Academic literature on the topic 'Op 93'

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Journal articles on the topic "Op 93"

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Byrne, Frank, and Leonard Salzedo. "Sonata for Tuba and Piano, Op. 93." Notes 43, no. 2 (1986): 421. http://dx.doi.org/10.2307/897411.

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Rovelli, Federica. "Revisionsprozesse in Beethovens Niederschriften der achten Symphonie op. 93." Editio 31, no. 1 (2017): 90–116. http://dx.doi.org/10.1515/editio-2017-0007.

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Turetzky, Bertram, and Alan Bush. "Meditation and Scherzo, op. 93; For Double Bass and Piano." Notes 42, no. 1 (1985): 156. http://dx.doi.org/10.2307/898269.

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Yoshikawa, Takaki, Tsutomu Hayashi, Toru Aoyama, et al. "Randomized comparisons of IL-6 and lean body mass between open versus laparoscopic distal gastrectomy for gastric cancer." Journal of Clinical Oncology 31, no. 4_suppl (2013): 55. http://dx.doi.org/10.1200/jco.2013.31.4_suppl.55.

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55 Background: Laparoscopic distal gastrectomy (LA) for gastric cancer may reduce breakdown of the muscle protein due to less surgical stress, compared with open surgery (OP). Methods: This study was performed as an exploratory analysis of a phase III trial comparing OP and LA for stage I gastric cancer in KCCH by limiting the period between May and Dec of 2011. IL-6 was measured before and 12 hours after surgery. Prealbumin and body composition were examined before and 7 days after surgery. %LBM was defined as percentile of LBM at 7 days to LBM before surgery. Values were expressed as median and range. Results: Twenty-seven patients were randomized to OP in 14 and LA in 13. Baseline: Body weight, LBM, prealbumin, and IL-6 were similar between both. Surgery and pathology D1/D1+/D2 lymph node dissections were 0/9/5 in OP and 0/9/4 in LA (p=0.785). Blood loss (g, range) and operation time (minutes, range) were 160 (50-475) and 174.5 (85-276) in OP, respectively, and 40 (5-270) and 267 (168-360) in LA, respectively, which were both significantly different (p=0.009 and 0005, respectively). Pathological T and N were similar between both. Morbidity and mortality: Any complications > grade 2 defined by Clavien-Dindo classification were 2 (14.3%) including grade 3B anastomotic stenosis and 3A pancreatic fistula in OP and 1 (7.7%) grade 2 transient ischemic attack in LA (p=0.586). Measurements: IL-6 (pg/ml, range) after 12 hours was 36.3 (14.4-405.0) in OP and 53.3 (24.1-217.0) in LA (p=1.000). Prealubumin (mg/dl, range) was 17.3 (11.7-23.7) in OP and 17.8 (10.5-28.7) in LA (p=0.680). %LBM (range) was 96.9 (93-101) in OP and 96.5 (93-100) in LA (p=1.000). When excluding the patients who developed morbidity > grade 2, IL-6 (range) was 32.1 (14.4-405.0) in OP and 49.5 (24.1-217.0) in LA (p=0.356). Prealubumin (mg/dl, range) was 17.7 (13.7-23.7) in OP and 17.8 (10.5-28.7) in LA (p=0.729). %LBM (range) was 97.1 (93-101) in OP and 97.2 (94-100) in LA (p=1.000). Conclusions: Laparoscopic approach has no impact on surgical stress and breakdown of the muscle protein after distal gastrectomy.
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Al-Tit, Ahmad Adnan. "Factors affecting the organizational performance of manufacturing firms." International Journal of Engineering Business Management 9 (January 1, 2017): 184797901771262. http://dx.doi.org/10.1177/1847979017712628.

