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Journal articles on the topic 'Orators, Latin'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Andrijasevic, Marina. "Cicero’s mission of transferring Greek philosophy into Latin language and the creation of Latin philosophical terminology." Theoria, Beograd 64, no. 3 (2021): 39–52. http://dx.doi.org/10.2298/theo2103039a.

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Marcus Tullius Cicero is considered to be one of the greatest Roman statesmen and orators, however, this lucid creator?s philosophical writings lie in the shadow of his highly valued speeches, rhetorical writings and letters. He is widely regarded as a politician, lawyer, orator, yet few consider him a philosopher. This seems unjustified, having in mind that he received an outstanding philosophical education, wrote about numerous philosophical subjects, translated and explicated Greek authors and their philosophical doctrine. The goal of this paper is to show Cicero?s contribution to the trans

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Herren, Michael W. "The transmission and reception of Graeco-Roman mythology in Anglo-Saxon England, 670–800." Anglo-Saxon England 27 (December 1998): 87–103. http://dx.doi.org/10.1017/s0263675100004816.

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Rhetoricians, orators, and public speakers of all stripes, if asked the question, which Greek or Roman deity they should invoke in case of need, would surely answer ‘Hermes’ or ‘Mercury’. Members of this profession who also read early Latin-Old English glossaries might therefore be surprised to learn that the deus oratorum was none other than Priapus! This came as good news to me as one who occasionally looks for novel ways to arouse an audience. However, as I reflected further on the meaning of Épinal Glossary 10v32, my expectations wilted. Oratorum must be a simple error for hortorum, ‘of ga

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D'Elia, Anthony F. "Marriage, Sexual Pleasure, and Learned Brides in the Wedding Orations of Fifteenth-Century Italy." Renaissance Quarterly 55, no. 2 (2002): 379–433. http://dx.doi.org/10.2307/1262314.

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In the fifteenth century, Guarino Guarini, Ludovico Carbone, Francesco Filelfo, and other humanists composed and delivered Latin orations at courtly weddings in Ferrara, Naples, and Milan. In these epithalatmia, which are mostly unpublished, orators adapt a classically inspired conception of marriage to Italian court culture. They defend physical beauty and sexual pleasure, praise learned brides, and assert the importance of mutual affection, revealing a complex picture of ideal gender relations in courts. Against the ancient and Christian anti-marriage ascetic traditions, humanists offer bibl

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Desilva, David A. "What has Athens to Do with Patmos? Rhetorical Criticism of the Revelation of John (1980—2005)." Currents in Biblical Research 6, no. 2 (2008): 256–89. http://dx.doi.org/10.1177/1476993x07083629.

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While Revelation does not immediately recommend itself for analysis along the lines of Greek and Latin rhetoric, scholars have made considerable progress analyzing the persuasive strategies of Revelation from this methodological orientation. Energetic attention has been given to John's strategies for establishing authority for his message and deconstructing the authority of rival 'orators'. A number of articles have identified and analyzed implicit and explicit enthymemes in Revelation, the deployment of typical epideictic and deliberative topics, and the contributions of intertexture to ratio

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Prus, Robert. "Influence Work, Resistance, and Educational Life-Worlds: Quintilian’s [Marcus Fabius Quintilianus] (35-95 CE) Analysis of Roman Oratory as an Instructive Ethnohistorical Resource and Conceptual Precursor of Symbolic Interactionist Scholarship." Qualitative Sociology Review 18, no. 3 (2022): 6–52. http://dx.doi.org/10.18778/1733-8077.18.3.01.

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Despite the striking affinities of classical Greek and Latin rhetoric with the pragmatist/interactionist analysis of the situated negotiation of reality and its profound relevance for the analysis of human group life more generally, few contemporary social scientists are aware of the exceptionally astute analyses of persuasive interchange developed by Aristotle, Cicero, and Quintilian. Having considered the analyses of rhetoric developed by Aristotle (384-322 BCE) and Cicero (106-43 BCE) in interactionist terms (Prus 2007a; 2010), the present paper examines Quintilian’s (35-95 CE) contr

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Hall, Edith. "Some Functions of Rhetorical Questions in Lysias’ Forensic Orations." Trends in Classics 14, no. 2 (2022): 349–73. http://dx.doi.org/10.1515/tc-2022-0015.

