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Journal articles on the topic 'Opera in Australia'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Sussman, Sally, and Tony Day. "Orientalia, Orientalism, and The Peking Opera Artist as ‘Subject’ in Contemporary Australian Performance." Theatre Research International 22, no. 2 (1997): 130–49. http://dx.doi.org/10.1017/s030788330002054x.

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As brochures for the January 1996 Sydney Festival blare out ‘Feel the Beat. Feel the Heat!’ to draw the crowds of summering Sydney folk to performances of the National Dance Company of Guinea (already appropriated and stamped with approval by reviewers in San Francisco and London, who are quoted on the same flyer), the chairman and former artistic director of Playbox Theatre in Melbourne, Carrillo Gartner, worries about the strength of popular Australian opposition to Australia's expanding links with Asia. In an article on the holding of the 14th annual Federation for Asian Cultural Promotion

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2

Gamage, Shashini. "Migration, identity, and television audiences: Sri Lankan women’s soap opera clubs and diasporic life in Melbourne." Media International Australia 176, no. 1 (May 5, 2020): 93–106. http://dx.doi.org/10.1177/1329878x20916946.

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This article examines a soap opera club of Sri Lankan Sinhalese migrant women in Melbourne and their collective engagement with television soap operas from the home country. Teledramas, as Sri Lankan Sinhalese-language soap operas are known, have a predominantly female viewership in Sri Lanka and also constitute a significant presence in the media diets of Sinhalese migrant women in Melbourne, and elsewhere in the world. Furthermore, at a women’s teledrama club affiliated to a Sri Lankan diasporic association, Sinhalese migrant women come together to exchange and archive reproduced DVDs of tel

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Sergi, Michael, and Peter Dodds. "How Reality Bites: The Production of Australian Soap Operas." Media International Australia 106, no. 1 (February 2003): 71–83. http://dx.doi.org/10.1177/1329878x0310600109.

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Soap opera in Australia is driven artistically by the bottom line, according to Peter Dodds, the producer of the archetypal Australian soap Neighbours, and to Michael Sergi, a freelance director and academic. The meaning of any particular episode is best understood as being filtered by constraints governing production and direction. The specific production and direction processes illuminate much debate about soaps.

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Jarman, Douglas. "THE MUSIC OF ANTHONY GILBERT (PART 2)." Tempo 58, no. 230 (October 2004): 38–49. http://dx.doi.org/10.1017/s0040298204000300.

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The influence of the rhythmic and harmonic ideas derived from Anthony Gilbert's study of birdsong made itself apparent in his works of the mid and late 1970s, firstly in the radio opera The Chakravaka-Bird, many sections of which are based on overlapping short figurations (Gilbert calls them ‘mantras’) that, like the calls of a large body of different birds singing together, are repeated at measured intervals to produce larger rythmic cycles; and then in Towards Asâvari, which was written in Australia in the spring (that is to say the Australian spring – between August and December) of 1978.

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Lefoe, Geraldine E. "Journal of University Teaching and Learning Practice Editorial 8.2." Journal of University Teaching and Learning Practice 8, no. 2 (April 1, 2011): 2–4. http://dx.doi.org/10.53761/1.8.2.1.

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Welcome to the second issue, Volume 8 of the Journal of University Teaching and Learning (JUTLP). We are very pleased to see the way the journal continues to grow and the improvement in the quality of the papers. For this we would like to thank our editorial board and reviewers for their considerable efforts in providing valuable feedback to the contributors. Recently many people farewelled the Australian Learning and Teaching Council at the Opera House in Sydney as they presented the final round of Teaching and Learning awards and citations. Recognition for these outstanding teachers, as well

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Kelly, Veronica. "The Globalized and the Local: Theatre in Australia and Aotearoa/New Zealand Enters the New Millennium." Theatre Research International 26, no. 1 (March 2001): 1–14. http://dx.doi.org/10.1017/s0307883301000013.

