Relevant bibliographies by topics / Operas – Scores

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Operas – Scores'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Operas – Scores"

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BELLINI, ALICE. "MUSIC AND ‘MUSIC’ IN EIGHTEENTH-CENTURY META-OPERATIC SCORES." Eighteenth Century Music 6, no. 2 (2009): 183–207. http://dx.doi.org/10.1017/s1478570609990030.

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ABSTRACT‘Meta-operas’, that is, operas portraying the world of opera and its protagonists (such as impresarios, music directors, librettists and virtuosi), became increasingly common during the eighteenth century. Most of the scholarly literature on meta-opera, however, concentrates on the operas' poetic texts, their librettos. Scholars have dealt with these operas about operas almost as though they were spoken dramas, without taking into account the many ways in which metatheatrical practices and conventions are made more complex by the presence of music.What do meta-operatic scores look like
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Wang, Ziying. "The Interaction of Media and Wagner's Ring in A Modern Perspective." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 771–75. http://dx.doi.org/10.54097/vc50ay40.

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The research comprehensively explores the profound impact of media advancements on opera, particularly focusing on Richard Wagner's Der Ring des Nibelungen. It reveals how recording technology has revolutionized opera's accessibility and experience. This transformation has democratized the art form, extending its reach beyond elite circles to a global audience. In terms of production and promotion, the study highlights how Wagner's operas have adeptly utilized evolving media forms, ranging from print to digital platforms. This approach has significantly expanded the operas' global presence, fo
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Krejčová, Kristýna, and Jana Spáčilová. "Dittersovy italské opery z Jánského Vrchu : současný stav pramenů." Musicologica Brunensia, no. 1 (2023): 47–71. http://dx.doi.org/10.5817/mb2023-1-4.

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During his stay at the castle Jánský Vrch near Javorník between 1771 and 1776, Carl Ditters von Dittersdorf composed at least twelve Italian operas for the Bishop of Wrocław, Philip Gotthard Schaffgotsch. Four of these operas were later performed in Esterházy under the direction of Joseph Haydn. Information on Ditters' operas is incomplete or erroneous in the existing literature; the purpose of this study is therefore to present the current state of the sources – libretti and scores. Most of the librettos are stored in the Department of Music History of the Moravian Museum in Brno, two librett
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Sparti, Barbara. "HERCULES DANCING IN THEBES, IN PICTURES AND MUSIC." Early Music History 26 (October 2007): 219–70. http://dx.doi.org/10.1017/s0261127907000253.

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A general assumption persists among musicologists and dance historians that dance in seventeenth-century operas was a French phenomenon, with Italians only occasionally staging a final ballo. In large part the assumption is the result of lack of information concerning dance in seventeenth-century opera, due, particularly in comparison with other periods, to limited source material and limited research. The situation is exacerbated by the fact that when Italian operas included balli at the end of one or more acts, dance indications in the librettos tended to be brief, and the dance music appear
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Smaczny, Jan. "Alfred: Dvořák's First Operatic Endeavour Surveyed." Journal of the Royal Musical Association 115, no. 1 (1990): 80–106. http://dx.doi.org/10.1093/jrma/115.1.80.

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Alfred, Dvořåk's first opera, has long hovered at the edge of our awareness of the composer. If there are signs of a growing realization that opera was to Dvořåk quite as important as other areas of his output, the detail needed to flesh out the picture of ‘Dvořåk the opera composer’ is to a large extent lacking. In the case of the composer's first six operas the inaccessibility of material has meant that an assessment of his early work in the area is still very much the province of specialist scholars. Published vocal scores exist for only three of these early operas, and none of them are in
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Corneilson, Paul, and Eugene K. Wolf. "Newly Identified Manuscripts of Operas and Related Works from Mannheim." Journal of the American Musicological Society 47, no. 2 (1994): 244–74. http://dx.doi.org/10.2307/3128879.

