Academic literature on the topic 'Oral and ritual expressions'

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Journal articles on the topic "Oral and ritual expressions"

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Adenuga, Tayo Joan. "CULTURAL HYBRIDITY IN IWOLORI RITUAL DANCE OF EKINRIN-ADDE QUEENS." Cognizance Journal of Multidisciplinary Studies 5, no. 3 (2025): 283–308. https://doi.org/10.47760/cognizance.2025.v05i03.022.

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This study examines the under-researched area of women-centered ritual performances within Indigenous African communities, with a specific focus on the cultural hybridity evident in Iwolori ritual dance of Ekinrin-Adde queens. While broader African ritual practices have received scholarly attention, women-specific rituals remain significantly under-explored. This study therefore illuminates the processes of cultural blending and modification that have resulted in new expressive forms in Iwolori, thereby ascertaining the elements of hybridity in the ritual dance. Drawing upon Homi Bhabha's (199
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Fauzi, Nurul Atikah. "The Concept of Gender in Cirebon Oral Literature and Its Transformation in the Memitu Slametan Rituals." Journal of World Science 3, no. 12 (2024): 1699–709. https://doi.org/10.58344/jws.v3i12.1254.

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Cirebon oral literature, specifically tembung éntar, is an essential cultural resource that reflects societal values, particularly concerning gender roles. However, previous studies have not thoroughly examined how these expressions play out in ritual practices, highlighting a gap that this research seeks to fill. This study investigates the concept of gender found in tembung éntar and how it changes within the traditional ritual of Slametan Memitu. Employing a qualitative descriptive approach with semiotic analysis, 412 tembung éntar texts were analyzed. The data collection process involved d
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Pimenova, Ksenia. "Lieux sacrés de la vallée du Haut Iškin (Touva)." Études mongoles et sibériennes, centrasiatiques et tibétaines 38, no. 1 (2007): 197–223. http://dx.doi.org/10.3406/emong.2007.1185.

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Sacred sites in the valley of the Üstüü-Iškin (Tuva): oral traditions and ritual practices This article explores the role played by sacred places and local oral tradition in preserving the collective memory of the inhabitants of the valley of the Üstüü-Iškin (Western Tuva). I distinguish between two particular types of places: those which are ‘positive’ and where rituals are conducted regularly and ‘negative’ places, where harmful spirits roam. For the inhabitants of the valley, each particular place has its own history and specific features, which are embodied in ancient legends and in more r
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Sarmadan, S., and Siti Gomo Attas. "Structural Analysis of Katoba Ritual Text Speech in Muna Communities." Journal of Indonesian Language Education and Literary 4, no. 2 (2020): 36–44. http://dx.doi.org/10.31327/jilel.v4i2.1132.

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The katoba ritual as a form of oral tradition from the Muna tribe is an integral part of the culture of the supporting community. The purpose of this study is to describe the structure of the ritual text speech of the Muna communities. The structure of the ritual speech utterances in this study is called the pogau toba text (PTT). This study uses a qualitative method with a Van Dijk structural approach that focuses on three frameworks of text structure, namely macro structure, superstructure, and microstructure. The results showed that 1) the macro structure, which is the overall meaning, glob
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Lobanova, Lyudmila S. "“GRAB IL’INSKY MEAT”. FROM RITUAL REALITY TO THE LEGEND MOTIF." Folklore: structure, typology, semiotics 6, no. 2 (2023): 49–68. http://dx.doi.org/10.28995/2658-5294-2023-6-2-49-68.

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The article considers a special ritual behavior – grabbing meat, which was an integral part of the animal sacrifice rite on Elijah’s Day of the village Noshul of Priluzsky district of the Komi Republic until the 1930s, and also determines the role of the “grabbing meat” motif in the modern oral local tradition. Based on an analysis of ethnographic materials, it was revealed that grabbing meat was a kind of ritual element of summer vow holidays with the sacrifice of animals not only in the village Noshul, but also in certain areas of Karelians and Northern Russians. Considering it in a number o
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Lebaka, Morakeng Edward Kenneth. "Ethnographic Research of the use of Music in Healing as a Cultural Phenomenon in Greater Sekhukhune District Municipality, Limpopo Province in South Africa." DIALOGO 7, no. 2 (2021): 60–66. http://dx.doi.org/10.51917/dialogo.2021.7.2.5.

