Relevant bibliographies by topics / Opera-serial

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Opera-serial'

Author: Grafiati
Published: 5 June 2025
Last updated: 12 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Opera-serial.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Opera-serial"

1

Atay, Ahmet, and Kristyn Gorton. "Histories and new directions: Soap opera/serial narrative research." Journal of Popular Television 10, no. 2 (2022): 115–22. http://dx.doi.org/10.1386/jptv_00073_2.

Full text
Abstract:
This is an introduction to the Special Issue, inspired by the Histories and New Directions: Soap Opera and Serial Narrative Research conference at the University of York in July 2017. The event was conceptualized and organized by the editors of this Special Issue to gather media and cultural studies scholars, and generate a scholarly dialogue on the historical issues, current status and future directions of serial narratives and soap opera as a genre. The introduction outlines the seven articles in this issue, all of which revisit and expand on previous soap opera scholarship and its enduring appeal to audiences and fans. In asking questions about the aesthetics, audiences and industries of soap operas, the articles in this Special Issue highlight some of the key issues in soap storytelling and fandom such as community, pleasure and gender. Some of the articles also consider the impact of COVID-19 on the production and reception of soap operas.
APA, Harvard, Vancouver, ISO, and other styles
2

Khursanova, Nargiza Bahodirovna. "UZBEK OPERA ART." EURASIAN JOURNAL OF ACADEMIC RESEARCH 2, no. 2 (2022): 396–99. https://doi.org/10.5281/zenodo.6303202.

Full text
Abstract:
As a result of many years of Russian intellectuals living in Turkestan and their interest in art, a Russian opera house will be opened in Tashkent. Another major factor in the formation of the Opera House was the touring (creative tours) of the Italian opera group in Tashkent in 1900. In Tashkent, the Italians introduced operas such as "Rigoletto", "Traviata", "Troubadour", "Carmen", "Payatsi", "Faust" to Russian intellectuals. At the same time, Russian intellectuals laid the foundation for the formation of the Russian Opera House by performing symphonic works by Western and Russian classical composers in their concert programs, as well as excerpts from operas and symphonic suites. The first performances of the Opera House were Dargomijsky's Rusalka and Tchaikovsky's Eugene Onegin. Due to the spread of the opera genre on the Russian opera stage, Verdi's "Rigoletto", Guno's "Faust", Rubenstein's "Demon", Tchaikovsky's "Pikovaya dama", Mussorgsky's "Boris Godunov", Borody's "Prince Igor", Verdi's "Tradi" Aida, Puccini's "Bogema" and Rossini's "Seville Serial" saw the stage. Artists of the Russian Opera House began to promote the art of opera among the Uzbek people by organizing performances in the regions of Uzbekistan, and these services became the basis for the creation of Uzbek operas.
APA, Harvard, Vancouver, ISO, and other styles
3

Высоцкая, М. С. "ON THE COMPOSITIONAL FEATURES OF THE “JOURNEY TO LOVE”." Music Journal of Northern Europe, no. 2(26) (April 8, 2024): 1–14. http://dx.doi.org/10.61908/2413-0486.2021.26.2.1-14.

Full text
Abstract:
В центре исследования находится моноопера Фараджа Караева «Journey to love», рассмотренная в аспекте жанрового синтеза и особенностей организации – как внешней, обусловленной структурой либретто, так и внутренней, детерминированной серийными и иными закономерностями. Проанализированы особенности авторской работы с серией, представлены схемы, иллюстрирующие порождающую функцию исходного ряда и конструктивную функцию серийных преобразований в масштабе всего сочинения. Сделан вывод о знаковости монооперы и типообразующем значении её характеристик в контексте творчества композитора. The research focuses on Faraj Karaev's mono-opera “Journey to love” in the aspect of genre synthesis and organizational features – both external, defined by the structure of the libretto, and internal, determined by serial and other patterns. The features of the author's work with the series are analyzed; the schemes that illustrate the generating function of the original series and the constructive function of the serial transformations on the scale of the entire work are presented. The conclusion is made about the significance of the mono-opera and the type-forming importance of its characteristics in the context of the composer's work.
APA, Harvard, Vancouver, ISO, and other styles
4

Beznisko, Oksana N., and Diana S. Karbulyan. "Modern Trends in Scenic Genres as the Subject of Study in the Course of History of Variety and Jazz Music (Using the Example of the Rock Opera “The Legend of Xentaron”)." Musical Art and Education 7, no. 2 (2019): 96–108. http://dx.doi.org/10.31862/2309-1428-2019-7-2-96-108.