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Opera at the court of Elector Palatine Carl Theodor in Mannheim during the period 1742-78 attained a level of prestige fully equivalent to that of other leading courts of the day. Yet the loss of most of the performance materials in use at Mannheim has constantly hindered basic research in this area. The present article reports the existence of twenty-eight manuscripts (mainly full scores) of twenty separate operas and related secular dramatic works that were either copied at Mannheim or prepared for use there. Eight of these are revealed to have belonged to the personal collection of Count Ca
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Nedbal, Martin. "Mozart's Figaro and Don Giovanni, Operatic Canon, and National Politics in Nineteenth-Century Prague." 19th-Century Music 41, no. 3 (2018): 183–205. http://dx.doi.org/10.1525/ncm.2018.41.3.183.

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After the enormous success of Le nozze di Figaro at Prague's Nostitz Theater in 1786 and the world premiere of Don Giovanni there in 1787, Mozart's operas became canonic works in the Bohemian capital, with numerous performances every season throughout the nineteenth century. These nineteenth-century Prague Mozart productions are particularly well documented in the previously overlooked collection of theater posters from the Czech National Museum and the mid-nineteenth-century manuscript scores of Le nozze di Figaro. Much sooner than elsewhere in Europe, Prague's critics, audiences, and opera i
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Maione, Paologiovanni. "‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)*." Musicology Today 18, no. 1 (2021): 127–37. http://dx.doi.org/10.2478/muso-2021-0012.

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Abstract During the 1763–64 season, numerous intersections and connections occur behind the scenes of the principal Neapolitan opera house of Teatro di San Carlo. On the one hand, the focus on Metastasian repertoire persists without interruptions – a long and boundless tradition which will only fade towards the end of the century; on the other hand, Hasse’s world still exerts its fascination. Along with Metastasio’s Olimpiade, Issipile and Didone abbandonata, Migliavacca’s Armida was also staged. This libretto had been set to music by Traetta in 1760 for Vienna, a city which played a significa
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Rice, John A. "The Staging of Salieri’s Les Danaïdes as Seen by a Cellist in the Orchestra." Cambridge Opera Journal 26, no. 1 (2014): 65–82. http://dx.doi.org/10.1017/s0954586713000335.

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AbstractDuring the 1780s a cellist in the orchestra of the Opéra, known only as Monsieur Hivart, served the Russian Count Nicholas Sheremetev as an operatic agent, sending scores, librettos, costume designs, stage designs and other materials related to opera in Paris, and advising the count on the production of French operas in Russia. Hivart was in contact with such composers as Grétry, Sacchini and Piccinni, and the stage machinist and ballet master of the Opéra, and from his place in the orchestra he could watch their work take shape on stage. This gives his letters to Sheremetev (published
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Karwaszewska, Monika. "Krzysztof Knittel's chamber opera and Agnieszka Stulgińska's music theatre: Examples of a new syncretistic medium in contemporary Polish music." Zbornik Akademije umetnosti, no. 9 (2021): 136–54. http://dx.doi.org/10.5937/zbaku2109136k.

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This essay analyses and interprets the scores, recordings, and media used in Knittel and King's The Heart Piece - Double Opera (1999) and Stulgińska's Three Women for three women and ten instruments (2017), two semi-improvised Polish operas using performance art and interaction between sound, text, choreography, lighting, theatrical form and electronic medium. In Stuglińska's modern music theatre, the listener follows different sound sources and the setting: choreography, performers' and speakers' arrangement on stage, props and lighting, whose intensity dictates the form. The Heart Piece cham
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Dissertations / Theses on the topic "Operas – Scores"

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Patino, Julio. "Matador." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc279182/.

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Matador is an opera scored for orchestra, mixed chorus and soloists (mezzosoprano, 3 tenors, 2 baritones). The work is in one act divided into two main sections. Each of these sections is divided into subsections. The libretto is aphoristic in nature and dictates the form of each of these subsections. The division into two parts also serves as a means to evoke a sense of hopelessness of emotions in the first and a transforming disposition that culminates in a jubilant song in the second.
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Nicol, Bruce. "St. Dymphna, a chamber opera in two acts." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ28106.pdf.

