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Relevant bibliographies by topics / Or The Whale (Melville)

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Academic literature on the topic 'Or The Whale (Melville)'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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Journal articles on the topic "Or The Whale (Melville)"

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O'Donnell, Marcus. "Following the Balibo massacre’s whale." Pacific Journalism Review : Te Koakoa 15, no. 2 (October 1, 2009): 210–13. http://dx.doi.org/10.24135/pjr.v15i2.993.

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Early on in Tony Maniaty’s Shooting Balibo we come across Herman Melville, Michelangelo Antonioni and John Dos Passos. We quickly get the message that this is as much a journey of the imagination as it is a travelogue, memoir or investigation. Maniaty tells us that when he went to East Timor as an ABC reporter in 1975, just before the ill-fated journalists, his travel reading was Melville’s Moby Dick. Here we get a sense of the young journalist’s ambition, his questing commitment to follow the story, just as Ahab follows his whale.

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Bennike, Ole. "An early Holocene Greenland whale from Melville Bugt, Greenland." Quaternary Research 69, no. 1 (January 2008): 72–76. http://dx.doi.org/10.1016/j.yqres.2007.10.004.

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Radiocarbon age determination of a Greenland whale (Balaena mysticetus) vertebra from Melville Bugt in northwestern Greenland yields an age of 9259–8989 cal yr BP. The margin of the Greenland Ice Sheet in Melville Bugt was situated behind its AD 1950–2000 position in the early Holocene, at a similar position to that being reached following rapid retreat in recent years. Such an early deglaciation of areas close to the Greenland Ice Sheet is unusual. This probably reflects the unique glaciological setting resulting from the narrow fringe of ice-free islands and peninsulas and offshore waters with deep areas that characterize this part of Greenland. The timing of Greenland Ice Sheet retreat to its present margin varies significantly around Greenland.

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Wooley, Christine A. "Moby-Dick; or, The Whale by Herman Melville." Leviathan 21, no. 2 (2019): 133–39. http://dx.doi.org/10.1353/lvn.2019.0014.

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Al Disuqi, Rasha. "Orientalism in Moby Dick." American Journal of Islam and Society 4, no. 1 (September 1, 1987): 117–25. http://dx.doi.org/10.35632/ajis.v4i1.2741.

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This article aims to correct some of the basic errors in Melvillian Islamiccriticism. One of the classics of Western literature is Herman Melville’s MobyDick. the allegorical story of one man’s pursuit of a great white whale.4 Likeall great novelists, Melville was struggling with the great moral issues thattranscend individuals and even civilizations. This contrasts with most ofmodem literature, which exhibits journalistic habits of mind and tends to dealin superficial analysis rather than with the reflective process that gives contentto meditation and thought.Modem literary criticism exhibits the same shallowness. George Orwellexplained the problem perhaps when he observed that applying the same standardsto such novelists as Dickens and Dostoyevsky and to most contemporarywriters is like weighing a flea on a spring-balance intended forelephants.” Critics, he added, don’t do this, because it would mean having tothrow out most of the books they get for review.The value of Melville’s work is that it is possessed of the moral imperativeand is designed to lead the forces of wisdom and balance against the spiritualbankruptcy and anarchy of the encroaching materialism in modem Westerncivilization.The tragedy of Melville’s work is the superficiality of its reliance onIslamic sources, which Melville had read but only in Orientalist distortion.This tragedy has been compounded by later generations of Orientalists whohave used the distortions of Melville to generate their own. Perhaps the mostinsidious of these latter-day Orientalists is Dorothy Finklestein, author ofMelville’s Oriendu, who we shall refer to simply as “the critic."Her study of Melville’s Islamic references devotes a complete section to“Muhammad and the Arabs” in the chapter on “Prophets and Conquerers.”Following this, she presents an exhaustive analysis of “Islamic Characters andSymbols.” She harshly rejects Melville’s immature resort to secondary Islamicsources; namely Carlyle’s Hero, Heroworship, and Heroic History, Goethe’s ...

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Tally Jr., Robert. "Herman Melville: Between Charlemagne and the Antemosaic Cosmic Man: Race, Class, and the Crisis of Bourgeois Ideology in the American Renaissance Writer." Historical Materialism 17, no. 3 (2009): 235–43. http://dx.doi.org/10.1163/146544609x12469428108781.

