Relevant bibliographies by topics / Orature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Orature'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Orature"

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F. Fiona Moolla. "When Orature Becomes Literature:." Comparative Literature Studies 49, no. 3 (2012): 434. http://dx.doi.org/10.5325/complitstudies.49.3.0434.

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Knowles-Borishade, Adetokunbo F. "Paradigm for Classical African Orature." Journal of Black Studies 21, no. 4 (June 1991): 488–500. http://dx.doi.org/10.1177/002193479102100408.

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Lahaye, Tito. "Recitative Literature or Guaraní Orature." Bible Translator 54, no. 4 (October 2003): 401–7. http://dx.doi.org/10.1177/026009430305400401.

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Horn, Peter. "Orature, Literature and the Media." Journal of Literary Studies 10, no. 1 (March 1994): 75–85. http://dx.doi.org/10.1080/02564719408530066.

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Adéèkó, Adélékè. "Theory and Practice in African Orature." Research in African Literatures 30, no. 2 (June 1999): 222–27. http://dx.doi.org/10.2979/ral.1999.30.2.222.

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Liebhaber, Sam. "Acoustic spectrum analysis of Mahri orature." Brill’s Journal of Afroasiatic Languages and Linguistics 9, no. 1-2 (2017): 106–18. http://dx.doi.org/10.1163/18776930-00901012.

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The question of the metrical organization of Arabian vernacular orature has historically been defined by two approaches: one holds that its metrical system is based on patterned beats of stress, while the other proposes regular alternations of long and short vowels. In this article, I describe some preliminary experiments in using a digital method to derive visual spectrograms of the same lines of Mahri poetry performed in two different modes: chanting and recitation. Given the discrepancy in results between the two, my findings suggest that the organizational rhythm of bedouin vernacular poetry is contingent on performance and is not intrinsic to the poetic text itself. The results further cast suspicion on the salience of vocalic quantity or syllabic quality as the prime determinants of Bedouin vernacular prosody.
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Adeeko, Adeleke. "Theory and Practice in African Orature." Research in African Literatures 30, no. 2 (1999): 222–27. http://dx.doi.org/10.1353/ral.2005.0055.

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Miller, Christopher L. "The Slave's Rebellion: Literature, History, Orature." Slavery & Abolition 28, no. 2 (August 2007): 289. http://dx.doi.org/10.1080/01440390701428063.

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Okuyade, Ogaga. "Aesthetic Metamorphosis Oral Rhetoric in the Poetry of Tanure Ojaide." Matatu 40, no. 1 (December 1, 2012): 33–50. http://dx.doi.org/10.1163/18757421-040001003.

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The writer's imaginative craft is usually inspired and shaped by the environment s/he hails from. This in turn gives room for constant communication between the creative mind and the immediate physical social world; the environment becomes a determinant of the writer's experiences. The influence of the Urhobo oral tradition on the poetic corpus of Tanure Ojaide is remarkable. The poet's cultural background occupies a looming space in his choices of generic style. Close examination of Ojaide's poetry reveals the exploration and appropriation of the orature of the Urhobo people, which ranges from myth, folksongs, proverbs, riddles, indigenous rhythms to folktales. Ojaide deploys orature to criticize contemporary ills as well as to locate solutions for Nigeria's socio-economic problems. The aim of this essay is essentially to demonstrate that orality accounts for the distinctiveness of Ojaide's writing. Also interrogate is the mingling of the oral and written in Ojaide's art. This approach will, it is hoped, open up what has been a restricted economy, through the inscribing of orature as a cardinal and integral constituent of the poet's art.
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Stanforth, Sherry Cook. "Orature and Whole Vision in Seven Arrows." MELUS 21, no. 2 (1996): 107. http://dx.doi.org/10.2307/467953.

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Dissertations / Theses on the topic "Orature"

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Mwangi, Gichora. "Orature in contemporary theatre practice in Kenya." Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441711.

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Spencer, Jasmine Rachael. "Telling animals : a histology of Dene textualized orature." Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/62154.