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Irvin, Nat 1951. "A Voice Crying in the Wilderness: An Opera Based on the Life of John the Baptist." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc1038784/.

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Poovey, Christopher 1993. "Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157611/.

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Act one of The Metamorphosis is based on the novella by Franza Kafka of the same title. In the writing of the act, George Benjamin's Into the Little Hill and Oliver Knussen's Where the Wild Things Are provide a model of using musical material as a storytelling device. Benjamin emphasizes the parallel nature of Crimp's text through the manipulation of similar music between the acts. Knussen uses form and color to emphasize Max's childlike energy and his desire to return home. In act one of The Metamorphosis these approaches are combined to enhance Kafka's absurd narrative through a rapid collag
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Shirey, Benjamin 1985. "Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849752/.

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This paper explores various technologies available to the modern composer and utilized in recent modern opera, providing creative approaches to producing aural, visual, and theatrical performance environments. It also explores my own use of digital technology in Transient Delete. Transient Delete is a digital miniature-opera that explores different aspects of a community of post-human cyborgs. The story follows Iméra, a newly converted cyborg as she acclimates herself to this new cybernetic existence. During this process she meets several other cybernetic entities that are there to help guide
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Carson, Michael 1959. "Riders to the Sea." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277892/.

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Riders to the Sea is a chamber opera in one act of approximately 40 minutes in duration. The single act is divided into six scenes that progress without pause. The vocal parts are comprised of 2 sopranos, 1 mezzo-soprano, 1 baritone, and an off-stage chorus of men's voices (tenor I, tenor II, baritone, and bass; two per part). The orchestra will be comprised of winds (1-1-1-1-1), brass (2-2-1-1), strings (2-2-2-2-1), piano, 2 percussionists, and tape, that will be used to provide a continuous background of surf and wind sounds. Authentic Irish folk songs are threaded throughout the work, gener
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Brown, Jason Edward. "Santa Claus: : an opera in one act." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1221296.

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The musical structure of Santa Claus is similar to Alban Berg's statements about his opera Wozzeck, that the audience does not need to be aware of the underlying processes that are in motion.Seen from the highest level of stratification, Santa Claus the opera is essentially a single sonata-allegro movement. The first scene is the exposition, scenes two through four are the development, and the fifth scene the recapitulation. Also at this level can be seen the overall arch shape of the formal structure. This arch reflects not only the melodic material, but tempo, texture, and structural design.
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Gan, On C. (On Cally). "House in Heaven." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500644/.

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House in Heaven is a theatrical piece for five solo voices (one soprano, two mezzo sopranos, one baritone, and one bass), two trumpets, four French horns, one trombone, two flutes, two clarinets, two bassoons, string orchestra, vibraphone, timpani and a synthesizer which produces pipe organ sound. The composition consists of an introduction followed by a single act in three Scenes. The piece employs the cyclical device in engaging themes associated with particular characters. The texture grows from simple alternating dialogues to arias and, finally, to tutti passages in which all voices are co
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McDaniel, Jan (Pianist). "Die Opernprobe by Albert Lortzing: a Critical Edition." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc503969/.

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The purpose of the present edition of Albert Lortzing's Die Opernprobe is to restore and clarify the composer's original intentions, which were often obscured or altered by the first published version, which appeared in 1899. This thesis is divided into two parts. Part One contains an introduction which discusses Lortzing's place in the history of German opera, the details surrounding the composition of Die Opernprobe, the musical and dramatic structure of the opera, and the sources used in the preparation of this edition. Part Two consists of a critical edition of the orchestral score, with t
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Cooper, Steve 1951 Dec 4. "I, Blavatsky: A One-Act Opera." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc331702/.