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AbstractTally reviews Loren Goldner's Herman Melville: Between Charlemagne and the Antemosaic Cosmic King, which posits that Melville was the American Marx, exposing the crisis of bourgeois ideology in the revolutionary period around 1848. In this, Goldner follows a tradition of Marxian scholarship of Melville, notably including C.L.R. James, Michael Paul Rogin, and Cesare Casarino. Tally concludes that Goldner's argument, while interesting, is limited by its focus on American exceptionalism and by ignoring the postnational force of Melville's novels.

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Hardack, Richard. "?Or the Whale?: Unpopular Melville in the Popular Imagination." Leviathan: A Journal of Melville Studies 9, no. 1 (March 2007): 101–2. http://dx.doi.org/10.1111/j.1750-1849.2007.01183_5.x.

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Jayasinghe, Manouri K. "The Significance of Native Indian Presence in American Literature." Asian Review of Social Sciences 11, no. 1 (April 26, 2022): 59–62. http://dx.doi.org/10.51983/arss-2022.11.1.3067.

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The image of the Native Indian, was used on both sides of the Atlantic for many years but subsequent to the American war waged against Great Britain in 1812, the Native Indian image was given a previously unseen prominence in American literary works, and this lasted for almost half a century. The reason for this swift change of status of the Native Indians is revealed through the present paper. The works of Irving, Cooper, Longfellow, Hawthorne, and Melville have been referred to in order to strengthen my premise. Hawthorne and Melville use a technique different from the other authors who focus directly on the Native Indians thus proving their importance in American literature of the early 19th century. In The Scarlet Letter and Moby-Dick or The Whale, the respective authors, Hawthorne and Melville bring out the importance of the Native Indians through the almost imperceptible presence of the Native Indians. To understand this, a basic understanding of the plots being required, the storylines of the novels are concisely unfolded through a narrative analysis deriving from a qualitative approach. This enables the reader to understand Hawthorne and Melville’s approach to establishing the significance of the Native Indians and their sudden boost in status in the American literary sphere.

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Bryant, John. "Melville Essays the Romance: Comedy and Being in Frankenstein, "The Big Bear of Arkansas," and Moby-Dick." Nineteenth-Century Literature 61, no. 3 (December 1, 2006): 277–310. http://dx.doi.org/10.1525/ncl.2006.61.3.277.

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John Bryant, "Melville Essays the Romance: Comedy and Being in Frankenstein, "The Big Bear of Arkansas," and Moby-Dick (pp. 277-310)This essay argues that romance is not a fixed genre but a process of writing ("romancing")that Melville used at a particular moment in his career to engage in certain "ontological heroics," that is, confront the problem of Being (the mystery of the origins and reality of consciousness). The inadequacy of genre is asserted as the notion is observed to deconstruct in three ways, and it is replaced by six "Notes toward a Supreme Romance," which delineate elements in the process of romancing with examples from Michel de Montaigne's notion of essaying and Nathaniel Hawthorne's own definition of Romance as "careering on the verge." In applying these notes to Melville's romancing of structure and voice in Moby-Dick (1851), the essay first explores the structural framing technique in Mary Shelley's Gothic fiction, Frankenstein (1818, 1831), and its comic counterpart in Thomas Bangs Thorpe's classic tall tale, "The Big Bear of Arkansas"(1854). Both works conceal certain secrets of identity (or mysteries of selfhood and being)through nestings of voices (stories within stories) that culminate in a symbolic being(monster or bear). In Moby-Dick this model of "fictive essaying" is exhibited in "Cetology"(chapter 32), in which Ishmael cons the reader with a joke-within-a-joke structure that sexualizes the whale and thereby allows us unexpectedly to identify with the whale, which in the process also symbolizes the creative roots of Being. By essaying or "romancing" structure and symbol, Melville in effect tricks himself and his reader into a closer relation to the mystery of consciousness.

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Wang, Na, and Zhenhua Lyu. "Religious Ambiguity of Herman Melville in Moby Dick." Global Academic Journal of Linguistics and Literature 4, no. 6 (November 11, 2022): 175–78. http://dx.doi.org/10.36348/gajll.2022.v04i06.001.

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The representative work of Herman Melville Moby Dick is a profoundly religious novel. Under the cover of the novel, Melville reveals his loyalty and rebellion to Christianity. This paper intends to reveal his religious ambiguity from three different perspectives: the white whale that is the combination of a divine and a demon, Ahab who is both the king and slave, and Ishmael who is both abandoned and saved.

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Dauber, Kenneth, Clark Davis, and John Wenke. "After the Whale: Melville in the Wake of "Moby Dick"." South Atlantic Review 61, no. 4 (1996): 127. http://dx.doi.org/10.2307/3201178.