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This study investigates the relationship between music and healing in the African context, as well as the relationship between music, culture, and identity. Since the traditional approach to music-making makes it a part of the institutional life of the Bapedi community, among the Bapedi people, the music itself was and is thought to enable communication with the living-dead, often inducing ancestral spirit possession, ‘causing the spirits to descend’. We observe in this study how traditional healers in the Greater Sekhukhune District Municipality express their emotions through music, and how t
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Rosidin, Odien, Erwin Salpa Riansi, and Asep Muhyidin. "LEKSIKON KULINER TRADISIONAL MASYARAKAT KABUPATEN PANDEGLANG." LITERA 20, no. 1 (2021): 45–71. http://dx.doi.org/10.21831/ltr.v20i1.33908.

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Kuliner tradisional bukan sekadar mencerminkan khazanah makanan, bahan yang digunakan, cara pengolahan, dan cita rasa olahan lokal yang unik, tetapi juga merepresentasikan entitas budaya masyarakat secara utuh. Leksikon nama kuliner tradisional menyiratkan makna budaya yang penting untuk digali dan diinterpretasikan dalam kaitannya dengan pengungkapan nilai -nilai simbolik dan budaya yang dikandungnya. Penelitian ini bertujuan mendeskripsikan kuliner tradisional masyarakat Kabupaten Pandeglang berdasarkan tinjauan bentuk leksikon, fungsinya dalam upacara atau ritual adat, dan pandangan masyara
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Watts, James W. "One Text in Two Bodies." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 15, no. 1 (2024): 36–48. http://dx.doi.org/10.1558/post.27474.

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Reading scriptural texts aloud to congregations is a common practice in many religious traditions, yet receives little scholarly attention. This article encourages more scholarship on this phenomenon by focusing on the ritual manipulation of books of scriptures while reading. It analyses the social force of this religious practice by combining a theory of ritualizing scriptures in three dimensions with studies of oral readings by literacy scholars. Reading visible scriptures aloud to congregations mixes expressive and iconic ritualization, which makes it both inspiring and legitimizing. It als
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IVANOVSKA, Olena. "FOLKLORE AND CUSTOMARY LAW: LEGAL MEANINGS IN UKRAINIAN FOLK TRADITIONS." Folia Philologica, no. 6 (2023): 13–22. http://dx.doi.org/10.17721/folia.philologica/2023/6/2.

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Folklore is a key source for understanding the fundamentals of legal relations in the traditional Ukrainian society. The proposed article focuses on customary law as an archaic form of legal relations that developed as a creative product with characteristic features of a folklore text, namely variability, anonymity, syncretism, where ritual becomes a tool for manifesting and implementing the custom, making it public. In this context, folk poetic creativity emerges as the oldest source of the Ukrainian legal culture. The research highlights that folklore texts contain significant elements that
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Ramadani, Fikret, and Vjollca Dibra. "Songs and the cult of fire on the summer day in Opoja." Multidisciplinary Science Journal 7, no. 9 (2025): 2025549. https://doi.org/10.31893/multiscience.2025549.

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This study analyzes two key elements of the summer day (Verza Day) festival in Opoja: song and the cult of fire. The Verza festival, held annually on March 13th in this region of the Sharri municipality, represents a rich cultural heritage with ancient historical roots. Songs and rituals related to fire have played a fundamental role in the spiritual experience of the community, representing early forms of communication with nature and supernatural forces. In this paper, song is examined as an artistic creation of oral literature with a distinct function. Through analysis, the artistic and cul
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Dissertations / Theses on the topic "Oral and ritual expressions"

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Antohin, A. E. S. "Expressions of sacred promise : ritual and devotion in Ethiopian Orthodox Praxis." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1436745/.

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This thesis investigates the notion of sacred promise, a grounded devotional category for Ethiopian Orthodox Christians. It is based on ethnographic research among urban parishes seeking to gather the often dispersed memberships of local Orthodox communities in Dessie, a city of a quarter million residents in north-central Ethiopia. The central thesis contends that the spaces and methods of engagement by Ethiopian Orthodox Christians are organized by the internal dynamics of archetypal promises. I consider the wide spectrum of social and ritual activities contained within the domain of “church
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Benqasim, Lhoussaine. "Les Ait Sidi Ali Amhawch : structures anthropologiques et construction du pouvoir au Maroc central (1715-1932)." Electronic Thesis or Diss., Paris, EHESS, 2025. http://www.theses.fr/2025EHES0019.