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Numerous studies have been conducted to explore the individual effects of organizational culture (OC) and supply chain management (SCM) practices on organizational performance (OP) in different settings. The aim of this study is to investigate the impact of OC and SCM on OP. The sample of the study consisted of 93 manufacturing firms in Jordan. Data were collected from employees and managers from different divisions using a reliable and valid measurement instrument. The findings confirm that both OC and SCM practices significantly predict OP. The current study is significant in reliably testing the relationship between SCM practices and OP; however, it is necessary to consider cultural assumptions, values and beliefs as the impact of OC on OP is greater than the impact of SCM practices. Based on the results, future studies should consider the moderating and mediating role of OC on the relationship between SCM practices and OP.
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Böhm, Christoph, David Ackermann, and Stefan Weinzierl. "A Multi-channel Anechoic Orchestra Recording of Beethoven’s Symphony No. 8 op. 93." Journal of the Audio Engineering Society 68, no. 12 (2021): 977–84. http://dx.doi.org/10.17743/jaes.2020.0056.

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Hammock, James B., Courtney P. Williams, Monica S. Aswani, John W. Thomas, and Gabrielle B. Rocque. "Oncologic Services Through Project Access and Other Safety Net Care Coordination Programs." JCO Oncology Practice 16, no. 12 (2020): e1489-e1498. http://dx.doi.org/10.1200/op.20.00127.

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PURPOSE: Little is known about the provision of oncologic services by Project Access safety net care coordination programs. MATERIALS AND METHODS: Information on safety net care coordination program locations, health services, and patient eligibility was obtained via program Web sites and calls. For programs not offering oncologic care, program directors were interviewed to identify oncologic care barriers. RESULTS: Web sites of 29 safety net care coordination programs in 22 states were identified; 62% (n = 18) offered oncologic services. Programs were in 65% (n = 11) of states that did not expand Medicaid. Of those offering oncologic services, 83% (n = 15) offered free chemotherapy, and 93% (n = 27) of all programs offered oncologic imaging. Program director interviews revealed costs, longitudinal care, and multiple-physician buy-in as barriers limiting oncologic care. CONCLUSION: Third-party care coordination centers provide a novel and potentially unrecognized approach to increasing oncology service access. Further research should identify strategies to overcome the relative lack of oncologic care offerings.
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Çelen, İpek. "Effect of HRT in a continuous flow reactor on orthophosphate removal from swine wastewater and the economic evaluation for the land application." Water Science and Technology 60, no. 9 (2009): 2271–79. http://dx.doi.org/10.2166/wst.2009.683.

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One of the objectives of this study was to evaluate a laboratory-scale continuous reactor for orthophosphate (OP) removal from swine wastewater and to minimise HRT so as to minimise the volume of reactor such that a continuous-flow device could be developed for land application of swine manure. The laboratory-scale reactor exhibited very high OP removal when the wastewater was enriched with magnesium (Mg2 + ) and the solution pH was increased to 8.5 with NaOH at room temperature. Three different hydraulic retention times (HRT) (150, 90, 40, and 10 min) were tested in the laboratory, and OP removals were 96, 94, 93, and 95%, respectively. Also, in this research, economic evaluation based on the chemical cost, several devices, pumps, and processing of product (minus income) are reported for an up-scale process. The whole process costs $113,756/year.
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Groppi, Gianpiero, Enrico Tronconi, and Pio Forzatti. "Modelling op catalytic combustors for gas turbine applications." Catalysis Today 17, no. 1-2 (1993): 237–49. http://dx.doi.org/10.1016/0920-5861(93)80028-y.

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Wolff, Bernard J., Anna M. Bramley, Kathleen A. Thurman, et al. "Improved Detection of Respiratory Pathogens by Use of High-Quality Sputum with TaqMan Array Card Technology." Journal of Clinical Microbiology 55, no. 1 (2016): 110–21. http://dx.doi.org/10.1128/jcm.01805-16.

