Relevant bibliographies by topics / Operate criticism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Operate criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Operate criticism"

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Neill, Sarah J., and Imelda Coyne. "The Role of Felt or Enacted Criticism in Parents’ Decision Making in Differing Contexts and Communities: Toward a Formal Grounded Theory." Journal of Family Nursing 24, no. 3 (2018): 443–69. http://dx.doi.org/10.1177/1074840718783488.

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Felt or enacted criticism was identified as a significant influence on White British parents’ decision making during acute childhood illness in a substantive grounded theory “Containing acute childhood illness within family life.” These parents sought to avoid further criticism, sometimes leading to delayed consultation. Using Glaserian grounded theory principles, we conducted a secondary analysis of data from three studies, to establish the transferability and modifiability of the original theory to other settings and communities in Ireland and England. Felt or enacted criticism was found to
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Fox, Kathryn R., Kaitlyn E. Toole, Joseph C. Franklin, and Jill M. Hooley. "Why Does Nonsuicidal Self-Injury Improve Mood? A Preliminary Test of Three Hypotheses." Clinical Psychological Science 5, no. 1 (2016): 111–21. http://dx.doi.org/10.1177/2167702616662270.

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People who engage in nonsuicidal self-injury (NSSI) often state that it helps them feel better. We tested three hypotheses through which this mood modification might occur. Following a negative mood induction, adults reporting past year NSSI were randomized into a control (i.e., sitting alone quietly), mild distraction, or pain condition. All participants completed mood ratings at regular intervals. No mood repair occurred in the control condition. However, distraction improved mood both during and after the activity. Participants who self-administered pain reported no overall mood change, sug
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Ghosh, Ritwik. "Marxism and Latin American Literature." SMART MOVES JOURNAL IJELLH 8, no. 4 (2020): 208. http://dx.doi.org/10.24113/ijellh.v8i4.10539.

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In the aftermath of the collapse of the U.S.S.R Marxism remains a viable and flourishing tradition of literary and cultural criticism. Marx believed economic and social forces shape human consciousness, and that the internal contradictions in capitalism would lead to its demise.[i] Marxist analyses can show how class interests operate through cultural forms.[ii] Marxist interpretations of cultural life have been done by critics such as C.L.R James and Raymond Williams.[iii]
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Herman, Edward S. "The Propaganda Model Revisited." Monthly Review 69, no. 8 (2018): 42. http://dx.doi.org/10.14452/mr-069-08-2018-01_4.

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In Manufacturing Consent (1988), Noam Chomsky and I put forward a "propaganda model" as a framework for understanding how and why the mainstream U.S. media operate within restricted assumptions, depend uncritically on elite sources, and participate in propaganda campaigns helpful to elite interests. In this article I describe the model, address some of the criticism leveled against it, and discuss how it holds up today.Click here to purchase a PDF version of this article at the Monthly Review website.
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Petkov, Stefan. "The Role Of Truth In Explanatory Understanding." Balkan Journal of Philosophy 12, no. 2 (2020): 87–98. http://dx.doi.org/10.5840/bjp202012211.

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This paper discusses the polemical question of whether explanations that produce understanding must be true. It argues positively for the role of truth in reaching explanatory understanding, by presenting three lines of criticism of alternative accounts. The first is that by rejecting truth as a criterion for evaluating explanations, any non-factual account thereby effectively cuts ties with the central theories of explanations, which provide at least partial criteria for explanatory understanding. The second line of criticism is that some of the most well-known non-factual accounts implicitly
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Hess, Scott. "The Romantic Work of Genius: Author, Nature, Nation, and the “Genial Criticism” of Samuel Taylor Coleridge." Modern Language Quarterly 80, no. 3 (2019): 287–310. http://dx.doi.org/10.1215/00267929-7569624.

