Relevant bibliographies by topics / OOo Writer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'OOo Writer'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "OOo Writer"

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Шокалюк, Світлана Вікторівна. "Зміст та дидактичні засоби перепідготовки вчителів з питань використання інноваційних програмних засобів підтримки електронного навчання". Theory and methods of e-learning 3 (13 лютого 2014): 340–48. http://dx.doi.org/10.55056/e-learn.v3i1.359.

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Характерною рисою сучасного навчального процесу є використання інформаційно-комунікаційних технологій (ІКТ) на підтримку вивчення шкільних предметів на різних етапах: на етапі підготовки до уроку, безпосередньо під час проведення занять або для організації та підтримки позаурочної самостійної роботи учнів. Проте для сьогодення володіння навичками роботи із комерційними програмними засобами загального призначення, якими є редактор презентацій MS PowerPoint, текстовий та табличний процесори MS Word і MS Excel відповідно, виявляється недостатнім. Адже на зміну зазначеним програмним засобам широко
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Shikesho, Edward T., and Eliaser Joseph. "Oshiholekwa shokushanga onomola (4) mOshikwanyama she uya kombada." JULACE: Journal of the University of Namibia Language Centre 5, no. 1 (2020): 25–36. http://dx.doi.org/10.32642/julace.v5i1.1482.

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This paper emanates from a debate that took place in April 2020 at Onheleiwa between some UNAM students specialising in Oshikwanyama and one Oshikwanyama teacher working at one of the secondary schools in Omusati Region over the writing of number four (4) in Oshikwanyama. The writers of this study have then been compelled to explore deeply on how number four (4) is and should be written in Oshikwanyama. This study’s literature review is that of the Bantu writing system of numbers as well as publications written in Oshikwanyama. This is a qualitative study controlled by text analysis and interv
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Ma, Jiandong, Zhichuan Guo, Yipeng Pan, et al. "ORNIC: A High-Performance RDMA NIC with Out-of-Order Packet Direct Write Method for Multipath Transmission." Electronics 14, no. 1 (2024): 88. https://doi.org/10.3390/electronics14010088.

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Remote Direct Memory Access (RDMA) technology provides a low-latency, high-bandwidth, and CPU-bypassed method for data transmission between servers. Recent works have proved that multipath transmission, especially packet spraying, can avoid network congestion, achieve load balancing, and improve overall performance in data center networks (DCNs). Multipath transmission can result in out-of-order (OOO) packet delivery. However, existing RDMA transport protocols, such as RDMA over Converged Ethernet version 2 (RoCEv2), are designed for handling sequential packets, limiting their ability to suppo
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Wei-Hao Chin, Gabriel Patrick. "“Get the Tone Right”: Reading with the Realism of Object-Oriented Ontology." Open Philosophy 1, no. 1 (2018): 380–91. http://dx.doi.org/10.1515/opphil-2018-0027.

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AbstractThis paper investigates the consequences of taking seriously the metaphysics of Object-Oriented Ontology (OOO), as defined by Graham Harman, in the field of literature. Acutely focusing on just one possible mobilisation and application of the theory, the essay deploys OOO to read two major writers of the late 20th century, Don DeLillo and Murakami Haruki, in novel configurations made possible by applying an Object-Oriented method to the genre of Magic Realism. Using this method, the essay unearths an unarticulated avenue for studying the genre and these authors against established nati
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Zahurska, Nataliia. "POST-POSTMODERN: ARTS AND TRENDS." Journal of V. N. Karazin Kharkiv National University, Series "Philosophy. Philosophical Peripeteias", no. 65 (December 28, 2021): 6–13. http://dx.doi.org/10.26565/2226-0994-2021-65-1.

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This article considers post-postmodern arts and trends in their diversity. The starting point of the research is the comparison of postmodern and post-postmodern in the art environment. Postmodern paradoxically limits the redundancy, not allowing sufficient displaying of the special features of an art object. Post-postmodern arts provide a possibility to overcome the lack and danger of events and the self-happening of a human being. Object-oriented ontology (OOO) by Graham Harman, performatism by Raoul Eshelman, metamodernism by Timotheus Vermeulen and Robin van den Akker, digimodernism by Ala
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Kuusinen, Asta. "Ojo de la Diosa." Aztlán: A Journal of Chicano Studies 33, no. 1 (2008): 33–61. http://dx.doi.org/10.1525/azt.2008.33.1.33.