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Late in 1999 the Commonwealth of Australia's Department of Communications, Information Technology and the Arts released Securing the Future, the final Report of the Major Performing Arts Enquiry chaired by Helen Nugent (commonly referred to as the Nugent Report). The operations of the committee and the findings of the Report occasioned considerable public debate in the Australian arts world in the late 1990s, as the Enquiry solicited and analysed information and opinion on the financial health and artistic practices of thirty-one national major performing arts companies producing opera, ballet

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Brinke, Josef. "26th Congress of the International Geographical Union." Geografie 94, no. 1 (1989): 1–4. http://dx.doi.org/10.37040/geografie1989094010001.

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The autor, head of the Czechoslovak delegation, presents basic information about the 26th International Geographical Congress which took place in Sydney, Australia, from 21st to 26th August, 1988. The Congress was formally opened by Sir N. Stephen, Gavernor General of Australia, at the Concert Hall of Sydney Opera House. All sessions and exhibitions were held at the University of Sydney, established in 1850. In the congress more than 1200 geographers participated while from among 88 IGU member countries 51 ones were represented by official delegations. About 800 papers were presented in 14 sec

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Halliwell, Michael. "Annarosa Berman (text) and Bridget Elliot (photographs)The company we keep: An intimate celebration of opera Australia." Musicology Australia 30, no. 1 (January 2008): 75–79. http://dx.doi.org/10.1080/08145857.2008.10416734.

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Anderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.

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The Dance Collection at Arts Centre Melbourne traces the history of dance in Australia from the late nineteenth century to today. The collection encompasses the work of many of Australia's major dance companies and individual performers whilst spanning a range of genres, from contemporary dance and ballet, to theatrical, modern, folk and social dance styles. The Dance Collection is part of the broader Australian Performing Arts Collection, which covers the five key areas of circus, dance, opera, music and theatre. In my overview of Arts Centre Melbourne's (ACM) Dance Collection, I will outline

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Brown, Paul, Taylor L. Hunt, and Khageswor Giri. "Effects of gear type, entrance size and soak time on trap efficiency for freshwater crayfish Cherax destructor and C. albidus." Marine and Freshwater Research 66, no. 11 (2015): 989. http://dx.doi.org/10.1071/mf14284.

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Freshwater crayfish support significant commercial and recreational fisheries worldwide. The genus Cherax is fished in Australia with a variety of fishing gears, yet little is known of the relative efficiency of the different fishing gears and methods. Additionally, freshwater-crayfish traps can pose a risk to air breathing by-catch such as aquatic mammals, reptiles and birds, so by-catch mitigation is important. We sought to understand whether freshwater-crayfish fishing can be undertaken efficiently, using passive traps and nets, without undue risk to air-breathing by-catch species. In field

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Colligan, Mimi. "Civilising the Colonies: Pioneering Opera in Australia. By Alison Gyger. Sydney: Pellinor, 1999. Pp. 285 + illus. AUS$49.95 Hb." Theatre Research International 25, no. 2 (2000): 200. http://dx.doi.org/10.1017/s0307883300013110.

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Reaney, James. "James Reaney Looks Towards a National Repertory." Theatre Research in Canada 6, no. 2 (January 1985): 218–26. http://dx.doi.org/10.3138/tric.6.2.218.

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Original plays have very much proved their worth in this country, revivifying, identifying, so much so that it has been doubly unpleasant to watch the muting of our theatre movement in the last four years, and to watch, as well, the general feeling arise that something has not quite peaked as it should have. Theatrically in this country, we're not as far ahead as we should be. And, in film, opera, puppet theatre - we're in, varying ways, behind where we could be. What a surge forward Australia has made recently with its film renaissance - Breaker Morant, Picnic at Hanging Rock, The Chant of Ji

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van Vuuren, Kitty, Susan Ward, and Rebecca Coyle. "Revisiting the Greening of Prime-Time Television Soap Operas." Media International Australia 146, no. 1 (February 2013): 35–47. http://dx.doi.org/10.1177/1329878x1314600107.

