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Books on the topic 'Opera study'

Author: Grafiati

Published: 19 February 2023

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1

Marion, Meisig, ed. Opera minora. Wiesbaden: Harrassowitz, 2002.

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2

Danesi, Marcel. Opera Italian!: Learn Italian as you enjoy Italian opera! : a self study. Welland, ON: Éditions Soleil Publishing, 1998.

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3

Tsūkai! Operagaku: Amazing study of a history of opera. Tōkyō: Shūeisha Intānashonaru, 2001.

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4

Opera coaching: Professional techniques and considerations. New York: Routledge, 2006.

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5

Bengt, Löfstedt, ed. Opera omnia. München: K.G. Saur, 2003.

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6

North, Roger. Wagner's most subtle art: An analytical study of Tristan und Isolde. London: R. North, 1996.

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7

Fanelli, Jean Grundy. Opera for everyone: A historic, social, artistic, literary, and musical study. Lanham, Md: Scarecrow Press, 2004.

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8

North, Roger. Wagner's most subtle art: An analytic study of "Tristan und Isolde". London: Roger North, 1999.

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9

Mozart's operas: A critical study. 2nd ed. Oxford: Clarendon Press, 1991.

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10

1959-, Ke Lin, ed. Min zu xi ju xue: Ethnic opera study. Beijing Shi: Min zu chu ban she, 2003.

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11

Jean-Claude, Tarondeau, ed. The management of opera: An international comparative study. New York: Palgrave Macmillan, 2010.

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12

Xue Jing ju: Zhang pai qing yi : Practical covrse [i.e. course] in Beijing opera. Changsha Shi: Hunan wen yi chu ban she, 2008.

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13

Opera, power and ideology: Anthropological study of a national art in Slovenia. Frankfurt am Main: Peter Lang, 2010.

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14

Cummings, Graham H. A study of Handel's opera Poro and its history. Birmingham: University of Birmingham, 1991.

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15

Rosmarin, Léonard A. When literature becomes opera: Study of a transformational process. Amsterdam: Rodopi, 1999.

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16

The early operas of Michael Tippett: A study of The midsummer marriage, King Priam, and The knot garden. Lewiston: E. Mellen Press, 1996.

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17

1912-, Zhou Chuanying, Zhou You, and Hong Weizhu, eds. Zhou Chuanying shen duan pu. Taibei Shi: Guo jia chu ban she, 2003.

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18

Geraghty, Christine. Women and soap opera: A study of prime time soaps. Oxford: Polity, 1990.

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19

Women and soap opera: A study of prime time soaps. Cambridge, UK: Polity Press, 1991.

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20

Breaking through: From rock to opera : the basic technique of voice. 2nd ed. Milwaukee, WI: Hal Leonard Corp., 2001.

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21

Pergola, Edith Della. Opera at McGill: The Della Pergola years, 1956-1989. Montreal: Faculty of Music, McGill University, 1991.

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22

Todorov, Velichko. Opera Slavica, ili, Nazad kŭm Boris Ĭot͡s︡ov. Sofii͡a︡: "Sv. Kliment Okhridski", 1995.

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23

Wallace, Mary Elaine. Upstage, downstage: A handbook for educational opera directors. [S.l.]: National Opera Association, 1992.

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24

Elements of performance: A guide for performers in dance, theatre, and opera. Chur, Switzerland: Harwood Academic Publishers, 1993.

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25

Shen duan pu kou jue lun. Lanzhou: Gansu ren min chu ban she, 1985.

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26

Shen duan pu kou jue lun. Lanzhou: Gansu ren min chu ban she, 1985.

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27

La tribù degli antichisti: Un'etnografia ad opera di un suo membro. Roma: Carocci, 2006.

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28

Leroux, Gaston. Phantom of the opera. New York: Dorset Press, 1985.

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29

Wagner without fear: Learning to love--and even enjoy--opera's most demanding genius. New York: Vintage Books, 1998.