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Abstract The rhetorical question, often assumed to have been favoured by the sophist Gorgias, became a fundamental feature of ancient rhetoric in both Greek and Latin. By the time of Senecan tragedy, an accumulation of as many as seventeen serial rhetorical questions can be found expressing extremes of emotion, especially indignation or despair. Rhetorical questions in some archaic and classical Greek authors have received limited attention, for example, in the Iliad those delivered by Thersites in exciting indignation (2.225–233) and by the authorial voice to create pathos in asking Patroclus

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Marotta, Giovanna. "On Cicero’s fine-grained perception of the prosodic features in Latin." Journal of Latin Linguistics 17, no. 2 (2018): 259–78. http://dx.doi.org/10.1515/joll-2018-0007.

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AbstractThe long tradition of philology and comparative linguistics acknowledges the distinctive value of vowel length in Latin phonology. However, to think of Latin as a spoken language, and not only as a literary one, implies the adoption of a sociolinguistic perspective based on the idea of variation, at all levels of grammar. In this view, with due caution, it is possible to argue that vowel length was unstableab antiquoin spoken Latin, at least in the low diaphasic and diastratic levels. In this view, the paper analyzes some passages by Cicero often interpreted as testimonies in favor of

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Walter, Anke. "Latin literature." Greece and Rome 70, no. 1 (2023): 115–24. http://dx.doi.org/10.1017/s0017383522000274.

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As always, it is hard to do justice to the many intriguing books that came out over the past months. I will try to give an overview of at least a few of them, from Republican literature over two imperial ‘Classics’, the Aeneid and the Fasti, over Ps.-Quintilian's Declamations and Apuleius, fourth and fifth-century commentaries, all the way to a lesser-known work from the fifteenth century. Let us start, however, with an exciting volume on ‘Roman Law and Latin Literature’, edited by Ioannis Ziogas and Erica Bexley. In their introduction, the two editors sketch out the relationship between law a

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Katz, Rachel B. "Shema as Memory Palace: A Medieval Hebrew Ars Memorativa." Jewish Quarterly Review 114, no. 3 (2024): 351–74. http://dx.doi.org/10.1353/jqr.2024.a936353.

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Abstract: Leon Modena’s Lev ha-Aryeh (seventeenth-century Italy) has long been recognized as the first Hebrew treatise on mnemonics. This article points to an earlier source: gate 90 of Isaac Arama’s ‘Akedat Yits@hak . Arama not only describes the locative memory palace developed by Roman orators and popular throughout Latin Christendom. He contends that the original memory palace was given by God to the Israelites and consists in none other than the central prayers of Jewish liturgy, the Shema and ve-ahavta . On Arama’s reading, the Shema and ve-ahavta are designed as a sort of verbal memory

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ОЛЕНЯК, М. "ІСТОРІОГРАФІЯ ДОСЛІДЖЕНЬ ОБРАЗНОГО ПОРІВНЯННЯ: ДОБА АНТИЧНОСТІ". Current issues of linguistics and translation studies 22 (2 грудня 2021): 101–7. https://doi.org/10.31891/2415-7929-2021-22-21.

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The paper deals with the ancient interpretation of simile based on the primary sources; it proves that the explorations of ancient Greek and Roman philosophers, logicians, and orators cannot be considered naive in contrast to the modern ones regarded as scientific. Attention is drawn to the fact that not only did they lay the foundations for the study of figurative speech, but also outlined the vectors of modern research: using a contemporary terminology they differentiated between logical and figurative comparisons (similes), similes of equality and inequality; discussed explicatures and impl

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Izzet, Vedia, and Robert Shorrock. "General." Greece and Rome 62, no. 1 (2015): 123–28. http://dx.doi.org/10.1017/s0017383514000321.

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Twelves Voices from Greece and Romeby Christopher Pelling and Maria Wyke sounds like a title specially commissioned by this very journal, though, alas, we can claim none of the credit! The collaboration arose out of a BBC Radio 3 series on classical literature in collaboration with the Open University and should have a broad appeal. Of the twelve voices six are Greek, six Latin: for the poets, Homer, Sappho, Virgil, Horace; for the tragedians, Euripides; for the historians Herodotus, Thucydides, Caesar, Tacitus; with Cicero for the orators (and philosophers…) and Juvenal for the satirists, pai

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Walser-Bürgler, Isabella. "Staging Oratory in Renaissance Germany: The Delivery of Andrés Laguna's Europa Heautentimorumene (1543)." Rhetorica 38, no. 1 (2020): 84–117. http://dx.doi.org/10.1525/rh.2020.38.1.84.

