Academic literature on the topic 'Operas, discography'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Operas, discography.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Operas, discography"

1

Bondarenko, Andrii. "Ukrainian Discography of the Soviet Enslavement Period: Main Trends." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, no. 2 (2022): 208–17. http://dx.doi.org/10.31866/2616-7581.5.2.2022.269682.

Full text
Abstract:
The purpose of the research is to analyze the available array of information about gramophone records with works by Ukrainian composers issued in the USSR, to identify their genre diversity, the range of personalities and to assess the scale of ideological influence of the Soviet nomenclature. The research methodology is based on statistical analysis of data using Excel program. The scientific novelty of the research. Statistical analysis of the total discography of Ukrainian music is applied for the first time. Conclusions. At the outlined stage of research, an array of gramophone records of Ukrainian authors published from 1926 to 1980, which covers about 126 releases, is available for statistical analysis The analysis shows that the discographies of M. Lysenko, I. Shamo and A. Kos-Anatolskyi have the largest number of releases among Ukrainian authors. The most frequently released works were in the song and choral genres – about 2/3 of the entire assortment, the rest are operas and pieces from operas, chamber-instrumental, symphonic, ensemble works, works for bandura choir and bandura ensembles. Soviet-communist themes constitute up to 10% of the entire range of gramophone records, with the largest share in the choral genre (about 30%). It is shown that the overwhelming majority of composers who lived during the Soviet enslavement had more than 15 released recordings of works only if at least one of them was of Soviet-communist themes. The vast majority of composers whose works were released on records are men, and the authors of recorded works of Soviet themes are exclusively men.
APA, Harvard, Vancouver, ISO, and other styles
2

Gronow, Pekka. "Recording the History of Recording: A Retrospective of the Field." International Journal for History, Culture and Modernity 7, no. 1 (2019): 443–57. http://dx.doi.org/10.18352/hcm.565.

Full text
Abstract:
The recording industry is now over 120 years old. During the first half of its existence, however, few archives documented or collected its products. Many early recordings have been lost, and discography, the documentation of historical recordings, has mainly been in the hands of private collectors. An emphasis on genre-based discographies such as jazz or opera has often left other areas of record production in the shade. Recent years have seen a growth of national sound collections with online catalogues and at least partial online access to content. While academic historians have been slow to approach the field, there has been outstanding new research on the history of the recording industry, particularly in the USA and UK. This has encouraged the development of new academic research on musical performance, based on historical sound recordings. The article discusses some recent works in this field.
APA, Harvard, Vancouver, ISO, and other styles
3

Moran, William R., William Shaman, William J. Collins, and Calvin M. Goodwin. "EJS: Discography of the Edward J. Smith Recordings: The Golden Age of Opera, 1956-1971." Notes 51, no. 3 (1995): 949. http://dx.doi.org/10.2307/899317.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Operas, discography"

1

Chamoux, Henri. "La diffusion de l'enregistrement sonore en France à la Belle Epoque (1893-1914) : artistes, industriels et auditeurs du cylindre et du disque." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010622.

Full text
Abstract:
Le miracle technique de la voix et de la musique enregistrées pour être écoutées dans le cadre domestique, se répandit plus tôt qu’on ne l’a admis jusqu’ici. Produits par dizaines de millions en France avant 1914, les enregistrements phonographiques sur cylindres et disques révèlent aujourd'hui qu’une puissante industrie s’épanouit dès l’aube du XXe siècle en France pour conduire, bien avant la radio, à une forme de banalisation de la musique. Ces phonogrammes sont désormais numérisés, accessibles et audibles en grand nombre. Avec d'autres sources naguère difficiles à exploiter, ils révèlent la richesse du répertoire enregistre et nous restituent une image sonore altérée mais suffisamment fidèle, de la plupart des genres musicaux alors à la mode, notamment les genres vocaux, alors les plus goutes. L'audition commentée des contenus enregistres ouvre de nombreuses portes pour conter l'histoire politique et sociale de leur temps. Cet ouvrage traite par ailleurs des circonstances de la première application du droit d'auteur au disque, ainsi que de l'identité, voire l'authenticité des personnes enregistres, liées aux contraintes techniques de la fabrication et de la reproduction des enregistrements. Sont également prises en considération la réception du phonographe dans divers milieux, ainsi que les pratiques des premiers acteurs de ce marche : artistes qui confièrent leur voix au phonographe, producteurs, auditeurs et autres usagers<br>The technical miracle of recording voices and music to be listened to within the home developed much earlier than anybody has ever acknowledged. Manufactured in tens of millions in France before 1914, phonographic recordings on cylinders and records reveal today that powerful industries thrived in France very early in the 20th century, thus making music quite commonplace long before the radio ever did. These recordings have now been digitized, and a great many can be accessed and listened to on line. Along with other source materials that not long ago proved hard to exploit, they show how rich the recorded repertoire was. These recordings offer a slightly distorted but sufficiently faithful sound and give us access to most of the music genres fashionable at the time, namely the much appreciated vocal genres. The recorded content of this repertoire with its detailed listening guide gives a new insight into the political and social history of their time. This work also deals with the circumstances in which the first copyright legislation was implemented, the identity and exactness of the recorded artists in connection with the technical constraints in the making and reproduction of recordings. How the phonograph itself was greeted is also examined in detail as well as the habits and routines of the very first players on the market : artists, manufacturers, listeners and other users
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Operas, discography"

1

Parsons, Charles H. Opera discography. Edwin Mellen Press, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

H, Parsons Charles. Recent international opera discography. Edwin Mellen Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Recent international opera discography. Edwin Mellen, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

H, Parsons Charles. Recent international opera discography. Edwin Mellen Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

H, Parsons Charles. Recent international opera discography. Edwin Mellen Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Shaman, William. EJS, discography of the Edward J. Smith recordings: The golden age of opera, 1956-1971. Greenwood Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rosenberg, Kenyon C. A basic classical and operatic recordings collection for libraries. Scarecrow Press, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

The Metropolitan Opera on record: A discography of the commercial recordings. 2nd ed. Scarecrow Press, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Mordden, Ethan. A guide to opera recordings. Oxford University Press, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Celletti, Rodolfo. Il teatro d'opera in disco, 1950-1987. 3rd ed. Rizzoli, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Operas, discography"

1

"Discographies (Including Discography of Bellini’s Operas, in Chronological Order), Videographies, and Reviews of Recordings." In Vincenzo Bellini. Routledge, 2009. http://dx.doi.org/10.4324/9780203888872-17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

"Select Discography." In Performing Opera. Bloomsbury Methuen Drama, 2016. http://dx.doi.org/10.5040/9781474239110.ch-011.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

"Opera Recordings and Discography." In Opera. Routledge, 2002. http://dx.doi.org/10.4324/9780203901205-21.

Full text
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography