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Relevant bibliographies by topics / Opera; Germany / Books

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Books on the topic 'Opera; Germany'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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1

D, Steakley James, ed. German opera libretti. Continuum, 1995.

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2

Zwischen Krieg, Liebe und Ehe: Studien zur Konstruktion von Geschlecht und Liebe in den Libretti der Hamburger Gänsemarkt-Oper (1678-1738). Centaurus, 2010.

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3

Knobel, Marita. Singing opera in Germany: A practical guide. Bärenreiter, 2005.

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4

Henzel, Christoph. Die italienische Hofoper in Berlin um 1800: Vincenzo Righini als preussischer Hofkapellmeister. J.B. Metzler, 1994.

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5

Gostomzyk, Swantje. Literaturoper am Ende des 20. Jahrhunderts: Eine interdisziplinäre Studie am Beispiel der Opern von Detlev Glanert. Lang, 2009.

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6

Strauss, Johann. Die Fledermaus or the bat's revenge. Viking, 1989.

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7

Strauss, Johann. Die Fledermaus or the Bat's revenge. Viking, 1989.

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8

Stanley, Sadie, ed. Wagner and his operas. Macmillan, 2000.

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9

Hendrik, Birus, and Harms Wolfgang, eds. Die Behandlung der antiken Mythologie in den Textbüchern der Hamburger Oper 1678-1738. P. Lang, 1994.

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10

Ulrike, Hessler. The Munich National Theatre: From royal court theatre to the Bavarian State Opera. Bruckmann, 1991.

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11

Richard, Wagner. Wagner's Ring in 1848: New translations of the Nibelung myth and Siegfried's death. Camden House, 2010.

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12

Sebastian, Werr, and Brandenburg Daniel, eds. Das Bild der italienischen Oper in Deutschland. Lit, 2004.

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13

Reichhardt, Hans Joachim. --bei Kroll 1844 bis 1957: Etablissement, Ausstellungen, Theater, Konzerte, Oper, Reichstag, Gartenlokal : eine Ausstellung des Landesarchivs Berlin, 14. Juni bis 31. Oktober 1988. Transit, 1988.

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14

Politik mit sinnlichen Mitteln: Oper und Fest am Münchner Hof (1680-1745). Böhlau, 2010.

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15

Das Gärtnerplatztheater in München 1932-1944: Zur Operette im Nationalsozialismus. Peter Lang, 1991.

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16

Das Cuvillies-Theater. Bayerische Schlösserverwaltung, 2008.

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17

1955-, Hessler Ulrike, ed. Das Münchner Nationaltheater: Vom Königlichen Hoftheater zur Bayerischen Staatsoper. Bayerischen Staatsoper, 1991.

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18

Schindler, Ute. Rheinsberg: Opernfestival am Musenhof. Parthas, 2000.

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19

Opera Opera : Allegro Ma Non Troppo: Opera Opera. Antique Collectors' Club, 2022.

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20

Singing Opera in Germany. Barenreiter-Verlag Karl Votterle, 2005.

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21

Pollock, Emily Richmond. Opera After the Zero Hour. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190063733.001.0001.

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Opera after the Zero Hour argues that newly composed opera in West Germany after World War II was a site for the renegotiation of musical traditions during an era in which tradition had become politically fraught. The idea of the “Zero Hour,” which put a rhetorical caesura between National Socialism and postwar occupied and divided Germany, was belied by significant continuities with earlier periods and by repeated efforts at conservative restoration. Opera’s social, aesthetic, and political value systems made it an essential piece of this cultural ethos. Its conservatism was creative and mult

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22

Warrack, John. German Opera: From the Beginnings to Wagner (Cambridge Studies in Opera). Cambridge University Press, 2006.

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23

Wagner, Nike, Jens Neubert, and Wieland Wagner. Opera Work. Hatje Cantz Verlag GmbH & Co KG, 2019.

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24

North German opera in the age of Goethe. Cambridge University Press, 1985.

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25

German opera: From the beginnings to Wagner. Cambridge University Press, 2001.

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26

Opera after the Zero Hour: The Problem of Tradition and the Possibility of Renewal in West Germany, 1945-1965. Oxford University Press, 2019.

