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Journal articles on the topic 'Or San Michele (Cathedral)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Nastri, Elide, and Paolo Todisco. "Historical Church Bell Tower Structural Behavior Induced by Bells Acoustic Wave Propagation." Applied Sciences 15, no. 8 (2025): 4377. https://doi.org/10.3390/app15084377.

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The preservation of historical heritage requires a deep understanding of the interactions between physical and structural phenomena. This study investigates the influence of bells acoustic waves propagation on the dynamic behavior for the historical bell tower of the San Michele Arcangelo Cathedral in Caserta Vecchia, Italy. By combining environmental acoustic measurements with finite element modeling in ABAQUS, the research analyzes vibroacoustic coupling and identifies vibrational modes affected by the bell sounds. Harmonic analysis reveals the relationships between sound frequencies and str

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2

Tulić, Damir. "Spomenik ninskom biskupu Francescu Grassiju u Chioggi: prilog najranijoj aktivnosti venecijanskog kipara Paola Callala." Ars Adriatica, no. 4 (January 1, 2014): 335. http://dx.doi.org/10.15291/ars.507.

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The oeuvre of the sculptor Paolo Callalo (Venice 1655-1725) is a paradigmatic example of how the oeuvres of seventeenth- and eighteenth-century Venetian sculptors have been expanded, supplemented and revised during the last twenty years. Until Simone Guerriero’s ground-breaking article of 1997, Paolo Callalo was almost completely unknown. In his search for Callalo’s earliest preserved work, Simone Guerriero suggested that Callalo was responsible for the stipes of the altar of St Joseph, featuring the relief of the Flight into Egypt flanked by two putti which are almost free standing, which was

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3

Veress, Ferenc. "Following the Star : Nativity Scenes and Sacred Drama from the Middle Ages to the Baroque." Uránia 1, no. 1 (2021): 58–77. http://dx.doi.org/10.56044/ua.2021.1.4.eng.

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This study discusses the origin, and liturgical function, of a popular accessory of the Christmas celebrations, that is, the Bethlehem nativity scene. The events of the life of Jesus attracted much attention in the early period of Christianity, as a result of which the Holy Land was visited by flocks of pilgrims. Descriptions of the sentiments aroused by a pilgrimage to Bethlehem may be found in sources as early as the letters of Saint Jerome. Fragments of the Bethlehem manger were kept in the Santa Maria Maggiore Cathedral in Rome, so it is here that one of the first nativity scenes, a sculpt

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4

Jakob Ziguras. "Isola di San Michele." Antipodes 29, no. 1 (2015): 144. http://dx.doi.org/10.13110/antipodes.29.1.0144.

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5

Goizueta, Roberto S. "San Fernando Cathedral." Listening 32, no. 3 (1997): 190–203. http://dx.doi.org/10.5840/listening199732320.

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6

Smith, Richard. "The Story of San Michele." BMJ 334, no. 7596 (2007): 751.2–751. http://dx.doi.org/10.1136/bmj.39167.673808.59.

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7

Castillo, Tito. "LA HISTORIA DE SAN MICHELE." Atenea (Concepción), no. 457 (June 1988): 241–42. https://doi.org/10.29393/at457-26hstc10026.

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8

Ferreira, Patrick. "Castirla (Haute-Corse). Chapelle « San Michele »." Archéologie médiévale, no. 43 (December 1, 2013): 205–6. http://dx.doi.org/10.4000/archeomed.9973.

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9

Brooks, John BS. "BJGP Library: The Story of San Michele." British Journal of General Practice 66, no. 645 (2016): 204. http://dx.doi.org/10.3399/bjgp16x684613.

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10

PATON, ALEX. "Axel Munthe. The road to San Michele." Clinical Medicine 9, no. 3 (2009): 292–93. http://dx.doi.org/10.7861/clinmedicine.9-3-292.

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11

David Chipperfield Architects. "Cementerio de San Michele en Venecia, Italia." EN BLANCO. Revista de Arquitectura 14, no. 33 (2022): 12–23. http://dx.doi.org/10.4995/eb.2022.18473.