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ABSTRACTNew diagnostic platforms often use nasopharyngeal or oropharyngeal (NP/OP) swabs for pathogen detection for patients hospitalized with community-acquired pneumonia (CAP). We applied multipathogen testing to high-quality sputum specimens to determine if more pathogens can be identified relative to NP/OP swabs. Children (<18 years old) and adults hospitalized with CAP were enrolled over 2.5 years through the Etiology of Pneumonia in the Community (EPIC) study. NP/OP specimens with matching high-quality sputum (defined as ≤10 epithelial cells/low-power field [lpf] and ≥25 white blood cells/lpf or a quality score [q-score] definition of 2+) were tested by TaqMan array card (TAC), a multipathogen real-time PCR detection platform. Among 236 patients with matched specimens, a higher proportion of sputum specimens had ≥1 pathogen detected compared with NP/OP specimens in children (93% versus 68%;P< 0.0001) and adults (88% versus 61%;P< 0.0001); for each pathogen targeted, crossing threshold (CT) values were earlier in sputum. Both bacterial (361 versus 294) and viral detections (245 versus 140) were more common in sputum versus NP/OP specimens, respectively, in both children and adults. When available, high-quality sputum may be useful for testing in hospitalized CAP patients.
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Dissertations / Theses on the topic "Op 93"

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Camargo, Luciano de Freitas. "Chostakóvitch - discurso e ação. Análise e interpretação da sinfonia nº10 Op. 93." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-31052017-105300/.

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Este trabalho apresenta uma reflexão sobre a música do compositor soviético Dmítri Chostakóvitch baseada na análise da Sinfonia nº 10 op. 93. Concluída logo após a morte de Jôsef Stálin, a obra carrega notáveis marcas de seu tempo e sua leitura demanda um cuidadoso estudo das questões relativas à significação musical, em especial uma discussão do conceito de ironia aplicado à música em suas mais diversas manifestações, desde a construção de estruturas musicais expressivas até a disposição de elementos singulares, que requerem uma leitura semiótica. Esta abordagem alinha-se com a perspectiva discursiva que relaciona ironia, intertextualidade e interdiscursividade: o cruzamento de vozes e a confluência de discursos, que constituem elementos fundamentais do conceito de polifonia proposto por Mikhaíl Bakhtín, são identificados aqui como uma chave de leitura capaz de evidenciar, também na música, a ironia como elemento estruturante. A análise da Sinfonia nº 10 a partir dessa perspectiva dá fundamento a novas hipóteses interpretativas e estéticas sobre a obra de Chostakóvitch, evidenciando no texto musical as contradições que surgem no desdobramento analítico do discurso sinfônico e confrontando a crítica histórica da música de Chostakóvitch com uma interpretação semiótica baseada na teoria dos tópicos musicais, desenvolvida a partir das propostas de Leonard Ratner.<br>The purpose of this work is to present a reflection about the music of the Soviet composer Dmitri Shostakovich based on an analysis of the Symphony no. 10 op. 93. Written immediately after Joseph Stalin\'s death, the symphony carries remarkable traces of its time, and the unfolding of its singularities demands a careful study of musical signification\'s issues, specially a discussion about the concept of irony applied to music in its various manifestations, from the expressive construction of musical structures to the disposition of singular elements. This kind of analysis requires a wide theoretical perspective, which includes a semiotic approach. This analysis is thus aligned with the discursive perspective that relates irony, intertextuality and interdiscursivity: the voice-crossing and discourse confluence, which constitute fundamental elements of Mikhail Bakhtin\'s concept of polyphony, are taken as keys to identify irony as a structural element in music as well. The analysis of the Symphony no. 10 from this perspective grounds new interpretative and aesthetic hypotheses about Shostakovich\'s music, by revealing on the musical text the contradictions which emerge at the level of symphonic discourse, and by confronting the historical criticism of Shostakovich\'s music with a semiotic interpretation based on topic theory proposed after Leonard Ratner.
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Sallade, Alexander C. "The Dramatic and Narrative Function of Varied Sonata-Form Structures in Antonin Dvorak’s “Nature, Life, and Love” Overture Trilogy, Op. 91-93." The Ohio State University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=osu1619093446330827.