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À travers une généalogie, réelle ou symbolique, les Ait Sidi Ali Amhawch, descendants de Dadda Ali Ohsain, s'inscrivent assurément dans le champ religieux au milieu rural du Moyen Atlas central. Ainsi, prédisposés à assumer des rôles politiques, les Imhiwach ont construit un pouvoir spirituel et temporel qu’ils ont exercé pendant deux siècles (1715-1932). Forts de leur capital religieux et social, les Imhiwach deviennent des leaders charismatiques, producteurs d'actions et de paroles légitimes. À partir d’une étude ethnographique des expressions culturelles, des traditions orales et rituelles,
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Ting, Eewen. "A Dictionary of Unorthodox Oral Expressions for English Learners and Teachers." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/4453.

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To learn a language successfully, one needs to incorporate terms which are used commonly by native speakers but cannot be found in dictionaries. Words like uh-huh, oops, ouch, and brrr, are some examples of these terms. These expressions, commonly categorized under such linguistic labels as interjections (Ameka, 1992), alternants (Poyatos, 2002), and response cries (Goffman,1981), are what Dr. Lynn Henrichsen (1993) and Rebecca Oyer (1999) termed Unorthodox Oral Expressions (UOEs). These utterances are considered unorthodox because many of them are not formal or standard English words. Because
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Baldwin, Carol May. "The voice of emotion: Acoustic properties of six emotional expressions." Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184337.

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Studies in the perceptual identification of emotional states suggested that listeners seemed to depend on a limited set of vocal cues to distinguish among emotions. Linguistics and speech science literatures have indicated that this small set of cues included intensity, fundamental frequency, and temporal properties such as speech rate and duration. Little research has been done, however, to validate these cues in the production of emotional speech, or to determine if specific dimensions of each cue are associated with the production of a particular emotion for a variety of speakers. This stud
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Ballif, Kristin Leifson. "Oral Performances as Ritual: Animating the invisible in Mormon Women's Miscarriage Stories." Diss., CLICK HERE for online access, 1998. http://patriot.lib.byu.edu/u?/MTAF,15532.

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Chittaladakorn, Khemlada. "Unorthodox Oral Expressions in English Dictionaries, Corpora, Textbooks, and English Language Instructional Materials." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2911.

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The aim of this project is to provide useful data from published dictionaries, corpora, and instructional materials, as well as sample lessons, to promote the teaching of Unorthodox Oral Expressions (UOEs) to learners of English as a second/foreign language. In the first chapter, the author reviews relevant literature, explains what UOEs are, and discusses the importance of incorporating UOEs in EFL or ESL classrooms. In the second chapter, a linguistic categorization of UOEs is given. In the third chapter, the results are given of an examination of 10 different dictionaries. The purpose of th
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Ramos, José Lúcio Costa. "Ritual do cuidar de idosos com demência de Alzheimer: história oral de vida de cuidadores familiares." reponame:Repositório Institucional da UFBA, 2013. http://www.repositorio.ufba.br/ri/handle/ri/10244.

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Submitted by Hiolanda Rêgo (hiolandar@gmail.com) on 2013-04-25T17:38:59Z No. of bitstreams: 1 Dissertaçõ_Enf_José Ramos.pdf: 1527411 bytes, checksum: e512f6a0a7b0f32365e75bbad548afea (MD5)<br>Approved for entry into archive by Flávia Ferreira(flaviaccf@yahoo.com.br) on 2013-05-03T01:36:19Z (GMT) No. of bitstreams: 1 Dissertaçõ_Enf_José Ramos.pdf: 1527411 bytes, checksum: e512f6a0a7b0f32365e75bbad548afea (MD5)<br>Made available in DSpace on 2013-05-03T01:36:19Z (GMT). No. of bitstreams: 1 Dissertaçõ_Enf_José Ramos.pdf: 1527411 bytes, checksum: e512f6a0a7b0f32365e75bbad548afea (MD5)<br>Este
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Ribeiro, Suzana Lopes Salgado. "Tramas e tramas: identidades em marcha." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-01112007-143040/.