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Establecido en 1807 como el principal cementerio de Venecia y ampliado en 1839 cuando se unieron las dos islas, San Michele ha estado en continuo desarrollo durante más de 200 años. Sin embrago, su exterior romántico contrasta fuertemente con el carácter municipal de su interior. Tras un concurso internacional, se inició el desarrollo y ampliación del lado noreste del cementerio. La propuesta se desarrolló en dos fases principales y se llevó a cabo durante un período extenso: la primera fase de construcción comenzó en 2004 y la segunda fase finalizó en 2017. Una fase adicional permanece actual

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12

Moore, Derek. "Sanmicheli's "Tornacoro" in Verona Cathedral: A New Drawing and Problems of Interpretation." Journal of the Society of Architectural Historians 44, no. 3 (1985): 221–32. http://dx.doi.org/10.2307/990073.

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Two of the least understood aspects of the work of Michele Sanmicheli (c. 1484-1559) are his drawing style and his religious architecture. The discovery of a drawing for the presbytery enclosure, or tornacoro, of Verona Cathedral-a work thought to have been designed by Sanmicheli in 1534-provides an occasion to address both of these issues. The principal aim of this study is to weigh the possibility that the new sheet is a presentation drawing by Sanmicheli for the screen in Verona Cathedral. As such it would shed needed light on Sanmicheli's drawing style. The drawing also has implications fo

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13

Carrero Santamaría, Eduardo. "ORDEN TOPOGRÁFICO Y CONTEXTO LITÚRGICO PARA LA CÁMARA SANTA, TESORO DE SAN SALVADOR DE OVIEDO. Topographic order and liturgical context for the “Cámara Santa”, Treasury of San Salvador de Oviedo." Territorio, Sociedad y Poder 12, no. 12 (2018): 5. http://dx.doi.org/10.17811/tsp.12.2017.5-35.

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La catedral de San Salvador de Oviedo posee uno de los edificios relicario más complejos de la historia medieval de Europa, la Cámara Santa. Entendido como tesoro de la catedral, el espectacular desarrollo del culto alrededor de su colección de reliquias entre los siglos XI y XII lo convirtió en el eje vertebrador de todo el conjunto catedralicio, prácticamente hasta nuestros días. En este artículo se trata la especificidad arquitectónica de la Cámara Santa, planteada como un unicum en la arquitectura de su contexto inmediato. En este sentido, se analiza el desarrollo del culto a las reliquias

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14

Bayliss, Richard. "Axel Munthe's The Story of San Michele revisited." Clinical Medicine 3, no. 2 (2003): 179–81. http://dx.doi.org/10.7861/clinmedicine.3-2-179.

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15

Dunea, George. "Axel Munthe and The Story of San Michele." BMJ 332, no. 7540 (2006): 557.2. http://dx.doi.org/10.1136/bmj.332.7540.557-a.

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16

Mussap, C. J. "Axel Munthe: a physician's journey to San Michele." Internal Medicine Journal 40, no. 10 (2010): 726–27. http://dx.doi.org/10.1111/j.1445-5994.2010.02321.x.

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17

Calzona, Remo. "Strengthening of the San Lorenzo Cathedral, Perugia." Structural Engineering International 3, no. 1 (1993): 26–27. http://dx.doi.org/10.2749/101686693780608065.

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18

Masterfano, Michele K. "Growing pains." New England Journal of Entrepreneurship 11, no. 2 (2008): 65–66. http://dx.doi.org/10.1108/neje-11-02-2008-b006.

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Book review by Michele K. Masterfano. Flamholtz, Eric G. and Yvonne Randle. Growing Pains: Transitioning from an Entrepreneurship to a Professionally Managed Firm. San Francisco: Jossey-Bass, 2007. ISBN 9780787986162

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19

Davidson, Hilary. "Game of Thrones: The Costumes, Michele Clapton and Gina McIntyre (2019)." Studies in Costume & Performance 7, no. 1 (2022): 153–55. http://dx.doi.org/10.1386/scp_00067_5.

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20

BRIGHENTI, ALBERTO FONTANELLA, LUCIANE ISABEL MALINOVSKI, MARCO STEFANINI, HAMILTON JUSTINO VIEIRA, and APARECIDO LIMA DA SILVA. "COMPARAÇÃO ENTRE AS REGIÕES VITÍCOLAS DE SÃO JOAQUIM – SC, BRASIL E SAN MICHELE ALL’ADIGE – TN, ITÁLIA." Revista Brasileira de Fruticultura 37, no. 2 (2015): 281–88. http://dx.doi.org/10.1590/0100-2945-093/14.