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In 1990, Christopher Rissel and William Douglas commenced a study of the depiction of environmental issues and behaviours on Australian prime-time television drama series. Their findings were discussed in an issue of Media International Australia in 1993. This article reports on a 2011–12 study that replicated key aspects of Rissel and Douglas's research. A collaborative research team focused on two long-running and high-rating Australian soap operas – Neighbours and Home and Away – recorded from June to August 2011. Using content analysis, the researchers investigated the frequency, attitudes

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Croissant, Charles, Leo Delibes, Richard Bonynge, and Norman Ayrton. "Lakme. Australian Opera. Elizabethan Sydney Orchestra." Notes 50, no. 3 (March 1994): 1058. http://dx.doi.org/10.2307/898597.

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Carmody, John. "National Identity in Contemporary Australian Opera: Myths Reconsidered." Musicology Australia 40, no. 1 (January 2, 2018): 73–78. http://dx.doi.org/10.1080/08145857.2018.1486163.

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Tombesi, Paolo. "Back to the future: the pragmatic classicism of Australia's Parliament House." Architectural Research Quarterly 7, no. 2 (June 2003): 140–54. http://dx.doi.org/10.1017/s1359135503002100.

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Until the launch of Federation Square in Melbourne, in 1997, Australia's contribution to the history of international architectural competitions consisted essentially of two buildings: the Sydney Opera House, won by Jørn Utzon in 1957, and the Federal Parliament House in Canberra, won by Mitchell/Giurgola and Thorp (MGT) in 1980. While Utzon's building is widely acknowledged as a daring piece of innovative design and one of the architectural icons of this century, MGT's winning scheme for Parliament House drew heavy criticism from the moment the proposal was unveiled: neo-Classicist lines, a B

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Norton, Suzanne Frentz. "Tea Time on the “Telly”: British and Australian Soap Opera." Journal of Popular Culture 19, no. 3 (December 1985): 3–20. http://dx.doi.org/10.1111/j.0022-3840.1985.1903_3.x.

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TOMBS, SEBASTIAN. "Practice, research, education and arq Australian and Scottish parallels." Architectural Research Quarterly 7, no. 3-4 (September 2003): 200–201. http://dx.doi.org/10.1017/s1359135503252167.

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Paolo Tombesi's investigation of Australia's Parliament House, Canberra (arq 7/2, pp140–154) shows how the ambitions of Public Sector clients are influenced by the political context. The review by John Sergeant of Weston's excellent biography of Utzon in the same issue (pp183–186), provides some insight into his tragedy and triumph at Sydney: the Opera House.

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Shevtsova, Maria. "Of ‘Butterfly’ and Men: Robert Wilson Directs Diana Soviero at the Paris Opéra." New Theatre Quarterly 11, no. 41 (February 1995): 3–11. http://dx.doi.org/10.1017/s0266464x00008824.

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In NTQ40 (November 1994), in the first of two pieces on modern directorial approaches to the staging of opera as music theatre, Maria Shevtsova discussed Peter Brook's production of Impressions de Pelléas, complementing her own analysis with an interview with one of the leading actor-singers, Vincent Le Texier. Pursuing a similar dual-faceted approach, here she provides a detailed explication of Robert Wilson's production of Madame Butterfly, seen at the Opéra de Paris Bastille in 1993, exploring the ways in which Puccini's original orientalisms are translated and transmuted into a version of

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YANG, MINA. "Moulin Rouge! and the Undoing of Opera." Cambridge Opera Journal 20, no. 3 (November 2008): 269–82. http://dx.doi.org/10.1017/s095458670999005x.

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AbstractWhile Moulin Rouge! (2001) riffs on and even exaggerates conventions from classic Hollywood backstage musicals, it owes a clear debt to an even earlier musico-dramatic genre – the opera. Combining operatic and film musical elements with those of pop videos, contemporary cinema and the rave scene, Baz Luhrmann's film engages with many of the thorny issues that have concerned opera critics of late, such as power, gender, exoticism, authorship, and identity construction and performance. The spotlight on the central love triangle of a consumptive courtesan, a writer and a wealthy patron ma

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Radic, Thérèse. "Major Choral Organizations in Late Nineteenth-Century Melbourne." Nineteenth-Century Music Review 2, no. 2 (November 2005): 3–28. http://dx.doi.org/10.1017/s1479409800002184.