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I, Blavatsky is a one-act opera based on the life of Helena Petrovna Blavatsky, a nineteenth-century Russian princess and co-founder of a religious organization called the Theosophical Society. The libretto, by the composer, involves a cast of three principal soloists and minor roles for six more singers who are also participants in a small chorus. The text format features free verse alternating with regular, rhymed strophes. Accompaniment is provided by a piano. Melodic structure combines some nineteenth-century Romantic idioms with twentieth-century style. Most of the melodic and harmonic ma
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Books on the topic "Operas – Scores"

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Giuseppe, Verdi. Il trovatore: Dramma in 4 parti. Gremese Editore, 1988.

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Giuseppe, Verdi. Il Trovatore: Dramma in four parts by Salvadore Cammarano. University of Chicago Press, 1993.

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Giuseppe, Verdi. Il Trovatore: Dramma in four parts by Salvadore Cammarano. University of Chicago Press, 1993.

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Giordano, Umberto. Andrea Chénier. Dover Publications, 2013.

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Giuseppe, Verdi. Rigoletto: Melodramma in tre atti. Ricordi, 1990.

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Giuseppe, Verdi. Rigoletto: Melodramma in tre atti. Bonacci, 1995.

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Giuseppe, Verdi. Un ballo in maschera. Dover, 1996.

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Wagner, Richard. Das Rheingold =: L'oro del Reno : vigilia dell'Anello del Nibelungo in un atto. Teatro Regio, 2001.

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Puccini, Giacomo. Manon Lescaut: Drame lyrique en quatre actes. Actes Sud, 1998.

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Giuseppe, Verdi. Rigoletto: Textbuch (Italienisch - Deutsch). 2nd ed. Schott, 1986.

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Book chapters on the topic "Operas – Scores"

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Montgomery, Alan. "Knowing the Score." In Opera Coaching. Routledge, 2019. http://dx.doi.org/10.4324/9780367809676-3.

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Porter, Susan L. "Musical Score." In British Opera in America. Routledge, 2023. http://dx.doi.org/10.4324/9781315048567-7.

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Porter, Susan L. "Musical score." In British Opera in America. Routledge, 2023. http://dx.doi.org/10.4324/9781315048567-3.

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Sénécaut, Nicolas, Pierre Poulain, Laurent Lignières, et al. "Quantitative Proteomics in Yeast: From bSLIM and Proteome Discoverer Outputs to Graphical Assessment of the Significance of Protein Quantification Scores." In Methods in Molecular Biology. Springer US, 2022. http://dx.doi.org/10.1007/978-1-0716-2257-5_16.

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AbstractSimple light isotope metabolic labeling (bSLIM) is an innovative method to accurately quantify differences in protein abundance at the proteome level in standard bottom-up experiments. The quantification process requires computation of the ratio of intensity of several isotopologs in the isotopic cluster of every identified peptide. Thus, appropriate bioinformatic workflows are required to extract the signals from the instrument files and calculate the required ratio to infer peptide/protein abundance. In a previous study (Sénécaut et al., J Proteome Res 20:1476–1487, 2021), we developed original open-source workflows based on OpenMS nodes implemented in a KNIME working environment. Here, we extend the use of the bSLIM labeling strategy in quantitative proteomics by presenting an alternative procedure to extract isotopolog intensities and process them by taking advantage of new functionalities integrated into the Minora node of Proteome Discoverer 2.4 software. We also present a graphical strategy to evaluate the statistical robustness of protein quantification scores and calculate the associated false discovery rates (FDR). We validated these approaches in a case study in which we compared the differences between the proteomes of two closely related yeast strains.
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Rosand, Ellen. "Two Scores." In Monteverdi's Last Operas. University of California Press, 2007. http://dx.doi.org/10.1525/california/9780520249349.003.0004.

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"4. Two Scores." In Monteverdi's Last Operas: A Venetian Trilogy. University of California Press, 2008. http://dx.doi.org/10.1525/9780520933279-010.

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Larue, C. Steven. "A General Description of the Sources." In Handel and his Singers. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198163152.003.0002.