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A fenologia da videira, a produtividade das plantas e a qualidade da uva apresentam forte relação com os fatores ambientais. O objetivo deste trabalho foi comparar as regiões vitícolas de altitude elevada de Santa Catarina com a região de San Michele All’Adige localizada na Itália. Para os estudos, utilizou-se dos dados da Estação Experimental de São Joaquim - EPAGRI (28°16’30,08”S, 49°56’09,34”O, altitude 1.400 m), localizada em São Joaquim e do Istituto Agrario di San Michele All’Adige – Fondazione Edmund Mach46°11’41,46”N, 11°08’04,41”L, altitude 223 m), localizado na Província de Trento. A

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21

Kezich, Giovanni. "Notizie da San Michele: Per un'etnografia del museo etnografico." La Ricerca Folklorica, no. 53 (April 1, 2006): 115. http://dx.doi.org/10.2307/30033315.

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22

Philipp, E. "Spring Books: The spirit of San Michele lives on." BMJ 292, no. 6527 (1986): 1055–57. http://dx.doi.org/10.1136/bmj.292.6527.1055.

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23

EL-Naggar, Tamer. "San Michele and El-Rahma school – descriptive analytical study." International Journal of Tourism and Hospitality Studies 5, no. 1 (2023): 81–120. http://dx.doi.org/10.21608/ijthsx.2023.217909.1058.

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24

Cabello Pino, Manuel. "Axel Munthe y la historia de San Michele: una relación en El amor en los tiempos del cólera, de Gabriel García Márquez." Anales de Literatura Hispanoamericana 51 (March 30, 2023): 199–209. http://dx.doi.org/10.5209/alhi.85139.

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El objetivo principal de este artículo es demostrar que la relectura que hizo Gabriel García Márquez de La historia de San Michele (1929) de Axel Munthe a principios de la década de los ochenta como preparación previa a la escritura de El amor en los tiempos del cólera (1985) tuvo una gran importancia en el resultado final de esta última, produciendo lo que Claudio Guillén denominaría una “influencia significativa”. De este modo, se comprobará cómo la obra de Munthe le proporcionó al escritor colombiano algunas ideas fundamentales sobre la relación entre el amor y la enfermedad que este desarr

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25

Calzona, Arturo. "sarcofagi dei Santi Vitale e Agricola." Fenestella. Inside Medieval Art 4 (December 20, 2024): 109–65. https://doi.org/10.54103/fenestella/23632.

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The aim of the contribution is to re-read the events in Bologna of the 11th and 12th centuries concerning the cathedral of San Pietro and the monastery of Santo Stefano / Sancta Jerusalem, starting from the discovery of the relics found in 1141. Attention was paid to their movement from one building to another within the monastery and to the fluctuating dedication of the churches, but also to the relocation of the relics in the Cathedral of San Pietro. The sarcophagi preserved in the church of Saints Vitale and Agricola are then re-examined, tracing their production, reuses and movements over

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26

Pavlin, Vojko. "Goričan Mihael Rabatta, avtor potopisa <i>Iter sancti sepulcri</i>." Clotho 6, no. 1 (2024): 11–25. https://doi.org/10.4312/clotho.6.1.11-25.

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Michele Rabatta went to the Holy Sepulchre with his friend Morando Porcia in 1396 and left a chronicle of their journey, which is preserved in the State Archives in Gorizia (Archivio di Stato di Gorizia). The transcription of his travelogue Iter sancti sepulcri was published in 2007 in Pordenone by the Accademia San Marco. The travel diary describes a journey that lasted three months, from 27 August to 28 November 1396. Drawings and sketches of some of the places have been preserved. The text draws particular attention to the indulgences that were awarded to pilgrims visiting Jerusalem and oth

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27

Iannacito, Roberta. "L'assimilazione progressiva nel dialetto molisano di Villa San Michele (IS)." Italica 79, no. 4 (2002): 509. http://dx.doi.org/10.2307/3656047.

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28

Rennie, Kriston R. "San Michele della Chiusa and the Limits of Monastic Protection." Revue Bénédictine 131, no. 2 (2021): 428–49. http://dx.doi.org/10.1484/j.rb.5.128042.

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29

Casella, Francesco. "L'Opera salesiana di San Severo (FG), 1905-1969. L'apporto decisivo della gentildonna Assunta Fraccacreta e della beneficenza dei cittadini." Salesianum 69, no. 2 (2007): 299–322. https://doi.org/10.63343/xd2078em.