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Australian musical life was founded and sustained for over 150 years by a particular class of displaced British and European professional musicians, mostly men, who brought with them what is now known as Western art music. At the time of Australia's foundation, a number of British musicians (many of them composers at the rudimentary level expected of musicians of the day), unable to find work where Italians and Germans were preferred, opted for migration to the colonies in the hope of trading their way out of a difficult situation. Some took ship to avoid the law (the debt-ridden composer Isaa

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Aliaga-Lavrijsen, Jessica. "Pregnancy, Childbirth and Nursing in Feminist Dystopia: Marianne de Pierres’s Transformation Space (2010)." Humanities 9, no. 3 (July 7, 2020): 58. http://dx.doi.org/10.3390/h9030058.

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Marianne de Pierres’s Transformation Space (2010) is a rare example of an Australian novel set in an apocalyptic and dystopic interstellar future where pregnancy, childbearing and nursing have a presence that is quite uncommon in Science Fiction (SF). Despite the fact that the genre of SF and that of space opera in particular have been traditionally quite male-oriented, in the last years feminist theories of several kinds have been an undeniable transformative influence. This article intends to analyse not only how these specifically female issues related to motherhood/mothering are presented

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Wober, J. M., and S. Fazal. "Neighbours at Home and Away: British Viewers' Perceptions of Australian Soap Operas." Media Information Australia 71, no. 1 (February 1994): 78–87. http://dx.doi.org/10.1177/1329878x9407100112.

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Milligan, Kate B. "IDENTITY AND THE ABSTRACT SELF IN CAT HOPE'S SPEECHLESS." Tempo 73, no. 290 (September 12, 2019): 13–24. http://dx.doi.org/10.1017/s0040298219000548.

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AbstractCat Hope's compositional practice is guided by a belief that music is inherently socially situated and can therefore be used as a tool for change. Through her 2019 opera Speechless Hope contributes to public discourse around the treatment of detainees in Australian offshore processing centres and engages more broadly with issues of nationality, human rights, displacement and the agency of voiceless minorities. This article demonstrates the way in which Hope presents identity in abstraction and complicates the binary of the self and the collective through musical acts of empathy. In doi

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Ramli, Asia. "NILAI-NILAI BUDAYA MAKASSAR DALAM KARAKTER TOKOH PERTUNJUKAN TEATER THE EYES OF MAREGE." Nuansa Journal of Arts and Design 4, no. 2 (February 3, 2021): 47. http://dx.doi.org/10.26858/njad.v4i2.19132.

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Pertunjukan teater The Eyes of Marege kolaborasi Teater Kita Makassar dengan Australian Performing Exhange dipentaskan pada OzAsia Festival tanggal 27 – 29 September 2007 di Playhouse Adelaide, dan tanggal 5 – 7 Oktober 2007 di Studio Opera House, Sydney. Penelitian ini mendeskripsikan dan menganalisis fokus masalah: nilai-nilai budaya Makassar dalam karakter tokoh pada pertunjukan tersebut. Data dari jenis penelitian kualitatif ini diperoleh melalui observasi partisipatif, wawancara, dan dokumentasi. Hasil data dideskripsikan dan dianalisis berdasarkan pendekatan kebudayaan dan kajian semioti

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Nowak, Mateusz. "Rola Australii w polityce kryminalnej metropolii brytyjskiej na przełomie XVIII i XIX wieku." Acta Universitatis Lodziensis. Folia Historica, no. 100 (April 30, 2018): 69–84. http://dx.doi.org/10.18778/0208-6050.100.07.

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Artykuł opiera się na analizie kary zesłania. Autor porusza trzy główne kwestie. Po pierwsze, omówiono aktualny w tamtych czasach paradygmat kryminologii klasycznej. Następnie wzięto pod uwagę prawo karne materialne oraz procesowe, czyli obowiązujące przepisy i działalność wymiaru sprawiedliwości w Zjednoczonym Królestwie Wielkiej Brytanii i Irlandii. Po trzecie, w opracowaniu powyższej tematyki niezbędny był opis warunków bytowych w australijskich i tasmańskich koloniach karnych. Autor dochodzi do wniosku, że orzekana kara zesłania świadczyła o punitywnym i niehumanitarnym systemie prawa. Pon

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Saavedra Martinez, Luis Alberto. "Fortalecimiento del proceso de certificación aeromédica en la Fuerza Aérea colombiana." Ciencia y Poder Aéreo 15, no. 1 (June 11, 2020): 16–23. http://dx.doi.org/10.18667/cienciaypoderaereo.655.

