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1

Hayward, Jennifer Poole. Consuming pleasures: Active audiences and serial fictions from Dickens to soap opera. University Press of Kentucky, 1997.

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2

Jeph, Loeb, and Kring Tim 1957-, eds. Heroes: Saving Charlie : the novel. Del Rey/Ballantine Books, 2008.

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3

Robinson, Spider. Very bad deaths. Baen Books ; New York : Distributed by Simon & Schuster, 2004.

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4

Goldstein, Laura. English 271 (How Does This Sound?) syllabus (Loyola U., Prof. Laura Goldstein, summer 2008) (Ultramodern Metaphor, includes Opera Bufa, 2.5 days). Loyola University, 2008.

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5

Green, J. J. Generation (Void Space Opera Serial). CreateSpace Independent Publishing Platform, 2016.

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6

Anderle, Michael, and Craig Martelle. Serial Killer: A Space Opera Adventure Legal Thriller. LMBPN Publishing, 2019.

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7

Green, J. J. Shadow Battle (Shadows of the Void Space Opera Serial). CreateSpace Independent Publishing Platform, 2018.

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8

Serial monogamy: Soap opera, lifespan, and the gendered politics of fantasy. Hampton Press, 2004.

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9

Hayward, Jennifer. Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera. University Press of Kentucky, 2021.

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10

Hayward, Jennifer. Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera. University Press of Kentucky, 2014.

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11

Hayward, Jennifer. Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to Soap Opera. University Press of Kentucky, 2009.

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12

Ex-KOP. Doherty Associates, LLC, Tom, 2010.

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13

Ex-KOP. Tor Science Fiction, 2010.

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14

Heroes: Saving Charlie. BBC Books, 2008.

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15

Very Bad Deaths: Library Edition. Blackstone Audiobooks, 2005.

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16

Robinson, Spider. Very Bad Deaths: Library Edition. Blackstone Audiobooks, 2005.

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17

The forever watch. St. Martin's Press, 2014.

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18

The forever watch. Hodder & Stoughton, 2014.

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19

Mirchandani, Sharon. Culmination. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037313.003.0006.

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This chapter focuses on Marga Richter's compositions during the 1990s. In the 1990s, the compositional world was still fragmented as composers focused on serial and electronic music, performance art, and numerous other styles. Richter continued to created choral music as well as music for opera, which she combined with vocal and orchestral works. Her compositions were fewer in number during this decade, but large in scale for the most part. This chapter first considers Richter's works after the death of her husband Alan Skelly, beginning with the seven-poem cycle, Into My Heart, which she dedicated to him. It then examines Richter's Quantum Quirks of a Quick Quaint Quar, along with two large-scale works from the 1990s that mark the apex of her output to date: the triple concerto, Variations and Interludes on Themes from Monteverdi and Bach for violin, cello, piano, and orchestra (1992); and the chamber opera, Riders to the Sea. It also discusses Sarah do not mourn me dead, which has hints of transcendentalism and love.
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20

Liguria criminale: Dai serial killer Minghella e Bilancia alla banda XXII ottobre, dal misterioso suicidio di Luigi Tenco all'esecuzione spietata di Guido Rossa ad opera delle Brigate Rosse, dalle sanguinose faide dei paesi dell'entroterra alla grande tragedia del G8. Newton Compton, 2008.

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21

Metcalf, Greg. The DVD Novel. ABC-CLIO, LLC, 2012. http://dx.doi.org/10.5040/9798400642739.

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Now that television shows can live forever as DVD sets, the stories they can tell have changed; television episodes are now crafted as chapters in a season-long novel instead of free-standing stories. This book examines how this significant shift in storytelling occurred. In 1981, NBC’s Hill Street Blues combined the cop show and the soap opera to set the model for primetime serial storytelling, which is evident in The Sopranos, The Wire, and Breaking Bad. In 1963, ABC’s The Fugitive showed how an anthology series could tell a continuing tale, influencing The X-Files, House, and Fringe. In 1987, NBC’s The Days and Nights of Molly Dodd changed the situation comedy into attitudinal comedy, leading to Weeds, Nurse Jackie, and Entourage. The DVD Novel: How the Way We Watch Television Changed the Television We Watch not only examines how American television shows changed, but also what television artists have been able to create. The book provides an alternate history of American television that compares it to British television, and explains the influence of Dennis Potter’s The Singing Detective on the development of long-form television and the evolution of drama shows and sitcoms. The work considers a wide range of network and cable television shows, paying special attention to the work of Steven Bochco, David Milch, and David Simon, and spotlighting the influence of graphic novels and literary novels in changing television.
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