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La Famiglia Salesiana della città di San Severo, guidata dalle Figlie di Maria Ausiliatrice, ha voluto celebrare la presenza educativa salesiana nella provincia di Foggia, prendendo spunto da un ideale centenario dell’opera della congregazione salesiana in San Severo, che ha avuto inizio nel 1905, ma che in realtà si è conclusa nel 1969. Il saggio, dopo aver sottolineato l’impegno di don Michele Rua per il Mezzogiorno d’Italia, ricostruisce i momenti salienti dell’opera di San Severo dalla sua fondazione alla chiusura, ponendo in risalto, in particolar modo, l’ambiente educativo dell’oratorio

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30

Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblema

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31

Vergel-Ortega, M., J. A. Delgado, and Y. Díaz Umaña. "Cathedral bell’s San José de Cúcuta: Heritage and acoustics." Journal of Physics: Conference Series 1329 (September 2019): 012004. http://dx.doi.org/10.1088/1742-6596/1329/1/012004.

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32

Urist, L. Giovanna. "The Statutes of the Confraternity of San Michele in Camaiore, Italy." Confraternitas 23, no. 2 (2013): 33–55. http://dx.doi.org/10.33137/confrat.v23i2.19489.

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33

Martini, Mariano, Elio Adelfio Cardinale, Lugi Rubino, Nicola Luigi Bragazzi, and Ilaria Barberis. "Papa Pio XII nella storia della Radiologia." Acta medico-historica Adriatica 17, no. 2 (2019): 337–46. http://dx.doi.org/10.31952/amha.17.2.10.

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Nel 1933 i Professori della Scuola Medica genovese V. Maragliano, GB. Cardinale e A. Vallebona decisero di proporre come Santo Patrono e Protettore dei Radiologi, San Michele Arcangelo. L’iniziativa dei Grandi Maestri genovesi della Radiologia fu accolta subito dai colleghi con grande entusiasmo. Venne quindi inoltrata richiesta scritta di “supplica” a Papa Pio XII per ottenere il riconoscimento ufficiale da parte della Chiesa cattolica. La scelta dell’Arcangelo Michele fu motivata dai Professori in quanto Santo che, nell’iconografia religiosa, è l’unico a vestire l’armatura, è guardiano del P

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34

Wirth, Morand. "Il vero onomastico di don Bosco. Affinità e devozione all'apostolo Giovanni." Salesianum 80, no. 1 (2018): 87–108. https://doi.org/10.63343/tx4070vm.

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Il 27 dicembre 1889, festa di san Giovanni apostolo ed evangelista, don Michele Rua, successore di don Bosco, iniziava una sua lettera circolare ai salesiani scrivendo: «Oggi, festa dell’apostolo della carità e onomastico dell’amato nostro padre…». Sennonché i giovani lo festeggiavano il giorno di san Giovanni Battista, 24 giugno, festa popolarissima a Torino. Don Bosco lasciò fare. Tra lui e l’apostolo si possono verificare varie caratteristiche comuni: amico di Gesù, figlio adottivo di Maria, amico di Pietro, apostolo della carità, difensore della verità, veggente, e infine “martire”. La sua

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35

Gentile, Carmelo, and Antonella Saisi. "Long-term Dynamic Monitoring of the Historic “San Michele” Iron Bridge (1889)." IABSE Symposium Report 99, no. 33 (2013): 22–37. http://dx.doi.org/10.2749/222137813806368307.

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36

Obermair, Hannes, and Martin Bitschnau. "Die Traditionsnotizen des Augustinerchorherrenstiftes St. Michael a. d. Etsch (San Michele all’Adige)." Mitteilungen des Instituts für Österreichische Geschichtsforschung 105, JG (1997): 263–329. http://dx.doi.org/10.7767/miog.1997.105.jg.263.

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37

MAIELLO, JAMES VINCENT. "On the manufacture and dating of the Pistoia choirbooks." Plainsong and Medieval Music 19, no. 1 (2010): 21–33. http://dx.doi.org/10.1017/s0961137109990131.

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ABSTRACTPistoia, Archivio capitolare, manuscripts C.119, C.120 and C.121 – two twelfth-century graduals and a troper from the cathedral of San Zeno – are relatively small, undecorated choirbooks copied during a time when the cathedral chapter gained unprecedented wealth, power and autonomy. This study closely connects the choirbooks to their cultural milieu and specifically to two high-ranking Pistoiese clerics who were likely involved in their manufacture. By examining the political and social environment in which they were created, this article places the manuscripts in a specific historical

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38

Skubic, Mitja. "Mons. Ivan Trinko (1863-1954). Promotore della conoscenza e del dialogo tra le culture." Linguistica 47, no. 1 (2007): 168–69. http://dx.doi.org/10.4312/linguistica.47.1.168-169.

