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Dissertations / Theses on the topic 'Oral tradition'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Saponov, Mikhail. "Musical Historiography and Oral Tradition." Bärenreiter Verlag, 2000. https://slub.qucosa.de/id/qucosa%3A36659.

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2

Cockell, James Edward. "Schenkerism and the Hungarian oral tradition." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/MQ34305.pdf.

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3

Yamamoto, Kumiko. "The oral background of Persian Epics : storytelling and poetry /." Leiden : Brill, 2003. http://catalogue.bnf.fr/ark:/12148/cb38998044f.

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4

Sinclair-Reynolds, Emma. "(Re)writing Pathways : Oral Tradition, Written Tradition, and Identity Construction in Kanaky/Nouvelle-Calédonie." Thesis, Nouvelle Calédonie, 2014. http://www.theses.fr/2014NCAL0066/document.

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Comment les traditions orales kanak pourraient-elles agir au-delà de leurs frontières habituelles et influencer les processus de construction identitaire dans la société néo-calédonienne contemporaine ? Notre travail explore les interactions entre la tradition orale kanak et la tradition écrite néocalédonienne, en examinant les textes de réécriture, ces lieux de rencontre entre traditions qui constituent un espace de patrimoine commun. Cette thèse retrace les chemins d’une histoire, Le Chef et le lézard (dont on trouve de multiples versions dans les différentes traditions orales kanak), dans l

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5

Zizz, John Thomas. "Oral communication and the psyche of an aural community, as seen in Acts 2:14-41." Johnson City, TN : Emmanuel School of Religion, 2008. http://dx.doi.org/10.2986/tren.062-0306.

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6

Zizz, John Thomas. "Oral communication and the psyche of an aural community, as seen in Acts 2:14-41." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p062-0306.

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7

Winger, Thomas M. "Orality as the key to understanding apostolic proclamation in the epistles." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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8

Mournet, Terence C. "Oral tradition and literary dependency : variability and stability in the synoptic tradition and Q." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/3688/.

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Despite the almost universal recognition that the Jesus tradition was, from its very beginning, oral tradition, scholars have continued to approach the question of Synoptic interrelationships from a strictly literary perspective. This study is an attempt to take seriously the Sitz im Leben within which the Synoptic Gospels were written, and to examine the possible role that oral tradition might have in determining, not only the scope of a Q text, but the way in which we envision the development of the Synoptic tradition. Previous attempts to take seriously the role of oral tradition in the for

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9

Henaut, Barry W. "Oral tradition and the Gospels : the problem of Mark 4 /." Sheffield : Sheffield Academic Press, 1993. http://catalogue.bnf.fr/ark:/12148/cb36666152f.

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10

Pavlović, Aleksandar. "From traditional to transitional texts : Montenegrin oral tradition and Vuk Karadžić’s Narodne srpske pjesme." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/14346/.

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This thesis analyses the influence of literate culture on the corpus of Montenegrin oral epic songs published in Vuk Karadžić’s edition of Narodne srpske pjesme from 1823 to 1833. The Introduction places the research in the scholarly context of the Parry-Lord theory of oral composition, later analyses of transitional texts that contain both oral traditional and literary characteristics, and recent interest in the entire process of transcription, edition and publication of songs belonging to the oral tradition. This is followed by an outline of facts relevant to the social and political histo

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11

Yen, Ping-Chiu. "Chinese demon tales : meanings and parallels in oral tradition /." New York ; London : Garland publ, 1990. http://catalogue.bnf.fr/ark:/12148/cb37495321w.

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12

Honig, Matthew. "The oral nature of the Bible." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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13

Sinarinzi, Jeanson. "La production du texte oral pastoral kiruundi." Toulouse 2, 1996. http://www.theses.fr/1996TOU20022.

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Puisque l'oralite africaine cede de plus en plus le terrain a la scripturalite, il est fort necessaire, pour garantir l'indispensable harmonie culturelle des peuples africains, que la litterature africaine ecrite, encore balbutiante au burundi, integre l'art verbal et les themes culturels traditionnels. Au sein de la parole-patrimoine kiruundi, les textes pastoraux sont particulierement menaces de disparition : le present travail se propose de rendre compte de l'art verbal grace auquel les diseurs les produisent. Cet objet d'etude original necessite la proposition d'une methodologie d'etude pl

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14

Allison, Christine. "Views of history and society in Yezidi oral tradition." Thesis, SOAS, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362855.