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Not much is known about the actual practice of delivering orations in the Renaissance. In some instances—particularly in instances of orations held at universities—there is the possibility to consult sources like the diaries of the faculties, in order to get some information about the actio of a specific oration. In other instances, sometimes the printed orations themselves, the context they were given in, the author's rhetorical upbringing, and the links between oratory and contemporary acting can provide indications of the way orations were performed. The Latin oration Europa heautentimorume

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Lessa Vergílio Borges, Marlene. "A construção do ethos do orador no Pro Milone de Cícero." CODEX – Revista de Estudos Clássicos 2, no. 1 (2010): 7. http://dx.doi.org/10.25187/codex.v2i1.2817.

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<div class="page" title="Page 7"><div class="layoutArea"><div class="column"><p><span>O poder de persuasão do ethos do orador é reconhecido tanto na tradição retórica grega como na latina. Mas é na prática oratória romana que a utilização do <em>ethos</em> como fonte de persuasão se torna proeminente. Com base na teoria de Cícero sobre o <em>ethos</em>, desenvolvida no <em>De oratore</em>, II, 182-184, procuramos, neste trabalho, realizar um estudo da representação do <em>ethos</em> do orador no discurso <em>Pr

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Gouvêa Júnior, Márcio Meirelles. "Ars Rhetorica: Petrônio, Satyricon, 5." Nuntius Antiquus 9, no. 1 (2013): 215. http://dx.doi.org/10.17851/1983-3636.9.1.215-233.

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The twenty-two verses that make up Chapter 5 of <em>Satyricon </em>describe the guidelines of the formation of <em>perfectus orator</em>, as defined by Cato, Tacitus and Quintilian. However, the function of the poem in the assembly of this Latin novel is to accentuate the gap between educational theory during the early empire and the practice of an effective teaching of oratory – a practice deemed decadent since the final years of the republic. The poem, therefore, satirizes the educational processes at the time, serving as an object of sarcasm to the readers of ancient

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Spáčilová, Jana. "Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760." Musicology Today 18, no. 1 (2021): 114–26. http://dx.doi.org/10.2478/muso-2021-0011.

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Abstract The phenomenon of the pasticcio oratorio was quite widespread in the Czech Lands around the middle of the eighteenth century. The first evidence of this practice was a Latin oratorio based on opera arias by George Frideric Handel (Prague 1725). In Brno, the capital of Moravia, the performances of oratorios were supported by Bishop Wolfgang Hannibal Schrattenbach, who was also an important patron of Italian opera. Therefore, opera arias were frequently interpolated into the Italian oratorios produced in his palace every week during Lent. Some works from the 1730s were even created as p

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Urbaniak, Artur. "Contemporary homo politicus as an ideal orator. A pragmalinguistic analysis of the inaugural addresses of American presidents from 1981 to 2021." Scripta Neophilologica Posnaniensia 22 (December 30, 2022): 179–92. http://dx.doi.org/10.14746/snp2022.22.11.

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The article is a pragmalinguistic analysis of the inaugural addresses delivered by U.S. presidents from 1981 to 2021. The study was conducted using Voyant Tools, a computer software used in corpus linguistics. Four aspects/parameters of the text that affect its level of complexity and thus the level of assimilation of the message (reading ease) were examined. The analysis included (1) lexical density; (2) average sentence length; (3) readability indices including: Gunning Fog, Flesch-Kincaid and SMOG Index; and (4) a tag cloud (cirrus). The point of reference is the classical Ciceronian concep

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Oleniak, Mariana. "Historiography of Simile Research: The Middle Ages." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 14, no. 25 (2021): 245–53. http://dx.doi.org/10.34079/2226-3055-2021-14-25-245-253.

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The article deals with the study of medieval concepts of simile in both Western and Eastern traditions. It highlights the transition from the classical fundamentals to their medieval interpretation in the European specialized literature, as well as rather independent research of this category outside Europe. The correlation of terminology of different epochs is established and the dependence of scientific thought on the historical stage of society development is outlined. The paper demonstrates that the explorations of ancient philosophers, logicians, orators, and writers determined the vector

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18

Hermand-Schebat, Laure. "Formation initiale et formation continue de l’orateur : les exercices rhétoriques dans les livres I, II et X de l’Institution oratoire de Quintilien." Vita Latina 195, no. 1 (2017): 232–48. http://dx.doi.org/10.3406/vita.2017.1851.