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27

Ammon, Frieder von, Jörg Krämer, and Florian Mehltretter. Oper der Aufklärung - Aufklärung der Oper: Francesco Algarottis 'Saggio Sopra l'opera in Musica' Im Kontext. Mit Einer Kommentierten Edition der 5. Fassung des 'Saggio' und Ihrer Übersetzung Durch Rudolf Erich Raspe. de Gruyter GmbH, Walter, 2017.

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28

Ammon, Frieder von, Jörg Krämer, and Florian Mehltretter. Oper der Aufklärung - Aufklärung der Oper: Francesco Algarottis 'Saggio Sopra l'opera in Musica' Im Kontext. Mit Einer Kommentierten Edition der 5. Fassung des 'Saggio' und Ihrer Übersetzung Durch Rudolf Erich Raspe. de Gruyter GmbH, Walter, 2017.

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29

Oper der Aufklärung - Aufklärung der Oper: Francesco Algarottis 'Saggio Sopra l'opera in Musica' Im Kontext. Mit Einer Kommentierten Edition der 5. Fassung des 'Saggio' und Ihrer Übersetzung Durch Rudolf Erich Raspe. de Gruyter GmbH, Walter, 2017.

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30

Flaherty, Gloria. Opera in the Development of German Critical Thought. Princeton University Press, 2015.

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31

Flaherty, Gloria. Opera in the Development of German Critical Thought. Princeton University Press, 2015.

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32

Opera in the Development of German Critical Thought. Princeton University Press, 2016.

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33

TAYLOR-JAY, CLAIRE. Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist. Taylor & Francis Group, 2017.

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34

Irion-Senge, Claudia. «der Charakter des Spielplans Bestimmt das Wesen des Theaters»: Die Bayerische Staatsoper in Muenchen Zwischen 1918 Und 1943. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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35

TAYLOR-JAY, CLAIRE. The Artist-Operas of Pfitzner, Krenek, and Hindemith: Politics and the Ideology of the Artist. Ashgate Publishing, 2004.

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36

Irion-Senge, Claudia. «der Charakter des Spielplans Bestimmt das Wesen des Theaters»: Die Bayerische Staatsoper in Muenchen Zwischen 1918 Und 1943. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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37

Irion-Senge, Claudia. «der Charakter des Spielplans Bestimmt das Wesen des Theaters»: Die Bayerische Staatsoper in Muenchen Zwischen 1918 Und 1943. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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38

Irion-Senge, Claudia. «der Charakter des Spielplans Bestimmt das Wesen des Theaters»: Die Bayerische Staatsoper in Muenchen Zwischen 1918 Und 1943. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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39

Euryanthe and Carl Maria von Weber's dramaturgy of German opera. Clarendon Press, 1991.

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40

Meilhac, A., Carl Haffner, Richard Genee, and Meilhac Henri. Die Fledermaus: Or, The Bat's Revenge. Viking Adult, 1990.

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41

Gilliam, Bryan. Rounding Wagner's Mountain: Richard Strauss and Modern German Opera. Cambridge University Press, 2014.

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42

Gilliam, Bryan. Rounding Wagner's Mountain: Richard Strauss and Modern German Opera. Cambridge University Press, 2014.

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43

Gilliam, Bryan. Rounding Wagner's Mountain: Richard Strauss and Modern German Opera. Cambridge University Press, 2014.

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44

Rounding Wagner's Mountain: Richard Strauss and Modern German Opera. Cambridge University Press, 2014.

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45

Musiktheater in Hamburg Um 1800. Peter Lang Publishing, 2005.

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46

Kitagawa, Chikako. Versuch Ueber Kundry: Facetten Einer Figur. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2015.

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47

Sadie, Stanley. Wagner and His Operas (New Grove Composers Series). St Martins Pr, 1999.

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48

Meyer, Stephen C. Carl Maria Von Weber and the Search for a German Opera. Indiana University Press, 2003.

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49

Bellantoni, Paul. So You Wanna Sing in Germany? Lulu Press, Inc., 2008.

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50

Kitagawa, Chikako. Versuch Ueber Kundry: Facetten Einer Figur. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2015.

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