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La certificación aeromédica en el mundo tiene un propósito primario: garantizar que el entorno aeronáutico cuente con personal capaz de operar en él de una forma segura. Los requerimientos de estados físico y mental pueden ser altos, dependiendo del ambiente en el cual se realicen las operaciones. Garantizarlos contribuye sustancialmente a garantizar la seguridad, pero se requiere una revisión exhaustiva del balance entre, por una parte, los requisitos y procesos de certificación aeromédica y, por otra parte, la realidad y necesidades operativas del entorno para garantizar que los procesos sea

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Zumpano, Francisco, Gonzalo Troccoli, Federico Gorini, Anabela Zavatteri, and Emiliano Di Marco. "Comparación de índices de abundancia de polaca (Micromesistius australis) a partir de dos fuentes de información mediante la aplicación de Modelos Lineales Mixtos." Marine and Fishery Sciences (MAFIS) 33, no. 2 (October 20, 2020): 137–50. http://dx.doi.org/10.47193/mafis.3322020301101.

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En este trabajo se realizó la estandarización de la captura por unidad de esfuerzo (CPUE) de polaca (Micromesistius australis) accesible a la flota surimera que operó en el océano Atlántico Sudoccidental durante el período 1993-2018. Se aplicaron Modelos Lineales Mixtos (MLM), a partir de la información de la estadística pesquera (MLMEST) y la colectada por los observadores a bordo (MLMOBS) de dichos buques con el objetivo de comparar entre sí los modelos realizados a partir de ambas fuentes de información y el modelo utilizado hasta la actualidad para la estimación de índices de abundancia de

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Caria, Marzia. "«Non so scrivere inglese, a momenti neppure italiano… datemi una “giobba” qualsiasi»: gli emigrati italiani nel teatro di Nino Randazzo." Italianistica Debreceniensis 26 (December 1, 2020): 56–68. http://dx.doi.org/10.34102/itde/2020/9381.

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L'articolo prende in esame la rappresentazione culturale, sociale e linguistica degli italiani emigrati in Australia nella scrittura per il teatro di Nino Randazzo, drammaturgo di origine eoliana, emigrato a Melbourne nel 1952, considerato uno degli autori più importanti e prolifici nel contesto della cosiddetta “letteratura dell'emigrazione”, e più in particolare della letteratura italo-australiana in lingua italiana. Di particolare interesse è il tema dei pregiudizi culturali e sociali degli anglo-australiani nei confronti delle persone di origine italiana, etichettati come ignoranti, imposs

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Mendes, Philip. "Welfare lobby groups responding to globalization." International Social Work 49, no. 6 (November 2006): 693–704. http://dx.doi.org/10.1177/0020872806070969.

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English Theories of globalization suggest that national lobby groups continue to exert influence on social policy agendas and outcomes. Yet little has been written about the impact of globalization on the political and ideological context within which pro-welfare state advocacy groups operate. This article explores the response of an Australian welfare lobby group to the challenges posed by globalization. French Les théories de la mondialisation soutiennent que les groupes de pression nationaux continuent d'exercer leur influence sur les projets et les définitions des politiques sociales. Pour

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Olkuski, Tadeusz. "Hard coal import dependence of Poland." Gospodarka Surowcami Mineralnymi - Mineral Resources Management 29, no. 3 (September 1, 2013): 115–30. http://dx.doi.org/10.2478/gospo-2013-0033.