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Dissertations / Theses on the topic "Or The Whale (Melville)"

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Christie, Lisa Karen. "That dam whale, truth, fiction and authority in King and Melville." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ66504.pdf.

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Derail-Imbert, Agnès. "Allures du corps dans Moby-Dick; or The Whale de Herman Melville." Paris 8, 1997. http://www.theses.fr/1997PA081931.

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@Moby-Dick se donne à la fois et contradictoirement comme livre anatomique et anatomie du livre : le corps s'y montre comme la tentation charnelle de l'écriture mais cette inclination est contrariée par la crainte que l'écriture ne sombre dans le mutisme de la chair ou à l'inverse qu'écrit, le corps ne soit sacrifié au monument du livre. Cette étude explore les puissantes tensions qui travaillent ce livre né du prodigieux désir d'incarner un corps colossal, d'en être le sens ultime. . .

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Levitsky, Zhana. "The Rocket and the Whale: A Critical Study of Pynchon’s Use of Melville." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:24078356.

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Herman Melville’s Moby-Dick and Thomas Pynchon’s Gravity’s Rainbow are two American novels that intersect stylistically and thematically. This thesis argues that Pynchon’s novel mirrors and reinvents Melville’s novel. Gravity’s Rainbow is not simply engaging with Moby-Dick, but actively reprising it for the late 20th century through the power of Pynchon’s imagination. Pynchon responds to and reimagines Melville’s book by mirroring major themes and frameworks from Melville, by adopting some of his central images, and by mirroring his profuse use of technical language to express coded spiritual beliefs and deepening character analysis. The sublime white whale is reinvented as the Schwarzgerät, a German V2 rocket loaded with the mysterious polymer Imipolex G; this profound object stands symbolically at the center of the novel much as the whale, Moby Dick, does in Melville’s opus. The monstrous “grand hooded phantom, like a snow hill in the air” (Melville 7) is re-forged as the “white finality” looming “up in the zero sky” (Pynchon 85, 87). Beyond the functions of the novels’ sublime central images, both novels are here recognized as relying on coded technical, specialist language to express metaphysical beliefs. Throughout each novel, the technical language codes the ineffable and the transcendent, allowing for an entry point to understand the functions of symbolic material. Gravity’s Rainbow echoes Moby Dick’s stylistic structure, which is vast and loose. Very few novels are identified from the world’s literary canon as “encyclopedic,” and the two here discussed are the only examples from American literature, according to Edward Mendelson’s “Encyclopedic Narrative” hypothesis, which is supported by literary critic Andrzej Kopcewicz. It is the similarities in the unconventional, encyclopedic literary style of Moby-Dick and Gravity’s Rainbow that offers one of the strongest arguments for their resonant kinship. I use the work of Lawrence Buell to deepen and critically engage the material; I also engage with the critical work of several other prominent scholars. The metaphors from science extend to the color theory at work in the main symbols present, which are white or suffused with light, such as the whale, rocket, doubloon and light bulb. This thesis argues that light and whiteness as characteristics of the symbolic objects represent evil, malignity or another dark force. I show that the color theory that ties the books together has its main genesis, for both Melville and Pynchon, in Johann Wolfgang von Goethe’s Theory of Colors.

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Dove-Rumé, Janine. "Quête, communication et connaissance étude des "gams" dans "Moby-Dick" or "The Whale" de Herman Melville." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37597439w.

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Dove-Rumé, Janine. "Quête, communication et connaissance : étude des "Gams" dans Moby-Dick ; or, The Whale de Herman Melville." Paris 8, 1986. http://www.theses.fr/1987PA080053.