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The Yezidis are a Kurdish-speaking religious minority living mainly in Northern Iraq. In the past their religion forbade literacy: thus their accounts of their history and their descriptions of their society ha ve been preserved orally. This thesis considers how the Yezidis use oral literature. or verbal art. to represent themselves and their past. It is based largely on fieldwork carried out in Northern Iraq. The theoretical perspective of this work combines elements of both literary and social studies by considering both text and social context. The genre of a tradition has major implication

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15

Spasojevic, Darko I. "Ignatius and John a comparative study /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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16

Sterling, Shirley. "The grandmother stories : oral tradition and the transmission of culture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25168.pdf.

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17

Ramey, Peter A. "Studies in oral tradition history and prospects for the future /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5003.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 1, 2007) Includes bibliographical references.

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18

Kamalkhan, Kalandar 1961. "The Swahili architecture of Lamu, Kenya : oral tradition and space." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115608.

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This dissertation is about the architecture of the Swahili peoples living along the eastern coast of Africa. Specifically, it explores the links and relationships between oral traditions, rituals and the built environment of the Waswahili (sing. Mswahili) or the 'people of the coast'. The 'ambiguous' and 'anomalous' identity of the Waswahili raises important questions on the definition and the understanding of Swahili architecture. To understand Swahili architecture, one must, first, understand the language and identity of the Waswahili. This dissertation makes use of new sources for the inter

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19

Thomas, Rosalind. "Studies in oral tradition and written record in classical Athens." Thesis, University College London (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314263.

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20

Garner, Lori Ann. "Oral tradition and genre in old and middle English poetry /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974631.

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21

Daskalopoulos, Anastasios A. "Homer, the manuscripts, and comparative oral traditions /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9953854.

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22

Lewis, Lynn C. "Towards an ethnography of voice in Amerafrican culture : an oral traditional register in four women's narratives /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946273.

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23

Mahir, Zaid Numan. "Roots of oral tradition in the Arabian Nights an application of oral performance theory to the "Story of the King of China's Hunchback" /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4943.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 1, 2008) Includes bibliographical references.

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24

Schmidt, Claire. "Sleeping toward Christianity the form and function of the Legend of the seven sleepers in medieval British oral tradition /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/5645.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 12, 2008) Includes bibliographical references.

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25

Clinton, Mary S. "Human development, life stages, aging, and gerotranscendence as related to the benefits and frameworks for reminiscence, life review, oral traditions and storytelling a review of the literature /." Online version, 1999. http://www.uwstout.edu/lib/thesis/1999/1999clintonm.pdf.

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26

Xiong, Xong. "What does it mean to be "educated" from an oral culture : a study of traditional Hmong knowledge /." Connect to online version, 2009. http://minds.wisconsin.edu/handle/1793/38651.

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27

Öryd, Helena. "Traditional Music in the Gambia : the role of traditional musicians in a society of change." Thesis, Karlstad University, Division for Ingesund College of Music, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-3075.

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<p>The aim of this research is to find out more about traditional music in Gambian society, to get a wider view of the tradition and what is happening to traditional music in a modern society. Furthermore, I want to find out if the informers consider that the traditional music is fading away from the society and if, in that case, any actions are being taken to preserve the tradition. The research question is: How do the traditional masters in the Gambia consider the role of traditional musicians in a modern society?</p><p> </p><p>The research method consists of making observations at Maali’s M

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28

Nhlangwini, Andrew Pandheni. "The ibali of Nongqawuse: translating the oral tradition into visual expression." Thesis, Port Elizabeth Technikon, 2003. http://hdl.handle.net/10948/237.

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The tribal life and the oral traditions of black South Africans have been marginalized. The consequence of the western civilization and the apartheid regime forced people to do away from their traditional heritage and culture; they adopted the western way of life. They buried their oral tradition and only a little has survived. To save the dying culture of the art of the oral tradition we need to go out and record and document the surviving oral tradition as soon as possible. Since the art of the oral tradition is an art form conducted by an artist, it may be possible to tell the ibali likaNon

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29

Doan, James E. "Cearbhall Ó Dálaigh : an Irish poet in romance and oral tradition /." New York : Garland publ, 1990. http://catalogue.bnf.fr/ark:/12148/cb377039284.