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In this dissertation, I create an interpretive framework based on deictic constructions to analyze Dene/Athabaskan poetics in four print collections of dual-language textualized orature— Denesułine/Chipewyan (Alberta), Dena’ina/Tanaina (Alaska), Dene Dháh/South Slavey (Alberta), and Diné Bizaad/Navajo (Southwest). Using this framework, I focus on the epistemological power of animals via the critical metaphor of animal tissue (muscle, bone, blood, and breath)—thus “histology.” My Introduction describes my framework. Chapter two, “‘Grandson, / This is meat’: Wolf and Caribou on How to Live in This Is What They Say,” focuses on ɂɛtθén, the word for both “meat” and “caribou,” and the homophonic relationship between meat and caribou. Chapter three, “‘I will be popular with the Campfire People, so ha, ha, ha’: Porcupine and Lynx on How to Love in K’tl’egh’i Sukdu/A Dena’ina Legacy,” on k’etch eltani, the prophetic practice of true belief. Chapter four, “‘What will you do now?’: Wolverine and Wolf on How to Die in ‘The Man Who Sought a Song,’” told by Elisse Ahnassay, on the (a)historical function of wodih, “news,” an oral genre that shapes the future. Chapter five, “‘If it floats, we will all live forever’: Coyote and Badger on How to Live Again in Diné Bahane’: The Navajo Creation Story,” on the reincarnational exchange figured by niłch’i bii’ sizinii, the inner wind. My Conclusion, “Histologies,” considers how the above concepts correspond to: flesh (ɂɛtθén), mind (k’etch eltani), breath (niłch’i bii’ sizinii), and bone (wodih): an animal that is a dream, a dream that is an animal. One of the primary ideas in my dissertation is the concept of narrative revitalization, which I define as cognate to and coeval with community practices of language revitalization, by comparing our conditions for who we are, how much space we believe ourselves to share, and how much time we have to share it in.
Arts, Faculty of
English, Department of
Graduate
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Cheney, Deborah. "Daughters of the Danaides : an orature on women on the operation of UK immigration control." Thesis, University of Kent, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386507.

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Schadeberg, Thilo C. "Nguo-nyingi Mkoti: Mwanzishaji wa mji wa Ngoji (Angoche)." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-97766.

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The title of this paper gives three variants of what historically is the same name: Koti = the present-day indigenous name of Koti Island; Ngoji = the older form of the same name; Angoche = the official name of the town, adapted from the name of the AKoti people EKoti is the language of Angoche, a town on the coast of Nampula Province, in Mozambique. EKoti is in most respects very similar to the neighbouring coastal varieties of Makhuwa, but it also has many lexical and morphological items that are derived from Swahili. My colleague F. U. Mucanheia, co-author of our forthcoming grammar of EKoti, has recorded a story about the origin of Koti Island and its people. In the present paper, I summarize the text of this oral tradition, and I compare it to the dynastic traditions from Angoche and to those found in the Kilwa chronicle, pointing out differences but also establishing links.
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Mahazi, Jasmin Anna-Karima. "Shela koma na mizimu mema - remembering our ancestors." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-90879.

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Vave is generally defined as a corpus of agricultural songs as they are sung and performed by Bajuni farmers - an ethnic subgroup of the Swahili - on the eve of burning the bush, a stage of slash and burn cultivation. Although the song’s main theme is agriculture and each cultivation step in particular is given attention, an analysis of the aesthetics of Vave from the viewpoint of oral literature unearths the secret and sacred dimension of Vave performance. Death, bereavement, resurrection, and spirituality are, besides agricultural cultivation, the basic aspects of the Vave. Indeed the Vave performance may be more correctly recognised as an ancient religious rite which has ancestral worship as a central issue. Although the worship of ancestors is irreconcilable with the Islamic belief system, Vave is still performed by the Muslim Bajuni farmers today. This essay attempts to outline in which way the ancestors are annually remembered, revived or actualised in the present by Bajuni farmers through the performance of an oral tradition.
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Boichard, Léa. "La poétique du parler populaire dans l'oeuvre barrytownienne de Roddy Doyle : étude stylistique de l'oralité et de l'irlandité." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE3068/document.