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The essay interprets Delilah Montoya’s artworks in the context of so-called feminist theology, drawing from its ideas about desire, natality, and self-divination. After discussing the theme of desire and the quest for women’s religious agency in some of Montoya’s earlier works, the essay focuses on the photo-installation La Guadalupana, elucidating the artist’s technique in reorganizing the parameters of the “proto-subject” of Chicano cultural nationalism. One of the reified embodiments of this subject allegedly is el pinto, the Mexican American male convict or ex-convict. Elaborating upon Mon
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Owodally, A. Mooznah Auleear. "Adopt and adapt written Kreol." Journal of Pidgin and Creole Languages 35, no. 1 (2020): 62–87. http://dx.doi.org/10.1075/jpcl.00048.owo.

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Abstract Focusing on madrassah1 Islamiyat2 textbooks written in Kreol by two local textbook writers for use in Sunni madrassahs in Mauritius, the present study shows how the writers have adopted Kreol, enriching and adapting it with loanwords from Arabic, to communicate religious information to the children attending the madrassah. The corpus for this study being a sample of locally produced Islamiyat textbooks, document analysis constituted the primary method of data collection and analysis. Interviews with the textbook writers were carried out in order to obtain insiders’ insights into the s
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Ioannou, Maria A. "Writing about and through objects in contemporary short fiction." Writing in Practice 08 (January 29, 2022): 127–39. https://doi.org/10.62959/wip-08-2022-12.

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This article focuses on an object-oriented approach to creative writing and relates object characters in short fiction to aspects of Martin Heidegger’s tool analysis and Graham Harman’s OOO: Object-Oriented Ontology. By briefly referring to certain contemporary short fiction examples, and through a longer exegetical approach to some of my own object-centred work, this article encourages short fiction writers and creative writing tutors to start seeing objects as potential creative stimuli for more object-centred texts, as tools which rebel against their users and against other objects, and as
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Ono, Tokiko. "The genealogy of Ukraine’s complex identity." Impact 2025, no. 2 (2025): 39–41. https://doi.org/10.21820/23987073.2025.2.39.

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In her current research, Associate Professor Tokiko Ono, Faculty of International Studies, Utsunomiya University, Japan, is investigating the genealogy of Ukraine’s complex identity. This includes representation, identity and politics. She is focusing on the aesthetics and intellectual frameworks that construct the various subjects of her studies in order to contribute to Ukrainian and Russian literary studies. Ono is interested in how Ukrainians and Ukrainian lands are depicted in representations and the contrasts between representation and true identity. She wants to extract the aesthetics a
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Winek, Teresa. "Oko, okulary, autografy – przyczynki do historii literackiej Zygmunta Krasińskiego [An Eye, Glasses, and Autographs: Contributions to the Literary History of Zygmunt Krasinski]." Napis XX (2014) (December 31, 2014): 49–65. https://doi.org/10.18318/napis.2014.1.5.

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Early works by Zygmunt Krasinski were full of travel reports and descriptions of acknowledged landscapes. They demonstrate a particular visual sensitivity of the young writer. Starting in 1832 an eye disease prevented the development of this writing. The poet saddled with amblyopia wrote about his difficulty in letters to family and friends. The illness was treated by him as a psychosomatic – the effect of disturbances on the way between the eye and the heart that was wounded by the inability to participate in the November Uprising. The consequences of the disease (restrictions of social
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Dissertations / Theses on the topic "OOo Writer"

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Smit, Gerrit Daniel Stephanus. "Mens en natuur 'n bronnestudie oor die Bybelse en na-Bybelse perspektiewe /." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-03122004-114003/.

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Lewandowska, Julia. "Escritoras monjas: autoridad y autoría en la escritura conventual femenina de los Siglos de Oro." Doctoral thesis, 2016.

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Books on the topic "OOo Writer"

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Atwood, Margaret Eleanor. Kocie oko. Państwowy Instytut Wydawniczy, 1995.

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Atwood, Margaret Eleanor. Mačje oko. Laguna, 2003.

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Atwood, Margaret Eleanor. Ojo de Gato. Editiones B, 1990.

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Jong, Menno de. Met het oog op de lezer: Pretestmethoden voor schriftelijk voorlichtingsmateriaal. Thesis Publishers, 1996.

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Berndt, Katrin. Yoko Ono, in her own write: Ihr musikalisches Schaffen und der Einfluss von John Lennon. Tectum, 1999.

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ඕපන් ඔෆිස්.org රයිටර් පද සැකසුම් මෘදුකාංගය |OOo Writer - Word Processing Software. Department of Co-Operative Development, 2009.