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30

Cochran, David Maurice. "Revolutionary antislavery birth of an American prophetic tradition /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3331247.

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Thesis (Ph.D.)--Indiana University, Dept. of Communication and Culture, 2008.<br>Title from PDF t.p. (viewed on Jul 23, 2009). Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4379. Adviser: John L. Lucaites.

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31

Seck, Mamarame. "The structure of Wolof Sufi oral narratives expanding the Labovian and Longacrean models to accommodate Wolof oral tradition /." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024981.

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32

Neufeldt, Bradley. "Cultural confusions, oral/literary narrative negotiations in Tracks and Ravensong." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22548.pdf.

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33

Yamamoto, Kumiko. "From storytelling to poetry : the oral background of the Persian epics." Thesis, SOAS, University of London, 2000. http://eprints.soas.ac.uk/29473/.

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The present work examines the role played by oral tradition in the evolution of the Persian (written) epic tradition, which virtually began with the Shadhname of Ferdowsi (ShNF). The text is also the culmination of a long development that stretches back into ancient times. In the process of transmission of narratives, both writing and oral tradition are assumed to have played a role. While Ferdowsi's written sources have been studied, the influence of oral tradition on his work remains largely unexplored. In order to explore oral influence on the ShNF, the thesis suggests a new approach. Based

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34

Rogers, Katherine, and Katherine Rogers. "Written Fragments of an Oral Tradition: "Re-Envisioning" the Seventeenth-Century Division Violin." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12433.

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Seventeenth-century division violin music is not considered part of the classical canon, but its background as a European art form may make it seem “too Western” for traditional ethnomusicological study. The purpose of this thesis is twofold: first, I outline the historical context, transmission, and performance practice of division violin playing in England during the sixteenth and seventeenth centuries. Also of interest to me is the way in which we, as musicologists, study oral tradition within the context of a musical culture that no longer exists today. After an exploration of the id

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35

Sinarinzi, Jeanson. "La production du texte oral pastoral kiruúndi." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=llOBAAAAMAAJ.

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36

Reea, Goenda. "Le comique dans la tradition orale et la littérature contemporaine tahitiennes - vision du rire, vision du monde." Thesis, Polynésie française, 2016. http://www.theses.fr/2016POLF0005.

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À Tahiti, il n’existe aucune recherche sur les « mots du rire » en langue tahitienne démontrant une manière de penser le monde. L’intérêt de cette étude est de révéler une réalité d’un point de vue interne ainsi que des processus inconscients qui régissent le rire de et dans la société tahitienne. Cette thèse a pour objectif de définir la spécificité du comique de la tradition orale et de la littérature contemporaine tahitiennes au travers des ’ūtē ’ārearea (chants comiques traditionnels) dans le cadre des fêtes culturelles du mois de juillet à Tahiti de 1986 à 2014 et de deux pièces de théâtr

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37

Lacasse, Germain. "Le bonimenteur et le cinéma oral, le cinéma muet entre tradition et modernité." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq26795.pdf.

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38

Simpkins, Maureen Ann. "After Delgamuukw, aboriginal oral tradition as evidence in aboriginal rights and title litigation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49813.pdf.

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39

Yoeli-Tlalim, Ronit. "Contemporary oral teachings of Kalacakra in exile : a dialogue between tradition and change." Thesis, SOAS, University of London, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405408.

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40

Calabaza, Estefanita Lynne. "Through Pueblo Oral Tradition and Personal Narrative: Following the Santo Domingan 'Good Path'." Thesis, The University of Arizona, 2011. http://hdl.handle.net/10150/144374.

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This master's thesis is an autoethnography. According to Denzin and Lincoln, an autoethnograpic piece "works to hold self and culture together, albeit not in equilibrium or stasis," (207). This thesis, presented in story form, tells how I was educated into and came to follow the "Good Path" in becoming a member of Santo Domingo Pueblo, and more specifically, a contemporary Santo Domingan woman. My story is framed within a Puebloan paradigm of remembrance as articulated through oral tradition, narrative and text, and the social and natural environments of my Santo Domingan world. Through in

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41

Fledderus, France. "The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278129/.

