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Journal articles on the topic 'Opera di Santa Maria del Fiore'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Vessella, Luigi, Antonio Laurìa, Gianluca Belli, and Mirko Romagnoli. "Considerazioni intorno al progetto di valorizzazione dei luoghi di interesse culturale. L’esperienza del Piano per l’Accessibilità del complesso monumentale dell’Opera di Santa Maria del Fiore a Firenze." Restauro Archeologico 32, no. 1 (2024): 40–63. https://doi.org/10.36253/rar-15065.

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The research presented here represents an 'experiment' in the application of the methodology of the Accessibility Plan to the monumental complex of the Opera di Santa Maria del Fiore in Florence. The goal of the research is to attempt to increase the degree of accessibility of the complex through an innovative medium and long-term strategic planning tool that takes into consideration not only tangible aspects (physical and sensory accessibility) but also intangible aspects, thus enabling people to fully visit and understand the cultural significance of the locations, with a focus on the experi

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Es Sebar, Leila, Leonardo Iannucci, Sabrina Grassini, et al. "Characterization of the Santa Maria del Fiore cupola construction tools using X-ray fluorescence." ACTA IMEKO 11, no. 1 (2022): 7. http://dx.doi.org/10.21014/acta_imeko.v11i1.1101.

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<p class="Abstract">This paper presents the characterization of different tools employed in the construction of the Santa Maria del Fiore cathedral in Florence; they are part of the Opera di Santa Maria del Fiore collection and are currently exhibited in the Museo dell’Opera del Duomo. The analysed objects are turnbuckles, pulleys, three-legged lewises, and pincers; indeed, despite their uniqueness and their importance from the historical point of view, this study is the first one that investigates their alloys composition. Actually, this information can be of great interest for curators

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Es Sebar, Leila, Leonardo Iannucci, Sabrina Grassini, et al. "Measurement campaign on the historical metallic construction tools and metallic elements of the Brunelleschi’s Dome in Florence." Acta IMEKO 14, no. 2 (2025): 1–8. https://doi.org/10.21014/actaimeko.v14i2.2093.

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This paper presents the results of ameasurement campaign aimed at the elemental characterisation of variousmetallic tools used in the construction of the Dome of Santa Maria del Fiore Cathedral in Florence, as well as several metallic elements inside the Dome. The analysed construction tools, part of the Opera di Santa Maria del Fiore collection, are currently exhibited at the Museo dell’Opera del Duomo, and include turnbuckles, pulleys, three-legged lewises, and pincers. Despite their historical significance, this study is the first to investigate their alloy composition. The metallic element

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4

Macchioni, Nicola, Marco Degl’Innocenti, Francesca Mannucci, Ilaria Stefani, Simona Lazzeri, and Samuele Caciagli. "Timber Structures of Florence Cathedral: Wood Species Identification, Technological Implications and Their Forest Origin." Forests 14, no. 9 (2023): 1733. http://dx.doi.org/10.3390/f14091733.

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The Cathedral of Florence is one of the largest churches in the world and is known for one of the most famous domes ever, which characterizes the skyline of the city. The dimensions of the building mean that the dimensions of the roof are equally large and so are the wooden structures that support it. The roof of the cathedral is organized on two levels: the roof of the large central nave and, at a lower level, those of the two lateral naves. The purpose of this paper is the identification of the wood species of which the structures are made. The sampling method of the 408 samples that have be

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Tucci, G., V. Bonora, L. Fiorini, and A. Conti. "THE FLORENCE BAPTISTERY: 3-D SURVEY AS A KNOWLEDGE TOOL FOR HISTORICAL AND STRUCTURAL INVESTIGATIONS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 16, 2016): 977–84. http://dx.doi.org/10.5194/isprs-archives-xli-b5-977-2016.