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Il existe dans Moby-Dick; or, The Whale de Herman Melville, ecrit en 1851, neuf rencontres entre baleiniers en mer. Ces rencontres designees sous le nom de "gams" ne correspondent nullement a la definition donnee par melville. Par une etude textuelle approfondie, je montre que ces "gams" depassent le cadre de la narration pour s'inscrire dans une trame symbolique complexe; qu'ils representent, en quelque sorte, une miniaturisation du roman dans son ensemble; et que leur message profond est en relation etroite avec le probleme de l'ecriture et du langage, problemes qui font l'objet de mon introduction. La "White whale" constitue leur objectif commun, et a travers elle, Melville pose des problemes fondamentaux sur la creation, la transcendance, la vie et la mort, l'absence et le neant. Les "gams" s'inscrivent dans une trajectoire initiatique qui concerne aussi bien le narrateur que le lecteur, et forment un ensemble tres structure. A travers le ludique qui les caracterise, l'auteur renverse les valeurs de la civilisation judeo-chretienne pour refaire le monde a sa facon. Monde dans lequel ce qui est rejete par la societe occidentale-reprouves et excrements par exemple-- est dote de connotations posi- tives et sacrees. Le systeme digestif a une place de choix au sein de la symbolique des "gams" et, a la lumiere de recoupements divers-- gnose, alchimie et mythes de la digestion-- je montre que Melville tente d'abolir des poles apparemment divergents tels l'humain et le divin, le materiel et le spirituel. Le narrateur, parti a la recherche d'un transcendant, decouvrira son unite dans les limites memes de l'ex- perience humaine et de la matiere. Les neuf rencontres du pequod sont caracterisees par l'absence de communication, mais le mot "gam" lui ( qui ne signifie pas rencontre), symbolise une coincidentia oppositorum de la communication initiatique entre elements opposes
In Moby-Dick; or, The Whale, written by Herman Melville, in 1851, the pequod meets nine other ships at sea. The meetings, supposed to be "gams", do not correspond to Melville's definition of the word. Through a detailed study of the text, i try to show that the gams are to be viewed beyond the narrative frame properly speaking, that they are very well structured, and that they represent the book in miniature. They are closely related to the problems of language and writing, which constitute the main part of my introduction. The meaning of the white whale is their main objective, and through that quest, the narrator questions whiteness, creation, transcendence, life and death, absence and nothingness. Both narrator and reader are involved in the initiatic path imposed by the gams. Through the play atmosphere that pervades the gam-chapters, the narrator topples judeo-christian values to build a world of his own in which he rehabilitates whatever is rejected by western traditions, e. G. Castaways and faeces. At the heart of the symbolic web of the gams, is the digestive process, which melville elaborates fully, and, through cross-checkings with gnosis, alchemy and digestion myths, as well as through the christ image, he attempts at abolishing any dichotomy between the human and the divine, matter and spirit etc. In his search for the transcendent, the narrator will discover his own unity and identity within the limits of human experience and of matter. If the nine meetings of the pequod are characterized by the absence of any communication, the word "gam", different in meaning, symbolizes coincidentia oppositorum and initiatic communication between opposite poles

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Pritchard, Gregory R., and mikewood@deakin edu au. "Econstruction: The nature/culture opposition in texts about whales and whaling." Deakin University. School of Communication and Creative Arts, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050826.111722.

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A perceived opposition between 'culture' and 'nature', presented as a dominant, biased and antagonistic relationship, is engrained in the language of Western culture. This opposition is reflected in, and adversely influences, our treatment of the ecosphere. I argue that through the study of literature, we can deconstruct this opposition and that such an ecocritical operation is imperative if we are to avoid environmental catastrophe. I examine the way language influences our relationship with the world and trace the historical conception of nature and its influence on the English language. The whale is, for many people, an important symbol of the natural world, and human interaction with these animals is an indication of our attitudes to the natural world in general. By focusing on whale texts (including older narratives, whaling books, novels and other whale-related texts), I explore the portrayal of whales and the natural world. Lastly, I suggest that Schopenhaurean thought, which has affinities in Moby-Dick, offers a cogent approach to ecocritically reading literature.

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Hill, Francis H. ""The Whole Foundations of the Solid Globe were Suddenly Rent Asunder": Space Place and Homelessness in Poe's "The Narrative of Arthur Gordon Pym" and Melville's "Benito Cereno"." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/2280.

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My project examines the phenomenon of the hazy spaces on the periphery of the antebellum imagination that, while existing geographically at the very fringes of daily American life, are nonetheless active in the conceptualization, production, and representation of an idiosyncratic American sense of space: an anxiety of spatial fragmentation, formlessness, and modulation. In particular I am interested in Poe's “The Narrative of Arthur Gordon Pym” and Melville's “Benito Cereno,” both of which deal with American transoceanic travel to the proximity of Antarctica and its surrounding seas. These gothicized nautical fictions demonstrate an important dialectic playing out in these extreme spaces: the oscillating experience of external and closed space. What becomes detectable in antebellum literature in which spaces of enclosure interrupt expansiveness are far-reaching, deeply-rooted anxieties of an ever-transforming American space at risk of fragmenting and necessitating reorientation via the sort of imaginary travel texts being examined.