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Quintilian inherits the Greek tradition of progymnasmata, i. e. preliminary exercises to the actual teaching of rhetoric, and offers in books 1 and 2 of Institutio oratoria varied and progressive exercises for the young boy who leaves the grammaticus’ classroom to that of the rhetor, including the chreia and the thesis. But his originality in the both Greek and Latin rhetoric tradition is to add to this «initial training » a «continuing training » designed for the adult speaker and exposed in book X. The long road to the perfectus orator, whose accomplished art is manifested in improvisation,

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Renzo, Anthony Di. "His Master's Voice: Tiro and the Rise of the Roman Secretarial Class." Journal of Technical Writing and Communication 30, no. 2 (2000): 155–68. http://dx.doi.org/10.2190/b4yd-5fp7-1w8d-v3uc.

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The foundation for Rome's imperial bureaucracy was laid during the first century B.C., when functional and administrative writing played an increasingly dominant role in the Late Republic. During the First and Second Triumvirates, Roman society, once primarily oral, relied more and more on documentation to get its official business done. By the reign of Augustus, the orator had ceded power to the secretary, usually a slave trained as a scribe or librarian. This cultural and political transformation can be traced in the career of Marcus Tullius Tiro (94 B.C. to 4 A.D.), Cicero's confidant and a

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Rowińska-Szczepaniak, Maria. "Święci rodziny dominikańskiej w oratorstwie Fabiana Birkowskiego." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 58, no. 1 (2023): 251–67. http://dx.doi.org/10.36770/bp.784.

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In the times of Fabian Birkowski, OP, the notion of the Dominican Family comprised three forms of community life. They were represented by the preaching friars, cloistered nuns, and lay Dominicans. There were numerous saints and blessed who used to be members of those orders and the memory of them was perpetuated in, among others, the religious oratory of the 17th century. Among the preachers of those days, Father Fabian holds a prominent place as an author of Latin oratories and sermons de sanctis delivered in the Polish language. The fact that a large portion of the speeches dedicated to sai

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O'Sullivan, Neil. "Two notes on [Vergil] Catalepton 2." Classical Quarterly 36, no. 2 (1986): 496–501. http://dx.doi.org/10.1017/s0009838800012234.

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The difficulty of this little poem is shown by the facts that Ausonius had no idea what it was about, and that Westendorp Boerma's commentary takes 22 pages to explicate its five lines. The latter relies on Quintilian 8.3.27ff., who quotes the poem, saying that Vergil wrote it to attack a certain Cimber for his taste in obsolete words. This is no doubt the Annius Cimber whom Augustus ridiculed when reprimanding Mark Antony for a similar foible (Suet. Aug. 86) and who, as an antiquarius is contrasted with the Asiatici oratores. For convenience, I have kept Westendorp Boerma's text, but I take i

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Sinclair, Patrick. "Political Declensions in Latin Grammar and Oratory 55 BCE - CE 39." Ramus 23, no. 1-2 (1994): 92–109. http://dx.doi.org/10.1017/s0048671x0000240x.

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In a discussion of the rhetorical styles of Caesar and the early principes, Fronto formulates the maxim thatimperium…non potestatis tantummodo uocabulum, sed etiam orationis(‘’command’…is a word connoting not only power, but also oratory’ [p.123.16-17 van den Hout]). This essay will explore the political background and implications of trends and shifts in Roman ways of thinking about language and oratory in the transition from Republic to Principate. The word declension in my title functions in two senses: literally, in the case of Caesar's discussion of the nature of the Latin language (inDe

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Dumitrescu, Irina. "Voicing Emotion at School: Quintilian, Donatus, and Nicholas Udall." Studies in Philology 121, no. 4 (2024): 508–35. http://dx.doi.org/10.1353/sip.2024.a940238.

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Abstract: This essay argues that late antique and early modern texts could teach pronunciation through careful attention to emotional language, even when the topic was not explicitly addressed. Rhetoricians have long been aware that certain compositions require sensitive, modulated delivery. In the Institutio Oratoria , Quintilian showed that an orator needed an understanding of language and control over his voice to transmit the emotions of a client to his audience. The performance of emotional speeches was also modeled in two pedagogical works based on the plays of Terence: Aelius Donatus’s

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Dyck, Andrew R. "Fragmentary Republican Latin: Oratory ed. by Gesine Manuwald." Classical World 113, no. 4 (2020): 487–90. http://dx.doi.org/10.1353/clw.2020.0048.