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Abstract The primary Handel sources required for this study have been broken down into three main categories: (1) the composer’s autograph manuscripts, which include complete works, fragments, and sketches; (2) manuscript copies, which include conducting scores and other eighteenth century copies; (3) printed sources, which include the printed librettos that served as models for Handel’s opera librettos, the printed librettos sold at the first performances of Handel’s operas, and the first editions of Handel’s published scores.
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Cohen, Judah. "Composing the Jew’s Soundscape in Operatic Versions of The Merchant of Venice." In Studi e ricerche. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-503-2/010.

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Opera composers adapting The Merchant of Venice have given Shylock a distinctive sound using musical techniques that mark him as a classic outsider. Drawing on the scores of ten of these operas this essay highlights five compositional strategies for characterizing Shylock. Separately, these strategies highlight subtle shifts in the portrayal of Jews across different eras and localities. Together, they point to a deeper portrayal of Jews as figures who live on the margins of European tonality. Shylock in these operas projects an ambiguous social status and lack of alignment with the more consonant world of the other characters.
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Link, Nathan. "Time." In A Poetics of Handel's Operas. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197651346.003.0003.

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Abstract Theories of narrative devote much attention to temporal structures, distinguishing between the “time of the thing told” and the “time of the telling.” Chapter 2 investigates the temporal elements of order, duration, and frequency in Handel’s operas, investigating especially the relationship between “clock-time” (the time that passes in the opera house during performance), and “story-time” (the time span represented as passing in the story-world of an opera), illustrating how radically time-structures in opera diverge from those familiar to us in spoken drama. In the process, the chapter shows that the standard description of temporal “jerks and pauses” between recitative and aria is often inaccurate, considering certain instances in which at least some time can clearly be shown to have elapsed during an aria, and others in which the passing of clock- and story-time seems to be nearly equivalent, analyzing both Handel’s scores and modern productions of his operas.
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Stone, Desmond. "Adventures in Opera and Film." In Alec Wilder in Spite of Himself. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195096002.003.0009.

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Abstract As if further to confound and confuse the critics, and to defy the fixing of labels, Wilder in the 1950s tried his hand at a variety of musical forms. Like a pitcher mixing fast balls and curves, he kept the establishment guessing. In addition to popular and art songs, for there would always be songs even at a slower rate, and in addition to pieces for children and the first of an increasing number of serious instrumental compositions, he also experimented with short operas and film scores. Roughly within the span of the decade, he would write five operas (if Kittiwake Island is included in the category), four of them with Arnold Sundgaard and one with William Engvick. He would also work on four film scores, three of them in association with Jerome Hill, and one in collaboration with Engvick.
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Conference papers on the topic "Operas – Scores"

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Naito, Maho. "Die Parallelität der Entstehungsprozesse der ersten beiden Symphonien Gustav Mahlers: Instrumentation, Revision und Dirigierpraxis." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.65.

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As is well known, Gustav Mahler made many revisions to his First and Second Symphony after the completion of the autographs on the occasion of performances. This study focuses on these two symphonies in order to clarify his revising processes and features of revisions by deep analysis and by analysing and comparing of the autographs, the copies and the published scores with Mahler’s own handwritten annotations. In addition, the circumstances of Hamburg State Opera (Hamburger Stadttheater) also come up for discussion. There, Mahler conducted a lot of operas and orchestral works during the time
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Pinheiro, Hector N. B., Tsang Ing Ren, and George D. da C. Cavalcanti. "Verificação de Locutores Independente de Texto: uma Análise de Robustez a Ruído." In XXIX Concurso de Teses e Dissertações da SBC. Sociedade Brasileira de Computação - SBC, 2020. http://dx.doi.org/10.5753/ctd.2016.9134.