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Streszczenie Ze zjawiskiem importu węgla do Polski mamy do czynienia dopiero od kilku lat. Od początku istnienia górnictwa węglowego w Polsce nasz kraj był eksporterem tego surowca. Węgiel kamienny eksportowano już w okresie międzywojennym, a po II wojnie światowej, po odbudowaniu przemysłu ze zniszczeń wojennych, eksport węgla był podstawowym środkiem pozyskiwania dewiz. Polska przez dziesięciolecia zajmowała miejsce w pierwszej dziesiątce największych producentów tego surowca, a eksport od połowy lat siedemdziesiątych do połowy lat osiemdziesiątych ubiegłego wieku wynosił około 40 min ton, c

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Newark, Cormac. "Night of the seven stars? Productions of Giacomo Meyerbeer'sLes Huguenotson DVD - Die Hugenotten (Deutsche Oper production released on DVD in 2001) Stage director: John Dew Set and costume designer: Gottfried Pilz Performing edition: John Dew German translation: Ignatz Franz Castelli (1837) Cast: Angela Denning (Margarethe von Valois), Lucy Peacock (Valentine), Richard Leech (Raoul von Nangis), Hartmut Welker (Graf von Saint-Bris), Camille Capasso (Urban), Martin Blasius (Marcel), Lenus Carlson (Graf von Nevers) Chorus and Orchestra of the Deutsche Oper Berlin Conductor: Stefan Soltesz Chorus master: Georg Metz Director for television: Brian Large ArtHaus DVD 100156 PAL/100157 NTSC: arthaus-musik.com £24.99 from www.amazon.co.uk - Les Huguenots (Opera Australia production released on DVD in 2002) Stage director: Lotfi Mansouri Set designer: John Stoddart Costume designer: Michael Stennett Lighting designer: Derek Coutts Choreographer: Lois Strike Cast: Joan Sutherland (Marguerite de Valois), Anson Austin (Raoul de Nangis), Amanda Thane (Valentine), Clifford Grant (Marcel), Suzanne Johnston (Urbain), John Pringle (Comte de Nevers), John Wegner (Comte de Saint Bris) Conductor: Richard Bonynge Director for television: Virginia Lumsden Kultur DVD D0029: www.kultur.com £19.99 from www.amazon.co.uk." Nineteenth-Century Music Review 9, no. 2 (December 2012): 365–73. http://dx.doi.org/10.1017/s1479409812000432.

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Andel, Joan D., H. E. Coomans, Rene Berg, James N. Sneddon, Thomas Crump, H. Beukers, M. Heins, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 147, no. 4 (1991): 516–46. http://dx.doi.org/10.1163/22134379-90003185.

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- Joan D. van Andel, H.E. Coomans, Building up the the future from the past; Studies on the architecture and historic monuments in the Dutch Caribbean, Zutphen: De Walburg Pers, 1990, 268 pp., M.A. Newton, M. Coomans-Eustatia (eds.) - Rene van den Berg, James N. Sneddon, Studies in Sulawesi linguistics, Part I, 1989. NUSA, Linguistic studies of Indonesian and other languages in Indonesia, volume 31. Jakarta: Badan Penyelenggara Seri Nusa, Universitas Katolik Indonesia Atma Jaya. - Thomas Crump, H. Beukers, Red-hair medicine: Dutch-Japanese medical relations. Amsterdam/Atlanta, GA: Rodopi, Publ

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Pastukhov, Oleksandr. "Bassoon in the 16–17 centuries: the issues of the bassoon practice development." Aspects of Historical Musicology 19, no. 19 (February 7, 2020): 139–50. http://dx.doi.org/10.34064/khnum2-19.08.

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Background. The article deals with the interaction of the constructive evolution of the instrument and the development of bassoon performing of the 16–17 centuries. The aesthetics of that time was associated with the search for new expressive means, realization of which could be ensured by new instruments with rich and expressive sound. One of such instruments is bassoon; it was during the Baroque era when the bassoon took its shape and the sound image we know today. Thanks to technical evolution, the instrument acquired new artistic capabilities and new sound quality. A new repertoire was for

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Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (June 1, 2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont & Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each

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Dwyer, Simon. "Highlighting the Build: Using Lighting to Showcase the Sydney Opera House." M/C Journal 20, no. 2 (April 26, 2017). http://dx.doi.org/10.5204/mcj.1184.