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JOHN, ALISON. "LEARNING GREEK IN LATE ANTIQUE GAUL." Classical Quarterly 70, no. 2 (2020): 846–64. http://dx.doi.org/10.1017/s0009838821000112.

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Greek had held an important place in Roman society and culture since the Late Republican period, and educated Romans were expected to be bilingual and well versed in both Greek and Latin literature. The Roman school ‘curriculum’ was based on Hellenistic educational culture, and in the De grammaticis et rhetoribus Suetonius says that the earliest teachers in Rome, Livius and Ennius, were ‘poets and half Greeks’ (poetae et semigraeci), who taught both Latin and Greek ‘publicly and privately’ (domi forisque docuisse) and ‘merely clarified the meaning of Greek authors or gave exemplary readings fr

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McDermott, Ryan. "John Henry Newman and the Oratory School Latin Plays." Newman Studies Journal 9, no. 2 (2012): 6–12. http://dx.doi.org/10.5840/nsj20129218.

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McDermott, Ryan. "John Henry Newman and the Oratory School Latin Plays." Newman Studies Journal 9, no. 2 (2012): 6–12. http://dx.doi.org/10.1353/nsj.2012.0029.

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Dozier, Curtis. "RHETORICAL DISPLAY AND PRODUCTIVE DISSONANCE IN QUINTILIAN'S QUOTATIONS OF POETRY." Ramus 51, no. 2 (2022): 241–67. http://dx.doi.org/10.1017/rmu.2022.14.

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Among Latin rhetorical treatises and imperial writers on technical subjects, the Institutio Oratoria stands out for the sheer number of quotations of poetry that Quintilian incorporates into his discussion. Whereas Cicero's De Inuentione has 13 quotations of poetry and the Rhetorica ad Herennium 16, the index locorum in Russell's Loeb edition of the Institutio records 320 quotations from Greek and Latin poets. Despite the distinctive scale of Quintilian's engagement with poetry, scholars have not taken much interest in it, perhaps under the influence of the persistent belief that in the imperi

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López-Muñoz, Manuel. "Actio in Some Neo-Latin Ecclesiastical Orations." Rhetorica 22, no. 2 (2004): 147–67. http://dx.doi.org/10.1525/rh.2004.22.2.147.

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Abstract The study of theories of actio is a basic part of Rhetoric which ought not to be neglected, especially when one is considering practical rather than literary rhetoric. The present study deals with neo-Latin ecclesiastical rhetoric and points out the differences between protestant and catholic notions about the phenomenon of preaching. The presence or absence of indications of actio permits a clear distinction among tendencies in neo-Latin theory. There is such a thing as actioin the Catholic sense, but not in the Protestant. Among catholic scholars, Fr. Luis de Granada stands out for

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Giunta, Fabio. "Il Predicatore di Francesco Panigarola: un nuovo modello di eloquenza sacra per il seicento." Acta Neophilologica 45, no. 1-2 (2012): 109–18. http://dx.doi.org/10.4312/an.45.1-2.109-118.

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The seventeenth century marks the advent of preaching, in both Italy and Europe, as a literary form. Francesco Panigarola (1548-1594) did certainly play a major role in this process thanks to his treatises on sacred oratory and years of preaching activity in several Italian and European cities - during which he developed important relationships and personally experienced some of the most significant events of the century. Panigarolaʼs Il predicatore is a seventeenth-century example of rhetoric that whilst based on classical oratory complies with the precepts of the Counter- Reformation. This t

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Whitton, Christopher. "Latin Literature." Greece and Rome 66, no. 1 (2019): 118–26. http://dx.doi.org/10.1017/s0017383518000359.

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Nos ausi reserare… (‘We dare unbolt…’): a small but weighty beginning, with the new Loeb Ennius. It's nearly eighty years since E. H. Warmington finished his four-volume Remains of Old Latin (1935–40), combining the fragments of Ennius, Lucilius, Accius, and other pre-Sullan poetry in cheerful farrago with the Twelve Tables and a book of ‘archaic inscriptions’. The dry title notwithstanding, this was a flagship collection from a long-serving general editor of the Loeb Classical Library (1937–74): the scholarship was valiant, despite the slips so fully catalogued by unkinder reviewers, and the

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Schniebs, Alicia. "El estado soy yo: salus rei publicae e identidad en Cicerón." Minerva. Revista de Filología Clásica, no. 16 (February 5, 2019): 107–17. http://dx.doi.org/10.24197/mrfc.16.2003.107-117.