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Abstract This essay explores how genius in the nineteenth century simultaneously constituted both individual and collective national identity, helping to produce new forms of liberal democratic nationalist culture. It offers a Latourian interpretation of genius in terms of the kind of social work and connections that the term enabled. Genius became associated in the late eighteenth and early nineteenth centuries with author, nature, and nation in ways that grounded new models of literature and identity in the supposedly transcendental truth of nature and in specific landscapes as “sites of mem
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Slobodin, Ortal. "Between the eye and the gaze: Maternal shame in the novel We Need to Talk about Kevin." Feminism & Psychology 29, no. 2 (2018): 214–30. http://dx.doi.org/10.1177/0959353518783785.

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This paper seeks to understand the social power of maternal shame, using a framework that integrates feminist criticism of contemporary motherhood ideologies with philosophical theories that discuss shame in the broader context of visual perception. By using Lionel Shriver’s (2005) novel We Need to Talk about Kevin, the paper illustrates how shame operates in the interplay between the socio-cultural, gendered ideals of motherhood and mothers’ representations of these ideals. Specifically, the paper suggests that today’s mothers operate under a social gaze that expects them to meet the cultural
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Beaumont, Elizabeth. "Gender Justice v. The “Invisible Hand” of Gender Bias in Law and Society." Hypatia 31, no. 3 (2016): 668–86. http://dx.doi.org/10.1111/hypa.12260.

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How does so much gender inequality endure in an era when many laws and policies endorse principles of gender equality? This essay examines this dilemma by considering Susan Moller Okin's criticism of “false gender neutrality,” research on implicit bias, and the shifting relation of gender bias to American law. I argue that these are crucial elements of the modern cycle of gender inequality, enabling it to operate through a perverse “invisible‐hand” mechanism. This framework helps convey how underlying gender bias influences individual behaviors that generate, legitimate, and mask broad pattern
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Martinicorena, Sofía. "The Ideology of Self-making and the White Working Class in Rebecca Harding Davis’ "Life in the Iron Mills"." REDEN. Revista Española de Estudios Norteamericanos 2, no. 1 (2020): 59–68. http://dx.doi.org/10.37536/reden.2020.2.1383.

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Rebecca Harding Davis’ novella Life in the Iron Mills, published in 1861 in The Atlantic Monthly, is now considered a landmark of early American realism. This paper analyses the text’s depiction of the white working class and the ideological consequences of the myth of upward mobility and self-making, which are presented as an impossibility to Hugh Wolfe, the story’s main character. I will argue that Davis’ choice to offer a representation of the precarious lives of the workers of Northern industrial capitalism implies a criticism of the quintessentially American narrative of upward mobility,
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Dewi, Novita. "Postcolonial Hermeneutics: Concepts and Contribution to Understanding Socio-Religious Problems in Southeast Asia." IKAT : The Indonesian Journal of Southeast Asian Studies 2, no. 1 (2018): 47. http://dx.doi.org/10.22146/ikat.v2i1.37392.

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Scrutiny of unequal power-relations between the “East” and the “West” in politics, culture, economy, and various aspects of life is the concern of postcolonial studies. Foucault's concept of power is central in postcolonial theory with which Edward Said is celebrated for his dismantling of Orientalist views. Postcolonial literature, likewise, has contributed to the growth and development of postcolonial criticism. The first objective of this article is to give a brief overview of different terms attached to the word “postcolonial”, i.e. postcolonial literary criticism, postcolonial literature
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Dissertations / Theses on the topic "Operate criticism"

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Chavardès, Benjamin. "Paolo Portoghesi et la voie post-moderne : le débat architectural dans l’Italie de la seconde moitié du XXe siècle." Thesis, Montpellier 3, 2014. http://www.theses.fr/2014MON30100.

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A la chute du régime fasciste, l'Italie entre dans une reconstruction matérielle mais également idéologique et culturelle. En architecture, cette entreprise se traduit par des débats sur le lien à la tradition, le dialogue entre histoire et pratique du projet architectural et sur le rapport renouvellé entre l'édifice et la ville. Dans ce contexte, le post-modernisme trouve, à l'occasion de la première Biennale d'architecture de Venise, le territoire propice à son expression. Ce renouvellement intellectuel de la discipline est analysé à travers une trajectoire particulière : celle de Paolo Port
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Herrig, Robert Arthur. "Opera reviews as theatrical criticism /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487260531955269.