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IntroductionThe Sydney Opera House is Australia’s, if not the world’s, most recognisable building. It is universally recognised as an architectural icon and as a masterpiece of the built environment, which has captured the imagination of many (Commonwealth of Australia 4). The construction of the Sydney Opera House, between 1959 and 1973, utilised many ground-breaking methods and materials which, together, pushed the boundaries of technical possibilities to the limits of human knowledge at the time (Commonwealth of Australia 36, 45). Typical investigations into the Sydney Opera House focus on

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"Opera companies and houses of Western Europe, Canada, Australia and New Zealand: a comprehensive illustrated reference." Choice Reviews Online 37, no. 07 (March 1, 2000): 37–3663. http://dx.doi.org/10.5860/choice.37-3663.

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"Investigating crime and apprehending suspects: Police powers and citizens' rights Opera House, Sydney, Australia March 19?23, 1989." Criminal Law Forum 1, no. 3 (1990): 451–57. http://dx.doi.org/10.1007/bf01098176.

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"The saga of Sydney Opera House: the dramatic story of the design and construction of the icon of modern Australia." Choice Reviews Online 42, no. 01 (September 1, 2004): 42–0106. http://dx.doi.org/10.5860/choice.42-0106.

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Skrzypczyk, Aleksandra. "Schulz w operze." Schulz/Forum, no. 9 (March 1, 2017). http://dx.doi.org/10.26881/sf.2017.09.13.

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The article describes three operas inspired by the works of Bruno Schulz: 1976 Demiurgos by Juliusz Łuciuk, Mannequins by Zbigniew Rudziński, premiered in 1981, and Tree of Codes, written by the Australian composer Liza Lim, premiered in 2016 in Germany. The fate of two Polish operas inspired by Schulz varies considerably – there has been no stage premiere of Demiurgos yet, and Mannequins have won world fame. Demiurgos is a sonorous opera in which the composer, through the relationship of the father and his son, presents his own musical philosophy – the coexistence of tradition and modernity.

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Leishman, Kirsty. "And the Winner Is Fiction." M/C Journal 2, no. 1 (February 1, 1999). http://dx.doi.org/10.5204/mcj.1739.

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In Australia, we are more prepared for the year 2000 than many. With regard to the technical difficulties that might be experienced, we have the honour of being the 12th most prepared nation in the event of worst predictions. In addition to the usual effects the impending millennium is wreaking however, Australia is also anticipating the year we will be hosting the Olympic games. The fervour that has seen religious cult members invest in matching pairs of Nike trainers (and coincidentally, buy plane tickets to Australia) has also infected this nation's official image-makers, who have been busy

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Bruns, Axel. "Digital Video Dud?" M/C Journal 1, no. 1 (July 1, 1998). http://dx.doi.org/10.5204/mcj.1697.

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As the Next Big Thing in consumer electronics is introduced, Australia is once again feeling the tyranny of distance from the world's major markets DVD (Digital Video Disc, recently rechristened 'Digital Versatile Disc') has long been hyped as the next step in the digital revolution of home entertainment. A good decade after the audio CD began to replace LPs as the premier sound carrier medium, it is now video's turn to become digital. DVD, which in many aspects constitutes the next generation of CD technology, has inherited many of its ancestor's features -- the handy and robust physical form

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Wishart, Alison. "Make It So: Harnessing Technology to Provide Professional Development to Regional Museum Workers." M/C Journal 22, no. 3 (June 19, 2019). http://dx.doi.org/10.5204/mcj.1519.

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IntroductionIn regional Australia and New Zealand, museums and art galleries are increasingly becoming primary sites of cultural engagement. They are one of the key tourist attractions for regional towns and expected to generate much needed tourism revenue. In 2017 in New South Wales alone, there were three million visitors to regional galleries and museums (MGNSW 13). However, apart from those (partially) funded by local councils, they are often run on donations, good will, and the enthusiasm of volunteers. Regional museums and galleries provide some paid, and more unpaid, employment for agei

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Winarnita, Monika. "Asian Women in Australian Soap Operas: Questioning Idealized Hybrid Representation." Asian Social Science 7, no. 8 (July 31, 2011). http://dx.doi.org/10.5539/ass.v7n8p3.