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Este trabalho foca no desenvolvimento de sistemas de verificação de locutores independente de texto, cujo principal desafio provém das chamadas incompatibilidades que podem ocorrer na aquisição dos sinais de voz. As técnicas propostas para suavizá-las são chamadas de técnicas de compensação e três são os domínios onde elas podem operar: no processo de extração de características do sinal, na construção dos modelos dos locutores e no cálculo do score final do sistema, utilizado na autenticação. Esse trabalho apresenta uma vasta revisãao da literatura do desenvolvimento de sistemas de verificaçã
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Kessler, Christoph. "Global optimization of operand transfer fusion in heterogeneous computing." In SCOPES '19: 22nd International Workshop on Software and Compilers for Embedded Systems. ACM, 2019. http://dx.doi.org/10.1145/3323439.3323981.

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Aleksandrova, Vasilisa. "The Stage Performance Project of B. V. Asafyev’s Orchestral Score for M. P. Mussorgsky’s Opera Khovanshchina." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.058.

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Camacho, Giovanna, Matthew Bolton, Joseph Loggi, Kallia Smith, and Emmett Rice. "To Shoot or Not to Shoot? Human, Robot, & Automated Voice Directive Compliance with Target Acquisition & Engagement." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003948.

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The Army’s Optionally Manned Fighter Vehicle (OMFV) program seeks to, “...operate with no more than two crewmen”(Congressional Research Service, 2021), but currently uses four individuals: driver, gunner, commander, and ammo handler. This study sought to investigate how automated teammates affects warfighters within the tank. To achieve our research objective, we performed a human subjects’ study under IRB ID 5734, from the University of Virginia. This experiment was a mixed measures design as all participants were tasked to take directives from three entities, but half of the participants wer
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Harshavardhan, Telugu, Nalmas Vasisht, Mukka Praneeth, Namani Deepika, Shanmugasundaram Hariharan, and Vinay Kukreja. "Web Application for Identifying Emerging Trends and Technologies using Scopus and OpenAI APIs." In 2024 International Conference on Advances in Data Engineering and Intelligent Computing Systems (ADICS). IEEE, 2024. http://dx.doi.org/10.1109/adics58448.2024.10533192.

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Yoshida, Haruka, Taiki Ikeda, Taro Kanno, et al. "An Experimental Approach to Measuring Resilience Potential: Interactions in a Breakfast Cooking Task." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004864.

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Industrial systems that form the basis of our daily lives, such as railroads, medicine, and aviation, function as socio-technical systems with complex and large-scale characteristics. As a methodology for the safe operation of such systems, measures to enhance "resilience potential," the ability to flexibly respond to changes in circumstances, such as unexpected behavior or unknown events, are attracting attention. Through an experimental approach, this study aims to clarify what strategies and cognitive factors cause differences in performance among operators and how these differences relate
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Noever, David, and Matt Ciolino. "Professional Certification Benchmark Dataset: The First 500 Jobs for Large Language Models." In 8th International Conference on Software Engineering. Academy & Industry Research Collaboration, 2023. http://dx.doi.org/10.5121/csit.2023.131211.

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The research creates a professional certification survey to test large language models and evaluate their employable skills. It compares the performance of two AI models, GPT-3 and Turbo-GPT3.5, on a benchmark dataset of 1149 professional certifications, emphasizing vocational readiness rather than academic performance. GPT-3 achieved a passing score (>70% correct) in 39% of the professional certifications without fine-tuning or exam preparation. The models demonstrated qualifications in various computer-related fields, such as cloud and virtualization, business analytics, cybersecurity, ne
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Hu, Pengbo, Xingyu Li, and Yi Zhou. "SHAPE: An Unified Approach to Evaluate the Contribution and Cooperation of Individual Modalities." In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/425.

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As deep learning advances, there is an ever-growing demand for models capable of synthesizing information from multi-modal resources to address the complex tasks raised from real-life applications. Recently, many large multi-modal datasets have been collected, on which researchers actively explore different methods of fusing multi-modal information. However, little attention has been paid to quantifying the contribution of different modalities within the proposed models. In this paper, we propose the SHapley vAlue-based PErceptual (SHAPE) scores that measure the marginal contribution of indivi
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Pecush, Adam, Mark McTavish, and Brian Ellestad. "Inspection and Prioritization Methods for Small Diameter Auxiliary Piping." In 2014 10th International Pipeline Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/ipc2014-33593.