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The Baptistery of San Giovanni is one of the most important pieces of architecture in Florence. It is an octagonal building, encrusted with marble both internally and externally (including the pyramidal roof) and covered inside by a magnificent dome with sparkling gold mosaics. During Dante’s time, it appeared much older than the other monuments, so its origins were considered as hailing straight from Florence’s most remote and mythical history. Even though we have much more data now, scholars still disagree over the interpretations on the origin and construction sequence of the monument. <

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Tucci, G., V. Bonora, L. Fiorini, and A. Conti. "THE FLORENCE BAPTISTERY: 3-D SURVEY AS A KNOWLEDGE TOOL FOR HISTORICAL AND STRUCTURAL INVESTIGATIONS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B5 (June 16, 2016): 977–84. http://dx.doi.org/10.5194/isprsarchives-xli-b5-977-2016.

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The Baptistery of San Giovanni is one of the most important pieces of architecture in Florence. It is an octagonal building, encrusted with marble both internally and externally (including the pyramidal roof) and covered inside by a magnificent dome with sparkling gold mosaics. During Dante’s time, it appeared much older than the other monuments, so its origins were considered as hailing straight from Florence’s most remote and mythical history. Even though we have much more data now, scholars still disagree over the interpretations on the origin and construction sequence of the monument. &amp

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7

Bergstein, Mary. "Marian Politics in Quattrocento Florence: The Renewed Dedication of Santa Maria del Fiore in 1412." Renaissance Quarterly 44, no. 4 (1991): 673–719. http://dx.doi.org/10.2307/2862484.

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On the Feastday of the Nativity of the Virgin, September 8, 1296, the papal legate of Boniface VIII, Pietro Valeriano di Piperno, blessed the rebuilding of the church of S. Reparata in Florence. In the ceremonial presence of the podestà, the Standard-Bearer of Justice, and the priors of the Signoria, he named the new cathedral “Santa Maria del Fiore.” Arnolfo di Cambio was made chief architect in charge of the renewal; and it was he who began a program of monumental sculpture devoted to the life of the Virgin (fig. 1). Giovanni Villani, who recorded the benediction ceremony in his chronicle, a

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8

Smith, Graham. "Gaetano Baccani's "Systematization" of the Piazza del Duomo in Florence." Journal of the Society of Architectural Historians 59, no. 4 (2000): 454–77. http://dx.doi.org/10.2307/991621.

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Emilio de Fabris's completion of the west front of Santa Maria del Fiore is the best-known of the architectural interventions carried out during the nineteenth century in the Piazza del Duomo and Piazza di San Giovanni in Florence. But this initiative was preceded by an earlier one that was more radical in character, insofar as it transformed the area around the Campanile and Duomo. A proposal of November 1823 by the architect Gaetano Baccani resulted in the demolition of a large part of the late medieval cathedral canonry and the creation of an extensive new piazza on the south side of Santa

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9

Labrecque, Cory Andrew. "Hospes venit, Christus venit: Hospitality, Healing, and the Opera Misericordiae in the Ospedale di Santa Maria della Scala." Religions 15, no. 9 (2024): 1065. http://dx.doi.org/10.3390/rel15091065.

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For almost a thousand years (1090–1990), Santa Maria della Scala in Siena—arguably one of the oldest surviving hospitals in the world—opened its doors to pilgrims, travelers, the sick, the poor, and the gittati (children who were “cast off” and left on its steps). Making manifest the traditional adage of hospitality, all the guests who presented themselves there were to be welcomed as Christ himself. In this paper, I explore this broadening of the Church’s vision of its healing ministry (that is, beyond care for the sick) alongside the increasing dedication of the laity to the opera misericord

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10

Pauwels, Yves. "I progetti per la facciata di Santa Maria del fiore (1585–1645): Architettura a Firenze tra Rinascimento e Barocco. Mario Bevilacqua. Archivi di Santa Maria del Fiore: Studi e Testi 4. Florence: Olschki, 2015. xxx + 354 pp. €45." Renaissance Quarterly 69, no. 4 (2016): 1454–55. http://dx.doi.org/10.1086/690345.