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TC Madzivanzira, J South, T Nhiwatiwa, and OLF Weyl. "Standardisation of alien invasive Australian redclaw crayfish Cherax quadricarinatus sampling gear in Africa." Water SA 47, no. 3 July (July 29, 2021). http://dx.doi.org/10.17159/wsa/2021.v47.i3.11866.

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Freshwater crayfish are damaging invaders across southern Africa; however, monitoring techniques and efforts are disparate across the region as different sampling methods have been used. To develop a standard method for assessing redclaw crayfish Cherax quadricarinatus abundance, a survey was conducted to assess for differences in detection and catch per unit effort (CPUE) in Lake Kariba. Two sampling approaches were compared: opera traps baited with cooked maize meal historically used in crayfish surveys in Zimbabwe, and Promar collapsible traps baited with dry dog food, which have been used

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Barnes, Duncan, Danielle Fusco, and Lelia Green. "Developing a Taste for Coffee: Bangladesh, Nescafé, and Australian Student Photographers." M/C Journal 15, no. 2 (May 2, 2012). http://dx.doi.org/10.5204/mcj.471.

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IntroductionThis article is about the transformation of coffee, from having no place in the everyday lives of the people of Bangladesh, to a new position as a harbinger of liberal values and Western culture. The context is a group of Australian photojournalism students who embarked on a month-long residency in Bangladesh; the content is a Nescafé advertisement encouraging the young, middle-class Bangladesh audience to consume coffee, in a marketing campaign that promotes “my first cup.” For the Australian students, the marketing positioning of this advertising campaign transformed instant coff

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Elliott, Susie. "Irrational Economics and Regional Cultural Life." M/C Journal 22, no. 3 (June 19, 2019). http://dx.doi.org/10.5204/mcj.1524.

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IntroductionAustralia is at a particular point in its history where there is a noticeable diaspora of artists and creative practitioners away from the major capitals of Sydney and Melbourne (in particular), driven in no small part by ballooning house prices of the last eight years. This has meant big changes for some regional spaces, and in turn, for the face of Australian cultural life. Regional cultural precincts are forming with tourist flows, funding attention and cultural economies. Likewise, there appears to be growing consciousness in the ‘art centres’ of Melbourne and Sydney of interes

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Baines, Stephen Grant. "Antropologia e Políticas Indigenistas no Brasil, no Canadá e na Austrália: os desafios à prática antropológica em diversos contextos nacionais." Interethnic@ - Revista de Estudos em Relações Interétnicas 19, no. 1 (August 1, 2015). http://dx.doi.org/10.26512/interethnica.v19i1.15339.

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Politiques indigénistes au Brésil, au Canada et en Australie : les défis de la pratique anthropologique dans divers contextes nationauxStephen Grant Baines Cet article examine certains des défis rencontrés par l’ethnologie autochtone au Brésil, au Canada et en Australie au cours des dernières décennies, en mettant l’accent sur les situations où se produit le contact interethnique entre peuples autochtones et États nationaux et dans lesquelles l’anthropologue intervient au moyen de recherches politiquement engagées. La représentation des peuples autochtones dans les trois pays s’est renforcée d

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Starrs, Bruno. "Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?" M/C Journal 17, no. 4 (July 24, 2014). http://dx.doi.org/10.5204/mcj.834.

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The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: th

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Díaz Rodríguez, Vanessa. "Sistemas biométricos en materia criminal: un estudio comparado." REVISTA IUS 7, no. 31 (November 23, 2016). http://dx.doi.org/10.35487/rius.v7i31.2013.19.

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Hay un interés creciente en la implementación de sistemas biométricos encaminados a la identificación. La biometría no es una práctica nueva; y ha estado en uso desde 1858. El reconocimiento facial, dactilar y del iris son los sistemas biométricos más comunes. Este artículo aborda los sistemas biométricos según la ley, y plantea además un estudio comparativo en Australia, México, Nueva Zelanda y España, cuyos sistemas nacionales en materia criminal no operan del mismo modo. El artículo destaca las bases de datos de la Interpol, ya que reflejan las mejores prácticas en materia criminal. Esta in

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