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Brezler, Tyler. "Criticism of Italian opera in early 18th century England." Thesis, Boston University, 2002. https://hdl.handle.net/2144/27605.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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林鳳珊 and Fung-shan Lam. "A study of Cantonese opera scripts of the 1920s and1930s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31215452.

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Wang, Hsiao-Mei 1959. "The Characterization of Sheng and Dan Roles in Chinese Opera." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc500885/.

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This study sought to discover the principles of characterization governing the Sheng and the Dan roles in the Chinese opera. Seven Dan role divisions and three Sheng role divisions were studied. It was discovered that throughout its long history the Chinese opera had adhered to its original singing and dancing styles; that the creative activities involved in the opera's staging were subordinated to singing and dancing styles; that the actors in the Chinese opera perform only one role category in their career; that years of rigid training were required before the actors were allowed to perform
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Tse, Hue-ying, and 謝曉瑩. "The inheritance of modern Cantonese opera from traditional Chinese opera." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43085878.

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Kupšytė, Agnė. "Johanno Wolfgango von Goethe's „Faustas“ ir Charles‘io Gounod „Faustas“." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130805_095409-52293.

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De, Montigny Michelle C. (Michelle Chantal). "Pleasure, popularity and the soap opera." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56928.

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This thesis uses the concept of pleasure as it has been applied to cultural artefacts in order to give a description of various characteristics of the soap opera genre. The concept of pleasure is applied to soap opera narrative, characters, visual style and viewing attitudes. Three soap operas, The Young and the Restless, General Hospital, and Another World, are described in detail according to these various types of pleasures. The Young and the Restless is a soap that relies largely on visual pleasures and melodrama. General Hospital's strongest pleasures are related to its character developm
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Mark, Amanda. "Soap opera subculture : emotional realism and empathic identification." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56790.

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Popular feminine narratives, domestic, emotion-based texts through which communities of women have traditionally practiced feminine discourse, have been marginalised by dominant masculine cultures throughout their long history. This continues in the postmodern era, in which the culturally dominant postmodern aesthetic has declared the death of the social, narrative and affect, all intrinsic to the popular feminine narrative. Nevertheless, these narratives persevere in such forms as the daytime television soap opera. Using a reader-oriented model, American soap operas are discussed as a site fo
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Law, Ho-chak, and 羅浩澤. "Kun opera: a study of its notations and instrumental sonority." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46427740.

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Books on the topic "Operate criticism"

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Janáček, Pavel. Literární brak: Operace vyloučení, operace nahrazení 1938-1951. Host, 2004.

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Zipes, Jack David. The operated Jew: Two tales of anti-semitism. Routledge, 1991.

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Engaging Haydn: Culture, context, and criticism. Cambridge University Press, 2012.

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Huju: Traditional opera in modern Shanghai. Published for the British Academy by Oxford University Press, 2003.

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Kaczyński, Bogusław. Ucieczki do Karyntii: Rzecz o Albanie Bergu i jego operach. Wydawnictwa Radia i Telewizji, 1987.

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Puchalski, Lucjan. Oświecenie po austriacku: Świat przedstawiony w operach Wolfganga Amadeusza Mozarta. Wydawn. Uniw. Wrocławskiego, 2011.

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ebrary, Inc. Puccini's The girl of the golden West. Opera Journeys Publishing, 2005.

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Frank, Annette. Zwischen Bürgerhaus, Thron und Altar: Die multimediale Konstruktion des Individuums in seiner Spannung zu Familie, Staat und den religiösen Repräsentanten in den Opern Giuseppe Verdis. Drei Eidechsen, 2002.

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Frühe Verdi-Motivik: Charakterisierungsmethoden in den frühen Opern (von Oberto bis Rigoletto). LIT, 2006.

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Eine Oper der Dichter: Studien zum deutschen Opernlibretto um 1800. Müller-Speiser, 2010.

