 130–39. http://dx.doi.org/10.37708/ezs.swu.bg.v22i1.13.

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The article is devoted to Serhiy Zhadan’s novel The Orphanage, which is considered by modern criticism mainly from a socio-political and ethical perspective because of the theme of war as the final crisis of a long complex history. The purpose of the research is to propose an interpretation of Zhadan’s novel The Orphanage based on the principles of hermeneutic and comparative-typological methods, as well as applying elements of narrative analysis taking into account the artistic potential of a finalization phenomenon. As a result, the prospective nature of finalization is justified and the app

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AL-Fatlawi, Athraa, and Hasan Abu-Krooz. "Postcolonial Symbolic Representation in Joseph Conrad’s Heart of Darkness: A Cognitive-Semantic Study." Arab World English Journal 16, no. 2 (2025): 57——79. https://doi.org/10.24093/awej/vol16no2.4.

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This study investigates the postcolonial metaphoric symbolism that appears in Joseph Conrad’s Heart of Darkness by employing cognitive-semantic theoretical analysis. Through symbolic acts, the book shows how colonial power systems and resistance provide their encoding by using conceptual metaphors together with image schemas. The first research questions focus on how cognitive-semantic models describe postcolonial symbolic actions and how those methods work when analyzing Heart of Darkness. The research adapts cognitive semantics and postcolonial theory as its methodological base to evaluate p

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Wang, Yinuo. "Comparing the Reconstruction of State Images of Germany and Japan in the Post-World War II Era in the Perspective of Political Symbolism Theory." Lecture Notes in Education Psychology and Public Media 21, no. 1 (2023): 314–20. http://dx.doi.org/10.54254/2753-7048/21/20230192.

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National image has become an important factor in the competition for soft power among countries. Germany and Japan, as defeated countries in World War II, have both formulated a series of strategies and carried out actions on image reconstruction. This paper adopts the method of documentary analysis to disaggregate the strategic deployment and practices of image building in the two countries into different dimensions and place them under the theoretical framework of political symbols for systematic analyses. From this, it is concluded that there are significant differences between the two coun

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Paşcalău, Cristian. "Representations of Non-Being in David Lynch’s Eraserhead, Edmund Elias Merhige’s Begotten, and Darren Aronofsky’s Pi: A Comparative Analysis from Indian Philosophy Perspectives." American, British and Canadian Studies 41, no. 1 (2023): 162–85. http://dx.doi.org/10.2478/abcsj-2023-0024.

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Abstract Cinema, as an artistic medium, has often explored profound existential questions and deeply inquired themes such as the relationship between Being and Non-Being. This study centers on three enigmatic films: Eraserhead, Begotten, and Pi, known for their surreal and contemplative nature. I investigate how these films convey representations of Non-Being and examine their potential ties to Indian philosophical perspectives on existence. The discussion will encompass various elements such as narrative, cinematography, symbolism, and motifs which contribute to the exploration of Non-Being.

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Van den Bogaert, Alice. "Impurity, Moral Substantiality, and Social Control: A Gender Perspective." Religions 16, no. 1 (2025): 80. https://doi.org/10.3390/rel16010080.

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The notion of impurity is identified in numerous belief systems, ranging from certain religions to nationalisms. Understanding its nature and functioning beyond its concrete objects is therefore a fundamental anthropological question. This work is grounded in anthropology, though it may be of interest to scholars from other disciplines. Impurity has been highlighted by numerous authors in ethnographic and theoretical texts, but a comparison of these various works indicates a lack of theoretical development. We will therefore begin by presenting the various explanations attributed to it, before

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