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1

Harold, Scheub, ed. The African storyteller: Stories from African oral traditions. Kendall/Hunt Pub. Co., 1990.

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2

Na'allah, Abdul Rasheed. Africanity, islamicity and performativity: Identity in the house of Ilorin. Thielmann & Breitinger, 2009.

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3

Maxey, James A. From orality to orality: A new paradigm for contextual translation of the Bible. Cascade Books, 2009.

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4

Lorentzon, Leif. An African focus: A study of Ayi Kwei Armah's narrative Africanization. Almqvist & Wiksell International, 1998.

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5

McLeod, Neal. Cree narrative memory: From treaties to contemporary times. Purich Pub., 2008.

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6

Winberg, Marlene. My Eland's heart: The art of the !Xun and Khwe. David Philip Publishers, 2001.

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7

Scheub, Harold. The tongue is fire: South African storytellers and apartheid. University of Wisconsin Press, 1996.

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8

Panzacchi, Cornelia. Der Griot: Seine Darstellung in der frankophonen westafrikanischen Literatur. Schäuble, 1990.

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9

Panzacchi, Cornelia. Der Griot: Der Meister des Wortes in traditionellen westafrikanischen Gesellschaften. Schäuble, 2000.

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10

Callahan, John F. In the African-American grain: Call-and-response in twentieth-century Black fiction. 2nd ed. Wesleyan University Press, 1990.

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11

Dourado, Carlene Vieira. Poéticas orais quilombosertanejas: Identidade cultural em Volta Grande - Barro Alto, BA. Appris, 2019.

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12

Callahan, John F. In the African-American grain: Call-and-response in twentieth- century Black fiction. 2nd ed. Wesleyan University Press, 1990.

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13

Speak, Memory: Oral Storytelling in the High School Classroom. [publisher not identified], 2014.

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14

Schmidt, Peter R. Historical Archaeology in Africa: Representation, Social Memory, and Oral Traditions (African Archaeology). AltaMira Press, 2006.

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15

Schmidt, Peter R. Historical Archaeology in Africa: Representation, Social Memory, and Oral Traditions (African Archaeology). AltaMira Press, 2006.

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16

Verbal art of the Fon (Benin). Rüdiger Köppe Verlag, 2013.

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17

African Oral Story-telling Tradition and the Zimbabwean Novel in English (Memory and African Cultural Productions). UNISA Press, 2005.

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18

Nunn, Patrick. Edge of Memory: Ancient Stories, Oral Tradition and the Post-Glacial World. Bloomsbury Publishing USA, 2020.

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19

The Edge of Memory: Ancient Stories, Oral Tradition and the Post-Glacial World. Bloomsbury Sigma, 2019.

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20

What the Forest Told Me: Yoruba Hunter, Culture and Narrative Performance. Unisa Press, 2014.

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21

Adeduntan, Ayo. What the Forest Told Me: Yoruba Hunter, Culture and Narrative Performance. NISC (Pty) Limited (National Inquiry Services Centre (Pty) Ltd), 2019.

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22

Cosentino, Donald J. Defiant Maids and Stubborn Farmers: Tradition and Invention in Mende Story Performance. Cambridge University Press, 2010.

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23

Cosentino, Donald J. Defiant Maids and Stubborn Farmers: Tradition and Invention in Mende Story Performance. Cambridge University Press, 2012.

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24

Cosentino, Donald J. Defiant Maids and Stubborn Farmers: Tradition and Invention in Mende Story Performance. Cambridge University Press, 2009.

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25

Maxey, James A. From Orality to Orality: A New Paradigm for Contextual Translation of the Bible. Wipf & Stock Publishers, 2009.

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26

From orality to orality: A new paradigm for contextual translation of the Bible. Cascade Books, 2009.

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27

Hale, Thomas A. Griots and Griottes: Masters of Words and Music. Indiana University Press, 1999.

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28

Crosby, Jill Flanders, and JT Torres. Situated Narratives and Sacred Dance. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9781683402060.001.0001.