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Book chapters on the topic "Operate criticism"

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Nunes, Jorge. "Operative criticism and historical criticism in Manfredo Tafuri." In Tradition and Innovation. CRC Press, 2021. http://dx.doi.org/10.1201/9780429297786-5.

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Durmuş, Elif. "How Human Rights Cross-Pollinate and Take Root: Local Governments and Refugees in Turkey." In Myth or Lived Reality. T.M.C. Asser Press, 2021. http://dx.doi.org/10.1007/978-94-6265-447-1_6.

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AbstractThe human rights regime—as law, institutions and practice—has been facing criticism for decades regarding its effectiveness, particularly in terms of unsatisfactory overall implementation and the failure to protect the most vulnerable who do not enjoy the protection of their States: refugees. Turkey is the country hosting the largest refugee population, with around four million at the end of May 2020 (https://www.unhcr.org/tr/wp-content/uploads/sites/14/2020/06/UNHCR-Turkey-Operational-Update-May-2020.pdf). As an administratively centralised country, Turkey’s migration policy is implemented by central government agencies, but this has not proved sufficient to guarantee the human rights of refugees on the ground. Meanwhile, in connection with urbanisation, decentralisation and globalisation, local governments around the world are receiving increasing attention from migration studies, political science, law, sociology and anthropology. In human rights scholarship, the localisation of human rights and the potential role of local governments have been presented as ways to counter the shortcomings in the effectiveness of the human rights regime and discourse. While local governments may have much untapped potential, a thorough analysis of the inequalities between local governments in terms of access to resources and opportunities is essential. The Turkish local governments which form the basis of this research, operate in a context of legal ambiguity concerning their competences and obligations in the area of migration. They also have to deal with large differences when it comes to resources and workload. In practice, therefore, there is extreme divergence amongst municipalities in the extent to which they engage with refugee policies. This chapter seeks to answer the question why and how certain local governments in Turkey come to proactively engage in policy-making that improves the realisation of refugees’ rights. Exploratory grounded field research among Turkish local governments reveals four main factors that enable and facilitate the engagement of local governments in refugee policies: (1) the capacity of and institutionalisation in local governments; (2) the dissemination of practices and norms surrounding good local migration and rights-based governance through networks; (3) the availability of cooperation and coordination with other actors in the field, and (4) political will. Collectively, these factors illustrate how a new norm—the norm that local governments can and ought to engage in policy-making improving the rights of refugees—is cross-pollinating and taking root among Turkish local governments. This understanding will provide valuable insights into how norms are developed, travel and are institutionalised within social and institutional networks, and how differences in access, capacity, political and cooperative opportunities may facilitate and obscure the path to policies improving human rights on the ground.
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Wells, Adam Y. "Biblical Criticism and the Phenomenology of Scripture." In Phenomenologies of Scripture. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823275557.003.0001.

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This introductory chapter has three aims. First, it summarizes the phenomenological method. Second, it explores the way that various assumptions about the epistemic priority of the natural sciences operate in modern biblical criticism. Third, it summarizes the essays included in the volume.
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Baldwin, Thomas. "Introduction." In Roland Barthes: The Proust Variations. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620016.003.0001.

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The starting point for the book is a series of metaphors used by Barthes at a round table discussion on Proust in 1972. He suggests, for example, that À la recherche is comparable to Beethoven’s Diabelli Variations insofar as it is made of ‘variations without a theme’, and he observes that a novel constructed in this way requires readers and critics to ‘rewrite’ and to ‘operate variations’ on the literary work rather than to interpret it. By unpacking these (and other) figures and connecting them to others that appear in Barthes’s (and Proust’s) writing, the remaining chapters of the book provide answers to the following questions: Are the variations in Proust’s novel indeed themeless? What is it that makes Proust’s writing, for Barthes or generally, both endlessly seductive, productive and unamenable to more conventional, hermeneutical forms of criticism? What does Barthes do with À la recherche, and how, in his approach, is Barthes different from other critics who have written about Proust? What possibilities do Barthes’s Proust variations open up for the future of criticism more generally?
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"Critics and Criticism 95." In Opera. Routledge, 2002. http://dx.doi.org/10.4324/9780203901205-20.