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Treichel, Tamara. ""And so hell's probable" : Herman Melville's "Moby-Dick" and "Pierre" as descent narratives /." Trier : WVT Wissenschaftlicher Verlag, 2009. http://www.wvttrier.de.

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Monfort, Bruno. "Melville et ses nouvelles." Montpellier 3, 1987. http://www.theses.fr/1987MON30048.

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Monfort, Bruno. "Melville et ses nouvelles." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37608148k.

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Books on the topic "Or The Whale (Melville)"

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Needle, Jan. Moby Dick, or, The whale: Herman Melville. London: Walker, 2006.

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Whale! Minneapolis: University of Minnesota Press, 2003.

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After the whale: Melville in the wake of Moby-Dick. Tuscaloosa: University of Alabama Press, 1995.

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Les prophéties du texte-Léviathan: Lire selon Melville. Paris: Minuit, 2004.

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Lucchesi and the whale. Durham, [N.C.]: Duke University Press, 2001.

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Mobydickiana. Middelburg: Stichting CBK Zeeland, 2009.

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1809-1882, Darwin Charles, and Melville Herman 1819-1891, eds. The ape & the whale: An interplay between Darwin & Melville in their own words. Moose, Wyo: Homestead Pub., 1995.

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Miller, Perry. The raven and the whale: Poe, Melville, and the New York literary scene. Baltimore: Johns Hopkins University Press, 1997.

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Chasing the white whale: The Moby-Dick marathon ; or, what Melville means today. Iowa City: University of Iowa Press, 2010.

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ill, Benson Patrick, and Melville Herman 1819-1891, eds. Moby-Dick, or, the whale. Cambridge, Mass: Candlewick Press, 2006.

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Book chapters on the topic "Or The Whale (Melville)"

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Ensslen, Klaus, and Daniel Göske. "Melville, Herman: Moby-Dick, or, The Whale." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12130-1.

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Kontou, Tatiana, Victoria Mills, and Adelene Buckland. "Herman Melville, Moby Dick; Or, The Whale." In Victorian Material Culture, 76–84. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400143-11.

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Pellar, Brian R. "Man as Whale." In Moby-Dick and Melville’s Anti-Slavery Allegory, 51–71. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52267-8_5.

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Pellar, Brian R. "This Afric Temple of the Whale." In Moby-Dick and Melville’s Anti-Slavery Allegory, 73–89. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52267-8_6.

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Mikhalev, Yuri. "Whale Distribution." In Advances in Polar Ecology, 159–228. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-29252-2_5.

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Banerjee, Subhankar. "Whale prayer." In Emergent Possibilities for Global Sustainability, 261–62. Abingdon, Oxon ; New York, NY : Routledge, 2016. Identifiers: LCCN 2016001739| ISBN 9781138830059 (hb) | ISBN 9781315737478 (ebook): Routledge, 2016. http://dx.doi.org/10.4324/9781315737478-40.

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"Chasing Melville." In Lucchesi and The Whale, 43–82. Duke University Press, 2000. http://dx.doi.org/10.2307/j.ctv11689f3.5.

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"IV Chasing Melville." In Lucchesi and The Whale, 43–82. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822380498-005.

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Sachs, Viola. "American Identity and the Counterfeit Whale." In L’Imaginaire-Melville, 33–45. Presses universitaires de Vincennes, 1992. http://dx.doi.org/10.4000/books.puv.8168.

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Derail, Agnès. "Melville’s Leviathan: Moby-Dick; or, The Whale and the Body Politic." In L’Imaginaire-Melville, 23–31. Presses universitaires de Vincennes, 1992. http://dx.doi.org/10.4000/books.puv.8158.

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Conference papers on the topic "Or The Whale (Melville)"

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Milewski, William M., Benjamin S. H. Connell, Valerie J. Vinciullo, and Ivan N. Kirschner. "Reduced Order Model for Motion Forecasts of One or More Vessels." In ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-42421.

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The reduced order model at the heart of the APS Environmental and Ship Motion Forecasting system must retain the accuracy of a higher fidelity seakeeping code while simultaneously meeting computational speed required to provide motion forecasts minutes into the future for two or more ships operating in close proximity. We describe the mathematical formulation of the reduced order model and efficient modeling techniques to construct databases of wave force Response Amplitude Operators and Impulse Response Functions before presenting comparisons between the reduced order model, a higher fidelity seakeeping code called AEGIR, and experimental data for the R/V Melville and two multi-ship configurations.