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11

Marchiori, Laura. "Medieval wall painting in the church of Santa Maria in Pallara, Rome: the use of objective dating criteria." Papers of the British School at Rome 77 (November 2009): 225–55. http://dx.doi.org/10.1017/s0068246200000088.

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Le pitture medievali nella chiesa di Santa Maria in Pallara hanno ricevuto poca attenzione da parte degli studiosi, forse per via dell'incertezza della loro datazione; infatti non si possiede nessuna indipendente documentazione letteraria per la loro realizzazione. Tradizionalmente datati al X secolo, le pitture mostrano un'iconografia più comune nei contesti del XII e XIII secolo, una rappresentazione di Apostoli seduti sulle spalle dei Profeti, che senza dubbio contribuiscono alla loro dimenticanza, visto che i monumenti più tardi sono ben documentati. Comunque, l'iconografia deriva dalle tr

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Scarpa, Marcello. "«La pastorale giovanile non può non essere sinodale» (CV 206). Dal Sinodo dei Vescovi sui giovani ai processi sinodali con i giovani." Salesianum 83, no. 1 (2021): 110–29. https://doi.org/10.63343/kl3148vh.

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Nell’articolo si riprende il n. 206 dell’esortazione postsinodale Christus Vivit per evidenziare alcuni elementi del pensiero di papa Francesco che hanno rilanciato il tema della sinodalità in ambito pastorale. Per il pontefice, infatti, la sinodalità è al cuore dell’opera di rinnovamento della Chiesa; lo attestano il coinvolgimento di alcuni nuclei familiari nei due Sinodi sulla Famiglia (2014 e 2015) e il suo discorso tenuto il 17 ottobre 2015 nella Cattedrale di Santa Maria del Fiore a Firenze in occasione del 50° anniversario d’istituzione del Sinodo dei Vescovi, in cui ha affermato che «P

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13

Cameli, Renato. "L’Osservanza francescana nel processo di riforma assistenziale del XV secolo: un’introduzione e un caso esemplare." Picenum Seraphicum - Rivista di studi storici e francescani 37 (December 27, 2023): 145–70. https://doi.org/10.63277/2385-1341/3384.

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Abstract in italianolllegame tra l’Osservanza francescana e i centri assistenziali quattrocenteschi non è stato finora affrontato in una prospettiva d’insieme. L’obiettivo del presente contributo è pertanto quello di introdurre una sommaria casistica di predicatori dell’Osservanza attivi nei processi di istituzione degli enti assistenziali e, successivamente, di soffermarsi su di un caso in particolare, l’Ospedale di Santa Maria di Gesù di Fabriano (1456). In questa maniera si delineerà una panoramica su alcune tra le più emblematiche fondazioni ospedaliere in certe città della penisola italia

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14

Fortunato, Luci M. "Patrizia Meli and Sergio Tognetti. Il principe e il mercante nella Toscana del Quattrocento: Il Magnifico Signore di Piombino Jacopo III Appiani e le aziende Maschiani di Pisa. Archivi di santa Maria del Fiore. Studi e Testi 2. Florence. Leo S. Olschki. 2007. .ISBN: 978-88-222-5590-7." Renaissance Quarterly 61, no. 1 (2008): 122–23. http://dx.doi.org/10.1353/ren.2008.0037.

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15

Richards, Patricia Lyn. "Tommaso Rimbotti. Rime. Eds. Dario Del Puppo and Lorenzo Fabbri. Archivi di Santa Maria del Fiore Studi e testi 1. Florence: Leo S. Olschki, 2005. xvi + 222 pp. + 14 color pls. index. illus. tbls. chron. bibl. €25. ISBN: 88-222-5469-4." Renaissance Quarterly 60, no. 1 (2007): 161–63. http://dx.doi.org/10.1353/ren.2007.0096.