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ඕපන් ඔෆිස්.org රයිටර් පද සැකසුම් මෘදුකාංගය: OOo Writer - Word Processing Software. Department of Co-Operative Development, 2009.

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ඕපන් ඔෆිස්.org රයිටර් පද සැකසුම් මෘදුකාංගය |OOo Writer - Word Processing Software. Department of Co-Operative Development, 2009.

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9

Phillips, Adam. Emerson and the Impossibilities of Style. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198737827.003.0009.

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As a writer Emerson privileges originality and idiosyncrasy over imitation and repetition. This puts him in a paradoxical position when he writes about style. Writers only write because of earlier writers; and they only learn to write, initially, through imitating those they emulate. And to develop a discernible style inevitably involves a certain amount of repetition—of vocabulary, of syntax, of rhythm, and of subject matter. If tradition makes originality possible, as Emerson can’t help but acknowledge, how does the writer sufficiently distinguish himself? And if style is only identifiable t
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Shop, Habinal. Mood CEO,OOO,OOO: Boss Lady Gifts, Boss Man Gifts, Inspirational Gifts, Blank Lined Notebook to Write in. Independently Published, 2020.

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Book chapters on the topic "OOo Writer"

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Schneider, Pat, and Peter Elbow. "Getting Started (Again)." In Writing Alone and with Others. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195165739.003.0002.

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Abstract A writer is someone who writes. You have done it; you have expressed yourself on paper. Getting started is almost always picking up an old dream, an old desire. Getting started is usually getting started again. Frequently at writers’ conferences people ask what may seem to be irrelevant questions: What kind of pen do you use when you write? Do you write your first drafts on lined paper, or blank? Do you write at a typewriter or computer or with a pencil or fountain pen? Do you write in the daytime or at night? Actually, questions about the intimate details and habits of the writing li
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Porter, Dennis. "The Cultural Twilight of Roland Barthes." In Rousseau’s Legacy. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195091076.003.0006.

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Abstract The epigraph, taken from Barthes’s poststructuralist autobiography Roland Barthes, is significant here because it is clear from the context that he does not mean writer in the sense that Sartre was a writer, or Rousseau before him-that is, “a writer ”-but in the generic sense in which the word is sometimes a synonym for “man of letters.” The regret that Barthes came to express by the year of publication of Roland Barthes, 1975, was of the disappearance from French culture of the very desire to live and write in the way that, earlier in the century, two writers who were very important
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Snyder, Michael. "The Mourner Below." In James Purdy. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197609729.003.0011.

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Abstract In the 1960s, working with editor Robert Giroux, Purdy grew as a writer. His novels were widely reviewed and he drew attention from an increasing number of major writers and critics. But privately, it was a time of sorrow; in 1962 and 1964 he lost his mother and father. As some consolation, he met two gay composers who became close friends, Richard Hundley and Robert Helps. Hundley encouraged Purdy to write poems and set them to music. Another stage adaptation, Color of Darkness, appeared with Edward Albee attending. Cabot Wright Begins (1964), a satirical novel about people trying to
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Echard, Siân. "The Poetic Field, II." In The Oxford History of Poetry in English. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198827429.003.0006.

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Abstract This chapter explores Latin poetry written or circulating in medieval Britain, with a particular emphasis on works from the twelfth and thirteenth centuries. Each writer exemplifies a particular strand of Anglo-Latin writing: classical epic, satire, religious writing, and writing ‘in place’—that is, writing that concentrates on English spaces and an imagining of Englishness. The writers dealt with are Joseph of Exeter, Walter of Châtillon, Nigel Whiteacre, Reginald of Canterbury, John of Garland, Lawrence of Durham, and Henry of Huntingdon. The chapter opens and closes with considerat
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Porter, Dennis. "Marguerite Duras: Autobiographical Acts, Celebrity Status." In Rousseau’s Legacy. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195091076.003.0007.

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Abstract The story of “the writer” in France, which, in my telling, begins in the mid-eighteenth century with Jean-Jacques Rousseau, draws to an end in the closing decades of the twentieth century with Marguerite Duras. It is possible that some other living French writers belong as obviously, in certain aspects of their work, to the “writerly” tradition inaugurated by Rousseau, but none in my view gives us a fuller, richer, and, at the same time, more disturbing sense than Duras of what it might meant to be “a writer” toward the end of our century. For the time being, in any case, precisely be
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Fowler, Alastair. "Pen and Computer." In How to Write. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780199278503.003.0001.