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Salus rei publicae is a standard expression of the Latin political vocabulary that implies the personification of the state. In this paper we study how this personification works as a tool of pathos used to build the opponent’s identity as hostis publicus and his own identity as a savior within the ciceronian oratory between 63 BC and 52 BC.

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Formarier, Marie. "Ῥυθμός rhythmos et numerus chez Cicéron et Quintilien. Perspectives esthétiques et génériques sur le rythme oratoire latin". Rhetorica 31, № 2 (2013): 133–49. http://dx.doi.org/10.1525/rh.2013.31.2.133.

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The strong connection between rhythm and number is one of the most significant features of Aristotle's theory of rhythm. It equally underlies Cicero's rhetoric; and hence he translated the Greek notion of ῥυθμός into numerus. However, this terminology gives cause for concern; since numerus, like ῥυθμός may be relevant not only to rhythm in oratory, but also to musical rhythm. This is why Cicero was suspected by some Atticists of confounding music and discourse, although in fact the distinction between song and speech is prominent in his treatises. Quintilian addressed this problem and proposed

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Kaniecki, Rafal. "L’influsso del luogo e del rito della santa messa sull’adempimento del precetto festivo." Prawo Kanoniczne 63, no. 4 (2020): 3–13. http://dx.doi.org/10.21697/pk.2020.63.4.01.

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Il Concilio di Adge (506) decise che si poteva adempiere il precetto festivo soltanto nella propria chiesa parrocchiale. Questa norma si è diffusa nella Chiesa latina e sopravviveva fino al Concilio di Trento (1545-1563), quantunque già in precedenza essa fosse stata indebolita dal diritto consuetudinario che permetteva di soddisfare l’obbligo, in determinate situazioni, anche in altre chiese parrocchiali, e anche, grazie ai privilegi papali, nelle chiese degli ordini mendicanti. Dal Concilio di Trento in poi i fedeli possono essere soltanto invogliati all’adempimento del precetto nella propri

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Sgarbi, Marco. "Francesco Robortello's Rhetoric. On the Orator and his Arguments." Rhetorica 34, no. 3 (2016): 243–67. http://dx.doi.org/10.1525/rh.2016.34.3.243.

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This paper deals with the conception of rhetoric of one of the most prominent Renaissance scholars, Francesco Robortello, and focuses in particular on his vernacular manuscript entitled Dell'oratore, probably his final statement on the topic, the transcription of which is included in the appendix. The study of the manuscript will be integrated with the examination of Robortello's Latin published works on rhetoric, that is De rhetorica facultate (1548) and De artificio dicendi (1567), as well as of some of his schemes in printed and manuscript form.

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Sparisci, Luciana. ""Excerpta" de oratoria romana." Revista de Filología y Lingüística de la Universidad de Costa Rica 12, no. 2 (2015): 85. http://dx.doi.org/10.15517/rfl.v12i2.17073.

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Entre las manifestaciones artísticas de la cultura romana, la Oratoria ocupa un lugar privilegiado. "Comunicativo" por naturaleza, el pueblo ltálico. Su evolución la examinamos no siempre en modo exhaustivo en las correspondientes etapas de la historia de la literatura latina o bien en los fragmentos o textos de los autores más o menos afortunados en la tradición de sus obras.

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Zugravu, Nelu. "Tempestatis obsequium in principem." Classica - Revista Brasileira de Estudos Clássicos 34, no. 1 (2021): 111–41. http://dx.doi.org/10.24277/classica.v34i1.912.

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Among the sources that reflect the transformations occurred in the imperial ideology during the 3rd-4th centuries, we find the speeches uttered between 289 and 389 in official and solemn circumstances by orators from Gallia (some of them anonymous), reunited since the Antiquity in the corpus entitled Panegyrici Latini. A special place in this respect is occupied by the divine nature of the emperor. The biography on the matter is rather consistent, but we may still add to the discussion an aspect that has not been approached thus far, and that I will approach in this paper, namely the relation

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Labate, Mario. "Rolling words: un’idea dell’espressione oratoria e dell’ispirazione poetica fra Antichità e Rinascimento." DILEF. Rivista digitale del Dipartimento di Lettere e Filosofia, no. 1 (March 8, 2022): 17–35. http://dx.doi.org/10.35948/dilef/2022.3297.