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30

Brecht, Bertolt. Threepenny Opera: Study Score. Leonard Corporation, Hal, 2008.

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31

Forsyth, Cecil. Music and Nationalism: A Study of English Opera. Library Reprints, 2001.

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32

Curating Opera. Taylor & Francis Group, 2021.

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33

Chadwick, G. W. Tam o' Shanter: Study Score. Serenissima Music, Incorporated, 2014.

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34

Rosen, Lewis. Napoleon's Opera-Glass: An Histrionic Study. Kessinger Publishing, LLC, 2007.

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35

Rosen, Lewis. Napoleon's Opera-Glass: An Histrionic Study. Kessinger Publishing, LLC, 2007.

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36

Fisher, Burton, and Leos Janacek. JENUFA Opera Study Guide with Libretto. Opera Classics Library, 2019.

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37

Fisher, Burton D. Richard Wagner SIEGFRIED Opera Study Guide with Libretto: Opera Classics Library. Opera Classis Library, 2017.

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38

Mould, Stephen. Curating Opera: Reinventing the Past Through Museums of Opera and Art. Taylor & Francis Group, 2021.

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39

Mould, Stephen. Curating Opera: Reinventing the Past Through Museums of Opera and Art. Routledge, Chapman & Hall, Incorporated, 2022.

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40

Mould, Stephen. Curating Opera: Reinventing the Past Through Museums of Opera and Art. Taylor & Francis Group, 2021.

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41

Mould, Stephen. Curating Opera: Reinventing the Past Through Museums of Opera and Art. Taylor & Francis Group, 2021.

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42

Mould, Stephen. Curating Opera: Reinventing the Past Through Museums of Opera and Art. Taylor & Francis Group, 2021.

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43

André, Naomi. Black Opera. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041921.001.0001.

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Abstract:

This is a book about thinking, interpreting, and writing about music in performance that incorporates how race, gender, sexuality, and nation help shape the analysis of opera today. Case-study operas are chosen within the diaspora of the United States and South Africa. Both countries had segregation policies that kept black performers and musicians out of opera. During the civil rights movement and after apartheid, black performers in both countries not only excelled in opera, they also began writing their own stories into the genre. Featured operas in this study span the Atlantic and bring together works performed in the West (the United States and Europe) and South Africa. Focal works are: From the Diary of Sally Hemings (William Bolcom and Sandra Seaton), Porgy and Bess, and Winnie: The Opera (Bongani Ndodana-Breen). A chapter is devoted to the nineteenth-century Carmens (novella by Mérimée and opera by Bizet) and black settings in the United States (Carmen Jones, Carmen: A Hip Hopera) and South Africa (U-Carmen eKhayelitsha). Woven within the discussions of specific works are three rubrics for how the text and music create the drama: Who is in the story? Who speaks? and Who is in the audience doing the interpreting? These questions, combined with a historical context that includes how a work also resonates in the present day, form the basis for an engaged musicological practice.

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44

Fisher, Burton D. Verdi's LUISA MILLER Opera Study Guide and Libretto: Opera Classis Library Series. Opera Classics Library Series, 2017.

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45

Tarondeau, Professor Jean-Claude, Jean-Claude Professor Tarondeau, and Philippe Agid. Management of Opera: An International Comparative Study. Palgrave Macmillan, 2010.

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46

Globe Fearon. The Phantom of the Opera Study Guide. Globe Fearon, 1999.

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47

Fisher, Burton D. Massenet's CENDRILLON Opera Study Guide with Libretto. Opera Classics Library, 2017.

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48

Agid, P., and J. Tarondeau. Management of Opera: An International Comparative Study. Palgrave Macmillan, 2010.

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49

Fanelli, Jean Grundy. Opera for Everyone, A Historical, Social, Artistic, Literary, and Musical Study. The Scarecrow Press, Inc., 2003.

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50

Inc, MMB Music, ed. Music! words! opera!: Level 1. St. Louis, Mo: MMB Music, 1990.

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