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Abstract You can write only with your brain; but whether to process your thoughts with a computer or pen and paper is your first practical choice as a writer. I suppose it is still possible to ignore the computer and write just with pencil and paper. A surprising number of writers, including Martin Amis, A. S. Byatt, Ted Hughes, John Irving, Joyce Carol Oates, Susan Sontag, John Updike, and Edmund White prefer longhand for serious writing.
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Thomas, Paul A. "Coming of Age in Ooo." In Exploring the Land of Ooo. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496846686.003.0009.

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This chapter provides a history of Adventure Time’s production, covering season six and beyond. The chapter begins by discussing the darker approach the show’s writers took when working on its sixth season; although the season’s darkness received a mix response from many in the fandom, the author argues that many viewers overlooked the season’s richness. The chapter then segues into a discussion of seasons seven and eight. In this portion of the chapter, great emphasis is placed on how the Stakes, Islands, and Elements miniseries came to be. After discussing the history of the show’s final sea
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Cox, Fiona. "‘Il faut raconter mon long parcours’." In Ovid in French. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192895387.003.0013.

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Abstract This chapter explores the presence of Ovid within writing that examines France’s postcolonial legacy, since it analyses the works of the French writer, Marie NDiaye, who writes of the connections between France and Senegal, and those of the French writer of Vietnamese origin, Linda Lê, who came to France at the age of fourteen. Inevitably exile is a dominant theme within these texts, though both writers are also preoccupied by the potential for metamorphosis and the power of language. Nevertheless, the emphasis laid upon homelessness, a lack of belonging, and exile establishes powerfu
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Schneider, Pat, and Peter Elbow. "Toward a Disciplined Writing Life." In Writing Alone and with Others. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195165739.003.0003.

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Abstract Often I am asked, “How can I write regularly, steadily, faithfully?” This is not the question of how effective the writing is but how to maintain a consistent effort. Most of what we think and read about discipline only increases our resistance. “Discipline” usually means making ourselves do some duty, grit our teeth, force ourselves to do what we don’t want to do. A disciplined writer, we are told (or we tell ourselves) writes every day, writes X number of hours a day or X number of pages or paragraphs a day. We read how someone else structures his or her writing life, and we judge o
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Parsell, Diana P. "“Lady Writer”." In Eliza Scidmore. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198869429.003.0005.

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Abstract In the 1870s, Eliza Scidmore joins the pioneering female reporters in the nation’s capital as a society columnist for the St. Louis Globe–Democrat. “Lady writers,” the press calls them. Covering Gilded Age Washington gives her an insider’s knowledge of powerful figures and day-to-day politics that will serve her well over the years. When free of her social-reporting obligations for several months a year, she roams the American West and other parts of the country reporting on her adventures in travel “letters.” Her early reporting for the Globe–Democrat ranges from covering public rece
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Conference papers on the topic "OOo Writer"

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Tafforeau, Jeremie, Thierry Artieres, Benoit Favre, and Frederic Bechet. "Adapting lexical representation and OOV handling from written to spoken language with word embedding." In Interspeech 2015. ISCA, 2015. http://dx.doi.org/10.21437/interspeech.2015-58.

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Pakštas, Algirdas, Danuté Paketūraite, and Artūras Tamkevičius. "OCCAM-Oriented Software Tools." In Simpósio Brasileiro de Arquitetura de Computadores e Processamento de Alto Desempenho. Sociedade Brasileira de Computação, 1992. http://dx.doi.org/10.5753/sbac-pad.1992.22735.

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For many years software engineers have been providing the engineers of other fields with advanced design tools. But the tools used by software designers themselves look quite primitive in comparison. Only CASE-like systems developed during last years can provide reasonable help to software developers. Experimental software development systems ALADDIN/LAMP is oriented to creation of distributed computer control systems (DCCS). Proposed approach to development distributed software configurations (DSCs) is based on the model of virtual distributed software configuration (VDSC) with information-tr
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Takacs, Gabor, and Zoltan Turzo. "Nodal System Analysis Using Object-Oriented Programming Techniques." In Petroleum Computer Conference. SPE, 1993. http://dx.doi.org/10.2118/26250-ms.

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Abstract In order to efficiently design a flowing or artificial lifted well and to choose the most economical producing equipment, one has to analyze its components in conjunction with the entire system. These kinds of analyses are customarily called Nodal System Analyses. The development of computer programs for Nodal System Analysis is a complicated and time-consuming task mainly due to the complexity of the system. A recently emerging programming technique, Object-Oriented Programming or OOP can provide programmers an excellent means for solving such difficult problems. The aim of this pape
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