Full text
Abstract:
The work explores the interaction of the structure and content of the modern musical and scenic genre, rock opera. On the basis of the rock opera “The Legend of Xentaron” staged by “Epidemic”, a Russian power metal group, authors show characteristics of the rock opera of the 21st century, performing and instrumental structure, other components of the new musical and scenic action influencing the listener, the trend of influence of a genre of a fantasy on characteristic stylistic features of a genre of a rock opera is considered. The authors pay special attention to the analysis of dramaturgy in the rock opera “The Legend of Xentaron”, on the basis of which it is characterized as a mixed form, synthesizing the techniques of conflict and epic dramaturgy. At the same time, they revealed both typical and already traditional features for this musical stage genre, as well as modern trends in its evolution. This refers to such new features as: serial, formulas, stereotyping, replicability. The inclusion of the results in the study of “History of variety and jazz music” will help university students to get an idea about new trends in development of the phenomena of performing art, styles, genres, directions and the repertoire in the field of vocal and instrumental variety and jazz music.
APA, Harvard, Vancouver, ISO, and other styles
5

Salinsky, John. "Serial — A patient's diary: episode 11 — A fright at the opera." British Journal of General Practice 57, no. 544 (2007): 926–27. http://dx.doi.org/10.3399/096016407782317900.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Glavin, John. "Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera (review)." Victorian Studies 42, no. 4 (2000): 702–4. http://dx.doi.org/10.1353/vic.1999.0012.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Borowiecki, Artur. "Neoserial, serial premium czy post soap opera? W poszukiwaniu wyznaczników dla seriali nowej generacji." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 25, no. 34 (2019): 163–71. http://dx.doi.org/10.14746/i.2019.34.11.

Full text
Abstract:
Borowiecki Artur, Neoserial, serial premium czy post soap opera? W poszukiwaniu wyznaczników dla seriali nowej generacji [Neo series, premium series or post soap opera? In looking for characteristics of the new generation TV series]. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 163–171.ISSN 1731–450X. DOI 10.14746/i.2019.34.11.
 Modern television series are a product of quality television and thus significantly differ from the models that have been deeply rooted in serial culture since the very beginning of the media’s existence. In the past, television formats were thematically subject to the requirements of television broadcast programming. They were characterized by five-act structures, with climaxes forced by television stations to occur before subsequent commercial breaks. At that time, the dominating category constituted series with an episodic structure closed within one episode. This resulted in the appearance of the currently widespread procedurals. Nonetheless, the three-act structure of sitcom plots dominates nowadays, in the post-network era. Another significant feature of the post soap is its narrative complexity (Mittell), which, in addition to formal procedures, often uses quotes, and autotematic references. The purpose of this article is to analyze the narrative complexity of new generation TV series, called “post soap”. A new genre of TV series has been examined through the examples of a popular show: Ślepnąc od świateł (2018).
APA, Harvard, Vancouver, ISO, and other styles
8

Hughes, Linda K. ": Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera . Jennifer Hayward." Nineteenth-Century Literature 53, no. 4 (1999): 539–42. http://dx.doi.org/10.1525/ncl.1999.53.4.01p0052f.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mateja, Bogumiła. "Dyskretna uwodzicielska moc seriali." Kultura i Społeczeństwo 54, no. 2 (2010): 37–52. http://dx.doi.org/10.35757/kis.2010.54.2.3.

Full text
Abstract:
The author attempts to describe the “struggle” between recipient and creator in the context of those studies of the media which see the crucial process as not only “what the media do to people”, but also “what people do with the media”. Prominence is given to the subtle mechanisms of the game played by viewers of soap opera serials. On the basis of these studies describes how the viewers create their own “individual rules of watching” Polish soap operas (such as the popular M jak miłość [“L as in Love”]) and use different means of distancing themselves from the watched serial (which in the article is described as the „I watch it but…” tactic). The analysis of the above mechanisms allows attempting to answer the question to what degree active reception protects the viewer from the influence of the serial?
APA, Harvard, Vancouver, ISO, and other styles
10

Winkler, Daniel. "Sophonisba, das funesto fine und die Nation." Artes 4, no. 1 (2025): 146–66. https://doi.org/10.30965/27727629-20250007.