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Ce travail interroge les relations entre langue écrite et langue orale et les effets de la représentation de l’oralité et du dialecte dans l’écriture littéraire. Plus spécifiquement, il établit un cadre théorique d’analyse stylistique permettant de faire émerger la poétique du parler populaire dans l’œuvre de Barrytown de Roddy Doyle. Cette étude s’articule autour de trois chapitres. Les deux premiers sont à visée théorique, et ont pour objectif de mettre en place les outils stylistiques, linguistiques et littéraires à partir desquels l’étude du corpus est abordée. Ainsi, après un retour diachronique et synchronique sur les rapports qu’entretiennent les deux media de communication orale et écrite, nous établissons un cadre d’analyse stylistique de la représentation de l’oralité et du dialecte dans la littérature. Nous étudions ensuite cette problématique plus spécifiquement dans le contexte irlandais, puisque la littérature et la culture irlandaises sont marquées par un la tradition orale. Cela nous conduit à une description détaillée du dialecte anglais-irlandais sous l’angle de la grammaire, du lexique et de l’accent. Nous abordons enfin les effets de la représentation de l’oralité et de l’irlandité dans l’œuvre barrytownienne de Roddy Doyle et faisons émerger la poétique du parler populaire qui l’anime
This study focuses on the relations between spoken and written language and on the effects created by the representation of orality and dialect in literary writing. More specifically, it proposes a theoretical framework of stylistic analysis which allows for the study of the poetics of popular language in Roddy Doyle’s Barrytown novels. This study is divided into three chapters. The first two chapters aim to define the stylistic, linguistic and literary tools that are used in the third chapter in order to carry out the corpus analysis. This study starts with a diachronic and a synchronic overview of the relationship between the oral and written media of communication. A workable framework for the stylistic analysis of the representation of orality and dialect in literature is then established. The second chapter considers this issue in an Irish context. Indeed, a strong oral tradition has always been present in Ireland and its impact is still felt in literature and culture. The linguistic situation in Ireland is studied from the point of view of grammar, lexicon and accent. Finally, the third chapter applies the framework previously presented and explores the effects created by the representation of orality and Irishness in Roddy Doyle’s Barrytown novels. It finally exposes the poetics of popular language
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Mahazi, Jasmin Anna-Karima. "Shela koma na mizimu mema - remembering our ancestors." Swahili Forum 17 (2010), S. 82-90, 2010. https://ul.qucosa.de/id/qucosa%3A11487.

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Vave is generally defined as a corpus of agricultural songs as they are sung and performed by Bajuni farmers - an ethnic subgroup of the Swahili - on the eve of burning the bush, a stage of slash and burn cultivation. Although the song’s main theme is agriculture and each cultivation step in particular is given attention, an analysis of the aesthetics of Vave from the viewpoint of oral literature unearths the secret and sacred dimension of Vave performance. Death, bereavement, resurrection, and spirituality are, besides agricultural cultivation, the basic aspects of the Vave. Indeed the Vave performance may be more correctly recognised as an ancient religious rite which has ancestral worship as a central issue. Although the worship of ancestors is irreconcilable with the Islamic belief system, Vave is still performed by the Muslim Bajuni farmers today. This essay attempts to outline in which way the ancestors are annually remembered, revived or actualised in the present by Bajuni farmers through the performance of an oral tradition.
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Scholten, Jentje. "Retoren en demokratie : funkties en disfunkties van de retorika in klassiek Athene /." Groningen, 1990. http://catalogue.bnf.fr/ark:/12148/cb35695828r.

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Caron-Scarulli, Fanny. "De l'orature ancestrale à la littérature contemporaine des Dakotapi et des Paiwan : histoire(s) de résilience trans-autochtone." Thesis, Aix-Marseille, 2020. http://www.theses.fr/2020AIXM0037.