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The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of

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42

Bacon, Jasen. "The Digital Folklore Project: Tracking the Oral Tradition on the World Wide Web." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1398.

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I collected forty-two e-mail forwards over the course of four months, and from those I formulated a framework that adapts existing theory in collection and study of real-world folklore to the emerging folk communities that exist on the internet. Through this analysis I prove that the same genres of folklore that is routinely collected by folklorists have been adapted to fit the digital environment of the internet. I then use the framework that I lay out to perform a study of the e-mails themselves.

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43

Higgins, Rawinia R., and n/a. "He kupu tuku iho mo tenei reanga : Te ahua o te tuku korero." University of Otago. Te Tumu - School of Maori, Pacific and Indigenous Studies, 1999. http://adt.otago.ac.nz./public/adt-NZDU20070524.121050.

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The primary objective of this thesis focuses on the nature of transmission of oral narratives, based on the relationship formed between the recipient and the source. It will be argued that based on the nature of the relationship between these people knowledge is passed on. It will highlight these relationships within a whanau context, especially the koroua and the mokopuna.

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44

Kennedy-Kwofie, Nana Afua. "Until lions learn to speak... placing the African oral tradition at the centre of power, knowledge, and media." Master's thesis, University of Cape Town, 2020. http://hdl.handle.net/11427/32494.

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The production of knowledge has become a matter of power rather than truth and can serve either serve as a tool of liberation or domination. This creative project seeks to explore the interaction of power, knowledge and media in Africa given its history with European colonialism. This period painted Africa as an uneducated and dark continent that had no history and no knowledge. This belief has led to assumptions about knowledge production which are embedded in racist conventions rather than the free and fair pursuit of complete knowledge. The processes of knowledge production are ranked in a

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45

Pires, Ricardo Annanias. "A tradição oral africana e as raízes do jazz." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8137/tde-24112009-161055/.

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Este trabalho tem como objetivo estudar as peculiaridades da tradição oral africana e suas influências na criação do jazz. Os africanos, sendo um povo onde sua cultura tem como principal característica enfatizar o emprego da oralidade na transmissão do conhecimento, o faz de forma muito distinta aos padrões culturais europeus. Sob a ótica do povo africano, a palavra expressa de forma oral possui um grande valor, sendo atribuído à mesma, um nível de relevância tamanho que chega a ser vista como um elemento místico capaz de criar ou até mesmo destruir. Os africanos, presentes em solo americano,

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46

Stonier, Janet Elizabeth Thornhill. "Oral into written : an experiment in creating a text for African religion." Master's thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/16127.

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Bibliography: pages 105-113.<br>This study is a description, from the vantage point of a participant observer, of the development of a new, and probably unique, method of writing, teaching and learning about an oral tradition - a method which is grounded in ways of knowing, thinking and learning inherent in that tradition. It arose in the course of a co-operative venture - between two lecturers in African Religion and myself - to write a text for South African schools on African Religion (sometimes called African Traditional Religion). Wanting to be true to our subject within the obvious const

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47

Crichton, Iain William. "Ghostwriting a tool for getting oral-urban church leaders in print /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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48

Meyer, David Francis. "Computationally-assisted analysis of early Tahitian oral poetry." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5984.

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A computationally-assisted analysis was undertaken of Tahitian oral poetry transcribed in the early 19th century, with the aim of discovering its poetic organization. An automated pattern detection process attempted to recognize many of the organizational possibilities for poetry that have been documented in the literature, as well as be open to unanticipated varieties. Candidate patterns generated were subjected to several rounds of manual review. Some tasks that would have proved difficult to automate, such as the detection of semantic parallelism, were pursued fully manually. Two distinct v

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49

Preston, Susan M. "Meaning and representation, landscape in the oral tradition of the Eastern James Bay Cree." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0004/MQ43200.pdf.

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50

Scott, Patrick. "Talking tools : faces of Aboriginal oral tradition in contemporary society (a practice-led exploration)." Thesis, University of Dundee, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.510619.

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