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Tan, Jie, Hanhua Chen, Yonghui Wang, and Hai Jin. "Whale." In SC '21: The International Conference for High Performance Computing, Networking, Storage and Analysis. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3458817.3476192.

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Blaise, Marie. "Melville, l’homme-confiance et le faiseur de nœuds." In "Le coup de la panne". Ratés et dysfonctionnements textuels. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5814.

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Currey, Gail. "Compuserve whale." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253956.

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Mashoshina, Victoria S. "Dialogism And Intertextual Codes In H. Melville And J.F. Cooper." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.63.

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Lee, Heebok. "Voice of Whale." In ACM SIGGRAPH 2004 Computer animation festival. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1186015.1186104.

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Lee, Heebok. "Voice of Whale." In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1186004.

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Gooneratne, Brendon. "TO WHALE OR NOT TO WHALE: IS THAT THE QUESTION?" In Proceedings of the Forty-Ninth Pugwash Conference on Science and World Affairs. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799647_0060.

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Zevenbergen, L. W. "Comparison of the HEC-18, Melville, and Sheppard Pier Scour Equations." In International Conference on Scour and Erosion (ICSE-5) 2010. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41147(392)108.

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McTaggart, Kevin, and Jean-François Marly. "Seakeeping of a Research Vessel With Azimuthing Propellers." In ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-41115.

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Abstract:

This paper gives comparisons of numerical predictions with seakeeping model tests for R/V Melville, an oceanographic research vessel that is propelled by two ducted azimuthing propellers. The model tests were conducted on a 1/23 scale model that was controlled by a human pilot using a remote control. The ship motions were predicted using the ShipMo3D ship motion library, which uses potential flow theory to determine hull radiation and diffraction forces. Predicted roll and pitch motions give good agreement with model tests. Predicted yaw motions and azimuthing propeller deflection angles are much less than values observed during the model tests. Challenges with prediction of yaw and azimuthing propeller deflection are likely due to approximation of the human model pilot with a simple proportional-derivative (PD) autopilot. The comparisons between numerical predictions and model tests suggest that the azimuthing propellers have minimal influence on roll for R/V Melville.

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Reports on the topic "Or The Whale (Melville)"

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Ketten, Darlene R., and David Mountain. Whale Hearing Models. Fort Belvoir, VA: Defense Technical Information Center, June 2005. http://dx.doi.org/10.21236/ada452995.

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Ward, Jessica A. Beaked Whale Habitat Characterization. Fort Belvoir, VA: Defense Technical Information Center, May 2004. http://dx.doi.org/10.21236/ada422902.

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Watkins, William A. North Pacific Whale Calling Program. Fort Belvoir, VA: Defense Technical Information Center, December 2002. http://dx.doi.org/10.21236/ada411577.

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4

Maria-Vittoria Carminati, Maria-Vittoria Carminati. Mapping the Humpback whale genome. Experiment, February 2022. http://dx.doi.org/10.18258/24844.

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Corrigan, D., L. Nadeau, P. Brouillette, N. Wodicka, M G Houlé, T. Tremblay, G. Machado, and P. Keating. Overview of the GEM Multiple Metals - Melville Peninsula project, central Melville Peninsula, Nunavut. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2013. http://dx.doi.org/10.4095/292862.

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Ward, Jessica A., Glenn H. Mitchell, Amy M. Farak, and Ellen P. Keane. Beaked Whale Habitat Characterization and Prediction. Fort Belvoir, VA: Defense Technical Information Center, September 2005. http://dx.doi.org/10.21236/ada443533.

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Filadelfo, Ronald J., Edward S. Michlovich, Jessica S. Wolfanger, and Angela D'Amico. Sonar Use and Beaked-Whale Strandings. Fort Belvoir, VA: Defense Technical Information Center, November 2005. http://dx.doi.org/10.21236/ada596772.

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Bogue, Neil M., and Jim Luby. Acoustic Seaglider(trademark) for Beaked Whale Detection. Fort Belvoir, VA: Defense Technical Information Center, September 2009. http://dx.doi.org/10.21236/ada531851.

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Bogue, Neil M., and Jim Luby. Acoustic Seaglider(Trademark) for Beaked Whale Detection. Fort Belvoir, VA: Defense Technical Information Center, September 2010. http://dx.doi.org/10.21236/ada541476.

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Bogue, Neil M., and James C. Luby. Acoustic Seaglider (trademark) for Beaked Whale Detection. Fort Belvoir, VA: Defense Technical Information Center, September 2011. http://dx.doi.org/10.21236/ada599069.

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