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To serve the pumping and storage needs of its customers; Enbridge operates more than 25 terminals and 150 pump stations across North America. In each of these facilities, small diameter (NPS 6 and smaller) piping is used in auxiliary systems including instrumentation, measurement, and product re-injection. Traditionally, in the design of facilities, this small piping has received less attention than large diameter process lines and, during construction, has typically been field run based on standard installation details. This, in conjunction with 65 years of changing design and construction ph
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Reports on the topic "Operas – Scores"

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Carrion-Tavarez, Angel. Doing Business North America 2022 Report. Center for the Study of Economic Liberty at Arizona State University, 2023. http://dx.doi.org/10.53095/13583003.

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Doing Business North America 2022 Report is a study that provides objective measures of business regulations in the United States of America. This years’ edition covers 83 cities in all 50 states, Washington, D.C., and Puerto Rico. The largest city from each state is included and, in the case of especially large U.S. states, up to five cities have been included. There are six categories in which the cities were scored and ranked: “Starting a Business,” “Employing Workers,” “Getting Electricity,” “Paying Taxes,” “Land and Space Use,” and “Resolving Insolvency.” Comprised of over 7,700 datapoint
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Chong, Alberto E., Virgilio Galdo, and Máximo Torero. Does Privatization Deliver?: Access to Telephone Services and Household Income in Poor Rural Areas Using a Quasi-Natural Experiment in Peru. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0010963.

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This paper takes advantage of a quasi-natural experiment in Peru by which the privatized telecommunications company was required by government to randomly install and operate public pay phones in small rural towns throughout the national territory. Using a specially designed household survey for a representative sample of rural towns, it is possible to link access to telephone services with household income. It was found that, regardless of the income measurement, most characteristics of public telephone usage are positively linked with income. Remarkably, the benefits occur at both non-farm a
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Nagahi, Morteza, Raed Jaradat, Safae El Amrani, Michael Hamilton, and Simon Goerger. Holistic and reductionist thinker : a comparison study based on individuals’ skillset and personality types. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/40746.

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As organizations operate in turbulent and complex environments, it has become a necessity to assess the systems thinking (ST) skills, personality types (PTs), and demographics of practitioners. In this study, we investigated the relationship between practitioners’ ST profile, their PTs profiles and demographic characteristics in the domain of complex system problems. The objective of this study is to address the current gap in the literature – lack of studies dedicated to predicting practitioners’ ST profile based on their PTs and demographics characteristics. A total of 258 practitioners with
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Alt, Jonathan, Willie Brown, George Gallarno, and John Richards. Risk-based prioritization of operational condition assessments : stakeholder analysis and literature review. Engineer Research and Development Center (U.S.), 2021. http://dx.doi.org/10.21079/11681/40162.

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The US Army Corps of Engineers (USACE) operates, maintains, and manages more than $232 billion worth of the Nation’s water resource infrastructure. Using the Operational Condition Assessment (OCA) system, the USACE allocates limited resources to assess conditions and maintain assets in efforts to minimize risks associated with asset performance degradation. Currently, OCAs are conducted on each component within a facility every 5 years, regardless of the component’s risk contribution. The analysis of risks associated with Flood Risk Management (FRM) facilities, such as dams, includes consideri
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Alt, Jonathan, Willie Brown, George Gallarno, John Richards, Jennifer Olszewski, and Titus Rice. Risk-based prioritization of operational condition assessments : methodology and case study results. Engineer Research and Development Center (U.S.), 2022. http://dx.doi.org/10.21079/11681/46123.