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La miscellanea sulla quale vogliamo brevemente attirare l'attenzione dei colleghi linguisti rappresenta in sostanza gli Atti del Convegno svoltosi a Špeter/San Pietro al Natisone nel 2004 in occasione del cinquantesimo anniversario della morte di Ivan Trinko, redatti da Roberto Dapit, Michele Obit e Lucia Trusgnach. Non solo nel titolo, il bilinguismo sloveno-italiano è rispettato nella stesura di tutti i testi, uno tra di loro appare addirittura in veste trilingue, slovena, italiana e friulana.

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39

Cantarella, Glauco Maria. "Per un riesame della legazione papale in Spagna nel 1112." Hispania Sacra 48, no. 98 (2018): 561. http://dx.doi.org/10.3989/hs.1996.v48.i98.681.

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En la Historia Compostellana se dice que en el año 1112 el abad de San Michele della Chiusa (dioc. Torino) llegó en legación a Galicia y a Santiago de Compostela. Algunos historiadores han sostenido que se trató, en realidad, del abad de Cluny, pero la edición crítica de la Historia (1988) excluye por completo esta interpretación. Recientes estudios han conseguido un mejor conocimiento de la historia de la abadía piamontesa y es posible ahora reexaminar la cuestión.

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40

Hodges, Richard, and John Mitchell. "A new interpretation of the ninth-century hilltop (Colle della Torre) at San Vincenzo al Volturno (prov. isernia, Molise)." Papers of the British School at Rome 68 (November 2000): 381–85. http://dx.doi.org/10.1017/s0068246200003998.

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UNA NUOVA INTERPRETAZIONE DELLA ROCCA (COLLE DELLA TORRE, IX SECOLO) A SAN VINCENZO AL VOLTURNOUlteriore lavoro alla rocca di Colle della Torre, San Vincenzo al Volturno, nel 1998 ha messo in luce una distribuzione degli edifici radicalmente diversa da quella pubblicata in R. Hodges (ed.), San Vincenzo al Volturno 2. The 1980-86 Excavations, Part II (London, 1995), 119–21. Parte di un edificio monumentale d'età classica è stata scoperta. La rocca fu sottoposta ad una modifica radicale nel periodo dell'espansione monastica del IX secolo, con la costruzione di due edifici volti ad ovest. Gli aut

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41

Sara, Carreño. "De imagen a cuerpo santo: el crucifijo polimatérico de la Catedral de Ourense (siglo XIV). Historia, usos, recepción." Arte Cristiana. Rivista internazionale di storia dell'arte e di arti liturgiche CXI (April 30, 2023): 106–17. https://doi.org/10.5281/zenodo.8364297.

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This paper studies the medieval sculpture of Christ crucified known as Santo Cristo kept in the cathedral of San Martiño de Ourense in the northwest of the Iberian Peninsula. Firstly the analysis will focus on the impact this image has had over the centuries on the sacred topography and spatial configuration of this cathedral, including changes in the naming of altars, alterations to existing volumes, and even the creation of new spaces for worship and devotion. Secondly, the liturgical and ritual uses this crucifix would have had in the late Middle Ages will be investigated, particular

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42

Chisari, Corrado, Mattia Zizi, Jafar Rouhi, Angelo Lavino, and Gianfranco De Matteis. "Ambient Vibration Testing and model updating of the bell tower of St. Michele Arcangelo Cathedral in Casertavecchia, Italy." Procedia Structural Integrity 44 (2023): 1100–1107. http://dx.doi.org/10.1016/j.prostr.2023.01.142.

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43

Gioioso, Gianluca, and Luigi Corniello. "The photogrammetric survey for the knowledge of religious spaces. Geometrical and dimensional analysis of the cloister." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W5-2024 (December 16, 2024): 61–66. https://doi.org/10.5194/isprs-archives-xlviii-2-w5-2024-61-2024.

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Abstract. This research shows the photogrammetric survey and graphic documentation of the cloister of the Cathedral of the Assumption of the Virgin Mary and San Frutos in the city of Segovia, Spain.The building consists of a series of architectural elements dating back to the Renaissance period. Segovia Cathedral, dedicated to Our Lady of the Assumption and San Frutos, is a masterpiece of Gothic and Renaissance architecture. It represents an icon of the Christian faith and a cultural-historical point in Spanish history.The building was erected in the 16th century (1525–1577), when Renaissance

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44

Sanzsalazar, Jahel. "Denis Calvaert y el monasterio boloñés de San Michele in Bosco: una pintura redescubierta." Archivo Español de Arte 83, no. 330 (2010): 178–87. http://dx.doi.org/10.3989/aearte.2010.v83.i330.425.