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Jin, Yei-in. "A Study of Quarter-Tone Music for Solo Violin by Alois Haba." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427984021.

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Beard-Stradley, Cloyce (Cloyce May). "A performer's analysis of Benjamin Britten's Phaedra, dramatic cantata for mezzo soprano and small orchestra, op. 93: a lecture recital, together with three recitals of selected works of H. Purcell, R. Schumann, R. Vaughan Williams, P. Tchaikovsky, G. Fauré, K. Löwe, G. Menotti, S. Barber and others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc935558/.

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A little-known chamber work by Benjamin Britten is the dramatic cantata Phaedra, op.93, for mezzo-soprano and small orchestra. Among his chamber works, the solo cantata was a musical form used only once by Britten, thus making Phaedra unique among Britten's oeuvre. Britten chose a genre that flourished in the seventeenth and eighteenth centuries the cantata - as a vehicle for the story of Phaedra. He employs clear allusions to Baroque music in Phaedra by the use of harpsichord and continuo in the recitatives, ornamentation, and word painting. The text for Britten's setting of Phaedra is a translation of Jean Racine's Phedre by the American poet Robert Lowell. From Lowell's complete play, Britten extracted Phaedra's key speeches that deal with her three confessions of incestuous love for her stepson, Hippolytus. These monologues are set in a series of recitatives and arias that make up the entirety of this chamber cantata. In order to gain complete understanding of Phaedra, this document will begin with an investigation into the historical background of Racine's Phedre and the conventions of French tragedy from which it arose. Lowell's translation method will then be explored in comparison to Racine's play. In turn, Britten's extractions from Lowell's translation will be examined. Further, the baroque elements of the cantata and the compositional ideas inherited by Britten from Henry Purcell will be included. Finally, there will be an inspection of the character of Phaedra and Britten's interpretation through orchestration and melodic choices. Investigation into the background of Phaedra's character through Racine's play and Lowell's translation along with Britten's dramatic interpretation through music is necessary for complete comprehension of her mental state and underlying thoughts in order to bring about an emotionally accurate portrayal of the role. Britten himself labeled Phaedra a "dramatic cantata." Therefore, the drama and its text-musical relationships must be uncovered.
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Myslivcová, Eva. "Koncertní ouvertury Příroda, Život a Láska op. 91-93 Antonína Dvořáka." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-334750.

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The submitted thesis deals with Antonín Dvořák's trilogy of concert overtures Nature, Life and Love, Op. 91-93. After summarising the current state of research in existing literature followed by the overview of music and non-musical sources, the overture - and mainly concert overture - is depicted as a music genre and Antonín Dvořák's overtures are presented in general. Integral element of the thesis is a summarization of circumstances of the given works' origin and thus also putting them into the context of composer's oeuvre. However the focus of the thesis lies in a musical-analytical insight into each of the three overtures (In Nature's Realm, Op. 91 [B 168], Carnival, Op. 92 [B 169], Othello, Op. 93 [B 174]), where the author also takes their existing analyses into account and pays attention to their genesis according to the sources. Key words Antonín Dvořák, Concert ouverture
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Tai, Yuan-Hung, and 戴源宏. "Suite im alten Stil, Op. 93 composed by Max Reger(1873-1916)." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/zgj7tf.