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AbstractL’articolo intende portare nuovi contributi all’interpretazione di un luogo famoso dell’Ars poetica di Orazio (323 ore rotundo...loqui) in cui il poeta esprime apprezzamento e ammirazione nei confronti dei Greci per le loro nobili attitudini e le eccellenti realizzazioni sul piano artistico e linguistico-letterario. Qual è il preciso significato nel contesto oraziano? Quali sono i precedenti greci e/o latini di una formula destinata, come tante altre incisive espressioni del poeta, ad assumere valore di proverbio? Quale ne è stato l'impiego nella significativa ricezione umanistica e qu

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Parkin, Kirsten. "Reading intimate partner violence in Latin controversiae." Bulletin of the Institute of Classical Studies 66, no. 2 (2023): 51–62. http://dx.doi.org/10.1093/bics/qbae003.

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ABSTRACT Intimate partner violence—any behaviour within a current or former intimate relationship that causes physical, psychological, or sexual harm—is a public health issue of global proportions. It disproportionately affects women: one in three women report having experienced a form of physical or sexual violence from an intimate partner during their life (World Health Organization 2021). So too intimate partner violence was prevalent in the Roman world. This chapter argues that intimate partner violence plays a significant role in Latin pedagogical exercises of the controversia, by which s

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Azarova, Valentina Vladimirovna. "The “undying archaic elements” in dramatic oratorio by Arthur Honegger “Joan of Arc at the Stake”." Человек и культура, no. 1 (January 2020): 35–61. http://dx.doi.org/10.25136/2409-8744.2020.1.31950.

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The subject of this research is the integration of the elements of old genres in to a composition of Arthur Honegger&rsquo;s dramatic oratorio. Particular attention is paid to formation of the system of interrelated intonation-dramaturgical spheres and vocal-symphonic development of recurring themes, motifs and sound symbols. The author examines the interaction of verbal and vocal-symphonic elements of sound fabric. The goal consists in identification of the traits of old genres and other archaic elements within the synthetic form of musical/dramatic theatre, as well as determination of th

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Mari, Tommaso. "The Grammarian Consentius on Errors Concerning the Accent in Spoken Latin." Acta Antiqua Academiae Scientiarum Hungaricae 59, no. 1-4 (2020): 623–33. http://dx.doi.org/10.1556/068.2019.59.1-4.54.

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Summary:The 5th-century Gaulish grammarian Consentius wrote an extensive treatise on errors in spoken Latin. In the Roman grammatical tradition, errors in single words are deemed to arise by means of the improper addition, removal, substitution, and misplacement of one of the constitutive elements of the word (letter, syllable, quantity, accent, and aspiration). Late grammarians assumed that the four catego- ries of change applied to accents too, but only Consentius provided an example for each of these cases. However, his discussion poses some problems. The examples of removal, substitution a

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García-Bryce, Iñigo. "Transnational Activist: Magda Mortal and the American Popular Revolutionary Alliance (APRA), 1926–1950." Americas 70, no. 04 (2014): 677–706. http://dx.doi.org/10.1017/s0003161500003606.

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In March of 1929, die young Peruvian poet and political activist Magda Portal departed from die Yucatan in Mexico to give a series of lectures in Cuba, Puerto Rico, the Dominican Republic, and Colombia. She traveled as an emissary of the Alianza Popular Revolucionaria Americana (American Popular Revolutionary Alliance, APRA), a recendy founded political organization that sought to transform Latin America by creating a united front against foreign imperialism. On July 14, in Santo Domingo she gave a lecture titled “Latin America Confronted by Imperialism,” at “the largest theater in town” to an

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García-Bryce, Iñigo. "Transnational Activist: Magda Mortal and the American Popular Revolutionary Alliance (APRA), 1926–1950." Americas 70, no. 4 (2014): 677–706. http://dx.doi.org/10.1353/tam.2014.0052.

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In March of 1929, die young Peruvian poet and political activist Magda Portal departed from die Yucatan in Mexico to give a series of lectures in Cuba, Puerto Rico, the Dominican Republic, and Colombia. She traveled as an emissary of the Alianza Popular Revolucionaria Americana (American Popular Revolutionary Alliance, APRA), a recendy founded political organization that sought to transform Latin America by creating a united front against foreign imperialism. On July 14, in Santo Domingo she gave a lecture titled “Latin America Confronted by Imperialism,” at “the largest theater in town” to an

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WHITEHEAD, LAURENCE. "The Politics of Expertise in Latin America: Antecedents and Actualities." Brazilian Journal of Political Economy 20, no. 2 (2000): 212–24. http://dx.doi.org/10.1590/0101-31572000-1067.