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16

Hayez, Jérôme. "Patrizia MELI, Sergio TOGNETTI, Il principe e il mercante nella Toscana del Quattrocento. Il Magnifico Signore di Piombino Jacopo III Appiani e le aziende Maschiani di Pisa . Con un saggio di Lorenzo FABBRI, Florence, Leo S. Olschki, 2006 ; 1 vol. in-8°, XII-206 p. ( Archivi di Santa Maria del Fiore, Studi e testi , 2). ISBN : 978-88-222-5590-7. Prix : € 22,00." Le Moyen Age Tome CXIII, no. 3 (2008): XVII. http://dx.doi.org/10.3917/rma.133.0693q.

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17

Fissi, Silvia, Elena Gori, Alberto Romolini, and Marco Contri. "Facing covid-19: the digitalization path of Opera di Santa Maria del Fiore in Florence." European Planning Studies, September 2, 2021, 1–17. http://dx.doi.org/10.1080/09654313.2021.1974352.

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18

Manetti, Giacomo, Carmela Nitti, and Marco Bellucci. "Institutional pressures, business model innovations and accounting evidence: the case of the Opera di Santa Maria del Fiore in Florence during the sixteenth century." Accounting History Review, March 10, 2025, 1–34. https://doi.org/10.1080/21552851.2025.2462334.

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19

Manetti, Giacomo, Marco Bellucci, Carmela Nitti, and Luca Bagnoli. "A study of Michelangelo's David from an accountability perspective: Antecedents of dialogic accounting in the early Florentine Renaissance." Accounting History, November 16, 2022, 103237322211320. http://dx.doi.org/10.1177/10323732221132029.

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This article contributes to the accounting history literature through an investigation of the realisation and placement of Michelangelo's David from an accountability perspective. Using a contextual approach to thematic archival research, we explore whether and how early dialogic accounting (DA) tools were adopted by a hybrid organisation – the Opera of Santa Maria del Fiore in Florence – during the period of the statute of David's realisation (1501−1504). Through our analysis of primary and secondary sources, this study sheds light on an early Renaissance accountability system that was based

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20

Pisani, Francesco. "Il mausoleo di Oljeitu a Soltaniyeh in Iran. Bilanci e prospettive per un sito UNESCO." Restauro Archeologico 30, no. 1 (2023). http://dx.doi.org/10.36253/rar-14281.

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At the time of the signing of the Convention for the Protection of the World Cultural and Natural Heritage the Oljeitu Mausoleum at Soltaniyeh in Iran was already the subject of an international programme of restoration and conservation, in the spirit of collaboration that was to be sanctioned by the same convention. The designer and person in charge of these works was Piero Sanpaolesi. He was already a consultant for the United Nations Organisation and in those same years he directed the Institute of Restoration of Monuments at the Faculty of Architecture in Florence and headed the institutio

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21

Vignodelli, Giacomo. "San Salvatore di Pavia e Santa Maria di Pomposa: logiche patrimoniali, politiche e documentarie di un rapporto conflittuale (fine X - inizi XII sec.)." Studi di storia medioevale e di diplomatica - Nuova Serie, November 27, 2024, 301–25. https://doi.org/10.54103/2611-318x/26191.

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Un’ampia e variegata tradizione documentaria permette di comporre un dossier dei documenti pubblici che riguardano il rapporto, tanto stretto quanto conflittuale, che legò Pomposa al monastero regio di S. Salvatore di Pavia. Il dossier di originali e copie, non scevro di falsificazioni e manipolazioni, a prima vista sembra restituire un quadro contraddittorio e una vicenda poco razionale, in cui i diversi re, imperatori e imperatrici avrebbero di volta in volta assegnato il possesso di Pomposa ora al monastero pavese, ora all’arcivescovo di Ravenna, ora a entrambi contemporaneamente, ora lo av

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22

Variano, Angelo. "Francesco Sestito, I nomi di battesimo a Firenze (1450–1900). Dai registri di Santa Maria del Fiore un contributo allo studio dell’antroponimia storica italiana (Quaderni italiani di RION, 6), Roma, ItaliAteneo, 2013, XV + 439 p." Zeitschrift für romanische Philologie 131, no. 1 (2015). http://dx.doi.org/10.1515/zrp-2015-0018.

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