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Este trabalho propõe um estudo sobre o processo de construção de identidades, no MST. A pesquisa de campo acompanhou o dia-a-dia da Marcha à Brasília, realizada em 2005. O texto é composto por uma apresentação de oito narrativas, seguidas de uma descrição do trabalho de campo. Na segunda parte, apresenta-se uma explicação teórica e metodológica conceitos como, experiência, memória, narrativa e identidade, sempre tentando explicar como esses conceitos são relacionados com o fazer da história oral. No interior das discussões surgem os embates em torno da construção das identidades dos membros do
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Lane, Renee. "A Comparison of Oral & Written Verbal Expressions of Creative Thinking Using the Prose Quantification System." TopSCHOLAR®, 1986. https://digitalcommons.wku.edu/theses/2531.

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The purpose of this study was to compare oral and written expressions of creative thinking which took the form of prose, e.g. stories. The Prose Quantification System (PQS) was the instrument of comparison. The PQS is an instrument developed to predict teachers' ratings of the creative quality of written prose. The study investigated the following: (a) interjudge agreement and intrajudge stability for oral and written stories, (b) Teacher Ratings of Story Creativity (TRSC) of oral and written stories, (c) alternate mode (i.e., oral vs. written) equivalence and (d) criterion validity of the PQS
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Martinet, Lily. "Les expressions culturelles traditionnelles en droit international." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01D018.

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Au début du XXIe siècle, l'usage de la locution «expression culturelle traditionnelle» s'est répandu à travers plusieurs forums internationaux. Bien que les expressions culturelles traditionnelles n'aient jamais été définies en droit international, deux instruments issus du système des Nations Unies, la Convention sur la protection et la promotion de la diversité des expressions culturelles et la Déclaration des Nations Unies sur les droits des peuples autochtones, les citent expressément. Cette thèse présente, en premier lieu, l'apparition et l'évolution en droit international de cette nouvel
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Books on the topic "Oral and ritual expressions"

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Falola, Toyin. Oral and written expressions of African cultures. Carolina Academic Press, 2009.

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Studies, Institute of Ismaili, ed. People of the Prophet's House: Artisitc ritual expressions of Shi'i Islam. Azimuth Editions in association with The Institute of Ismaili Studies [and] in collaboration with the British Museum's Department of the Middle East, 2015.

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Delfin, Tolentino. Saliksik-Kondilyena: Papers on indigenous practice, ritual life and oral tradition. Cordillera Studies Center, University of the Philippines Baguio, 2017.

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Cruz, Héctor Muñoz. Yancuitlalpan: Tradición y discurso ritual. Universidad Autónoma Metropolitana, Unidad Iztapalapa, División de Ciencias Sociales y Humanidades, 1994.

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Pellotier, Víctor Manuel Franco. Oralidad y ritual matrimonial entre los amuzgos de Oaxaca. Universidad Autónoma Metropolitana, Unidad Iztapalapa, Departamento de Antropología, 2011.

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Blackburn, Stuart H. The sun rises: A shaman's chant, ritual exchange and fertility in the Apatani Valley. Brill, 2010.

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Blackburn, Stuart H. The sun rises: A shaman's chant, ritual exchange and fertility in the Apatani Valley. Brill, 2010.

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Gaenszle, Martin. Ancestral voices: Oral ritual texts and their social contexts among the Mewahang Rai of East Nepal. Lit, 2002.

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Solís, Neyra Alvarado. Oralidad y ritual: "el dar parte" en el xuravét de San Pedro Jícoras, Durango. Universidad Michoacana-San Nicolás de Hidalgo, 1996.

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Blackburn, Stuart H. The sun rises: A shaman's chant, ritual exchange, and fertility in the Apatani Valley. Brill, 2010.

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Book chapters on the topic "Oral and ritual expressions"

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Miller, Zubin. "The Ritual of Comedy: Expressions from the Young Indian Middle Class." In Politics of Recognition and Representation in Indian Stand-Up Comedy. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-39427-0_2.

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Fung, Anissa. "Condensation of Ritual Symbolism and Visual Culture: From Chinese Liqi to Contemporary Art Expressions." In Landscapes: the Arts, Aesthetics, and Education. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7729-3_16.

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Carr, Christopher. "Underwater-Underground Creatures in the Cosmologies of Postcontact Eastern Woodland and Plains Indians as Told in Oral Narratives." In Being Scioto Hopewell: Ritual Drama and Personhood in Cross-Cultural Perspective. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-44917-9_8.