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USACE operates, maintains, and manages more than $232 billion of the Nation’s water resource infrastructure. USACE uses the Operational Condition Assessment (OCA) to allocate limited resources to assess condition of this infrastructure in efforts to minimize risks associated with performance degradation. The analysis of risk associated with flood risk management (FRM) assets includes consideration of how each asset contributes to its associated FRM watershed system, understanding the consequences of the asset’s performance degradation, and a determination of the likelihood that the asset will
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Alt, Jonathan, Willie Brown, George Gallarno, John Richards, and Titus Rice. Risk-based prioritization of operational condition assessments : Jennings Randolph case study. Engineer Research and Development Center (U.S.), 2022. http://dx.doi.org/10.21079/11681/43862.

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The US Army Corps of Engineers (USACE) operates, maintains, and manages over $232 billion worth of the Nation’s water resource infrastructure. Using Operational Condition Assessments (OCA), the USACE allocates limited resources to assess asset condition in efforts to minimize risks associated with asset performance degradation, but decision makers require a greater understanding of those risks. The analysis of risk associated with Flood Risk Management assets in the context of its associated watershed system includes understanding the consequences of the asset’s failure and a determination of
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Rigby, Dan, Michael Burton, Katherine Payne, Zachary Payne-Thompson, Stuart Wright, and Sarah O’Brien. Impacts of Food Hypersensitivities on Quality of Life in the UK and Willingness to Pay (WTP) to remove those impacts. Food Standards Agency, 2022. http://dx.doi.org/10.46756/sci.fsa.kij502.

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This project concerns the impacts of food hypersensitivity on people’s quality of life and the monetary value people assign to the removal of those impacts. Food hypersensitivities (FHS) are, in this report, defined as comprising food allergy, coeliac disease and food intolerance. Estimates of the economic value of removal of food hypersensitivity were generated from a stated preference (SP) survey in which people completed a discrete choice experiment (DCE). The DCE comprised of choices between (i) no change in respondents’ food hypersensitivity and (ii) the condition being removed for a spec
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Bolton, Laura. Armed Groups and Mining. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.137.

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The relationship between armed groups and mining is complex. Reports of armed interference in mining are provided by the United Nations (UN) Group of Experts on the Democratic Republic of Congo (DRC) and reported in the literature, including which groups have been found to operate in which areas. Academic analysis finds the presence of industrial mining companies reinforces the power of politico-military entrepreneurs. This rapid review found a relatively large body of literature on the issue of armed groups and mining. Articles are a mix of academic literature and agency report prioritised ba
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Zhou, Jiayi, Fei Su, and Jingdong Yuan. Treading Lightly: China’s Footprint in a Taliban-led Afghanistan. Stockholm International Peace Research Institute, 2022. http://dx.doi.org/10.55163/ovbo3684.

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This SIPRI Insights Paper provides a preliminary assessment of China’s attitudes to and policies on Afghanistan since the August 2021 Taliban takeover. It examines the scope of China’s security, economic and humanitarian interests, and the depth of its engagement so far. It finds that China’s footprint has been minimal not only due to China’s non-interference policy but also to a range of broader challenges: the militant extremist groups that continue to operate on Afghan soil, the risks of investing in a country where the government remains unrecognized by any member of the international comm
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Mshelia, Arhyel. Prevalence, risk factors, and antimicrobial resistance of Streptococcus suis and Campylobacter species in pigs: a systematic review. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2023. http://dx.doi.org/10.37766/inplasy2023.3.0053.

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Review question / Objective: What are the global prevalence, risk factors, and antimicrobial resistance of Streptococcus suis and Campylobacter species in pigs? /To determine the occurrence, associated factors, and antimicrobial resistance of the isolates of Streptococcus suis and Campylobacter species of Pigs worldwide. Information sources: The intended information sources are 20 electronic databases: MEDLINE® - (Mesh, Ovid Medline, Ovid PsycINFO, PubMed), Scopus®, ProQuest®, Google Scholar®, Web of Science® (ISI), EBSCO®, SciELO®, Wiley®, Compendex® - Engineering Village, Emerald®, Embase® -
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