Full text
Abstract:
Abstract This article examines the rise and fall of the Sophonisba subject matter in 18th-century Italy, focussing on two genres, tragedy and opera seria. At the centre is the tension between dramatic poetics and politics, i.e. the focus is on the question of the form in which the material enjoyed particular popularity up to the threshold of modernity. In dramaturgical terms, the material oscillates between lieto and funesto fine. It is argued that the subject matter and poetics here, in the context of the ‘Roman’ Latin subject matter, are closely linked to a national appropriation and aesthetic valorisation that increasingly led to the development of a dramaturgy of amore e patria. This reveals, on the one hand, a quasi-serial popularity of the material in the extremely hybrid opera seria and thus in theatre practice, which is dominant in the course of the 18th century, and, on the other hand, the classicistically renewed tragedy aesthetic as a counter-model of a ‘sublime’ national poetics, which is to be located in the run-up to risorgimental (theatre) literature. Following on from remarks on the history of drama and opera, two works will be discussed in more detail here with regard to the drama aesthetics of the funesto fine: Mattia Verazi’s libretto for the composer Tommaso Traetta (1762) and Vittorio Alfieri’s tragedy Sofonisba (1784/88). The aim is to make it clear that opera and tragedy, despite all the differences in poetics and theatre practice, are closely interwoven, particularly with regard to popular Italian material, including the dramaturgy of political and amorous liberty.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Opera-serial"

1

Roberts, Jennifer N. "Cacophony." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395329715.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ma, Doog-Hoon. "Production of television drama serial : case study of YTV Emmerdale and MBC Chunwon." Thesis, University of Leeds, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364896.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Watt, J. M. "Take the high road : A case study of Scottish Television's continuous drama serial based on participant observation and textual analysis to ascertain the function of its classic realist form." Thesis, Open University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233887.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Svobodová, Zuzana. "Konstrukce postav seriálu Velmi křehké vztahy na základě jejich majetkových poměrů a společenské třídy." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-298602.

Full text
Abstract:
The thesis titled "Czech serial Velmi křehké vztahy characters with regard to their property estate and social class" is linked to specialised publications which originated in the Faculty of Social Sciences of the Charles University in Prague mapping how the 'after the velvet revolution' series made by the Czech TV portray the topic of wealth and affluence. The theory part consist of findings from two socio-scientific fields, i.e. sociology and media studies, the outcomes of which will consequently meet in the research part of this thesis. The subject matter of the research part of this thesis is the episodes of the third season of the Velmi křehké vztahy soap opera which was broadcast by the Prima Czech TV channel between 2008 and 2009. This research sample was achieved by using a qualitative research technique, specifically the grounded theory method. The thesis focuses predominantly on how a class hierarchy and wealth determine their character. The attention is also paid to listing various social classes which appear in the series, and to the outline of the areas of a social life in which the social mobility is possible. The research part of the thesis also focuses on which professions are represented mostly in the series and how characters are portrayed when working. There is also a part dedicated to...
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Opera-serial"

1

Hayward, Jennifer Poole. Consuming pleasures: Active audiences and serial fictions from Dickens to soap opera. University Press of Kentucky, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jeph, Loeb, and Kring Tim 1957-, eds. Heroes: Saving Charlie : the novel. Del Rey/Ballantine Books, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Robinson, Spider. Very bad deaths. Baen Books ; New York : Distributed by Simon & Schuster, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Goldstein, Laura. English 271 (How Does This Sound?) syllabus (Loyola U., Prof. Laura Goldstein, summer 2008) (Ultramodern Metaphor, includes Opera Bufa, 2.5 days). Loyola University, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Green, J. J. Generation (Void Space Opera Serial). CreateSpace Independent Publishing Platform, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Anderle, Michael, and Craig Martelle. Serial Killer: A Space Opera Adventure Legal Thriller. LMBPN Publishing, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Green, J. J. Shadow Battle (Shadows of the Void Space Opera Serial). CreateSpace Independent Publishing Platform, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Serial monogamy: Soap opera, lifespan, and the gendered politics of fantasy. Hampton Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hayward, Jennifer. Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera. University Press of Kentucky, 2021.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Hayward, Jennifer. Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera. University Press of Kentucky, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Opera-serial"

1

Pollock, Emily Richmond. "Explosive Pluralisms." In Opera After the Zero Hour. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190063733.003.0006.

Full text
Abstract:
A specifically Germanic tradition of opera was renewed in Zimmermann’s Die Soldaten, an ambitious serial construction saddled with an antiwar moral. Zimmermann approached the problem of tradition by recasting opera as an inherently monstrous, pluralistic, and multivalent art form. Rather than steering around Wagner, Berg, and the modernists who had problematized opera, Zimmermann regarded them as a legacy worth confronting. He programmatically addressed modern music’s relationship to history, referring to old forms as Berg had done and incorporating new influences in an updated Gesamtkunstwerk. He positioned opera as a site for the serialist realization of his concept of the “spherical shape of time” (Kugelgestalt der Zeit). His allusions shaped the work’s formal structure and characterization, the rigidity of which in turn suggested an analogy to the inevitability of societal oppression. Archival documents show Zimmermann negotiating a balance between serialist control and Expressionist verve.
APA, Harvard, Vancouver, ISO, and other styles
2

Gjerdingen, Robert O. "A Larghetto by Leonardo Leo." In Music in the Galant Style. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313710.003.0022.