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Oropeza, Lorena. "The Patriarch." In The King of Adobe. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469653297.003.0005.

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As a grown woman, Rose Tijerina accused her father, Reies López Tijerina, the founder of the Alianza Federal de Mercedes, a land-rights organization in New Mexico, of sexual molestation when she was a teen-ager. Her father vigorously denied the accusation. Nevertheless, oral histories with family members as well as archival documents show that Tijerina did demonstrate a patriarchal and controlling nature that demanded compliance. Disobedience courted physical abuse. Because she believed in the land-grant cause, Mary Escobar, his first wife, continued to operate as the Alianza’s secretary for several months even after the pair divorced. Then Rose, also eager to contribute to justice, took over that position. Unfortunately for all, Reies López Tijerina operated the Alianza akin to how he ran his family, with power concentrated in his hands and no tolerance for criticism.
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Bielby, Denise D. "Soap Opera Critics and Criticism." In The Survival of Soap Opera. University Press of Mississippi, 2010. http://dx.doi.org/10.14325/mississippi/9781604737165.003.0029.

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Wodziński, Marcin. "The Development of Anti-Hasidic Criticism among the Maskilim of the Congress Kingdom, 1815–1830." In Haskalah and Hasidism in the Kingdom of Poland, translated by Sarah Cozens and Agnieszka Mirowska. Liverpool University Press, 2005. http://dx.doi.org/10.3828/liverpool/9781904113089.003.0004.

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This chapter traces the development of anti-hasidic criticism among the maskilim of the Congress Kingdom. From 1815, the ‘Jewish question’ was one of the main topics of public debate, preoccupying writers and statesmen throughout the whole constitutional period (1815–30) of the Kingdom of Poland. The state's most prominent politicians, such as Julian Ursyn Niemcewicz, voiced their opinions on the status of the Jewish community and its reform. Representatives of the Jewish community also participated in the great debate, which lasted from 1818 to 1822. Moreover, other Polish maskilim were involved in a variety of activities aimed at ‘civilizing’ the Jewish people, such as attempting to establish new communal institutions representing Enlightenment values, or sending reports and memoranda to the state authorities. The most active of these maskilim included Antoni Eisenbaum, Jakub Tugendhold, Ezechiel Hoge, and Abraham Stern. The hasidic issue is either completely absent from their views, or features marginally. Only one Polish maskil, Abraham Stern, gave it prominence in his public activities. The chapter also looks at two reports written for the Voivodeship Commission in Kalisz in 1820, which provide an example of a reticent attitude towards hasidism. The Kalisz voivodeship authorities availed themselves of the services and opinions of Jewish modernizing circles, and invited them to co-operate with them in their attempts to ‘civilize’ the Jewish population.
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Valecce, Anastasia. "(In)Visible Cuba(s)." In Digital Humanities in Latin America. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401476.003.0005.

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The access to the internet in Cuba marks the beginning of a change and it brings new ways to debate on the socialist ideology reformulating the strategies to operate, dialogue, and accept any form of criticism. This chapter explores the role of the internet in Cuba from the perspective of the conflict in the virtual space and how it reshapes the Cuban revolutionary ideal. Thus, this section investigates the ways in which cyber mambises interact in order to control the digital zone; it examines the social and political implications of these cyber activities, and the conflicts generated from them. Also, this chapter focuses on the methods of control of the digital space and on how control is enacted through a hyper-visible presence in the web. Consequently, it examines how the virtual interactions between the controller and the controlled change the dynamics of control, adding new layers to the dialogue—or lack of dialogue—and conflict between officials and dissidents on the island.
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Bradley, Ian. "The 1890s." In Arthur Sullivan. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198863267.003.0007.