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Rüsch, Maren. "Chapter 17. The narrative of a witness." In Culture and Language Use. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/clu.23.17rus.

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On a regular basis, the news and other shows and documentaries on East African television feature various stories not only about events in politics and society, but also of personal fates related to them. In addition to the presenters, citizens of East African countries share their perspectives on how they experienced events. This paper focuses on the way in which these speakers tell their stories on a Kenyan TV show. It will show how the common ritual oral tradition in Swahili, also well-established in everyday conversation, is recontextualized in the media and therefore brought from the ritual frame to the digital context, where it is supposed to fulfill a particular purpose in favor of the TV program. Therefore, the presenters instrumentalize the narratives’ inherent linguistic practices applied by their witnesses to engage viewers in their program.
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Caseldine, Christopher R., Christopher Carr, and Samantha R. Feinberg. "Journeys to Afterlives in the Cosmologies of Postcontact Eastern Woodland and Plains Indians: Inventory, Frequencies, and Geographic Distributions of Elements in Oral Narratives." In Being Scioto Hopewell: Ritual Drama and Personhood in Cross-Cultural Perspective. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-44917-9_6.

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Duncan, Carol B. "Revival Zion and Spiritual Baptists." In The Oxford Handbook of Caribbean Religions. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190916961.013.13.

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Abstract This chapter covers the traditions of Revival Zion and Spiritual Baptists. Both religions emerged in the English-speaking Caribbean in Jamaica and St. Vincent and Trinidad and Tobago, respectively. Moreover, both Spiritual Baptists and Revival Zion expressed anticolonial, national cultural identities and their contributions to expressive oral cultures. The chapter explains that the Spiritual Baptists and Revival Zion represent evolving African Caribbean worldviews, ritual practices, and cultural expressions rooted in the traditions of enslaved Africans and their descendants. It details the historical overview of the introduction of Christianity taken up by enslaved Africans before considering its historicity and its embeddedness in colonial frameworks.
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Parry, Tyler D. "Better than Nothing." In Jumping the Broom. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469660868.003.0006.

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The use of the broomstick wedding among European-American communities is an understudied component of this ritual history, and this chapter provides the first extended treatment of the marital phenomenon among people of European descent in the United States. Marginalized communities in isolated areas, such as white people in Appalachia, Cajuns in the Louisiana bayous, and miners in the rural American west, were inclined to adopt the ritual due to geographical circumstances that made access to ministers difficult. Like most other populations, each group shows a unique approach to performing the ritual, suggesting how each of them employed elements of cultural autonomy. Additionally, the chapter argues that many white Americans, especially those linked to cultures based on oral tradition, retained an understanding of “jumping the broom” in their colloquial speech. Just as many recognize “tying the knot” as an expression for marriage, “jumping the broom” was also similarly popular in regional vernaculars of European Americans throughout the nineteenth and twentieth centuries.
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"Iroquois Thanksgiving Address." In Schlager Anthology of Early America. Schlager Group Inc., 2022. https://doi.org/10.3735/9781935306672.book-part-012.

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The Iroquois Thanksgiving Address is an ancient Haudenosaunee (Iroquois) expression of gratitude that acknowledges connection to all beings. The address is known to have existed at the latest since the formation of the Haudenosaunee Confederacy—perhaps around 1451—when its ritual use was established by the Peacemaker, the founder of the confederacy, but it was likely passed down through oral tradition for untold centuries before. The word Haudenosaunee means “the People of the Longhouse” or “They Are Building a Longhouse,” and it is the name of a confederated group of six (originally five) Native American nations, including the Mohawk. Longhouse refers to the characteristic structures in which they lived—immense rectangular structures made of logs that housed numerous families. The longhouse was more than just a shelter; it became a metaphor for the cultural and social values of the Haudenosaunee.
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Sherinian, Zoe C. "Changing Musical Style and Social Identity in Tamil Christian Kirttanai." In Music and Dance as Everyday South Asia. Oxford University Press, 2024. https://doi.org/10.1093/oso/9780197566237.003.0007.