Full text
Abstract:
Abstract the words came first in gala toper a. To an expert on early eighteenthcentury music, that is obvious. Yet since relatively few readers of this volume may have that expertise, permit me to continue with a series of similar statements that, while obvious to a few, are yet worth repeating given the long reign of opera serial as the absolute ruler of the gallant musical world.
APA, Harvard, Vancouver, ISO, and other styles
3

Gjerdingen, Robert O. "An Andantino Affettuoso by Niccolò Jommelli." In Music in the Galant Style. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313710.003.0024.

Full text
Abstract:
Abstract birthday celebrations for Carl Eugene, Duck e of Württemberg, were crowned with opera serial. As a connoisseur of music, having studied the clavier with no less than C. P. E. Bach, the duke expected the very best. Indeed he spared no expense to ensure that his court opera was the equal of any in Europe. For his ballet master he engaged the famous Parisian Jean-Georges Navarre (1727–1810), for his head chapel master the Neapolitan Jommelli. Great violinists like Antonio Loll (ca. 1725–1802) and Petro Nadine (1722–1793) played in his orchestra (the theorist Daubed sat as second flute). For the celebrations of 1764 the renowned tenor Archangel Crotona would sing the role of Demofoonte, King of Thrace (and allegorical stand-in for the duke). The loving spouses— Tim ante and Direct—were sung by the famous castrato Giuseppe April (Naples-trained author of the solfeggio discussed in chaps. 2 and 9) and the prima donna Maria Masi-Giura. One of the highlights of the evening would be their duet “La destroy ti chide.”
APA, Harvard, Vancouver, ISO, and other styles
4

Sohn-Rethel, Martin. "Realism in TV Drama." In Real to Reel. Liverpool University Press, 2016. http://dx.doi.org/10.3828/liverpool/9780993071768.003.0002.

Full text
Abstract:
This chapter discusses realism in TV drama. The narrative realism code engaged by the continuing serial narrative of soap operas and resulting in a flow akin to the rhythm of actual life is strongly contrasted by its opposite, narrative disruption. By necessity, the industrial nature of the soap opera production line that has to churn out three, four, or five episodes a week imposes severe constraints on realism. No single storyline can continue its natural lifespan without disappearing, if only temporarily, to make way for others. In any case, this is how soap institutions target different audience segments and guarantee variety. The chapter then looks at The Street (BBC, 2006–9) and Mad Men (AMC, 2007–15).
APA, Harvard, Vancouver, ISO, and other styles
5

NEWARK, CORMAC. "Singing in Instalments: Giuseppe Rovani’s Cento anni (1856–64)." In SONG IN THE NOVEL. British AcademyLondon, 2024. http://dx.doi.org/10.5871/bacad/9780197267745.003.0005.

Full text
Abstract:
Abstract This chapter explores the presence and presentation of opera in Giuseppe Rovani’s multi-volume historical novel, Cento anni (A Hundred Years), published in serial and then volume form between 1856 and 1864 and set mainly in Milan (but also Rome, Venice, and Paris) between 1750 and 1850. Newark considers the noted abundance of operatic references and citations of various kinds in Cento anni (for example, touchstones such as Donizetti’s Lucrezia Borgia and Mozart’s Don Giovanni) and an extended scene that, in relating a performance of part of Leonardo Vinci’s Didone abbandonata, suggests particular ways of thinking about ‘opera’s penetration into a certain stratum of Italian society’ (Pestelli, 1977). He traces Rovani’s creation of complicity with the reader through frequent direct addresses and metaliterary commentary, and also the evolving materiality of the novel’s original publication in newspaper instalments: both tend to blur the boundary between the real and the fictional, helping to shape a highly self-aware but unstable text that narrativizes its own unfolding production. All these features of the work reflect, from different perspectives, a preoccupation with place and space that, in the context of Rovani’s idiosyncratic historiographical enterprise, imbues opera with new metaphorical resonance.
APA, Harvard, Vancouver, ISO, and other styles
6

Cabaret, Florence. "The Jewel in the Crown : A Miniseries between Short and Long." In Brevity and the Short Form in Serial Television. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781474482042.003.0003.