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Arthur Sullivan’s final decade was overshadowed by increasing and debilitating ill health and growing criticism of the light-weight nature of his work by critics associated with the English Musical Renaissance centred around two younger composers, C.H. Parry and C.V. Stanford. Sullivan did at last produce the grand opera, Ivanhoe (1891), which he had wanted to write for so long. He also continued to write comic operas for the Savoy Theatre, most of them with librettists other than Gilbert. He wrote a ballet and a hymn tune for Queen Victoria’s Diamond Jubilee, set a patriotic song by Rudyard Kipling to raise funds for the families of troops serving in the Boer War, and wrote a Te Deum to be used when that war ended. He died in 1900, mourned and remembered as much as a church musician and for his sacred works as for his comic operas.
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Conference papers on the topic "Operate criticism"

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Li, Xiaomin, Subbarao Kambhampati, and Jami Shah. "ASUPPA: A Framework for Interactive and Iterative Synthesis and Improvement of Process Plans." In ASME 2000 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/detc2000/cie-14628.

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Abstract The limited success and acceptance of automated process planning methods in the industry can be traced to the fact that most existing approaches aim at complete automation. We believe that the quest for complete automation is flawed, both because in practice optimality metrics for process plans are context-sensitive, and because there is significant organizational resistance to approaches that completely eliminate humans from the process planning framework. In this paper, we present an interactive and iterative planning framework, called ASUPPA, which focuses instead on providing inte
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Jamieson, Greg A., Jonas Andersson, Ann Bisantz, Asaf Degani, and Morten Lind. "Model-Based Approaches to Human-Automation Systems Design." In ASME 2012 11th Biennial Conference on Engineering Systems Design and Analysis. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/esda2012-82892.

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Human-automation interaction in complex systems is common, yet design for this interaction is often conducted without explicit consideration of the role of the human operator. Fortunately, there are a number of modeling frameworks proposed for supporting this design activity. However, the frameworks are often adapted from other purposes, usually applied to a limited range of problems, sometimes not fully described in the open literature, and rarely critically reviewed in a manner acceptable to proponents and critics alike. The present paper introduces a panel session wherein these proponents (
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Kontz, M. E., M. C. Herrera, J. D. Huggins, and W. J. Book. "Impedance Shaping for Improved Feel in Hydraulic Systems." In ASME 2007 International Mechanical Engineering Congress and Exposition. ASMEDC, 2007. http://dx.doi.org/10.1115/imece2007-41712.

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Applying haptic control to mobile hydraulic equipment presents a practical yet challenging application. One criticism of newer electro-hydraulic system is a lack of “feel.” To a haptics researcher this sounds like a call for haptic feedback in the human-machine interface. However, for an operator the “feel” of the system likely has more to do with how the actual system responds to forces or higher work port pressures. At some point, the high pressures slow down the system or naturally redirect flow to lower pressure circuits in a hydro-mechanical system. How this is done plays a large part in
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Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

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Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections
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Munro, John, and Garry Sommer. "A Collaborative Approach to Safety: Applying Lessons Learned From Other High Risk Industries." In 2016 11th International Pipeline Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/ipc2016-64227.

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Pipeline companies are facing an unprecedented era of challenges at an industry-wide scale. Recent incidents have increased public attention and criticism, cast doubts over the industry’s safety performance, and resulted in growing regulatory pressures. However, such a story is not unique to the pipeline sector. Other high-risk industries have experienced similar trials, and history may provide a blueprint for pipeline operators to follow. This paper examines industries which have undergone significant changes in behavior due to catastrophic incidents. To address safety performance issues, pub
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Fuentes, Gabriel. "The Politics of Memory: Constructing Heritage and Globalization in Havana, Cuba." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.60.

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Abstract:
Since granted world heritage status by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 1982, Old Havana has been the site of contested heritage practices. Critics consider UNESCO’s definition of the 143 hectare walled city center a discriminatory delineation strategy that primes the colonial core for tourist consumption at the expense of other parts of the city. To neatly bound Havana’s collective memory/history within its “old” core, they say, is to museumize the city as ”frozen in time,” sharply distinguishing the “historic” from the “vernacular.”While many
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