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ABSTRACT All public activities are in some broad measure political, and all require certain specialised skills, which may be termed “expertise”. But over time and space the realm of the specifically “political” may either expand or contract. Equally, what counts as expertise, and how much autonomy it will be granted, also varies over time and space. Horsemanship, literacy, oratory, textual exegesis, and an understanding of global financial derivatives have each been regarded as the hallmark of the modern expert in one setting or another. The relationship between the “generalist” politician and

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Luciani, Didier. "La fille «perdue» et «retrouvée» de Lévitique 18." Études théologiques et religieuses 76, no. 1 (2001): 103–12. http://dx.doi.org/10.3406/ether.2001.3636.

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In a previous issue of the review (ETR 75, 2000, p. 415-420), J. Joosten asserted, by making use of categories of greco-latin rhetoric, that the father-daughter incest, though not explicitely mentioned, was implied by the writer of Lv 18. The application of rules of Semitic rhetoric and the consequent structural lay-out of the chapter add to these results and also confirm the skill of the writer : by placing the prohibition of father-daughter incest in the very middle of his speech, he combines opposing oratory requirements and succeeds the feat of concealing this delicate issue without underm

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Stępkowski, Aleksander. "Wawrzyniec Grzymała Goślicki - życie i działalność." Prawo Kanoniczne 42, no. 1-2 (1999): 225–41. http://dx.doi.org/10.21697/pk.1999.42.1-2.09.

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The article is sacrificed to the person of Wawrzyniec Grzymała Goślicki (Laurentius Grimaldus Goslicus), senator and bishop of Poland, author of the political treaties De optimo senatore. The treaties is one of less known in Poland, but was very popular in England, where it was published in English three times (The Counsellor [1598], A Comonwealth of good counsaile [1607], The Accomplished Senator [1733]). We do knowalso that the treaty was twice plagiarised, first in Germany as Jurisprudentiae Politicae, apud Antonium Hummium (1611), second one was The Sage Senator published in England (1660)

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Levene, D. S. "God and man in the classical latin panegyric." Proceedings of the Cambridge Philological Society 43 (1998): 66–103. http://dx.doi.org/10.1017/s0068673500002157.

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This paper is specifically concerned with the classical Latin panegyric, thus excluding both panegyrics from late antiquity, where the religious context is substantially different, and (at least in the first instance) panegyrical literature in Greek, with its distinctive linguistic and hence ideological background. I am, moreover, defining ‘panegyric’ to comprise only speeches in praise of a living person or persons: the religious status of living people, and the language applied to them, manifestly raise particular problems not present with other objects of praise.But there are on the face of

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Caravolas, Jean Antoine. "Apprendre à Parler Une Langue Étrangère à la Renaissance." Historiographia Linguistica 22, no. 3 (1995): 275–309. http://dx.doi.org/10.1075/hl.22.3.02car.

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Résumé À la Renaissance la pédagogie des langues est fortement influencée par l’Institution Oratoire de Quintilien. En règle générate, on apprend à parler le latin au collège, de manière formelle, par les règles, sans grand succès, semble-t-il. On apprend à parler les langues vivantes, d’habitude, hors de l’école, de manière informelle, par l’usage, mieux et plus rapidement. Àvec le recul du latin la conversation entre étrangers se déroule, de plus en plus, en une langue vivante. Vers la fin du XVIIe siècle, dans certains collèges, les langues modernes, étudiées jusque-là comme option, entrent

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Warren, Richard. "The Political Power of the Word: Press and Oratory in Nineteenth-Century Latin America." Hispanic American Historical Review 83, no. 4 (2003): 742–43. http://dx.doi.org/10.1215/00182168-83-4-742.

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Milovanović-Barham, Čelica. "Three Levels of Style in Augustine of Hippo and Gregory of Nazianzus." Rhetorica 11, no. 1 (1993): 1–25. http://dx.doi.org/10.1525/rh.1993.11.1.1.

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Abstract: In Book 4 of De doctrina Christiana St. Augustine suggests that the three levels of style in Christian oratory should reflect the level of emotional impact on the audience, which would result in frequent variation through the course of the speech. Augustine's literary theory seems to be in complete agreement with contemporary oratorical practice, not only Latin, in the West, but Greek too—witness St. Gregory of Nazianzus, whose Oration 42, The Last Farewell,is used as an example in this article. Finally, a comparison between Augustine's views and those of some later Greek rhetorician

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