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Abstract The Indian devotional genre of kirttanai has been the most widely performed genre of indigenous Christian music among Protestant Tamils in South India since the late-seventeen hundreds. Songs produced by upper-caste Christians in karnatak classical style called kirttanai were disseminated by missionaries after 1853 to poor lower-caste converts in villages and towns as a primary means to transmit Christianity. Since then, kirttanai have gone through various oral transformations of style resulting in three different versions of this practice: karnatak, folk, and Western hymn-like performances utilizing harmonic accompaniment on the organ. In this chapter, the author argues that the stylistic transformations or “reindigenizations” of kirttanai are a manifestation of the need to create indigenous Christian musical and theological expression relevant to changing socio-religious identities among Tamil Christians. The chapter shows that musical ritual acts as a primary context in which Christians meaningfully reconstruct and renegotiate their identities of class, caste, and location.
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"Ritual Prayers". У The Oral Art of Soqoṭra. BRILL, 2021. http://dx.doi.org/10.1163/9789004447356_047.

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Conference papers on the topic "Oral and ritual expressions"

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Sambeka, Fince Leny, Sherly Lensun, Rianna Jona Sumampouw, and Nooke Hosang. "An Analysis of Regional Language Expressions in Tondanonese Community Ritual Prayers." In Proceedings of the 1st International Conference on Social Sciences (ICSS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icss-18.2018.186.

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Menon, Indu V., and Shebin M.S. "Shamanic Rituals and the Survival of Endangered Tribal Languages: An Anthropological Study in Gaddika." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.10-4.

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In many ancient communities, particularly tribal communities, there exists a system of dialogue and conversation with and between supernatural beings and the supernatural world they inhabit, as well as their transmigration into a human’s body. The supernatural world is considered to be the realm of the gods, or of the spirits of ancestors, or of satanic evil spirits. A Shaman is suggested to summon, and communicate with, tribal or cult gods, while controling spirits, ancestors, animals and birds with afforded powers. Shamanic rituals have patent linguistic significance. In communities with a s
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Khaninova, R. "FOLKLORE TRADITION OF GOOD WISHES (YORYAL) IN THE POETRY OF MIKHAIL KHONINOV." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3732.rus_lit_20-21/223-227.

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In the poetry of the classic Kalmyk literature of the twentieth century. Mikhail Khoninov (1919-1981) folklore tradition of the genre of good wishes (yoryal) was embodied in a number of poems and poems. The poet's good wishes are created both in the aspect of ritual poetry (yoryal for a newborn, yoryal for the house, yoryal for food, etc.) and in the aspect of modern reality (yoryal for the party, yoryal for the new year, yoryal for study, etc.). The folklore tradition of well-wishing, characteristic of Kalmyk poetry of the last century, on the one hand, demonstrated a synthesis of genres, on
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Tamatani, Tetsuya, Natsumi Takamaru, Go Ohe, et al. "Abstract 3061: The clinicopathologic roles of SOX2 and Oct4 expressions in stage 1 and 2 oral squamous cell carcinoma." In Proceedings: AACR Annual Meeting 2018; April 14-18, 2018; Chicago, IL. American Association for Cancer Research, 2018. http://dx.doi.org/10.1158/1538-7445.am2018-3061.

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Sakakura, Koichi, Hideyuki Takahashi, Kyoichi Kaira, Minoru Toyoda, Tetsunari Oyama, and Kazuaki Chikamatsu. "Abstract 155: Expressions of autophagy-related proteins positively correlate with infiltration of immune cells and disease progression in oral squamous cell carcinoma." In Proceedings: AACR Annual Meeting 2014; April 5-9, 2014; San Diego, CA. American Association for Cancer Research, 2014. http://dx.doi.org/10.1158/1538-7445.am2014-155.

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de Lima, Maria Leane, and Wescley Alysson Gomes Farias. "Dance as an element of body expression and prejudice in school: An analysis of gender in the pedagogical practice of a public school." In I Seven Applied Social Sciences Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/icongresssevenappliedsocialsciences-013.

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Even before man introduced his oral language expressions to communicate in society, he began his forms of manifestations and expressions using body movements. From a historical perspective, dance is part of many societies and cultures. From this combination of expressions, gestures and signs, man subsequently presented several rhythms. In Brazil, dance was already present among indigenous people, especially in their close relationship with nature. Thus, this research seeks to bring knowledge about the importance of dance in the life of the individual and in the school environment, considering
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Zorić Latovljev, Milena S., and Ljiljana Ž. Pešikan-Ljuštanović. "„KUSAM SUSAM, U PRSA SE BUSAM” – MESTO KRATKIH GOVORNIH FORMI U POEZIJI DEJANA ALEKSIĆA." In Književnost za decu u nauci i nastavi. University of Kragujevac, Faculty of Education in Jagodina, Serbia, 2024. https://doi.org/10.46793/kdnn23.235zl.