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Through a revolutionary ethnographic approach that foregrounds storytelling and performance as alternative means of knowledge, this book explores shared ritual traditions between the Anlo-Ewe people of West Africa and their descendants, the Arará of Cuba, who were brought to the island in the transatlantic slave trade. The volume draws on two decades of research in four communities: Dzodze, Ghana; Adjodogou, Togo; and Perico and Agramonte, Cuba. In the ceremonies, oral narratives, and daily lives of individuals at each fieldsite, the authors not only identify shared attributes in religious exp
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29

Leeming, David A., ed. Storytelling Encyclopedia. Greenwood, 1997. http://dx.doi.org/10.5040/9798216019411.

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This is the first definitive reference work to address the substantive elements of oral storytelling, a form of communication that dates back to the dawn of humanity. It is an A to Z collection of over 700 entries covering such major storytelling elements as motifs, character types, tale types, place names, and creation mythologies and storytelling techniques of cultures around the world. Examples of subjects covered are the contributions of pioneering folklorists and mythologists such as: Franz Boas, Stith Thompson, and Joseph Campbell; descriptions of such well-known Western tales as Cindere
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30

Delivering from memory: The effect of performance on the early Christian audience. Pickwick Pub., 2011.

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31

Seck, Mamarame. Narratives As Muslim Practice in Senegal. Lang AG International Academic Publishers, Peter, 2013.

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32

Homer and the resources of memory: Some applications of cognitive theory to the Iliad and the Odyssey. Oxford University Press, 2001.

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33

My Eland's heart: A collection of stories and art : !Xun and Khwe San Art and Culture Project. David Philip, 2001.

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34

Connecting histories: A comparative exploration of African-Caribbean and Jewish history and memory in modern Britain. Kegan Paul, 2006.

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35

Scheub, Harold. Tongue Is Fire: South African Storytellers and Apartheid. University of Wisconsin Press, 1996.

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36

Panzacchi, Cornelia. Der Griot: Seine Darstellung in der frankophonen westafrikanischen Literatur (Dritte Welt). Schauble, 1990.

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37

Quayson, Ato. Connecting Histories: A Comparative Exploration of African-Caribbean and Jewish History and Memory in Modern Britain (Anthropology, Economy and Society). Kegan Paul, 2006.

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38

McElroy, Colleen J. Over the Lip of the World: Among the Storytellers of Madagascar. University of Washington Press, 2015.

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39

Griots at War: Conflict, Conciliation, and Caste in Mande. Indiana University Press, 2001.

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40

McElroy, Colleen J. Over the Lip of the World: Among the Storytellers of Madagascar. University of Washington Press, 2001.

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41

McElroy, Colleen J. Over the Lip of the World: Among the Storytellers of Madagascar. University of Washington Press, 2015.

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42

Hoffman, Barbara G. Griots at War: Conflict, Conciliation, and Caste in Mande. Indiana University Press, 2001.

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43

Storytelling in Northern Zambia: Theory, Method, Practice and Other Necessary Fictions. Open Book Publishers, 2013.

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44

L'épopée peule du Fuuta Jaloo: De l'éloge à l'amplification rhétorique. Karthala, 2011.

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45

Last Storytellers: Tales from the Heart of Morocco. I. B. Tauris & Company, Limited, 2011.

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46

Last Storytellers: Tales from the Heart of Morocco. I. B. Tauris & Company, Limited, 2011.

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47

The Last Storytellers: Tales from the Heart of Morocco. I.B. Tauris, 2011.

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48

Last Storytellers: Tales from the Heart of Morocco. I. B. Tauris & Company, Limited, 2019.

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49

Pioske, Daniel. Memory in a Time of Prose. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190649852.001.0001.

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Memory in a Time of Prose investigates a deceptively straightforward question: what did the biblical scribes know about times previous to their own? To address this question, the following study focuses on matters pertaining to epistemology, or the sources, limits, and conditions of knowing that would have shaped biblical stories told about a past that preceded the composition of these writings by a generation or more. The investigation that unfolds with these interests in mind consists of a series of case studies that compare biblical references to an early Iron Age world (ca. 1175–830 BCE) w
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50

Ramirez, Susan Elizabeth. In Praise of the Ancestors: Names, Identity, and Memory in Africa and the Americas. University of Nebraska Press, 2022.

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