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碩士<br>實踐大學<br>音樂學系碩士班<br>102<br>Max Reger(1873-1916) was a Germany composer who lived during the end of the 19th century and the early 20th century. He started to study Bach's music since his childhood. As a result, some of his compositions characterize heavily the style of Bach. Reger promotes the pure music form, stands with Brahms in opposition to the contemporaries of Wagner. ''Suite im alten Stil'' is one of the works that represents the principles Max Reger. This paper is devided into four chapters in studying Reger's '' Suite im alten Stil ''. The first chapter is an introduction, disclose the motivation of research this compose. The second chapter introduces Reger's life, and his style and career background. In the third chapter '' Suite im alten Stil '', the author analyzes features, motives, phrasing frommovement by movement. Through the comprehensive structure analyze in the first section, the music interpretation in the second section is presented. The author presents suggestions of bowing, technique execution and music expression in this chapter. The last chapter is the conclusion and comments from the research of '' Suite im alten Stil ''. The author hopes that readers can make deeper cognition of Reger and offers some references to future studies of Max Reger.
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TSENG, YING-AN, and 曾膺安. "The Conducting and Interpretation of Ludwig van Beethoven's Symphony No. 8 Op. 93." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/56581672262872941809.

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Books on the topic "Op 93"

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J. M. A. de Leeuw. BTW nieuwe stijl: EG '93 : de zaken voor de ondernemer op een rij. Van der Wolk, 1993.

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Schubert, Franz. Lieder nach Texten von Rückert, Scott, Schlegel und anderen Dichtern: Op. 20, 52, 57, 59, 73, 85, 86, 93, 108. Bärenreiter, 1987.

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Grodecki, Piotr. Świeto wiosny Igora Strawińskiego i X Symfonia e-moll op. 93 Dmitrija Szostakowicza w autorskich wersjach na duet fortepianowy: Wybrane zagadnienia. Wydawnictwo Uniwersytetu Rzeszowskiego, 2013.

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Metry, Faroe. Inkomstenbelasting van de Nederlandse Antillen: Een uitvoerige behandeling van de eerste elf artikelen van de Landsverordening op de inkomstenbelasting 1943, zoals gewijzigd het laatst bij P.B 1986/93. F. Metry, 1987.

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Benjamin, Britten. Phaedra: Op. 93, Dramatic Cantata. Faber & Faber, 2001.

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Barfield, Owen. Hist of English Words -Op/93. Inner Traditions International, 1986.

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Beethoven, Ludwig van. Symphony No. 8, Op. 93 (Kalmus Edition). Alfred Publishing Company, 1985.

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Reger, Max. Suite in Olden Time, Op. 93 (Kalmus Edition). Alfred Publishing Company, 1985.

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Dvorak, Antonin. Czech Suite, Op.39 / B.93: Study score. Petrucci Library Press, 2015.

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Sieber, F. 36 Eight-Measure Vocalises, Op. 93: Mezzo-Soprano. G. Schirmer, Inc., 1986.

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Book chapters on the topic "Op 93"

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"John Galand OP, Inquisitor 1282–93." In Heresy and inquisition in France, 1200-1300, edited by John H. Arnold and Peter Biller. Manchester University Press, 2017. http://dx.doi.org/10.7765/9781784997267.00043.

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Genzwürker, Harald, and Jochen Hinkelbein. "93 73-jähriger Patient mit kardialen Vorerkrankungen zur Leistenbruch-OP." In Anästhesie, Intensivmedizin, Notfallmedizin und Schmerztherapie. Georg Thieme Verlag, 2019. http://dx.doi.org/10.1055/b-0039-170238.

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"93 73−jähriger Patient mit kardialen Vorerkrankungen zur Leistenbruch−OP." In Fallbuch Anästhesie, Intensivmedizin und Notfallmedizin, edited by Harald Genzwürker and Jochen Hinkebein. Georg Thieme Verlag, 2007. http://dx.doi.org/10.1055/b-0034-24406.

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"Fall 93 73-jähriger Patient mit kardialen Vorerkrankungen zur Leistenbruch- OP." In Fallbuch Anästhesie, Intensivmedizin, Notfallmedizin und Schmerztherapie, edited by Harald Genzwürker and Jochen Hinkelbein. Georg Thieme Verlag, 2014. http://dx.doi.org/10.1055/b-0034-99660.

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