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The paper analyses selected poetry collections by Dejan Aleksić, from the point of view of the use of simple oral expressions, phrases and syntagms, which are commonly used in everyday speech. The starting premise is that Dejan Aleksić ironi- cally re-semantizes, and to certain extent de-semantizes elements of traditional culture, forming a humorous contrast based on unfulfilled expectations (for example, the Alazon blowing in own trumpet is no longer a display of heroism and universally acknowledged virtues ‒ ability, strength, honesty, but celebrates gluttony – the devouring of the sesame).
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Tanaka, Takaharu. "An Investigation on Mechanical Energy Supply in Rotating Flow Passage of Centrifugal Pump." In ASME 2003 Pressure Vessels and Piping Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/pvp2003-2172.

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Centrifugal pump is a typical turbomachinery, which transfers mechanical energy to hydraulic energy through the rotational motion of impeller blades. It is commonly used and generally operated at a very high efficiency. Therefore, it would seem that theoretical discussion of performance and experimental observations of internal flow conditions inside the pump should be fully understood by now. However, it appears that neither the basic expressions nor the theoretical design methods are that clear. For example, the most fundamental definition of pump head, which is the most important equation i
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Scrobohaci, M. L., L. Drouet, and L. Bertin. "USEFULNESS OF FOLLOW UP OF ANTIGENIC AND FUNCTIONAL LEVELS OF PROTEIN C AND FACTOR VII FOR EARLY DIAGNOSIS OF LIVER TOXICITY." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1643067.

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Protein C (PC) and Factor VII (F VII) are both vitamino-K dependent factors with similar short half-life. Differential behaviour of both factors in their two expressions was assessed on :- 16 resolutive liver toxicity due to reinforced chemotherapy,- 7 specific liver toxicity of Asparaginase or Bisanthrene- 6 veno-occlusive disease complicating an allogenic bone marrow transplantation- 5 cirrhotic liver insufficiencies- 10 patients submitted to stabilised treatment by oral anticoagulant- 3 families of congenital deficiencies in F VII.In case of congenital deficiency in F VII, both expressions
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Varvounis, Manolis. "New Methodological Orientations of Greek Folklore." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.10-2.

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In this paper, the theoretical and methodological changes that determine Greek folklore in the first two decades of the 21st century are examined. Also, I include the collaboration and the fruitful dialogue of folklore with the social anthropology in Greece, and its scientific results. The study of folk culture, as established by older folklorists, focused on cultural continuities, for reasons amply discussed in the relevant bibliography. However, the perception of cultural transformation in the area of folk culture also led to the study of a series of exemplary modern or postmodern phenomena
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Reports on the topic "Oral and ritual expressions"

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Shaba, Varteen Hannah. Translating North-Eastern Neo-Aramaic Idioms into English. Institute of Development Studies, 2023. http://dx.doi.org/10.19088/creid.2023.002.

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North-eastern Neo-Aramaic (also known as NENA) languages and literature are a prosperous and encouraging field of research. They abound with oral traditions and expressions that incorporate various spoken forms including everyday language, tales, songs, chants, prayers, proverbs, and more. These are used to transfer culture, knowledge, and community values. Some types of oral forms are idioms and fixed expressions. Idioms are extremely problematic to translate for a number of reasons, including: cultural and linguistic differences between languages; their specific connection to cultural practi
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At the Gates of Paradise: Art of the Guaraní of Paraguay. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008210.

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The exhibit unites a number of artistic expressions of the Guaraní Indians of Paraguay, from the colonial period to the present. Include 65 pieces including statuary, both sacred and secular, photographs, videos, and contemporary art. All of the art works allow for a better understanding of the Guaraní culture that transmits knowledge fundamentally through an oral tradition, but has also come to assimilate a number of influences, modifying them to their own needs. The exhibition was open at the Art Gallery of the Cultural Center of the Inter-American Development Bank on September 2005.
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