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45

Franco, Tiziana. "Attorno a un corale di Capodistria e al Maestro di San Michele di Murano." Hortus Artium Medievalium 4 (January 1998): 161–68. http://dx.doi.org/10.1484/j.ham.2.305132.

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46

Croci, Chiara. "Pavia picta. Appunti sulla cultura figurativa longobarda a partire dal San Michele." Convivium 9, no. 2 (2022): 26–43. http://dx.doi.org/10.1484/j.convi.5.133652.

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47

Valone, Carolyn. "Mothers and Sons: Two Paintings for San Bonaventura in Early Modern Rome." Renaissance Quarterly 53, no. 1 (2000): 108–32. http://dx.doi.org/10.2307/2901534.

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Portia dell'Anguillara Cesi and Margherita della Somaglia Peretti were both wealthy heiresses in late sixteenth-century Rome, and each was the patron of a fine altarpiece for the Capuchin church of San Bonaventura. Although women were widely recognized as patrons in the period, the patronage of these two paintings, which show the Virgin, saints, and the portrait of a young boy, has always been assigned to their husbands, Paolo Emilio Cesi and Michele Peretti, because the works have been related to the patrilinear, agnatic image of the early modern family, i.e., fathers and sons. Instead, the w

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Raggi, Giuseppina. "Note sul viaggio in Spagna di Angelo Michele Colonna e Agostino Mitelli." Anuario del Departamento de Historia y Teoría del Arte 14 (November 30, 2002): 151–66. http://dx.doi.org/10.15366/anuario2002.14.009.

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Il testo approfondisce il ruolo giocato dalla famiglia granducale toscana, in particolare dal cardinale Giovan Carlo de' Medici, nella vicenda artistica di Colonna e Mitelli, soprattutto in occasione del loro trasferimento in Spagna. Vengono testimoniati, su base documentale, i costanti rapporti intrattenuti tra la corte toscana, il marchese Ferdinando Cospi (agente della casa medica a Bologna) e gli ambasciatori fiorentini presso la corte di Spagna (anni 1658-1662). Inoltre, l' analisi di alcuni disegni appartenenti al fondo della Biblioteca Nazionale di Madrid contribuisce al dibattito sulle

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Crespo Delgado, Daniel. "Dos cartas de Ceán Bermúdez para el origen de la historia de la arquitectura española." Cuadernos de Estudios del Siglo XVIII, no. 28 (December 7, 2018): 419. http://dx.doi.org/10.17811/cesxviii.28.2018.419-428.

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RESUMENDamos a conocer dos cartas inéditas de Ceán Bermúdez, fechadas en 1798, y dirigidas al archivero de la catedral de Sevilla, Antonio de San Martín. Estas cartas nos permiten conocer mejor el proceso de recopilación de noticias sobre arquitectos llevado a cabo por Ceán, que resultó en la primera historia moderna de la arquitectura en España.PALABRAS CLAVEJuan Agustín Ceán Bermúdez, Jovellanos, Catedral de Sevilla. TITLETwo letters from Ceán Bermúdez for the origin of the history of Spanish architectureABSTRACTWe transcribe two unpublished letters, dated in 1798, from Ceán Bermúdez to Anto

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Arrighetti, A., B. Fanini, D. Ferdani, et al. "THE CATHEDRAL OF SAN MASSIMO IN FORCONA (AQ): ARCHAEOLOGICAL ANALYSIS AND INTEGRATED DIGITAL EXPERIENCES FOR VR EXPLORATION AND SITE ENHANCEMENT." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W4-2024 (February 14, 2024): 17–24. http://dx.doi.org/10.5194/isprs-archives-xlviii-2-w4-2024-17-2024.

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Abstract. The contribution aims to present the results obtained from the archaeological analysis of the architecture of the Cathedral of San Massimo in Forcona (AQ), which took place in 2021, focusing on the digital systems used for the documentation and valorization of the monument. The work is part of a broader research project developed by the University of L'Aquila and focused on the archaeological study of medieval architecture as a function of the creation of a database on a chronological-typological basis of the masonry construction techniques of the city and its territory. The first st

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