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Cette thèse propose une étude trans-autochtones des oratures ancestrales et des littératures contemporaines des Dakotapi d’Amérique du Nord, peuple connu et popularisé par les sociétés dominantes, et des Paiwan de Taïwan, qui font partie des populations autochtones méconnues, et dont la littérature demeure en marge des études scientifiques actuelles. Cela permettra de construire des modes d’analyse et d’établir une forme de dialogue littéraire entre eux, afin de faire ressortir les similarités et les différences de ces productions orales et écrites considérées dans leur propre situation continentale. Les processus différenciés d’acculturation ciblant les Dakotapi et les Paiwan, avec la puissance coloniale américaine d’un côté, et celles japonaise et chinoise de l’autre, ont tous eu un impact violent sur la culture et sur l’identité de ces peuples autochtones. Toutefois, comme les héros et héroïnes de leurs oratures respectives, les jeunes adultes autochtones ayant assimilé l’écriture au sortir des écoles gouvernementales américaines et taïwanaises, ont détourné la technique graphique et le pouvoir symbolique du colonisateur pour écrire leur(s) propre(s) histoire(s). Cette recherche met également en avant la place cruciale que les littératures des peuples autochtones commencent à occuper sur la scène littéraire mondiale, au moyen de genres et de thèmes auto-centrés, et de critiques et de théories auto-référentielles. Ce sont des littératures de la résilience qui puisent leurs références, leurs thèmes, et leurs paradigmes dans leurs propres cultures autochtones, qu’elles se sont réappropriées en entreprenant une reconquête de leur identité et de leur souveraineté tribales
This dissertation provides a trans-indigenous study of North America’s Dakotapi and Taiwan’s Paiwan’s ancestral oratures and contemporary literatures. The Dakotapi are a well-known People popularized by dominant societies, whereas the Paiwan are amongst the most unknown indigenous populations, and their literature remains in the margins of current scholarly studies. It will allow the creation of methods of analysis and the establishment of some form of literary dialogue between them, in order to highlight the similarities and the differences of the oral and written production considered within their own continental situation. The differentiated acculturation processes targeting the Dakotapi and the Paiwan, of the American colonial power on one hand, and on the other hand of the Japanese and Chinese colonial powers, all had a violent impact on the culture and identity of these Indigenous Peoples. However, just as the heroes and heroines from their respective oratures, the young literate indigenous adults, who graduated from American and Taiwanese governmental schools, diverted the graphic skills and the symbolic power of the colonizer to write down their own (hi)stories. This research also stresses the crucial place that Indigenous literatures occupy on the global literary scene, by means of Indigenous-centered genres and themes, and self-referential critique and theories. These are literatures of resilience that draw their references, themes, and paradigms in their own Indigenous cultures, that were reclaimed by engaging in a reconquest of their tribal identity and sovereignty
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Ashworth, Robin Rison. ""New Media, Oral Histories and the Expansion and Modification of West African Griot Culture: A Case Study of Alhaji Papa Susso"." VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/434.

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This dissertation takes the approach of a qualitative case study whose primary subject is Alhaji Papa Susso, a distinct and compelling representative of griot culture, who was born in The Gambia, but who now resides in the U.S., yet maintains his griot identity. The findings from this research provide evidence that the griot, in his quest to support himself abroad while honoring the traditions of his heritage, is actively participating in the purposeful dissemination of griot culture in the U.S. and beyond. Though he may be cultivating genuine interest in his skills and in the oral canon of histories and epic tales that he maintains, he cannot control reception and appropriation of his culture. Further, the findings suggest there is a crosscutting backlash where the influence of technology is concerned, in that, while it provides a means for recording and preserving the griot’s performative art, it also distracts West African youth and diminishes their interest in acquiring and maintaining the tools and instrumentation of their caste-born heritage. The main conclusions drawn from this study suggest the griot feels compelled in many ways to spread his culture beyond the limits of his original, regional seat in order to preserve and promote it, but in doing so, he is changing his culture, and exposing it to audiences who are not sufficiently encultured to apprehend fully its depth and meaning. Furthermore, technology may be a useful tool in preserving the griot’s art in West Africa and abroad, but the static nature of recording robs the griot’s performance of its dynamic, flexible and culturally reflective power. Ultimately, it is the goal of this dissertation to actualize Stake’s (1995) assertion that “the function of research is not necessarily to map and conquer the world but to sophisticate the beholding of it” (p. 43); it is the goal of this dissertation to illuminate and understand, to bear careful witness to a facet of cultural expansion, to a contemporary phenomenon, to a particular, unique and valuable human experience.
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Books on the topic "Orature"

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Standpoints on African orature. Yaoundé, Cameroon: Presses universitaires de Yaoundé, 2011.

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Mugo, Micere Githae. African orature and human rights. Roma, Lesotho: Institute of Southern African Studies, National University of Lesotho, 1991.

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Orature et littéralité: Une perspective africaine. Berlin: Lit Verlag Dr. W. Hopf, 2008.

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The slave's rebellion: Literature, history, orature. Bloomington: Indiana University Press, 2005.

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Monye, Ambrose Adikamkwu. Proverbs in African orature: The Aniocha-Igbo experience. Lanham, Md: University Press of America, 1996.

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Parlons kirghiz: Manuel de langue, orature, littérature kirghizes. Paris: Harmattan, 2004.

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Lwanda, John Lloyd. Music, culture, and orature: Reading the Malawi public sphere, 1949-2006. Zomba, Malawi: Kachere Series, 2008.

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Mugo, Micere Githae. African orature and human rights in Gikuyu, Shona, and Ndebele zamani cultures. Harare: SAPES Books, 2004.

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Popular cultural forms: A materialist critique of gender representation in the Lang'o orature. Kampala, Uganda: Centre for Basic Research, 1993.

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author, Bryant Michael 1964, and Bambu Daniel author, eds. Suri orature: Introduction to the society, language and oral culture of the Suri people (Southwest Ethiopia). Köln: Rüdiger Köppe Verlag, 2013.

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Book chapters on the topic "Orature"

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Amine, Khalid, and Marvin Carlson. "Orature." In The Theatres of Morocco, Algeria and Tunisia, 16–27. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358515_3.

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Adesina, Damola, and Sola Olorunyomi. "Appropriation of Orature for Pedagogy by Early Yorùbá Christians." In African Languages and Literatures in the 21st Century, 43–69. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23479-9_3.

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Agerbæk, Jonas. "Local Folktales on the Radio: Orature and Action Research." In Methodological Reflections on Researching Communication and Social Change, 53–77. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40466-0_4.

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Agwuele, Augustine, and Alfred Nyagaka Nyamwange. "Oral Poetry: Monyoncho’s Orature and Abagusii Culture of Non-violence." In The Palgrave Handbook of African Oral Traditions and Folklore, 335–56. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55517-7_17.

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Oyěwùmí, Oyèrónkẹ́. "The Translation of Cultures: Engendering Yorùbá Language, Orature, and World-Sense." In Women, Gender, Religion: A Reader, 76–97. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1007/978-1-137-04830-1_7.

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Oyinsan, Bunmi. "Orature as a Site for Civil Contestation: Film and the Decolonization of Space and Place in Tsisti Dangarembga’s Kare Kare Zvako (Mother’s Day) 2005." In The Handbook of Civil Society in Africa, 399–413. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8262-8_22.

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Petkas, Alex. "Epideictic Oratory." In A Companion to Late Antique Literature, 193–208. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118830390.ch12.

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Cooper, Craig. "Forensic Oratory." In A Companion to Greek Rhetoric, 203–19. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997161.ch14.

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Usher, Stephen. "Symbouleutic Oratory." In A Companion to Greek Rhetoric, 220–35. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997161.ch15.

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Carey, Christopher. "Epideictic Oratory." In A Companion to Greek Rhetoric, 236–52. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997161.ch16.

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Conference papers on the topic "Orature"

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Sabirova, Liliia Emerevna, and Liliia Rafailovna Salimullina. "The Development of Students' Oratory Skills with the Help of the Transformational Psychological Game "Orator"." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2021. http://dx.doi.org/10.21661/r-554079.

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Upendar, J., Adidam Krishna Kamal, Yadavalli Krishna Samhith, K. Robert Vedsuhas, and K. Soujanya. "Design and Implementation of Transmission Line Simulator Lab oratory Model." In 2020 4th International Conference on Electronics, Communication and Aerospace Technology (ICECA). IEEE, 2020. http://dx.doi.org/10.1109/iceca49313.2020.9297627.

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Sawla, Hasti, Vineet Kothari, Krina Joshi, and Kavita Kelkar. "Computational Inference of Candidates' Oratory Performance in Employment Interviews Based on Candidates' Vocal Analysis." In 2018 Second International Conference on Intelligent Computing and Control Systems (ICICCS). IEEE, 2018. http://dx.doi.org/10.1109/iccons.2018.8662991.

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Cosentino, Antonino, Mariarita Sgarlata, Carmelo Scandurra, Samantha Stout, Mariateresa Galizia, and Cettina Santagati. "Multidisciplinary investigations on the byzantine oratory of the Catacombs of Saint Lucia in Syracuse." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419471.

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Cherkasova, Yelena Valeryevna. "RELEVANCE OF LINGUISTIC RESEARCH IN THE FIELD OF LAW." In Russian science: actual researches and developments. Samara State University of Economics, 2020. http://dx.doi.org/10.46554/russian.science-2020.03-1-427/430.

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Language and law are phenomena that have emerged in the course of human social evolution and are "fundamental to human existence". The nature of their relationship within society has long been of concern to both linguists and legal scholars in terms of rhetoric, oratory, style, and terminology. This article examines the emerging socially significant problems that can only be solved in close interaction between linguistics and law. Thus, in the 20th century, it became necessary to create new language versions of existing legislation. It was possible to solve legal problems in close cooperation with linguists, which helped to strengthen ties between the two branches of science.
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Sun, Mingming, Xu Li, and Ping Li. "Logician and Orator: Learning from the Duality between Language and Knowledge in Open Domain." In Proceedings of the 2018 Conference on Empirical Methods in Natural Language Processing. Stroudsburg, PA, USA: Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/d18-1236.

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Germani, Alfonso. "Denominazioni di luogo intitolate a edifici di culto, monasteri, oratori, altari e altri manufatti legati alla presenza del sacro." In The Fourth International Conference on Onomastics „Name and Naming”, Sacred and Profane in Onomastics. Editura Mega, Editura Argonaut, 2017. http://dx.doi.org/10.30816/iconn4/2017/50.

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Tanasi, Davide, Ilenia Gradante, and Mariarita Sgarlata. "3D DIGITAL TECHNOLOGIES TO RECORD EXCAVATION DATA: THE CASE OF THE CATACOMBS OF ST. LUCY (SIRACUSA, SICILY)." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3002.

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Between 2013 and 2015, Arcadia University in partnership with the Pontifical Commission for Sacred Archaeology and the University of Catania undertook new excavation campaigns in the Catacombs of St. Lucy at Siracusa. The research focuses on some very problematic parts of Region C of the complex, including Oratory C, the so-called Pagan Shrine and Crypt VI. These areas document most effectively the long life of this Christian hypogeum, which incorporated previous structures and artefacts related to the Greek period and continued to be used until the Middle Ages. During the excavation an array of 3D digital techniques (3D scanning, 3d Modelling, Image-based 3D modelling) was used for the daily recording of the archaeological units, but also to create high-resolution virtual replicas of certain districts of the catacombs. Furthermore, the same techniques were applied to support the study of certain classes of materials, such as frescoes and marble architectural elements that could otherwise only be studied in the dark environment of the catacombs, making the visual analysis of such complex artifacts difficult and sometimes misleading, not to mention that the frequent use of strong sources of light for study can also endanger them. The virtual archaeology research undertaken at the Catacombs of St. Lucy represents the first systematic application of 3D digital technologies to the study of such a special archaeological context in Sicily.
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9

Vollmann, Ralf, and Soon Tek Wooi. "The Sociolinguistic Registers of ‘Malaysian English’." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.7-1.

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The interplay of four standard languages and a number of spoken languages makes Malaysia an interesting case of societal multilingualism. There is extensive convergence between the spoken varieties. ‘Malaysian English’ (ME) has developed its own structures which can be shown to copy structures of the mother tongues of the speakers at all levels of grammar, thereby being an example for localisation and the creation of a new dialect/sociolect. An analysis of the basilectal register of ME in ethnic Chinese speakers finds that converging patterns of ME and Malaysian (Chinese) languages, with situational lexical borrowing between the various languages. Sociolinguistically, ME plays the same role as any dialect, with covert prestige as an ingroup (identity) marker which is avoided in acrolectal (outgroup) communication. Spoken English in Malaysia can therefore be seen as a localised creoloid dialect of English, based on linguistic substrates. Sociolinguistically, ME is mainly an orate register for basilectal and mesolectal intra-group communication.
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