Full text
Abstract:
This chapter discusses The Jewel in the Crown as representative of a moment when television managed to outperform itself by making the most of its capacity to feed on both short and long formats. The Jewel in the Crown emerged in a global context when British and US channels started to compete for viewership, when TV finances began to rival film budgets, and when new technologies allowed small screens to offer the visual quality heretofore reserved for the cinema. The fact that the miniseries chooses to stage the last years of the British presence in India also appears to be an apt diegetic context, showing the protagonists hesitating to prolong their colonial stay as a long period of British rule is itself cut short. The Jewel in the Crown thus plays on the blurring of limits between various visual aesthetic codes and boundaries in a serial caught between the historical film and the narrative structure of the soap opera, undermining the pattern of a short fiction organized around a circumscribed progressive plot to constantly trespass these boundaries. From shooting to editing choices, the miniseries appears to offer a reflection on time.
APA, Harvard, Vancouver, ISO, and other styles
7

Lupack, Barbara Tepa. "Taking a Parallel Path." In Silent Serial Sensations. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501748189.003.0003.

Full text
Abstract:
This chapter discusses how Leo Wharton got into the film industry. Leo's earliest documented stage appearance was in 1893, in the play The Fairies' Well. After a few years of itinerant acting, Leo was able to secure steadier employment at the Hopkins Grand Opera in Saint Louis, where his brother Ted was already performing. As part of Colonel Hopkins's theatrical company, Leo assumed various stage roles in the popular daylong “continuous performance” programs that Hopkins pioneered, which combined live drama and between-the-acts vaudeville. Leo's first known (and first credited) film appearance was in the title role of Lincoln in Abraham Lincoln's Clemency (1910), a photoplay produced by Ted Wharton for Pathé. The role not only garnered good reviews for his sympathetic performance and even for his resemblance to the revered figure whom he was portraying; it also led to an offer as a director for Pathé, the studio for which Ted was then working. There, Leo began directing similar shorts, such as the period historical drama The Rival Brothers' Patriotism (1911). Since early movie audiences seemed especially fond of marital comedies, Leo produced several shorts in 1913 that revolved around wedding-day complications. While these and other short pictures that Leo produced for Pathé were often predictable in their plotting and formulaic in their execution, they were nonetheless popular with audiences and profitable for Pathé. Moreover, they established his reputation in the industry.
APA, Harvard, Vancouver, ISO, and other styles
8

Tambling, Jeremy. "The Laughter of Falstaff: Comedy and Italian Politics." In Opera and the Culture of Fascism. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165668.003.0004.

Full text
Abstract:
Abstract Verdi’s music, or, rather, the libretti and plots of the plays set to music by Verdi, are responsible for a whole range of ‘anificial’ poses in the life of people, for ways of thinking, for a ‘style’. ‘Artificial’ is perhaps not the right word, because among the popular classes this artificiality assumes naive and moving forms. To many common people, the baroque and the operatic appear as an extraordinarily fascinating way of feeling and acting, a means of escaping what they consider low, mean, and contemptible in their lives and education, in order to enter a more select sphere of great feelings and noble passions. Serial novels and below-stairs reading (all that literature which is mawkish, mellifluous, and whimpery) provide the heroes and heroines.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Opera-serial"

1

Apetri, Dumitru. "Caragiale în spaţiul culturii ruse: interpretări critice şi evocări beletristice." In Ion Luca Caragiale și personajele sale emblematice (170 de ani de la naștere). “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/ilc.170.2022.04.

Full text
Abstract:
În a doua jumătate a secolului al XX-lea spațiul cultural rusesc a manifestat un interes sporit pentru opera marilor clasici români: Eminescu, Creangă, Slavici și Caragiale. Procesul de receptare s-a produs, în linii mari, pe două căi – traducerea artistică și interpretarea critică. Cât privește creația lui I. L. Caragiale putem spune următoarele: au fost traduse în limba rusă cele mai importante opere caragialiene; cititorul de limba rusă a dispus, pe parcursul anilor, de un șir de materiale de ordin informativ, precum și de veritabile interpretări critice. Printre lucrările de ordin exegetic se impun studiile semnate de Lev Cezza Творчество Караўиале (Kishinev, 1961)) și S. Sadovnik Ion Luka Karadzhale (Leningrad-Moskva, 1964). Ca lucrare de dimensiuni impunătoare se prezintă și volumul lui Ilia Konstantinovski Karadzhale (Moskva, 1970), care face parte din cunoscutul și înalt apreciatul de cititori serial „Zhizn’ zamechatel’nyh ljudej”. În aceste lucrări este reflectată calea de creație a comediografului, mesajul și măiestria artistică a operelor caragialiene (drame, comedii, nuvele și schițe), precum și circulația lor în contextul literaturii naționale și universale.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Opera-serial' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography