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Relevant bibliographies by topics / Orchestral reduction

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Academic literature on the topic 'Orchestral reduction'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Orchestral reduction"

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DeThorne, Jeffrey. "Schaeffer's Values, Henry's Monsters and Orchestral Noise Reduction." Organised Sound 18, no. 1 (2013): 81–91. http://dx.doi.org/10.1017/s135577181200026x.

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If nineteenth-century aesthetics distinguish between distinct, colourful French instrumentation and doubled, equalised German orchestration, this distinction softens when the ‘New German’ orchestration of Wagner and Strauss exploits individual instrumental colours before dissolving them into massive orchestral sonorities. Similarly, if early French electroacoustic music counteracts the meta-serialism of early twentieth-century German electronic music, Pierre Schaeffer's Traité des objets musicaux combines his early anecdotal Noise Studies with a noise-reduction process into a new, rather Germa

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FRĂȚILĂ, Lioara. "Accompanying and the Orchestral Reduction of 20th Century Music." " BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV, SERIES VIII - PERFORMING ARTS" 12(61), no. 2 Special (2020): 77–84. http://dx.doi.org/10.31926/but.pa.2019.12.61.31.

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Chan, Cliffton, Tim Driscoll, and Bronwen J. Ackermann. "Effect of a Musicians’ Exercise Intervention on Performance-Related Musculoskeletal Disorders." Medical Problems of Performing Artists 29, no. 4 (2014): 181–88. http://dx.doi.org/10.21091/mppa.2014.4038.

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PURPOSE: To evaluate the effect of a purpose-designed exercise program on performance-related musculoskeletal disorders (PRMDs) and associated risk factors in a sample of professional orchestral musicians. METHODS: A 10-week exercise program was made available to full-time musicians employed by the eight premier symphony orchestras of Australia. Questionnaires were administered before, immediately after (T1), and 6 months after interventions (T2) containing questions relating to change in frequency and severity of PRMDs, ratings of perceived exertion (RPE) during rehearsal, private practice, a

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Williamson, Rosemary. "Sterndale Bennett's Lost Piano Concerto Found." Journal of the Royal Musical Association 119, no. 1 (1994): 115–29. http://dx.doi.org/10.1093/jrma/119.1.115.

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I have as I before stated, not yet played this season in the great Concerts [at the Gewandhaus] because I preferred to wait until I was just leaving Leipzig, and had finished all my compositions for the Publisher, therefore on the 3rd. March I will if possible play a new Concerto which I have in hand.THIS, in a letter to Mary Anne Wood dated 7 February 1842, is the earliest specific mention of Bennett's last piano concerto, which was never published and for many years was missing. Only a ‘tantalising fragment’ of a two-piano reduction made by the composer's son and biographer, J. R. Sterndale

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Budy, Gandhes Sembodro. "Akademi Lalare Orchestra Sebagai Pengembang Kreativitas Musik Pada Anak Di Kabupaten Banyuwangi." Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 4, no. 1 (2021): 11. http://dx.doi.org/10.26740/vt.v4n1.p11-19.

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Abstract: Creativity is a talent possessed by every individual and can be honed or nurtured through the right educational institutions. In a creativity formation, children need help to build their creativity. Supporting factors and the formation of creativity in children, namely with the full support of the people or the environment around them. The Lalare Orchestra Academy is an educational institution that teaches children to be more creative in playing musical instruments. This research uses descriptive qualitative method with data collection using observation and interview techniques, whil

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Krusenstjerna, Mary, Joaquin Rodrigo, and James Galway. "Concierto pastoral; For Flute and Orchestra; Reduction for Flute and Piano." Notes 43, no. 4 (1987): 929. http://dx.doi.org/10.2307/898185.

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Putra, Rinaldhi Eka Kurnia, Abdul Rachman, Eko Raharjo, and Suharto Suharto. "Interaksi Simbolik Pada Pertunjukan Musik Keroncong oleh Orkes Keroncong Gunung Jati New Musik di Stasiun Tawang Semarang." Gondang: Jurnal Seni dan Budaya 5, no. 1 (2021): 30. http://dx.doi.org/10.24114/gondang.v5i1.19996.

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The Gunung Jati New Music Keroncong Orchestra is a keroncong orchestra that regularly performs keroncong music at Tawang Station Semarang. During the keroncong music performance there are various kinds of symbolic interactions between the players and also with the audience. The purpose of this study was to determine how the symbolic interaction in keroncong music performances by the Keroncong Gunung Jati New Music Orchestra. The research method used is qualitative. The data collection techniques used were observation, interview and documentation. The data collected through the stages of data r

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Ho, Allan B., Franz Liszt, Jay Rosenblatt, Imre Mezo, Imre Sulyok, and Geza Gemesi. "Concerto for Piano and Orchestra in E-Flat Major, Op. Posth.; Reduction for 2 Pianos." Notes 48, no. 4 (1992): 1447. http://dx.doi.org/10.2307/942165.

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Roberge, Marc-Andre. "From Orchestra to Piano: Major Composers as Authors of Piano Reductions of Other Composers' Works." Notes 49, no. 3 (1993): 925. http://dx.doi.org/10.2307/898925.

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Krusenstjerna, Mary, Francis-Paul Demillac, and Edvard Fliflet Braein. "Concertino; pour flute et orchestre a cordes. Reduction pour flute et piano par l'auteur." Notes 42, no. 1 (1985): 158. http://dx.doi.org/10.2307/898272.

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Dissertations / Theses on the topic "Orchestral reduction"

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Lington, Victoria DiMaggio. "The piano as an orchestra, the accompanist and the twentieth-century orchestral reduction." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/lington%5Fvictoria%5Fdimaggio/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2002.<br>Accompanied by 4 recitals, recorded Apr. 26, 1999, Apr. 17, 2000, Mar. 19, 2001, and Apr. 17, 2002. Includes bibliographical references (p. 83-86).

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O'Meara, Connor. "Selected Orchestral Excerpts for Bass Clarinet with Piano Reduction." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984170/.

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The idea of reducing popular and musically satisfying operatic or orchestral works to smaller instrumental forces is not uncommon, but the idea of reducing large scores for the exclusive use of orchestral excerpt pedagogy is. Although there are a multitude of excellent resources detailing how select excerpts from both the clarinet and bass clarinet orchestral repertoire should be performed, no resources for clarinetists or bass clarinetists provide a piano reduction of orchestral scores. Through piano reduction of orchestral scores, bass clarinetists have access to a resource that simulates th

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Thompson, Joshua Ketring. "Libby Larsen's Concerto for Trumpet and Orchestra: an overview and reduction of the orchestral score for trumpet and piano." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1093.

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Libby Larsen's Concerto for Trumpet and Orchestra was commissioned by Daniel Culver and the Quad City Youth Orchestra, in celebration of its 30th anniversary. It was written in 1987 and premiered on May 8, 1988. Daniel Culver conducted the Quad City Youth Orchestra and David Greenhoe was the trumpet soloist. Despite Libby Larsen's ongoing success as a composer, the premiere performance is the only time the concerto has been performed and it has since remained virtually-unknown to the public. This project serves as a way in which to reintroduce Libby Larsen's Trumpet Concerto to the trumpet, or

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Jeoung, Ko Eun. "Bohuslav Martinů's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752395/.

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Bohuslav Martinů's "Concerto for Oboe and Small Orchestra" is one of the most frequently played pieces in the oboe repertoire. For this reason, it is often played with the piano reduction instead of the orchestra in oboe recitals. However, the existing piano reductions include many errors and discrepancies from the orchestral score, misrepresent the orchestration, sometimes fail to make the oboe entries clear, and tend to be unplayable for pianists. Moreover, the scores were published after the composer's death without him supervising the final editing. I have prepared a new, playable piano r

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Perkins, John Douglas. "An Analysis and Orchestral Reduction of Psaume 130 (Du fond de l’Abime), by Lili Boulanger." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194318.

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Psaume 130, Du fond de l'Abime, by Lili Boulanger, poses a series of problems for conductors. Its large orchestral requirement and thirty-minute performance length severely limit the possibility of programming the work. Having thoroughly studied the composer's other works, I have determined that balance problems in the orchestration need adjustment. Errors exist in the current published edition and warrant correction.For these reasons combined with the assertion, later discussed in this document, that Lili Boulanger may have been asked to make a more practical version of Psaume 130, Du fond de

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Parys, Marcin. "Tchaikovsky's Piano Concerto No. 1 In B-Flat Minor, Op. 23: A Newly Arranged Edition of the Orchestral Reduction." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609138/.

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As it stands, only one arrangement of Tchaikovsky's Piano Concerto No. 1, Op. 23 orchestral reduction exists, which is by Tchaikovsky himself. A number of critical editions of the piece exist, but none of them cover the subject of the material within the orchestral reduction. Tchaikovsky wrote the reduction from a compositional rather than a pianistic perspective, thus some passages present awkward technical challenges. The purpose of this dissertation is ultimately to contribute to the repertoire of accompanists by producing a new edition of Tchaikovsky's Piano Concerto No. 1. I created my ar

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Zamparas, Grigorios. "Beethoven's Piano Concerto in E-Flat WoO 4: A Piano Reduction of the Full Orchestral Score Based on Jon Ceander Mitchell's Reconstruction." Scholarly Repository, 2007. http://scholarlyrepository.miami.edu/oa_dissertations/6.

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Beethoven wrote his earliest piano concerto, the Piano Concerto in E-Flat Major WoO 4, in 1784-85. The surviving manuscript copy contains the solo part complete and a piano reduction of all orchestral passages (Tutti) whenever the soloist is not playing. That manuscript also includes Beethoven's cues for an instrumentation consisting of strings, horns and flutes. Eminent Beethoven scholar Willy Hess completed his own reconstruction of the concerto in 1943. His version has been recorded three times, but only one is currently available on the Philips label (442580-2). The newest reconstru

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Fateeva, Anna A. "Three Arias From Mozart’s Don Giovanni: a Comparative Analysis of Performance Issues and Technical Problems Found in Four Complete Piano-Vocal Scores. A Vocal Accompanist’s Perspective." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/552.

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The objective of this essay is to study technical problems and performance issues in the piano-reduction accompaniments of three solo arias from Mozart’s Don Giovanni: “Or sai chi l’onore,” “Dalla sua pace la mia dipende,” and “Batti, batti, o bel Masetto.” This study is executed through the comparative analysis of the arias’ accompaniments from four piano-vocal score editions of the opera (Bärenreiter, G. Schirmer, Ricordi, and Boosey & Hawkes) with cross-reference to the full orchestral score (the Neue Mozart-Ausgabe). The essay contains a detailed presentation of the merits and flaws of eac

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Bedont, Robert James. "The Creation of a Performance Edition and Piano Reduction of Justus Johann Friedrich Dotzauer's VIII Variations for Bassoon and Orchestra, Op. 40." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311590.

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A review of the published music for solo bassoon suggests that there is relatively little solo literature for the instrument that dates from the late eighteenth and early nineteenth centuries. This document focuses on the creation of a modern performance edition and piano reduction of a recently uncovered work for solo bassoon and orchestra by Johann Dotzauer, VIII Variations for Bassoon and Orchestra, Op. 40 (originally published by Freiderich Hoffmeister Musikverlag in 1817).A comparison of Dotzauer's work with a comparable published work by Anton Reicha, reveals that the two works are simil

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Seligson, Robert Jan. "The Rapsodie for Orchestra and Saxophone by Claude Debussy: a Comparison of Two Performance Editions." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc330587/.

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This paper discusses the historical background of the Rapsodie for Orchestra and Saxophone by Claude Debussy and includes a comparison of two piano performance editions. Chapter I includes information on Elise Hall, her work with the Boston Orchestra Club and the circumstances of her commission of Claude Debussy which yielded the Rapsodie. Chapter II discusses the Editions Durand piano reduction and the reasons for its neglect by saxophone performers. This chapter includes a study of the techniques used by Eugene Rousseau to create his arrangement of the Rapsodie for saxophone and piano. The s

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Books on the topic "Orchestral reduction"

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Rossini, Gioacchino. Tancredi: Melodramma eroica in two acts : reduction forvoice and piano based on the critical edition of the orchestral score published by the Fondazione Rossini of Pesaro edited by Philip Gossett. G. Ricordi, 1991.

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Blok, Vladimir, and Tatiana Smirnova, eds. Concertino for Cello and Orchestra, op. 132: Cello and piano reduction. Boosey & Hawkes, 1999.

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Jost, Peter, and Kurt Guntner, eds. Symphonie Espagnole, Opus 21: Für Violine und Orchester : Klavierauszug = for violin and orchestra : piano reduction. G. Henle Verlag, 2001.

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Beethoven, Ludwig van. Piano Concertos Nos. 4 And 5 ("Emperor"): With Orchestral Reduction for Second Piano ("Emperor" : With Orchestral Reduction for Second Piano). Dover Publications, 1995.

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Schumann, Robert, and Edvard Grieg. Grieg and Schumann Piano Concertos: With Orchestral Reduction for Second Piano. Dover Publications, 1995.

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Liszt, Franz. Piano Concertos Nos. 1 and 2: With Orchestral Reduction for Second Piano. Dover Publications, 1996.

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Piano Concertos Nos. 1 And 2: With Orchestral Reduction for Second Piano. Dover Publications, 1999.

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Piano Concertos Nos. 20, 21 and 22: With Orchestral Reduction for Second Piano. Dover Publications, 1995.

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Bodley, Lorraine Byrne. Proserpina: Goethe's Melodrama with Music by Carl Eberwein, Orchestral Score, Piano Reduction, and Translation. Lang AG International Academic Publishers, Peter, 2020.

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Chopin, Frederic. Piano Concertos Nos. 1 And 2: With Orchestral Reduction for Second Piano: The Joseffy Edition. Dover Publications, 1997.

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Book chapters on the topic "Orchestral reduction"

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Seabra, Estela. "Understanding Gender Identities and Food Preferences to Increase the Consumption of a Plant-Based Diet With Heuristics." In Research Anthology on Food Waste Reduction and Alternative Diets for Food and Nutrition Security. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-5354-1.ch059.

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This chapter discerns existent food preferences and their correlation with women and men, and gender biases, in America. It then proposes a strategy to test the most efficient heuristics to nudge those more averse to a plant-based, sustainable diet. By understanding how negative biases can be reversed through the application of behavioral economics, the plant-based industry and American government can most effectively build marketing procedures to be employed in campaigns, menus, packaging, and media to portray sustainable diets as appealing for men and women, and important for environmental wellbeing. The study recognizes and navigates the irrationality of human preferences as actors in the food market. By accounting for gender norms, cultural roles, and subconscious behavior, it will effectively produce insight on the best heuristical approaches to cognitively orchestrate a wider acceptance, and consequent consumption, of plant-based foods.

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Conference papers on the topic "Orchestral reduction"

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Li, You, Christoph M. Wilk, Takeshi Hori, and Shigeki Sagayama. "Automatic Piano Reduction of Orchestral Music Based on Musical Entropy." In 2019 53rd Annual Conference on Information Sciences and Systems (CISS). IEEE, 2019. http://dx.doi.org/10.1109/ciss.2019.8693036.

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Synofzik, Thomas. "„Würde Sie’s zu sehr ermüden zu begleiten?“ – Clara Schumann als Lied- und Kammermusikpartnerin." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.82.

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80 percent of Clara Schumann‘s playbills in her complete collection of concert programmes (Robert-Schumann-Haus Zwickau) include vocal participation of solo singers, choirs or actors. The question is to which extent Clara Schumann used to accompany these vocal contributions herself on the piano. Only rarely are other accompanists named on the concert playbills, but evidence from concert reviews suggests that these vocal contributions normally served as rests for the solo pianist. Sometimes separate accompanists are named in the concert reviews. In orchestral concerts it was usually the conduct

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Telci, Ilker T., and Shesh R. Koirala. "Transient Impact of Valve Closure Times: Disagreements Between Design and Application." In ASME 2017 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/pvp2017-65728.

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Many pressurized liquid systems require emergency shut down procedures in order to prevent damage to the piping and components, environmental contamination and fire hazard. The emergency shutdowns (ESDs) are facilitated by fast closing on-off valves installed at various locations along the piping system. When these valves close they create transient pressure waves traveling through the pipe network. These waves can be reflected at the dead-ends or closed valves. At locations where the pressure decreases below the vapor pressure, liquid column separation followed by a rejoining can cause creati

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